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Jesus said to them: “I have come into this world so that a sentence may fall upon it, that those who are blind should see, and those who see should become blind. If you were blind, you would not be guilty. It is because you protest, ‘We can see clearly,’ that you cannot be rid of your guilt.”

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Views from the Choir Loft

PDF Download • “Entrance Chant” for this Coming Sunday (33rd Sunday in Ordinary Time)

Jeff Ostrowski · November 12, 2024

IKE OTHER WISE PRIESTS, Father Valentine Young (d. 2020) had phrases he liked to repeat. One of them was: “You can play 1,000 notes correctly on the pipe organ and hit one wrong note—and the people listening will only notice that wrong note.” I believe the point he was trying to make was: Don’t make the perfect the enemy of the good. The ENTRANCE CHANT for this coming Sunday—which is the 33rd Sunday in Ordinary Time, Year B—will be eminently familiar to those who love the MISSALE VESTUSTUM. That’s because it repeats over and over again at the end of the year (in the pre-conciliar calendar).

Jeff’s Mistake • I couldn’t help calling to mind the words of Father Valentine when I hit a wrong note in this week’s rehearsal video (see below). I can’t remove it now—so it will remain there in perpetuity.1 How good are your ears? Are you able to pinpoint my error?

*  PDF Download • Singer’s Score (Treble Clef)
*  PDF Download • ORGAN ACCOMPANIMENT (2 Pages)

Here’s the direct URL link.

Don’t Tell Anyone Else! • I probably shouldn’t admit this publicly, but I find it rather beautiful that the Novus Ordo does not repeat the same propers over and over again. Instead, it assigns ‘forgotten’ introits from the Ember Days of Lent and September. On the other hand, I hope nobody will jump to the conclusion that I dislike the famous Dicit Dominus. (Nothing could be further from the truth.) The “arrangement” or “English adaptation” or “plainchant setting” by the CHAUMONOT COMPOSERS GROUP mimics the original in a way that’s absolutely spectacular.

That being said, Mode 6 (the “peaceful” mode) is best used sparingly. If it’s used too much, it gets boring. But when used sparingly it’s fantastic. If you’ve heard “LAUDATE DOMINUM OMNES GENTES” sung in Gregorian Chant, odds are you’ve heard Mode 6. There’s nothing quite like Mode 6. It has its own special feel.

1 Speaking of errors, in one of the messages that got sent out to the mailing list, it incorrectly said 23rd instead of 33rd. In my defense, it is the 23rd in the pre-conciliar calendar. Typos are the bane of my existence. I wish I could always do everything 100% perfectly. If you notice typos in any of our articles, please feel free to let us know!

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, PDF Download Last Updated: November 12, 2024

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Common” Responsorial Psalm?
    I try to avoid arguing about liturgical legislation (even with Catholic priests) because it seems like many folks hold certain views—and nothing will ever persuade them to believe differently. You can show them 100 church documents, but it matters not. They won’t budge. But sometimes I’m confronted by people who insist that “there’s no such thing” as a COMMON RESPONSORIAL PSALM. When that happens, I show them a copy of the official legislation in Latin. I have occasionally prevailed by means of this method.
    —Jeff Ostrowski
    “Music List” • 5th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 5th Sunday of Easter (18 May 2025). If such a thing interests you, feel free to download it as a PDF file. The Communion Antiphon was ‘restored’ the 1970 Missale Romanum (a.k.a. MISSALE RECENS) from an obscure martyr’s feast. Our choir is on break this Sunday, so the selections are relatively simple in nature.
    —Jeff Ostrowski
    Communion Chant (5th Sunday of Easter)
    This coming Sunday—18 May 2025—is the 5th Sunday of Easter, Year C (MISSALE RECENS). The COMMUNION ANTIPHON “Ego Sum Vitis Vera” assigned by the Church is rather interesting, because it comes from a rare martyr’s feast: viz. Saint Vitalis of Milan. It was never part of the EDITIO VATICANA, which is the still the Church’s official edition. As a result, the musical notation had to be printed in the Ordo Cantus Missae, which appeared in 1970.
    —Jeff Ostrowski

Quick Thoughts

    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt
    The Funeral Rites of the Graduale Romanum
    Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.
    —Daniel Tucker

Random Quote

“It is very curious, rather barbarous, much too ornate, immeasurably less dignified than ours now, anything in the world rather than archaic or primitive.”

— Fr. Fortescue describing the “Sarum Use” in 1912

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