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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

“Imagine You’re Out of Rehearsal Time but Desperately Need a Hymn for Advent…”

Corrinne May · November 19, 2024

NE OF THE FIRST JOBS I took on after graduating from the Berklee College of Music in Boston and moving out west to Los Angeles involved teaching children at a music school. On that very first lesson, I sang them the ‘Alphabet Song’ and then sang them ‘Twinkle Twinkle Little Star’. Then I just played the melody on the piano and asked them to guess which song I was playing. Some shouted ‘Twinkle Twinkle!’ others yelled ‘Alphabet Song’. After a couple of rounds of ‘Guess which song?’ I asked them if they realized they were singing the same melody and that the only difference in those two songs was that the lyrics had changed. Their little eyes gleamed and their jaws dropped in that childlike way when kids realise that they just level-upped without any effort.1

Practical Crossover • That’s what it is like to sing with a common melody approach. This approach has helped me many times with my volunteer ensemble, the IMMACULATE HEART OF MARY CHOIR in Singapore. It means that we can learn one melody—with all the harmonies for SATB—and as the liturgical year continues I can use that same melody but choose a different hymn lyric to fit the liturgical season.

How This Works: “First Example”

The following hymn (‘Solemn Hymn To The Son Of God’) is in 77 77 metre and was written by Father Dominic Popplewell, FSSP. It’s an excellent hymn that can be used throughout the year:

To access this hymn’s media in the Brébeuf Portal, click here.

Crisis Averted! • Now imagine you’ve run out of rehearsal time but desperately need a hymn for the upcoming 1st Sunday of Advent: a hymn that your choir can sing with familiarity and with harmonies in SATB. Voila! Check out this hymn that is perfect for Advent.

To access this hymn’s media in the Brébeuf Portal, click here.

News From Michigan • I see that my colleague, Jeff Ostrowski, has started a volunteer choir at his new position in Michigan. Yesterday, he posted a ‘live’ recording with lyrics—different from either of those mentioned above—using the same ‘shared tune’ I’ve been focusing on. It’s an English translation of Die Parente Temporum, and it looks like he’s made good progress in just a few months:

To access this hymn’s media in the Brébeuf Portal, click here.

How This Works: “More Examples”

Or perhaps you need a hymn to commemorate the Holy Name of Jesus. Here is one you can turn to. All you need to do is just to change its lyrics to the melody I spoke of (see above). You can cut down on rehearsal time because your choir already knows this hymn and all the harmonies that go along with it. Besides, your choir members will love being able to learn their individual voice part with the free rehearsal videos that accompany this hymn, and you can save the time that you would have taken to rehearse those voice parts. Use that extra time to read a wonderful book like ‘The Spirit of the Liturgy’ by Pope Benedict XVI. The Brébeuf Hymnal also makes it easy for me to look up countless other options for hymn melodies. If I didn’t want this particular melody for the lyrics that I chose, I can always turn to the Brébeuf metrical index. Look for 77 77 and go through many other options for other tunes: ORIENTIS PARTIBUS; LLANFAIR; CULBACH; and so forth. (If the common melody approach is new to you, it’s best to initially begin with options written out in the Brébeuf Hymnal.) Here’s one for Easter with English translation by Robert Campbell of Skerrington, the same man who translated from Latin CONDITOR ALME SIDERUM (the hymn that we first looked at #194). With all these choices, it’s often hard to know which hymn to choose. Thank goodness there’s always the next liturgical season!

Personal Note • I should probably mention that I had such fun recording the vocals for the rehearsal videos of Hymn #194. I sang Soprano and Alto for the individual rehearsal videos.

1 Speaking of the ALPHABET SONG, did you know the Brébeuf Catholic Hymnal features a very special hymn wherein the author of the lyric wrote each new stanza beginning with a new alphabet? Every verse of the ABECEDARIUS by Sedulius (who lived in the 5th century) starts with a successive letter of the alphabet.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Common Hymn Melodies Last Updated: November 19, 2024

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About Corrinne May

Corrinne May is one of Singapore’s most celebrated singer-songwriters. She is also a wife and homeschooling mother.—(Read full biography).

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President’s Corner

    Music List • “5th Sunday of Easter” (Year A)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for the 5th Sunday of Easter Sunday—a.k.a. “Dominica V Paschae”—which is 3 May 2026. Please feel free to download it as a PDF file if such a thing interests you. The COMMUNION (“Tanto Témpore Vobíscum Sum”) is rather somber, with awesome fauxbourdon psalm verses. The ENTRANCE CHANT is bright and happy.
    —Jeff Ostrowski
    PDF Download • Communion for Sunday
    The COMMUNION ANTIPHON with fauxbourdon psalm verses for this coming Sunday (3 May 2026) is elegant and poignant. It’s such a shame it only comes every three years. This piece—along with all the musical scores for this coming Sunday, which is the 5th Sunday of Easter (Year A)—can be downloaded free of charge from the flourishing feasts website. By the way, how is it already 2026?
    —Jeff Ostrowski
    Season’s End Repertoire
    Looking at the REPERTOIRE SHEET until the end of the choral season, I see that I’ve fallen behind schedule. (The last three months have been extraordinarily busy.) As you know, I have been providing organ harmonies for all the ENTRANCE CHANTS—as well as rehearsal videos—and you can see I’m behind where I planned to be. Now I must make up lost ground. However, the choir picks up the ENTRANCE CHANT with ease, so I’m sure it will all work out. My ‘unofficial’ harmonizations are being posted each week at the flourishing feasts website.
    —Jeff Ostrowski

Quick Thoughts

    PDF Download • “Anima Christi”
    I received a request for an organ accompaniment I created way back in 2007 for the “Anima Christi” Gregorian Chant. You can download this PDF file which has the score in plainsong followed by a keyboard accompaniment. Many melodies have been paired with “Anima Christi” over the centuries, but this is—perhaps—the most common one.
    —Jeff Ostrowski
    PDF • “Liturgical Law” (467 Pages)
    On Good Friday during the middle ages, the pope privately recited THE ENTIRE PSALTER. If you don’t believe me, see for yourself by reading this passage by Dom Charles Augustine Bachofen (d. 1943). His famous book—called “Liturgical Law: A Handbook Of The Roman Liturgy”—was published by the Benjamin Herder Book Company, which was the American arm (operating out of St. Louis, Missouri) of one of the world’s most significant Catholic publishers. Dom Charles Augustine Bachofen was born in Switzerland but spent his career between the Benedictine monasteries at Conception (Missouri) and Mount Angel (Oregon). His 1931 masterpiece, Liturgical Law can be downloaded as a PDF file … 467 pages!
    —Jeff Ostrowski
    “Gregorian Chant Quiz” • 24 March 2026
    How well do you know your Gregorian hymns? Do you recognize the tune inserted into the bass line on this score? For many years, we sang the entire Mass in Gregorian chant—and I mean everything. As a result, it would be difficult to find a Gregorian hymn I don’t recognize instantly. Only decades later did I realize (with sadness) that this skill cannot be ‘monetized’… This particular melody is used for a very famous Gregorian hymn, printed in the LIBER USUALIS. Do you recognize it? Send me an email with the correct words, and I promise to tell everybody I meet about your prowess!
    —Jeff Ostrowski

Random Quote

“Abbat Pothier’s great accomplishment is having returned to the Catholic world—along with the traditional melody—the traditional way of performing it. The foundations laid by this providential man have been accepted by all those who practice Gregorian chant.”

— Dr. Peter Wagner (Commissionis Pontificiæ Gregorianæ Membrum)

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  • Season’s End Repertoire

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