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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

PDF Download • “Communion Refrain” (Polyphony) for Three Voices — with Psalm 117

Jeff Ostrowski · February 6, 2025

ULTON J. SHEEN often admonished his audience: “Don’t waste suffering.” In one of his talks he suggested—if memory serves—that sufferings not offered to the Lord constitute this world’s greatest tragedy. This applies in a special way to the conscientious choirmaster. You will face opposition. It’s crucial to offer each day to JESUS CHRIST as your first act each morning. Never turn on your phone until you’ve offered your day to our Redeemer! Offer up your sufferings, your joys, and even mundane “dumb” things like brushing your teeth. In a moment, I’ll explain why I mention this.

Stellar Psalm Setting • First, I’d like to share a terrific setting of PSALM 117. The entire setting is for three voices (except for one ‘divisi’ on the final system). Like many psalms, it could be used in various situations—but seems especially fitting for Holy Communion:

*  PDF Download • PSALM 117 for Three Voices
—With a polyphonic refrain based on a work by Father Guerrero (d. 1599).

Free rehearsal videos for each individual voice await you at #27466 .

(1 of 3) Expect Opposition • Conscientious choirmasters are in a rather funny position. Because we’re artists, we want to please. Deep down in our heart, we want our music to please everyone. Artists crave “approval” or “admiration” or “approbation”—and this is only natural. But the reality is, certain people will never be pleased. There will always be a certain percentage who prefer Britney Spears to Sebastian Bach.1

(2 of 3) Expect Opposition • The conscientious choirmaster must learn to expect nasty notes left on the organ bench signed by “anonymous.” You must learn to expect countless potshots and slander from others in your field (who are often jealous and deeply unhappy). Indeed, if you don’t face such opposition you haven’t yet “arrived.” Put such colleagues in the same category as pornography and dirty magazines—never think about them. Renew your good resolution and continue serving the Lord.

The same is true of a faithful priest; he must expect opposition. Suppose somebody comes to him and says: “Father, I think the Catholic Church ought to have female priests.” A bad priest—who craves human respect and approval—will say: “You’re right; I agree with you.” But a faithful priest preaches the truth in season & out of season (II Timothy 4:2). I realize this is “easier said than done,” especially for those who possess an artistic temperament.

(3 of 3) Expect Opposition • Father Isaac Jogues and his companions suffered unspeakable torture at the hands of the Iroquois for many weeks. The suffering they underwent was so dreadful, so atrocious, and so horrendous I’m not comfortable describing it. Moreover, when the day’s tortures were over, they were not even permitted to sleep. Their hands and feet were bound to the earth by means of stakes and all night long the Iroquois children would place burning coals on their bodies (!) laughing with glee when they weren’t able to shake them off.

Father Isaac Jogues and his companions considered such brutal and unspeakable treatment as part of their vocation. Indeed, Saint René Goupil and William Couture had an opportunity to escape but chose (!) to stay with the captured Hurons. They knew exactly what was in store for them—yet they chose to stay. How foolish we are if we fail to invoke the intercession of these saints every single day.

Conclusion • Next time you suffer calumny at the hands of a colleague or a parishioner—especially one whom you helped or showed kindness towards—try to remember Father Jogues and his companions, whom Dr. Scott Hahn calls “our older brothers and sisters in the Faith.”

1 For the record, that doesn’t mean such people are incapable of artistic development. In other words, someday they may realize Bach’s music has much greater “depth” than music by Britney Spears.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, PDF Download Tagged With: Dr Scott Hahn, Easy Polyphony For Amateurs, Father Isaac Jogues, Polyphony For Three Voices Last Updated: February 6, 2025

