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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

PDF Download • “Entrance Chant” for this Coming Sunday (33rd Sunday in Ordinary Time)

Jeff Ostrowski · November 12, 2024

IKE OTHER WISE PRIESTS, Father Valentine Young (d. 2020) had phrases he liked to repeat. One of them was: “You can play 1,000 notes correctly on the pipe organ and hit one wrong note—and the people listening will only notice that wrong note.” I believe the point he was trying to make was: Don’t make the perfect the enemy of the good. The ENTRANCE CHANT for this coming Sunday—which is the 33rd Sunday in Ordinary Time, Year B—will be eminently familiar to those who love the MISSALE VESTUSTUM. That’s because it repeats over and over again at the end of the year (in the pre-conciliar calendar).

Jeff’s Mistake • I couldn’t help calling to mind the words of Father Valentine when I hit a wrong note in this week’s rehearsal video (see below). I can’t remove it now—so it will remain there in perpetuity.1 How good are your ears? Are you able to pinpoint my error?

*  PDF Download • Singer’s Score (Treble Clef)
*  PDF Download • ORGAN ACCOMPANIMENT (2 Pages)

Here’s the direct URL link.

Don’t Tell Anyone Else! • I probably shouldn’t admit this publicly, but I find it rather beautiful that the Novus Ordo does not repeat the same propers over and over again. Instead, it assigns ‘forgotten’ introits from the Ember Days of Lent and September. On the other hand, I hope nobody will jump to the conclusion that I dislike the famous Dicit Dominus. (Nothing could be further from the truth.) The “arrangement” or “English adaptation” or “plainchant setting” by the CHAUMONOT COMPOSERS GROUP mimics the original in a way that’s absolutely spectacular.

That being said, Mode 6 (the “peaceful” mode) is best used sparingly. If it’s used too much, it gets boring. But when used sparingly it’s fantastic. If you’ve heard “LAUDATE DOMINUM OMNES GENTES” sung in Gregorian Chant, odds are you’ve heard Mode 6. There’s nothing quite like Mode 6. It has its own special feel.

1 Speaking of errors, in one of the messages that got sent out to the mailing list, it incorrectly said 23rd instead of 33rd. In my defense, it is the 23rd in the pre-conciliar calendar. Typos are the bane of my existence. I wish I could always do everything 100% perfectly. If you notice typos in any of our articles, please feel free to let us know!

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, PDF Download Last Updated: November 12, 2024

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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President’s Corner

    Good Friday Flowers
    Good Friday has a series of prayers for various parties: the pope, catechumens, pagans, heretics, schismatics, and so forth. In the old liturgical books, there was no official ‘name’ for these prayers. (This wasn’t unusual as ‘headers’ and ‘titles’ for each section is a rather modern idea.) The Missal simply instructed the priest to go to the Epistle side and begin. In the SHERBORNE MISSAL, each prayer begins with a different—utterly spectacular—flower. This PDF file shows the first few prayers. Has anyone counted the ‘initial’ drop-cap flowers in the SHERBORNE MISSAL? Surely there are more than 1,000.
    —Jeff Ostrowski
    Music List • (3rd Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 3rd Sunday of Lent (8 March 2026). If such a thing interests you, feel free to download it as a PDF file. This feast has magnificent propers. Its stern INTROIT (“Óculi mei semper ad Dóminum”) is breathtaking, and the COMMUNION (“Qui bíberit aquam”) with its fauxbourdon verses is wonderful. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski

Quick Thoughts

    “Dies Irae” • A Monstrous Translation
    It isn’t easy to determine what Alice King MacGilton hoped to accomplish with her very popular book—A Study of Latin Hymns (1918)—which continued to be reprinted in new editions for at least 34 years. This PDF file shows her attempt to translate the DIES IRAE “in the fewest words possible.” There’s a place for dynamic equivalency, but this is repugnant. In particular, look what she does to “Quærens me sedísti lassus.”
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski
    Grotesque Pairing • “Passion Chorale”
    One of our rarest releases was undoubtably this PDF scan of the complete Pope Pius XII Hymnal (1959) by Father Joseph Roff, a student of Healey Willan. One of the scarcest titles in existence, this book was provided to us by Mr. Peter Meggison. Back in 2018, we scanned each page and uploaded it to our website, making it freely available to everyone. Readers are probably sick of hearing me say this, but just because we upload something that doesn’t necessarily mean it’s wonderful or worthy of imitation. We upload many publications precisely because they are ‘grotesque’, interesting, or revealing. Whereas the Brébeuf Catholic Hymnal had an editorial board that was careful and sensitive vis-à-vis pairing texts with tunes, the Pope Pius XII Hymnal (1959) seems to have been rather reckless in this regard. Please take a look at what they did with the PASSION CHORALE and see whether you agree.
    —Jeff Ostrowski

Random Quote

“With all the powers of modern music open to him, from romanticism through French impressionism to the German and Russian modernists, he is yet able to confine all these contradictory forces on the groundwork of the Gregorian tradition.”

— Theodor Rehmann (on Msgr. Jules Van Nuffel)

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  • “Dies Irae” • A Monstrous Translation

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