• Skip to primary navigation
  • Skip to main content
  • Skip to primary sidebar

Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

  • Donate
  • Our Team
    • Our Editorial Policy
    • Who We Are
    • How To Contact Us
    • Sainte Marie Bulletin Articles
    • Jeff’s Mom Joins Fundraiser
  • Pew Resources
    • Brébeuf Catholic Hymnal
    • Jogues Illuminated Missal
    • Repository • “Spanish Music”
    • KYRIALE • Saint Antoine Daniel
    • Campion Missal, 3rd Edition
  • MUSICAL WEBSITES
    • René Goupil Gregorian Chant
    • Noël Chabanel Psalms
    • Nova Organi Harmonia (2,279 pages)
    • Roman Missal, 3rd Edition
    • Catechism of Gregorian Rhythm
    • Father Enemond Massé Manuscripts
    • Lalemant Polyphonic
    • Feasts Website
  • Miscellaneous
    • Site Map
    • Secrets of the Conscientious Choirmaster
    • “Wedding March” for lazy organists
    • Emporium Kevin Allen
    • Saint Jean de Lalande Library
    • Sacred Music Symposium 2023
    • The Eight Gregorian Modes
    • Gradual by Pothier’s Protégé
    • Seven (7) Considerations
Views from the Choir Loft

“Entrance Chant” for this Coming Sunday • Jeff Attempts to Accompany Himself on the Organ

Jeff Ostrowski · November 6, 2024

EADERS MIGHT BE surprised to learn about the “hidden crosses” associated with running a blog. For one thing, we’re in the public eye. As a result, we become a target for mentally-ill church musicians with too much time on their hands. Although we’re frequently the recipients of defamation, we cannot defend ourselves.1 On a personal level, I’ve accumulated several ‘shadows’ who follow me wherever I go. Have you heard the shadow rhyme?

I have a little shadow that goes in and out with me,
and what can be the use of him is more than I can see.

These ‘shadows’ become obsessed with me and besmirch my reputation wherever they can, relentlessly lying about me on internet forums, Twitter, Facebook, Instagram, and so forth. Unpleasantness like this is, unfortunately, the cost of doing business.

Curiosity Killed The Cat • Here’s another example: we sometimes publish emails we receive, but (for the sake of anonymity) we withhold actual names. Whenever we do this, certain people accuse us of creating ‘fake’ letters. Others can’t resist wild speculation about the true identity of our correspondents, and end up arriving at false conclusions. Quite literally, we are “damned if we do damned if we don’t.”

Other Side Of The Coin • But being involved with this blog also brings rich rewards. I truly believe that singing CARMEN GREGORIANUM lifts one’s spirits in a way nothing short of miraculous. Do you agree or disagree? For example, the ENTRANCE CHANT for this coming Sunday is an absolute delight. Playing it on the organ makes me feel happy:

*  PDF Download • Singer’s Score (Treble Clef)
*  PDF Download • ORGAN ACCOMPANIMENT (2 Pages)

Here’s the direct URL link.

Females Need Not Apply? • Anyone familiar with True Crime television knows the FBI creates “profiles” of criminals whom police are trying to apprehend. When the criminal finally gets caught, 9 out of 10 times the FBI had described him perfectly. I mentioned earlier that I’ve picked up several shadows—i.e. stalkers who are obsessed with me and take every opportunity to besmirch my reputation online. (One in particular has been ‘after me’ since I lived in Texas and shows no signs of relenting.) The other day, I realized something: 100% of these malicious ‘shadows’ are men and 100% are unmarried. (Not one of them is female.) I suppose that’s why they have so much time on their hands!

Today’s Lesson • If you plan on running a blog, expect this kind of thing. Plan for it. Factor it into the equation. As Archbishop Sheen used to say: “Count the costs!” Know that for every 1 email you receive praising your work you’ll receive 100 attacking your efforts. Each morning, before you turn on your phone, make a daily offering. Monsignor Skeris used to secretly offer Mass for his enemies. Indeed, great saints like Father Isaac Jogues rejoiced when they were given the opportunity to do kind acts for the very people who had tortured them without mercy. May God grant us the grace to imitate them!

