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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

“Entrance Chant” for this Coming Sunday • Jeff Attempts to Accompany Himself on the Organ

Jeff Ostrowski · November 6, 2024

EADERS MIGHT BE surprised to learn about the “hidden crosses” associated with running a blog. For one thing, we’re in the public eye. As a result, we become a target for mentally-ill church musicians with too much time on their hands. Although we’re frequently the recipients of defamation, we cannot defend ourselves.1 On a personal level, I’ve accumulated several ‘shadows’ who follow me wherever I go. Have you heard the shadow rhyme?

I have a little shadow that goes in and out with me,
and what can be the use of him is more than I can see.

These ‘shadows’ become obsessed with me and besmirch my reputation wherever they can, relentlessly lying about me on internet forums, Twitter, Facebook, Instagram, and so forth. Unpleasantness like this is, unfortunately, the cost of doing business.

Curiosity Killed The Cat • Here’s another example: we sometimes publish emails we receive, but (for the sake of anonymity) we withhold actual names. Whenever we do this, certain people accuse us of creating ‘fake’ letters. Others can’t resist wild speculation about the true identity of our correspondents, and end up arriving at false conclusions. Quite literally, we are “damned if we do damned if we don’t.”

Other Side Of The Coin • But being involved with this blog also brings rich rewards. I truly believe that singing CARMEN GREGORIANUM lifts one’s spirits in a way nothing short of miraculous. Do you agree or disagree? For example, the ENTRANCE CHANT for this coming Sunday is an absolute delight. Playing it on the organ makes me feel happy:

*  PDF Download • Singer’s Score (Treble Clef)
*  PDF Download • ORGAN ACCOMPANIMENT (2 Pages)

Here’s the direct URL link.

Females Need Not Apply? • Anyone familiar with True Crime television knows the FBI creates “profiles” of criminals whom police are trying to apprehend. When the criminal finally gets caught, 9 out of 10 times the FBI had described him perfectly. I mentioned earlier that I’ve picked up several shadows—i.e. stalkers who are obsessed with me and take every opportunity to besmirch my reputation online. (One in particular has been ‘after me’ since I lived in Texas and shows no signs of relenting.) The other day, I realized something: 100% of these malicious ‘shadows’ are men and 100% are unmarried. (Not one of them is female.) I suppose that’s why they have so much time on their hands!

Today’s Lesson • If you plan on running a blog, expect this kind of thing. Plan for it. Factor it into the equation. As Archbishop Sheen used to say: “Count the costs!” Know that for every 1 email you receive praising your work you’ll receive 100 attacking your efforts. Each morning, before you turn on your phone, make a daily offering. Monsignor Skeris used to secretly offer Mass for his enemies. Indeed, great saints like Father Isaac Jogues rejoiced when they were given the opportunity to do kind acts for the very people who had tortured them without mercy. May God grant us the grace to imitate them!

Apel Addendum • This Sunday’s Introit in Latin (“Intret Oratio”) was cited by Willi Apel as an example of “tonal instability.” Here’s what he had to say:

1 Numerous factors make it inadvisable, unwise, and impossible for us to defend ourselves. For one thing, it would require immense amounts of time and energy—two things we lack. Also, a serious person knows to adhere always to the famous maxim: “Never wrestle with pigs. You both get dirty … and the pig likes it.” But it can be difficult to remain silent—especially when the slander is utterly preposterous and easily refuted.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, PDF Download Tagged With: Carmen Gregorianum, Chaumonot Composers Group, Chaumonot Entrance Chant Collection, Intret Oratio Willi Apel, Tonal Instability Willi Apel Last Updated: November 7, 2024

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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President’s Corner

    PDF Download • “Atténde Dómine”
    Although it isn’t nearly as ancient as other hymns in the plainsong repertoire, Atténde Dómine, et miserére, quía peccávimus tíbi (“Look down, O Lord, and have mercy, for we have sinned against Thee”) has become one of the most popular hymns for LENT—perhaps because it was included in the famous Liber Usualis of Solesmes. This musical score (PDF file) has an incredibly accurate version in English, as well as a nice version in Spanish, and also the original Latin. Although I don’t claim to have a great singing voice, this morning I recorded this rehearsal video.
    —Jeff Ostrowski
    Music List • (1st Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I’ve prepared for this coming Sunday—22 February 2026—the 1st Sunday of Lent (Year A). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the outstanding feasts website alongside the official texts in Latin. I spent an enormous amount of time preparing this ORDER OF MUSIC—because the children’s choir will join us—and some of its components came out great. For example, the COMMUNION ANTIPHON with Fauxbourdon is utterly resplendent, yet still ‘Lenten’.
    —Jeff Ostrowski
    2-Voice Arrangement for Lent
    Those seeking a two-voice arrangement for LENT and PASSIONTIDE should click here and scroll down. It’s based on number 775 in the Brébeuf Hymnal, with an enchanting melody written by Kevin Allen (the legendary American composer of sacred music). That text—“Pendens In Crucis Cornibus”—is often used for the Feast of our Lady of Sorrows. That link is important because, in addition to the musical score, it provides free rehearsal videos for each individual voice: something volunteer choirs appreciate!
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of Febr. (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

To end an impropriety, noticed particularly at orchestral Vespers, when two or three Psalms are sung with full orchestra, and then the other Psalms and the Hymn are rapidly hurried through with organ accompaniment only […] we order that at Mass all portions of the text, including “Agnus Dei,” be sung with orchestral accompaniment. […] Moreover, the musicians are not allowed to put the instruments away and leave their places before the conclusion of the sacred function.

— Cardinal Patrizi (18 November 1856)

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