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Views from the Choir Loft

PDF Download • “Entrance Chant” for this Coming Sunday (33rd Sunday in Ordinary Time)

Jeff Ostrowski · November 12, 2024

IKE OTHER WISE PRIESTS, Father Valentine Young (d. 2020) had phrases he liked to repeat. One of them was: “You can play 1,000 notes correctly on the pipe organ and hit one wrong note—and the people listening will only notice that wrong note.” I believe the point he was trying to make was: Don’t make the perfect the enemy of the good. The ENTRANCE CHANT for this coming Sunday—which is the 33rd Sunday in Ordinary Time, Year B—will be eminently familiar to those who love the MISSALE VESTUSTUM. That’s because it repeats over and over again at the end of the year (in the pre-conciliar calendar).

Jeff’s Mistake • I couldn’t help calling to mind the words of Father Valentine when I hit a wrong note in this week’s rehearsal video (see below). I can’t remove it now—so it will remain there in perpetuity.1 How good are your ears? Are you able to pinpoint my error?

*  PDF Download • Singer’s Score (Treble Clef)
*  PDF Download • ORGAN ACCOMPANIMENT (2 Pages)

Here’s the direct URL link.

Don’t Tell Anyone Else! • I probably shouldn’t admit this publicly, but I find it rather beautiful that the Novus Ordo does not repeat the same propers over and over again. Instead, it assigns ‘forgotten’ introits from the Ember Days of Lent and September. On the other hand, I hope nobody will jump to the conclusion that I dislike the famous Dicit Dominus. (Nothing could be further from the truth.) The “arrangement” or “English adaptation” or “plainchant setting” by the CHAUMONOT COMPOSERS GROUP mimics the original in a way that’s absolutely spectacular.

That being said, Mode 6 (the “peaceful” mode) is best used sparingly. If it’s used too much, it gets boring. But when used sparingly it’s fantastic. If you’ve heard “LAUDATE DOMINUM OMNES GENTES” sung in Gregorian Chant, odds are you’ve heard Mode 6. There’s nothing quite like Mode 6. It has its own special feel.

1 Speaking of errors, in one of the messages that got sent out to the mailing list, it incorrectly said 23rd instead of 33rd. In my defense, it is the 23rd in the pre-conciliar calendar. Typos are the bane of my existence. I wish I could always do everything 100% perfectly. If you notice typos in any of our articles, please feel free to let us know!

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, PDF Download Last Updated: November 12, 2024

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    14th Sunday in Ordinary Time (Year C)
    Our choir is on break during the month of July. However, on the feasts website, the chants have been posted for the 14th Sunday in Ordinary Time (Year C), which is this coming Sunday: 6 July 2025.
    —Jeff Ostrowski
    Bugnini’s Statement (6 November 1966)
    With each passing day, more is revealed about how the enemies of the liturgy accomplished their goals. For instance, Hannibal Bugnini deeply resented the way Vatican II said Gregorian Chant “must be given first place in liturgical services.” On 6 November 1966, his cadre wrote a letter attempting to justify the elimination of Gregorian Chant with this brazen statement: “What really gives a Mass its tone is not so much the songs as it is the prayers and readings.” Bugnini’s cadre then attacked the very heart of Gregorian Chant (viz. the Proprium Missae), bemoaning how the Proprium Missae “is completely new each Sunday and feast day.” There is much more to be said about this topic. Stay tuned.
    —Jeff Ostrowski
    Luis Martínez Must Go!
    Sevilla Cathedral (entry dated 13 December 1564): The chapter orders Luis Martínez, a cathedral chaplain, to stay away from the choirbook-stand when the rest of the singers gather around it to sing polyphony—the reason being that “he throws the others out of tune.” [Excerpt from “The Life of Father Francisco Guerrero.”]
    —Jeff Ostrowski

Quick Thoughts

    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed
    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed

Random Quote

“Since the English is not meant to be sung—but only to tell people who do not understand Latin what the hymn text means—a simple paraphrase in prose is sufficient. The versions are not always very literal. (Literal translations from Latin hymns would often look odd in English.) I have tried to give in a readable, generally rhythmic form the real meaning of the text.”

— Father Adrian Fortescue (d. 1923)

Recent Posts

  • 14th Sunday in Ordinary Time (Year C)
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  • Boston Auxiliary Bishop: “In offering the Traditional Mass for the first time, after removing the vestments, I knelt in the back pew and wept.”
  • Now Available! • “Hymns of Cardinal Newman: Kevin Allen’s Legendary Choral Settings”
  • Bugnini’s Statement (6 November 1966)

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