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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

PDF Download • “Rare Hymnal” (1966) by Monsignor Hayburn and Others — 632 Pages!

Jeff Ostrowski · January 14, 2025

HERE’S SOMETHING an alien visiting from Mars wouldn’t understand about humans: viz. the satisfaction gained by overcoming obstacles. If something is “too easy,” we don’t appreciate it. For instance, someone who wins a million dollars in the lottery won’t feel the same satisfaction as someone who earned a million dollars through hard work. At the same time, it would be foolish (and possibly even sinful) for a church musician to spend weeks trying to produce a resource that’s already available. God does not want us to struggle so much that we become “overworked monsters” filled with resentment.

Take Advantage! • I personally believe that any serious church musician has an obligation to consider what could be gained by using the Brébeuf Hymnal. It eliminates so much stress! The time and energy saved by it can be spent elsewhere. There’s never enough time for the conscientious choirmaster—so it’s logical to take advantage of every excellent resource we can. Perhaps the most important advantage is how the Brébeuf accompaniment volumes (as well as the choral supplement books) notate each verse with musical notation.1

Affirmation • All of us appreciate “confirmation” of our beliefs. We recently scanned—and today release for the first time in history—a special hymnal out of print for sixty years. It was created by a team of editors which included Monsignor Robert F. Hayburn (who published an important book called Papal Legislation on Sacred Music in 1979). I was so pleased to notice that almost every selection was also included in the Brébeuf Catholic Hymnal—although the Brébeuf contains tons more hymns, since much of Hayburn’s 1966 book was devoted to reprinting the text of the Proprium Missae. I started to annotate each hymn that’s found in both Hayburn’s Hymnal and the Brébeuf Hymnal … but gave up after about sixty instances!

*  PDF Download • CATHOLIC HYMNAL & SERVICE BOOK—632 pages
—Msgr. Robert F. Hayburn; Msgr. Richard B. Curtin; Frank Campbell-Watson; Rev. Joseph R. Foley; et al.

Please note that this is a large download: 237MB.

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Contradictory • The 1960s were a confusing decade for Catholics, and many liturgical books from that period were self-contradictory. The 1966 book by Msgr. Hayburn is no exception. For example, the PREFACE brags about how many texts they tampered with, but the next paragraph says their committee decided never to tamper with any hymn texts!

1 Some people say: “I don’t need each verse written out because I’ve sung the same hymns over and over again since my youth—so I already have all the lyrics memorized.” I suppose that makes sense as far as it goes … but is that really what we’re called to do? Are we really called to repeat a handful of hymns over and over again? Isn’t it true that serious musicians never stop seeking excellent repertoire? More importantly, just because someone has a particular hymn committed to memory doesn’t mean everyone else has.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, PDF Download Tagged With: Catholic Hymnal and Service Book 1966, Frank Campbell-Watson, Monsignor Richard B Curtin, Monsignor Robert F Hayburn, Paulist Father Joseph R Foley Last Updated: January 14, 2025

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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President’s Corner

    PDF Download • “Offertory” for this Sunday
    This coming Sunday, 12 October 2025, is the 28th Sunday in Ordinary Time (Year C). Its OFFERTORY ANTIPHON (PDF) is gorgeous, and comes from the book of Esther, as did the ENTRANCE CHANT last Sunday. Depending on a variety of factors, various hand-missals (all with Imprimatur) translate this passage differently. For instance, “príncipis” can be rendered: King; Prince; Lion; or Fierce lord. None is “more correct” than another. It depends on what each translator wants to emphasize and which source text is chosen. All these pieces of plainsong are conveniently stored at the blue-ribbon feasts website.
    —Jeff Ostrowski
    Why A “Fugue” Here?
    I believe I know why this plainsong harmonizer created a tiny fugue as the INTRODUCTION to his accompaniment. Take a look (PDF example) and tell me your thoughts about what he did on the feast of the Flight of Our Lord Jesus Christ into Egypt (17 February). And now I must go because “tempus fugit” as they say!
    —Jeff Ostrowski
    “Reminder” — Month of October (2025)
    Those who don’t sign up for our free EMAIL NEWSLETTER miss important notifications. Last week, for example, I sent a message about this job opening for a music director paying $65,000 per year plus benefits (plus weddings & funerals). Notice the job description says: “our vision for sacred music is to move from singing at Mass to truly singing the Mass wherein … especially the propers, ordinaries, and dialogues are given their proper place.” Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski

Quick Thoughts

    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski
    “American Catholic Hymnal” (1991)
    The American Catholic Hymnal, with IMPRIMATUR granted (25 April 1991) by the Archdiocese of Chicago, is like a compendium of every horrible idea from the 1980s. Imagine being forced to stand all through Communion (even afterwards) when those self-same ‘enlightened’ liturgists moved the SEQUENCE before the Alleluia to make sure congregations wouldn’t have to stand during it. (Even worse, everything about the SEQUENCE—including its name—means it should follow the Alleluia.) And imagine endlessly repeating “Alleluia” during Holy Communion at every single Mass. It was all part of an effort to convince people that Holy Communion was historically a procession (which it wasn’t).
    —Jeff Ostrowski
    “Canonic” • Ralph Vaughan Williams
    Fifty years ago, Dr. Theodore Marier made available this clever arrangement (PDF) of “Come down, O love divine” by P. R. Dietterich. The melody was composed in 1906 by Ralph Vaughan Williams (d. 1958) and named in honor of of his birthplace: DOWN AMPNEY. The arrangement isn’t a strict canon, but it does remind one of a canon since the pipe organ employs “points of imitation.” The melody and text are #709 in the Brébeuf Catholic Hymnal.
    —Jeff Ostrowski

Random Quote

“If we continue to tolerate sad examples of liturgical abnormalities, experimentation, abuse, and simply poor-quality liturgies, why should we single out those connected to the ancient rites of the Church for special vigilance? It just doesn’t seem right.”

— An Example of a response (sent to Pope Francis) Re: the TLM

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