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Corpus Christi Watershed

Jesus said to them: “I have come into this world so that a sentence may fall upon it, that those who are blind should see, and those who see should become blind. If you were blind, you would not be guilty. It is because you protest, ‘We can see clearly,’ that you cannot be rid of your guilt.”

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Views from the Choir Loft

PDF Download • “Rare Hymnal” (1966) by Monsignor Hayburn and Others — 632 Pages!

Jeff Ostrowski · January 14, 2025

HERE’S SOMETHING an alien visiting from Mars wouldn’t understand about humans: viz. the satisfaction gained by overcoming obstacles. If something is “too easy,” we don’t appreciate it. For instance, someone who wins a million dollars in the lottery won’t feel the same satisfaction as someone who earned a million dollars through hard work. At the same time, it would be foolish (and possibly even sinful) for a church musician to spend weeks trying to produce a resource that’s already available. God does not want us to struggle so much that we become “overworked monsters” filled with resentment.

Take Advantage! • I personally believe that any serious church musician has an obligation to consider what could be gained by using the Brébeuf Hymnal. It eliminates so much stress! The time and energy saved by it can be spent elsewhere. There’s never enough time for the conscientious choirmaster—so it’s logical to take advantage of every excellent resource we can. Perhaps the most important advantage is how the Brébeuf accompaniment volumes (as well as the choral supplement books) notate each verse with musical notation.1

Affirmation • All of us appreciate “confirmation” of our beliefs. We recently scanned—and today release for the first time in history—a special hymnal out of print for sixty years. It was created by a team of editors which included Monsignor Robert F. Hayburn (who published an important book called Papal Legislation on Sacred Music in 1979). I was so pleased to notice that almost every selection was also included in the Brébeuf Catholic Hymnal—although the Brébeuf contains tons more hymns, since much of Hayburn’s 1966 book was devoted to reprinting the text of the Proprium Missae. I started to annotate each hymn that’s found in both Hayburn’s Hymnal and the Brébeuf Hymnal … but gave up after about sixty instances!

*  PDF Download • CATHOLIC HYMNAL & SERVICE BOOK—632 pages
—Msgr. Robert F. Hayburn; Msgr. Richard B. Curtin; Frank Campbell-Watson; Rev. Joseph R. Foley; et al.

Please note that this is a large download: 237MB.

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Contradictory • The 1960s were a confusing decade for Catholics, and many liturgical books from that period were self-contradictory. The 1966 book by Msgr. Hayburn is no exception. For example, the PREFACE brags about how many texts they tampered with, but the next paragraph says their committee decided never to tamper with any hymn texts!

1 Some people say: “I don’t need each verse written out because I’ve sung the same hymns over and over again since my youth—so I already have all the lyrics memorized.” I suppose that makes sense as far as it goes … but is that really what we’re called to do? Are we really called to repeat a handful of hymns over and over again? Isn’t it true that serious musicians never stop seeking excellent repertoire? More importantly, just because someone has a particular hymn committed to memory doesn’t mean everyone else has.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, PDF Download Tagged With: Catholic Hymnal and Service Book 1966, Frank Campbell-Watson, Monsignor Richard B Curtin, Monsignor Robert F Hayburn, Paulist Father Joseph R Foley Last Updated: January 14, 2025

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Music List” • 5th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 5th Sunday of Easter (18 May 2025). If such a thing interests you, feel free to download it as a PDF file. The Communion Antiphon was ‘restored’ the 1970 Missale Romanum (a.k.a. MISSALE RECENS) from an obscure martyr’s feast. Our choir is on break this Sunday, so the selections are relatively simple in nature.
    —Jeff Ostrowski
    Communion Chant (5th Sunday of Easter)
    This coming Sunday—18 May 2025—is the 5th Sunday of Easter, Year C (MISSALE RECENS). The COMMUNION ANTIPHON “Ego Sum Vitis Vera” assigned by the Church is rather interesting, because it comes from a rare martyr’s feast: viz. Saint Vitalis of Milan. It was never part of the EDITIO VATICANA, which is the still the Church’s official edition. As a result, the musical notation had to be printed in the Ordo Cantus Missae, which appeared in 1970.
    —Jeff Ostrowski
    “Music List” • 4th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 4th Sunday of Easter (11 May 2025). If such a thing interests you, feel free to download it as a PDF file. I don’t know a more gorgeous ENTRANCE CHANT than the one given there: Misericórdia Dómini Plena Est Terra.
    —Jeff Ostrowski

Quick Thoughts

    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt
    The Funeral Rites of the Graduale Romanum
    Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.
    —Daniel Tucker

Random Quote

“Oh, the happy choir director who is hired to start work on a brand new choir, or who walks into his first rehearsal a total stranger to the existing group—what a fortunate man he is! The new choir director who is a former member of the choir, or a member of the congregation, or the nephew of the alto soloist, or a former altar boy, or otherwise well acquainted with the choir, is in for a few headaches.”

— Paul Hume (1956)

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