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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

PDF Download • “Entrance Chant” for this Coming Sunday (33rd Sunday in Ordinary Time)

Jeff Ostrowski · November 12, 2024

IKE OTHER WISE PRIESTS, Father Valentine Young (d. 2020) had phrases he liked to repeat. One of them was: “You can play 1,000 notes correctly on the pipe organ and hit one wrong note—and the people listening will only notice that wrong note.” I believe the point he was trying to make was: Don’t make the perfect the enemy of the good. The ENTRANCE CHANT for this coming Sunday—which is the 33rd Sunday in Ordinary Time, Year B—will be eminently familiar to those who love the MISSALE VESTUSTUM. That’s because it repeats over and over again at the end of the year (in the pre-conciliar calendar).

Jeff’s Mistake • I couldn’t help calling to mind the words of Father Valentine when I hit a wrong note in this week’s rehearsal video (see below). I can’t remove it now—so it will remain there in perpetuity.1 How good are your ears? Are you able to pinpoint my error?

*  PDF Download • Singer’s Score (Treble Clef)
*  PDF Download • ORGAN ACCOMPANIMENT (2 Pages)

Here’s the direct URL link.

Don’t Tell Anyone Else! • I probably shouldn’t admit this publicly, but I find it rather beautiful that the Novus Ordo does not repeat the same propers over and over again. Instead, it assigns ‘forgotten’ introits from the Ember Days of Lent and September. On the other hand, I hope nobody will jump to the conclusion that I dislike the famous Dicit Dominus. (Nothing could be further from the truth.) The “arrangement” or “English adaptation” or “plainchant setting” by the CHAUMONOT COMPOSERS GROUP mimics the original in a way that’s absolutely spectacular.

That being said, Mode 6 (the “peaceful” mode) is best used sparingly. If it’s used too much, it gets boring. But when used sparingly it’s fantastic. If you’ve heard “LAUDATE DOMINUM OMNES GENTES” sung in Gregorian Chant, odds are you’ve heard Mode 6. There’s nothing quite like Mode 6. It has its own special feel.

1 Speaking of errors, in one of the messages that got sent out to the mailing list, it incorrectly said 23rd instead of 33rd. In my defense, it is the 23rd in the pre-conciliar calendar. Typos are the bane of my existence. I wish I could always do everything 100% perfectly. If you notice typos in any of our articles, please feel free to let us know!

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, PDF Download Last Updated: November 12, 2024

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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President’s Corner

    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski
    PDF • “Cantus Mariales” (192 pages)
    Andrea Leal has posted an absolutely pristine scan of CANTUS MARIALES (192 pages) which can be downloaded as a PDF file. To access this treasure, navigate to the frabjous article Andrea posted Monday. The file is being offered completely free of charge. The beginning pages of the book have something not to be missed: viz. a letter from Pope Saint Pius X to Dom Pothier, in which the pope calls Abbat Pothier “a man versed above all others in the science of liturgy, and to whom the cause of Gregorian chant is greatly indebted.”
    —Jeff Ostrowski
    Music List • (2nd Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 2nd Sunday of Lent (1 March 2026). If such a thing interests you, feel free to download it as a PDF file. This feast has magnificent propers. Its somber INTROIT is particularly striking—using a haunting tonality—but the COMMUNION with its fauxbourdon verses is also quite remarkable. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski

Quick Thoughts

    Extreme Unction
    Those who search Google for “CCCC MS 079” will discover high resolution images of a medieval Pontificale (“Cambridge, Corpus Christi College, MS 079”). One of the pages contains this absolutely gorgeous depiction of the Sacrament of Extreme Unction.
    —Corpus Christi Watershed
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

“We decided to entrust this work to learned men of our selection. They very carefully collated all their work with the ancient codices in Our Vatican Library and with reliable, preserved or emended codices from elsewhere. Besides this, these men consulted the works of ancient and approved authors concerning the same sacred rites; and thus they have restored the Missal itself to the original form and rite of the holy Fathers.”

— ‘Pope St. Pius V (Quo Primum, 1570)’

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  • Fulton J. Sheen • “24-Hour Catechism”
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