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    PDF Comparison Chart • “Serious Problems with the Lectionary Translation”
    EARS BEFORE truly revolutionary changes were introduced by the post-conciliar reformers, Evelyn Waugh wrote (on 16 August 1964) to John Cardinal Heenan: “I think that a vociferous minority has imposed itself on the hierarchy and made them believe that a popular demand existed where there was in fact not even a preference.” We ask the kind reader— indeed, we beg you—to realize that those of us born in the 1940s and 1950s had no cognizance of Roman activities during the 1960s and 1970s. We were concerned with making sure we had the day’s bus fare, graduating from high school, taking care of our siblings, learning a trade, getting a job, courting a spouse. We questioned neither the nuns nor the Church.1 Do not believe for one instant any of us were following the liturgical machinations of Cardinal Lercaro or Father Bugnini in real time. Setting The Stage • To never question or resist Church authorities is praiseworthy. On the other hand, when a scandalous situation persists for decades, it must be brought into focus. Our series will do precisely that as we discuss the Lectionary Scandal from a variety of angles. We don’t do this to attack the Catholic Church. Our goal is bringing to light what’s been going on, so it can be fixed once and for all. Our subject is extremely knotty and difficult to navigate. Its complexity helps explain why the situation has persisted for such a long time.2 But if we immediately get “into the weeds” we’ll lose our audience. Therefore, it seems better to jump right in. So today, we’ll explore the legality of selling these texts. A Word On Copyright • Suppose Susie modifies a paragraph by Edgar Allan Poe. That doesn’t mean ipso facto she can assert copyright on it. If Susie takes a picture of a Corvette and uses Photoshop to color the tires blue, that doesn’t mean she henceforth “owns” all Corvettes in America. But when it comes to Responsorial Psalm translations, certain parties have been asserting copyright over them, selling them for a profit, and bullying publishers vis-à-vis hymnals and missals. Increasingly, Catholics are asking whether these translations are truly under copyright—because they are identical (or substantially identical) to other translations.3 Example After Example • Our series will provide copious examples supporting our claims. Sometimes we’ll rely on the readership for assistance, because—as we’ve stressed—our subject’s history couldn’t be more convoluted. There are countless manuscripts (in Greek, Hebrew, and Latin) we don’t have access to, so it would be foolish for us to claim that our observations are somehow the ‘final word’ on anything. Nevertheless, we demand accountability. Catholics in the pews are the ones who paid for all this. We demand to know who specifically made these decisions (which impact every English-speaking Catholic) and why specifically certain decisions were made. The Responsorial Psalms used in America are—broadly speaking—stolen from the hard work of others. In particular, they borrowed heavily from Father Cuthbert Lattey’s 1939 PSALTER TRANSLATION:
    *  PDF Download • COMPARISON CHART —We thank the CCW staff for technical assistance with this graph.
    Analysis • Although certain parties have been selling (!!!) that translation for decades, the chart demonstrates it’s not a candidate for copyright since it “borrows” or “steals” or “rearranges” so much material from other translations, especially the 1939 translation by Father Cuthbert Lattey. What this means in layman’s terms is that individuals have been selling a translation under false pretenses, a translation they don’t own (although they claim to). To make RESTITUTION, all that money will have to be returned. A few years ago, the head of ICEL gave a public speech in which he said they give some of “their” profits to the poor. While almsgiving is a good thing, it cannot justify theft. Our Constant Theme • Our series will be held together by one thread, which will be repeated constantly: “Who was responsible?” Since 1970, the conduct of those who made a profit by selling these sacred texts has been repugnant. Favoritism was shown toward certain entities—and we will document that with written proof. It is absolutely essential going forward that the faithful be told who is making these decisions. Moreover, vague justifications can no longer be accepted. If we’re told they are “making the translations better,” we must demand to know what specifically they’re doing and what specific criteria they’re following. Stay Tuned • If you’re wondering whether we’ll address the forthcoming (allegedly) Lectionary and the so-called ABBEY PSALMS AND CANTICLES, have no fear. We’ll have much to say about both. Please stay tuned. We believe this will end up being the longest series of articles ever submitted to Corpus Christi Watershed. To be continued. ROBERT O’NEILL Former associate of Monsignor Francis “Frank” P. Schmitt at Boys Town in Nebraska JAMES ARNOLD Formerly associated w/ King’s College, Cambridge A convert to the Catholic Church, and distant relative of J. H. Arnold MARIA B. Currently serves as a musician in the Roman Catholic Diocese of Charlotte. Those aware of the situation in her diocese won’t be surprised she chose to withhold her last name.
    1 Even if we’d been able to obtain Roman journals such as NOTITIAE, none of them contained English translations. But such an idea would never have occurred to a high school student or a college student growing up in the 1960s. 2 A number of shell corporations claim to own the various biblical translations mandated for Roman Catholics. They’ve made millions of dollars selling (!) these indulgenced texts. If time permits, we hope to enumerate these various shell corporations and explain: which texts they claim to own; how much they bring in each year; who runs them; and so forth. It would also be good to explore the morality of selling these indulgenced texts for a profit. Furthermore, for the last fifty years these organizations have employed several tactics to manipulate and bully others. If time permits, we will expose those tactics (including written examples). Some of us—who have been working on this problem for three decades—have amassed written documentation we’ll be sharing that demonstrates behavior at best “shady” and at worst criminal. 3 Again, we are not yet examining the morality of selling (!) indulgenced texts to Catholics mandated to use those same translations.
    —Guest Author
    “Music List” • 17th in Ordinary Time (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 17th Sunday in Ordinary Time (27 July 2025). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the the feasts website.
    —Jeff Ostrowski
    Communion • “Ask & You Shall Receive”
    All of the chants for 27 July 2025 have been added to the feasts website, as usual under a convenient “drop down” menu. The COMMUNION ANTIPHON (both text and melody) are exceedingly beautiful and ancient.
    —Jeff Ostrowski

Quick Thoughts

    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed
    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed

Random Quote

“We must say it plainly: the Roman rite as we knew it exists no more. It has gone. Some walls of the structure have fallen, others have been altered—we can look at it as a ruin or as the partial foundation of a new building. Think back, if you remember it, to the Latin sung High Mass with Gregorian chant. Compare it with the modern post-Vatican II Mass. It is not only the words, but also the tunes and even certain actions that are different. In fact it is a different liturgy of the Mass.”

— Fr. Joseph Gelineau (1978)

Recent Posts

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  • “Music List” • 17th in Ordinary Time (Year C)
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  • Communion • “Ask & You Shall Receive”
  • Jeff’s Mother Joins Our Fundraiser

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