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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

“Imagine You’re Out of Rehearsal Time but Desperately Need a Hymn for Advent…”

Corrinne May · November 19, 2024

NE OF THE FIRST JOBS I took on after graduating from the Berklee College of Music in Boston and moving out west to Los Angeles involved teaching children at a music school. On that very first lesson, I sang them the ‘Alphabet Song’ and then sang them ‘Twinkle Twinkle Little Star’. Then I just played the melody on the piano and asked them to guess which song I was playing. Some shouted ‘Twinkle Twinkle!’ others yelled ‘Alphabet Song’. After a couple of rounds of ‘Guess which song?’ I asked them if they realized they were singing the same melody and that the only difference in those two songs was that the lyrics had changed. Their little eyes gleamed and their jaws dropped in that childlike way when kids realise that they just level-upped without any effort.1

Practical Crossover • That’s what it is like to sing with a common melody approach. This approach has helped me many times with my volunteer ensemble, the IMMACULATE HEART OF MARY CHOIR in Singapore. It means that we can learn one melody—with all the harmonies for SATB—and as the liturgical year continues I can use that same melody but choose a different hymn lyric to fit the liturgical season.

How This Works: “First Example”

The following hymn (‘Solemn Hymn To The Son Of God’) is in 77 77 metre and was written by Father Dominic Popplewell, FSSP. It’s an excellent hymn that can be used throughout the year:

To access this hymn’s media in the Brébeuf Portal, click here.

Crisis Averted! • Now imagine you’ve run out of rehearsal time but desperately need a hymn for the upcoming 1st Sunday of Advent: a hymn that your choir can sing with familiarity and with harmonies in SATB. Voila! Check out this hymn that is perfect for Advent.

To access this hymn’s media in the Brébeuf Portal, click here.

News From Michigan • I see that my colleague, Jeff Ostrowski, has started a volunteer choir at his new position in Michigan. Yesterday, he posted a ‘live’ recording with lyrics—different from either of those mentioned above—using the same ‘shared tune’ I’ve been focusing on. It’s an English translation of Die Parente Temporum, and it looks like he’s made good progress in just a few months:

To access this hymn’s media in the Brébeuf Portal, click here.

How This Works: “More Examples”

Or perhaps you need a hymn to commemorate the Holy Name of Jesus. Here is one you can turn to. All you need to do is just to change its lyrics to the melody I spoke of (see above). You can cut down on rehearsal time because your choir already knows this hymn and all the harmonies that go along with it. Besides, your choir members will love being able to learn their individual voice part with the free rehearsal videos that accompany this hymn, and you can save the time that you would have taken to rehearse those voice parts. Use that extra time to read a wonderful book like ‘The Spirit of the Liturgy’ by Pope Benedict XVI. The Brébeuf Hymnal also makes it easy for me to look up countless other options for hymn melodies. If I didn’t want this particular melody for the lyrics that I chose, I can always turn to the Brébeuf metrical index. Look for 77 77 and go through many other options for other tunes: ORIENTIS PARTIBUS; LLANFAIR; CULBACH; and so forth. (If the common melody approach is new to you, it’s best to initially begin with options written out in the Brébeuf Hymnal.) Here’s one for Easter with English translation by Robert Campbell of Skerrington, the same man who translated from Latin CONDITOR ALME SIDERUM (the hymn that we first looked at #194). With all these choices, it’s often hard to know which hymn to choose. Thank goodness there’s always the next liturgical season!

Personal Note • I should probably mention that I had such fun recording the vocals for the rehearsal videos of Hymn #194. I sang Soprano and Alto for the individual rehearsal videos.

1 Speaking of the ALPHABET SONG, did you know the Brébeuf Catholic Hymnal features a very special hymn wherein the author of the lyric wrote each new stanza beginning with a new alphabet? Every verse of the ABECEDARIUS by Sedulius (who lived in the 5th century) starts with a successive letter of the alphabet.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Common Hymn Melodies Last Updated: November 19, 2024

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About Corrinne May

Corrinne May is one of Singapore’s most celebrated singer-songwriters. She is also a wife and homeschooling mother.—(Read full biography).

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President’s Corner

    Good Friday Flowers
    Good Friday has a series of prayers for various parties: the pope, catechumens, pagans, heretics, schismatics, and so forth. In the old liturgical books, there was no official ‘name’ for these prayers. (This wasn’t unusual as ‘headers’ and ‘titles’ for each section is a rather modern idea.) The Missal simply instructed the priest to go to the Epistle side and begin. In the SHERBORNE MISSAL, each prayer begins with a different—utterly spectacular—flower. This PDF file shows the first few prayers. Has anyone counted the ‘initial’ drop-cap flowers in the SHERBORNE MISSAL? Surely there are more than 1,000.
    —Jeff Ostrowski
    Music List • (3rd Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 3rd Sunday of Lent (8 March 2026). If such a thing interests you, feel free to download it as a PDF file. This feast has magnificent propers. Its stern INTROIT (“Óculi mei semper ad Dóminum”) is breathtaking, and the COMMUNION (“Qui bíberit aquam”) with its fauxbourdon verses is wonderful. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski

Quick Thoughts

    “Dies Irae” • A Monstrous Translation
    It isn’t easy to determine what Alice King MacGilton hoped to accomplish with her very popular book—A Study of Latin Hymns (1918)—which continued to be reprinted in new editions for at least 34 years. This PDF file shows her attempt to translate the DIES IRAE “in the fewest words possible.” There’s a place for dynamic equivalency, but this is repugnant. In particular, look what she does to “Quærens me sedísti lassus.”
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski
    Grotesque Pairing • “Passion Chorale”
    One of our rarest releases was undoubtably this PDF scan of the complete Pope Pius XII Hymnal (1959) by Father Joseph Roff, a student of Healey Willan. One of the scarcest titles in existence, this book was provided to us by Mr. Peter Meggison. Back in 2018, we scanned each page and uploaded it to our website, making it freely available to everyone. Readers are probably sick of hearing me say this, but just because we upload something that doesn’t necessarily mean it’s wonderful or worthy of imitation. We upload many publications precisely because they are ‘grotesque’, interesting, or revealing. Whereas the Brébeuf Catholic Hymnal had an editorial board that was careful and sensitive vis-à-vis pairing texts with tunes, the Pope Pius XII Hymnal (1959) seems to have been rather reckless in this regard. Please take a look at what they did with the PASSION CHORALE and see whether you agree.
    —Jeff Ostrowski

Random Quote

The ratio of voices in modern choirs is usually wrong. Basses should be numerically greatest, then altos, then tenors, then sopranos. One good soprano can carry a high “A” against 30 lower voices.

— Roger Wagner

Recent Posts

  • Good Friday Flowers
  • PDF Download • “Entrance Chant” for Holy Thursday (Plainsong in English)
  • “Dies Irae” • A Monstrous Translation
  • PDF Download • “Holy, Holy, Holy”
  • Music List • (3rd Sunday of Lent)

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