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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Re: Copyright Status of “Abbey Psalms & Canticles” (PDF Chart)

Jeff Ostrowski · November 4, 2024

N THE YEAR 2013, six years after CORPUS CHRISTI WATERSHED was founded, we adopted a policy making clear we would no longer respond to any copyright inquiries. We adopted this policy because we’d been burned too many times. People would write to us asking copyright questions—and we’d respond. Those people would then go online and twist our words. Why did they do this? Some were malevolent. Others, however, had a false understanding of copyright. No matter how patiently we tried to explain matters to them, it didn’t make any difference. Certain people have a belief in their head and nothing can change it. You can talk until you’re blue in the face, but it won’t make any difference. Such people are the reason for our policy.

Abbey Psalms & Canticles

Brief History • Over the past few months, there’s been considerable discussion about whether the Abbey Psalms and Canticles is under copyright. If you’re wondering what the “Abbey Psalms and Canticles” translation is, please research it on GOOGLE. (It would take too long to explain its provenance.) For the purposes of this article, all you need to know is that the USCCB claims the Abbey Psalms and Canticles will someday replace the translation of the Responsorial Psalms printed in USA lectionaries. Whether this will actually take place is anyone’s guess.*

Damage Control • The Abbey Psalms and Canticles seems to be an effort at “damage control” after the USCCB’s copyright scheme with the Revised-Revised Grail was revealed publicly. Essentially, the copyright for the mandatory psalter had been given to a privately owned, non-Christian company (GIA PUBLICATIONS). Anyone who wanted to celebrate Mass, reproduce the Mass texts, or even broadcast the Mass on television or radio had to first obtain permission (!) from the non-Christian company and pay them money. If control had been given to a Protestant (non-Catholic) organization, that would have caused scandal; and rightly so. The fact that full control of our mandatory liturgical texts was given to a non-Christian organization (!) is even more shameful. As you might imagine, these heinous actions caused public outrage when they became known. For the record, the managing editor of the Church Music Association of America published an article claiming the Revised-Revised Grail translation had also been embedded in the 3rd edition of the Roman Missal.

Considerable Discussion • I’ve already reminded readers that our long-standing policy forbids our giving copyright guidance—under any circumstances—so I won’t be revealing my opinion on this matter. Nevertheless, there’s been considerable discussion online vis-à-vis whether the Abbey Psalms and Canticles translation is a candidate for copyright. Our readers have a right to know what the argument is about. Here’s a chart I made showing common Catholic translations for PSALM 33:

*  PDF • COMPARISON CHART (“Abbey Psalms & Canticles”)

The Issue Described • If I sneak into the LOUVRE tomorrow and draw a mustache on Leonardo da Vinci’s Mona Lisa, that doesn’t mean I suddenly gain copyright on the Mona Lisa. That’s not how copyright works, even though some publishers claim otherwise. To place the entire issue into a nutshell, the Abbey Psalms and Canticles is virtually identical to translations which exist already. Because it’s so similar, folks are demanding to know whether it can be placed under copyright. They argue that merely changing a word here and there is insufficient to copyright the translation. Consider the first verse of Psalm 33:

Douay-Rheims-Challoner:
I will bless the Lord at all times,
his praise shall be always in my mouth.

Revised Standard Version (Catholic Edition)
I will bless the Lord at all times;
his praise shall continually be in my mouth.

Westminster Translation (1958)
I will bless the Lord at all times:
His praise shall be ever in my mouth.

Ladies of the Grail (1963)
I will bléss the Lórd at all tímes,
his práise álways on my líps;

The New American Bible
I will bless the Lord at all times;
his praise shall be always in my mouth.

Revised-Revised Grail Psalter
I will bless the Lord at all times;
praise of him is always in my mouth.

Abbey Psalms & Canticles
I will bless the Lord at all times,
praise of him is always in my mouth.

I could easily provide more examples, but hopefully you get the point.

Trolling Us? • Sometimes, it almost seems as if the people in charge are clowning us. For instance, in PSALM 28 they left everything the same except for one word. “Sat” they changed to “sits.” Are these people serious? Keeping liturgical musicians in suspense for twenty years … for changes like that? Are these people for real?

* For years, the USCCB claimed the Revised-Revised Grail translation was going to be printed in USA lectionaries. Some books, such as the WORSHIP IV HYMNAL (GIA Publications, 2011) attempted to “get a leg up on competition” by printing the Revised-Revised Grail in their books. But their plan backfired because the USCCB—it turns out—was being dishonest when they said the Revised-Revised Grail would appear in lectionaries. At some point, the USA lectionary itself may also be replaced or updated we are being told. It could be here (perhaps) as early as 2029. When the “new” lectionary was announced in 2012, Donald Cardinal Wuerl said: “The sooner we get started, the sooner some of you will live to see it.”

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, PDF Download Tagged With: Abbey Psalms and Canticles, New Lectionary Edition USA Last Updated: November 20, 2024

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Spectacular Communion Setting!
    The FAUXBOURDON setting of the Communion for the Baptism of the Lord (which will occur this coming Sunday) strikes me as quite spectacular. The verses—composed by the fifth century Christian poet, Coelius Sedulius—come from a long alphabetical acrostic and are deservedly famous. The feast of the LORD’S BAPTISM was traditionally the octave day of Epiphany, but in the 1962 kalendar it was made ‘more explicit’ or emphasized. The 1970 MISSALE ROMANUM elevated this feast even further.
    —Jeff Ostrowski
    PDF • “Music List” (Sunday, 11 January)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for Feast of the Baptism of the Lord (SUNDAY, 11 January 2025). If such a thing interests you, feel free to download it as a PDF file. The FAUXBOURDON verses for the Communion Antiphon—to say nothing of the antiphon itself—are breathtaking. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the monumental feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    Epiphany Hymn • “New 2-Voice Arrangement”
    The Von Trapp Family Singers loved a melody that was featured heavily (perhaps even “too heavily”) in the Brébeuf Hymnal. It goes by many names, including ALTONA, VOM HIMMEL HOCH, and ERFURT. If you only have one man and one woman singing, you will want to download this arrangement for two voices. It really is a marvelous tune—and it’s especially fitting during the season of Christmas and Epiphany.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of January (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski
    PDF Download • “In Paradisum” in English
    We always sing the IN PARADISUM in Latin, as printed on this PDF score. I have an appallingly bad memory (meaning I’d be a horrible witness in court). In any event, it’s been brought to my attention that 15 years ago I created this organ accompaniment for the famous and beautiful ‘IN PARADISUM’ Gregorian chant sung in English according to ‘MR3’ (Roman Missal, Third Edition). If anyone desires such a thing, feel free to download and print. Looking back, I wish I’d brought the TENOR and BASS voices into a unison (on B-Natural) for the word “welcome” on the second line.
    —Jeff Ostrowski

Random Quote

“These French offices represent a new case of the old tendency towards local modification—which the Council of Trent had meant to repress. They are commonly attributed to Gallican ideas and are supposed to be not free from Jansenist venom. Some of these local French uses survived almost to our own time. They were supplanted by the Roman books in the 19th century, chiefly by the exertions of Dom Prosper Guéranger (d. 1875).”

— Dr. Adrian Fortescue (d. 1923)

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