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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

PDF Download • “Communion Refrain” (Polyphony) for Three Voices — with Psalm 117

Jeff Ostrowski · February 6, 2025

ULTON J. SHEEN often admonished his audience: “Don’t waste suffering.” In one of his talks he suggested—if memory serves—that sufferings not offered to the Lord constitute this world’s greatest tragedy. This applies in a special way to the conscientious choirmaster. You will face opposition. It’s crucial to offer each day to JESUS CHRIST as your first act each morning. Never turn on your phone until you’ve offered your day to our Redeemer! Offer up your sufferings, your joys, and even mundane “dumb” things like brushing your teeth. In a moment, I’ll explain why I mention this.

Stellar Psalm Setting • First, I’d like to share a terrific setting of PSALM 117. The entire setting is for three voices (except for one ‘divisi’ on the final system). Like many psalms, it could be used in various situations—but seems especially fitting for Holy Communion:

*  PDF Download • PSALM 117 for Three Voices
—With a polyphonic refrain based on a work by Father Guerrero (d. 1599).

Free rehearsal videos for each individual voice await you at #27466 .

(1 of 3) Expect Opposition • Conscientious choirmasters are in a rather funny position. Because we’re artists, we want to please. Deep down in our heart, we want our music to please everyone. Artists crave “approval” or “admiration” or “approbation”—and this is only natural. But the reality is, certain people will never be pleased. There will always be a certain percentage who prefer Britney Spears to Sebastian Bach.1

(2 of 3) Expect Opposition • The conscientious choirmaster must learn to expect nasty notes left on the organ bench signed by “anonymous.” You must learn to expect countless potshots and slander from others in your field (who are often jealous and deeply unhappy). Indeed, if you don’t face such opposition you haven’t yet “arrived.” Put such colleagues in the same category as pornography and dirty magazines—never think about them. Renew your good resolution and continue serving the Lord.

The same is true of a faithful priest; he must expect opposition. Suppose somebody comes to him and says: “Father, I think the Catholic Church ought to have female priests.” A bad priest—who craves human respect and approval—will say: “You’re right; I agree with you.” But a faithful priest preaches the truth in season & out of season (II Timothy 4:2). I realize this is “easier said than done,” especially for those who possess an artistic temperament.

(3 of 3) Expect Opposition • Father Isaac Jogues and his companions suffered unspeakable torture at the hands of the Iroquois for many weeks. The suffering they underwent was so dreadful, so atrocious, and so horrendous I’m not comfortable describing it. Moreover, when the day’s tortures were over, they were not even permitted to sleep. Their hands and feet were bound to the earth by means of stakes and all night long the Iroquois children would place burning coals on their bodies (!) laughing with glee when they weren’t able to shake them off.

Father Isaac Jogues and his companions considered such brutal and unspeakable treatment as part of their vocation. Indeed, Saint René Goupil and William Couture had an opportunity to escape but chose (!) to stay with the captured Hurons. They knew exactly what was in store for them—yet they chose to stay. How foolish we are if we fail to invoke the intercession of these saints every single day.

Conclusion • Next time you suffer calumny at the hands of a colleague or a parishioner—especially one whom you helped or showed kindness towards—try to remember Father Jogues and his companions, whom Dr. Scott Hahn calls “our older brothers and sisters in the Faith.”

1 For the record, that doesn’t mean such people are incapable of artistic development. In other words, someday they may realize Bach’s music has much greater “depth” than music by Britney Spears.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, PDF Download Tagged With: Dr Scott Hahn, Easy Polyphony For Amateurs, Father Isaac Jogues, Polyphony For Three Voices Last Updated: February 6, 2025

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski
    PDF • “Cantus Mariales” (192 pages)
    Andrea Leal has posted an absolutely pristine scan of CANTUS MARIALES (192 pages) which can be downloaded as a PDF file. To access this treasure, navigate to the frabjous article Andrea posted Monday. The file is being offered completely free of charge. The beginning pages of the book have something not to be missed: viz. a letter from Pope Saint Pius X to Dom Pothier, in which the pope calls Abbat Pothier “a man versed above all others in the science of liturgy, and to whom the cause of Gregorian chant is greatly indebted.”
    —Jeff Ostrowski
    Music List • (2nd Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 2nd Sunday of Lent (1 March 2026). If such a thing interests you, feel free to download it as a PDF file. This feast has magnificent propers. Its somber INTROIT is particularly striking—using a haunting tonality—but the COMMUNION with its fauxbourdon verses is also quite remarkable. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski

Quick Thoughts

    Extreme Unction
    Those who search Google for “CCCC MS 079” will discover high resolution images of a medieval Pontificale (“Cambridge, Corpus Christi College, MS 079”). One of the pages contains this absolutely gorgeous depiction of the Sacrament of Extreme Unction.
    —Corpus Christi Watershed
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

“The Church, which so long had preserved Latin consciously as a bond of unity, had quite suddenly decided to discard it as a useless encumbrance. With this rejection, and as an almost inevitable consequence, went out the window also the whole magnificent musical heritage of the Church. For when you change your language you also change your song. The Jewish exiles hanging their harps beside the waters of Babylon, so long ago, made that discovery.”

— Most Rev’d Robert J. Dwyer, Archbishop of Portland (26 October 1973)

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  • Fulton J. Sheen • “24-Hour Catechism”
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