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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

PDF Download • “Communion Refrain” (Polyphony) for Three Voices — with Psalm 117

Jeff Ostrowski · February 6, 2025

ULTON J. SHEEN often admonished his audience: “Don’t waste suffering.” In one of his talks he suggested—if memory serves—that sufferings not offered to the Lord constitute this world’s greatest tragedy. This applies in a special way to the conscientious choirmaster. You will face opposition. It’s crucial to offer each day to JESUS CHRIST as your first act each morning. Never turn on your phone until you’ve offered your day to our Redeemer! Offer up your sufferings, your joys, and even mundane “dumb” things like brushing your teeth. In a moment, I’ll explain why I mention this.

Stellar Psalm Setting • First, I’d like to share a terrific setting of PSALM 117. The entire setting is for three voices (except for one ‘divisi’ on the final system). Like many psalms, it could be used in various situations—but seems especially fitting for Holy Communion:

*  PDF Download • PSALM 117 for Three Voices
—With a polyphonic refrain based on a work by Father Guerrero (d. 1599).

Free rehearsal videos for each individual voice await you at #27466 .

(1 of 3) Expect Opposition • Conscientious choirmasters are in a rather funny position. Because we’re artists, we want to please. Deep down in our heart, we want our music to please everyone. Artists crave “approval” or “admiration” or “approbation”—and this is only natural. But the reality is, certain people will never be pleased. There will always be a certain percentage who prefer Britney Spears to Sebastian Bach.1

(2 of 3) Expect Opposition • The conscientious choirmaster must learn to expect nasty notes left on the organ bench signed by “anonymous.” You must learn to expect countless potshots and slander from others in your field (who are often jealous and deeply unhappy). Indeed, if you don’t face such opposition you haven’t yet “arrived.” Put such colleagues in the same category as pornography and dirty magazines—never think about them. Renew your good resolution and continue serving the Lord.

The same is true of a faithful priest; he must expect opposition. Suppose somebody comes to him and says: “Father, I think the Catholic Church ought to have female priests.” A bad priest—who craves human respect and approval—will say: “You’re right; I agree with you.” But a faithful priest preaches the truth in season & out of season (II Timothy 4:2). I realize this is “easier said than done,” especially for those who possess an artistic temperament.

(3 of 3) Expect Opposition • Father Isaac Jogues and his companions suffered unspeakable torture at the hands of the Iroquois for many weeks. The suffering they underwent was so dreadful, so atrocious, and so horrendous I’m not comfortable describing it. Moreover, when the day’s tortures were over, they were not even permitted to sleep. Their hands and feet were bound to the earth by means of stakes and all night long the Iroquois children would place burning coals on their bodies (!) laughing with glee when they weren’t able to shake them off.

Father Isaac Jogues and his companions considered such brutal and unspeakable treatment as part of their vocation. Indeed, Saint René Goupil and William Couture had an opportunity to escape but chose (!) to stay with the captured Hurons. They knew exactly what was in store for them—yet they chose to stay. How foolish we are if we fail to invoke the intercession of these saints every single day.

Conclusion • Next time you suffer calumny at the hands of a colleague or a parishioner—especially one whom you helped or showed kindness towards—try to remember Father Jogues and his companions, whom Dr. Scott Hahn calls “our older brothers and sisters in the Faith.”

1 For the record, that doesn’t mean such people are incapable of artistic development. In other words, someday they may realize Bach’s music has much greater “depth” than music by Britney Spears.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, PDF Download Tagged With: Dr Scott Hahn, Easy Polyphony For Amateurs, Father Isaac Jogues, Polyphony For Three Voices Last Updated: February 6, 2025

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Simplified” Keyboard Accompaniment (PDF)
    I’d much rather hear an organist play a simplified version correctly than listen to wrong notes. I invite you to download this simplified organ accompaniment for hymn #729 in the Father Brébeuf Hymnal. The hymn is “O Jesus Christ, Remember.” I’m toying with the idea of creating a whole bunch of these, to help amateur organists. The last one I uploaded was downloaded more than 1,900 times in a matter of hours—so there seems to be interest in such a project. For the record, this famous text by Oratorian priest, Father Edward Caswall (d. 1878) is often married to AURELIA, as it is in the Brébeuf Hymnal.
    —Jeff Ostrowski
    ‘Bogey’ of the Half-Educated: Paraphrase
    Father Adrian Porter, using the cracher dans la soupe example, did a praiseworthy job explaining the difference between ‘dynamic’ and ‘formal’ translation. This is something Monsignor Ronald Knox explained time and again—yet even now certain parties feign ignorance. I suppose there will always be people who pretend the only ‘valid’ translation of Mitigásti omnem iram tuam; avertísti ab ira indignatiónis tuæ… would be “You mitigated all ire of you; you have averted from your indignation’s ire.” Those who would defend such a translation suffer from an unfortunate malady. One of my professors called it “cognate on the brain.”
    —Jeff Ostrowski
    Father Cuthbert Lattey • “The Hebrew MSS”
    Father Cuthbert Lattey (d. 1954) wrote: “In a large number of cases the ancient Christian versions and some other ancient sources seem to have been based upon a better Hebrew text than that adopted by the rabbis for official use and alone suffered to survive. Sometimes, too, the cognate languages suggest a suitable meaning for which there is little or no support in the comparatively small amount of ancient Hebrew that has survived. The evidence of the metre is also at times so clear as of itself to furnish a strong argument; often it is confirmed by some other considerations. […] The Jewish copyists and their directors, however, seem to have lost the tradition of the metre at an early date, and the meticulous care of the rabbis in preserving their own official and traditional text (the ‘massoretic’ text) came too late, when the mischief had already been done.” • Msgr. Knox adds: “It seems the safest principle to follow the Latin—after all, St. Jerome will sometimes have had a better text than the Massoretes—except on the rare occasions when there is no sense to be extracted from the Vulgate at all.”
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of November (2025)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    Gospel Options for 2 November (“All Souls”)
    We’ve been told some bishops are suppressing the TLM because of “unity.” But is unity truly found in the MISSALE RECENS? For instance, on All Souls (2 November), any of these Gospel readings may be chosen, for any reason (or for no reason at all). The same is true of the Propria Missæ and other readings—there are countless options in the ORDINARY FORM. In other words, no matter which OF parish you attend on 2 November, you’ll almost certainly hear different propers and readings, to say nothing of different ‘styles’ of music. Where is the “unity” in all this? Indeed, the Second Vatican Council solemnly declared: “Even in the liturgy, the Church has no wish to impose a rigid uniformity in matters which do not implicate the faith or the good of the whole community.”
    —Corpus Christi Watershed
    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski

Random Quote

[to the executioner] Sir Thomas More: “I forgive you right readily.” [gives him a coin] “Be not afraid of your office; you send me to God.” Archbishop Cranmer: “You’re very sure of that, Sir Thomas?” More: “He will not refuse one who is so blithe to go to him.” [kneeling, he places his head on the chopping block]

— From “A Man for All Seasons” (1960 play by Robert Bolt)

Recent Posts

  • “Simplified” Keyboard Accompaniment (PDF)
  • ‘Bogey’ of the Half-Educated: Paraphrase
  • Father Cuthbert Lattey • “The Hebrew MSS”
  • Re: The People’s Mass Book (1974)
  • They did a terrible thing

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