Apel Addendum • This Sunday’s Introit in Latin (“Intret Oratio”) was cited by Willi Apel as an example of “tonal instability.” Here’s what he had to say:

1 Numerous factors make it inadvisable, unwise, and impossible for us to defend ourselves. For one thing, it would require immense amounts of time and energy—two things we lack. Also, a serious person knows to adhere always to the famous maxim: “Never wrestle with pigs. You both get dirty … and the pig likes it.” But it can be difficult to remain silent—especially when the slander is utterly preposterous and easily refuted.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, PDF Download Tagged With: Carmen Gregorianum, Chaumonot Composers Group, Chaumonot Entrance Chant Collection, Intret Oratio Willi Apel, Tonal Instability Willi Apel Last Updated: November 7, 2024

Subscribe

It greatly helps us if you subscribe to our mailing list!

* indicates required

About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

Primary Sidebar

Corpus Christi Watershed

President’s Corner

    “Music List” • Christ the King Sunday
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 23 November 2025, which is the 34th Sunday in Ordinary Time (Year C). If such a thing interests you, feel free to download it as a PDF file. In the 1970 Missal, this Sunday is known as: Domini Nostri Jesu Christi Universorum Regis (“Solemnity of Our Lord Jesus Christ, King of the Universe”). As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the magnificent feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    “Simplified” Keyboard Accompaniment (PDF)
    I’d much rather hear an organist play a simplified version correctly than listen to wrong notes. I invite you to download this simplified organ accompaniment for hymn #729 in the Father Brébeuf Hymnal. The hymn is “O Jesus Christ, Remember.” I’m toying with the idea of creating a whole bunch of these, to help amateur organists. The last one I uploaded was downloaded more than 1,900 times in a matter of hours—so there seems to be interest in such a project. For the record, this famous text is often married to AURELIA, as it is in the Brébeuf Hymnal. The lyrics come from the pen of Father Edward Caswall (d. 1878), an Oratorian priest.
    —Jeff Ostrowski
    ‘Bogey’ of the Half-Educated: Paraphrase
    Father Adrian Porter, using the cracher dans la soupe example, did a praiseworthy job explaining the difference between ‘dynamic’ and ‘formal’ translation. This is something Monsignor Ronald Knox explained time and again—yet even now certain parties feign ignorance. I suppose there will always be people who pretend the only ‘valid’ translation of Mitigásti omnem iram tuam; avertísti ab ira indignatiónis tuæ… would be “You mitigated all ire of you; you have averted from your indignation’s ire.” Those who would defend such a translation suffer from an unfortunate malady. One of my professors called it “cognate on the brain.”
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of November (2025)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    Gospel Options for 2 November (“All Souls”)
    We’ve been told some bishops are suppressing the TLM because of “unity.” But is unity truly found in the MISSALE RECENS? For instance, on All Souls (2 November), any of these Gospel readings may be chosen, for any reason (or for no reason at all). The same is true of the Propria Missæ and other readings—there are countless options in the ORDINARY FORM. In other words, no matter which OF parish you attend on 2 November, you’ll almost certainly hear different propers and readings, to say nothing of different ‘styles’ of music. Where is the “unity” in all this? Indeed, the Second Vatican Council solemnly declared: “Even in the liturgy, the Church has no wish to impose a rigid uniformity in matters which do not implicate the faith or the good of the whole community.”
    —Corpus Christi Watershed
    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski

Random Quote

“To me nothing is so consoling, so piercing, so thrilling, so overcoming, as the Mass, said as it is among us. I could attend Masses for ever, and not be tired.”

— John Henry Cardinal Newman (1848)

Recent Posts

  • “Music List” • Christ the King Sunday
  • PDF Download • “Pope Pius XII Psalter” — English, Latin, and Commentary (532 pages)
  • “Simplified” Keyboard Accompaniment (PDF)
  • ‘Bogey’ of the Half-Educated: Paraphrase
  • Father Cuthbert Lattey • “The Hebrew MSS”

Subscribe

Subscribe

* indicates required

Copyright © 2025 Corpus Christi Watershed · Isaac Jogues on Genesis Framework · WordPress · Log in

Corpus Christi Watershed is a 501(c)3 public charity dedicated to exploring and embodying as our calling the relationship of religion, culture, and the arts. This non-profit organization employs the creative media in service of theology, the Church, and Christian culture for the enrichment and enjoyment of the public.