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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

To Persevere is Sanctity

Andrea Leal · October 12, 2024

OR EVERY PAID professional choir director in the Catholic church, there are probably three who work without any financial compensation whatsover—and possibly even spend their own money to finance the needs of their choir. However, the true value of a choir director does not come from how much they get paid. Rather, it comes from glorifying God through the beauty of the liturgy. And, in doing so, they move souls closer to Christ through an earthly expression of a heavenly moment. Both paid and unpaid choir directors do a very difficult job (often under difficult circumstances) and with little reward of any kind including spiritual consolations. To be a successful choir director is to sacrifice and to persevere in a nearly insane manner. Some have to manage difficult or exacting priests, or perhaps entitled singers, physically uncomfortable choir spaces, or rude and complaining parishioners. Or very possibly, several of those things at once—plus quite a few more I haven’t named.1

However, it must be said that the volunteer choir director bears a particularly dispiriting weight, because one cannot even comfort oneself by saying, “Well, at least I am still earning a paycheck and hey, that’s something!” Nonetheless, you continue to do your work. Month after month, year after year with no end in sight and no cavalry to come and save you. Despite your home life challenges and family circumstances, you continue to plan and run rehearsals, show up early to Mass and learn everyone’s parts better than even they know it. With so much difficult and unrewarded work to do, it’s easy to say, “I just have too much going on in my life” or “Let someone else deal with it.” To give up is easy and comfortable.

Why You Shouldn’t Give Up

It is a conscious decision to show up at rehearsals and to show up early to Mass; to spend the entire Mass laser focused on the liturgy and the music—not for just one or two Sundays, but for years on end. It is intentional to offer your work as a sacrifice to the Lord. If you’re tired now of your many sacrifices, and you are ready to give up, take heart. Your work is valuable to God if you will only offer it to him as a willing and joyful sacrifice for the sake of building up his Kingdom on this earth. As a choir director, you will never know the true value of your labors, nor will you ever know, until that final day when you face the just and righteous judge upon whose endless mercy we rely. But your reward will, one day, be at hand.

In the words of St. Josemaria Escrivá,

“To begin is easy; to persevere is sanctity. Let your perseverance not be a blind consequence of the first impulse, the work of inertia: let it be a reflective perseverance.”
The Way, 983

Offer your perseverance to God, and God will sanctify you. There is much more to be said on the topic of perseverance not only in music but in the life of faith itself. Entrust your perseverance to the Blessed Mother and she will never abandon you.

You Probably Didn’t Do This Alone, Anyway

Let’s talk about singers for a moment. This conscious decision of perseverance also applies to your volunteer singers, so remember that you are not alone! Yes, you made the sacrifice to lead the choir. But, without singers there is no choir. Many choirs are blessed by heaven to have at least one volunteer singer (and sometimes more!) who shows up on time week after week without fail, having learned their music and who is always uncomplainingly up to the task of learning and giving freely of their talents. Heaven has blessed choir directors with these people, that they may not despair or feel entirely alone. Dedicated singers are like comforting angels. That is not to say these singer don’t have their own challenges and personal difficulties to deal with, but it is clear that they have made their choice to prioritize the music over challenging circumstances.

Furthermore, if you are married and/or have children, the sacrifice is not totally your own. If you know a choir director or a dedicated singer with a family, go thank their spouse on Sunday after Mass. Your choir director and your singers can only continue with the support of their spouse and children. Don’t think for a moment that the family is incidental to the choir. Their whole family had to make a conscious decision to sacrifice not sitting together as a family, to give up one of the parents to run rehearsals, and to arrive early to church to warm up the choir. Many times, the family’s sacrifice and perseverance is equal to the choir directors.

My own husband, for example, has supported my ability to direct the choir by taking care of all 6 kids by himself on Sundays for Mass. And again I will stress the point that this is not for one or two Sundays or even one or two months. I am talking about years upon years, and in my case, a decade. And I know that I am not a rare case. I know another family where the husband would drive his wife and children an hour or more in traffic to get to rehearsals, and then spend hours out with their many, many children while mom was at rehearsal. When you remember to pray for your singers and your choir directors, remember to pray also for their families!

1 And many who are paid, aren’t even paid a just wage!

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: October 14, 2024

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About Andrea Leal

Andrea Leal is a wife and homeschooling mother of 6 children. She serves as choir director for the Traditional Latin Mass in Las Vegas.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Music List” • 22nd in Ordinary Time (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 31 August 2025, which is the 22nd Sunday in Ordinary Time (Year C). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the spectacular feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    “The Worm That Dieth Not”
    My pastor asked me to write a column for our parish bulletin with reflections on the sacred liturgy and church music. In my most recent article, I discuss “The Worm That Dieth Not.” At this website, you can access it conveniently; simply scroll down to the one dated 31 August 2025.
    —Jeff Ostrowski
    A Nice Hymn In Spanish
    In my humble opinion, this is a really beautiful hymn in Spanish. If I practice diligently, I’ll be able to pronounce all the words properly. If you’re someone who’s interested in obtaining a melody only version (suitable for your congregational ORDER OF WORSHIP) you can steal that from this.
    —Jeff Ostrowski

Quick Thoughts

    Solemn “Salve Regina” (Chant)
    How many “S” words can you think of using alliteration? How about Schwann Solemn Salve Score? You can download the SOLEMN SALVE REGINA in Gregorian Chant. The notation follows the official rhythm (EDITIO VATICANA). Canon Jules Van Nuffel, choirmaster of the Cathedral of Saint Rumbold, composed this accompaniment for it (although some feel it isn’t his best work).
    —Corpus Christi Watershed
    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed

Random Quote

“Every experienced choirmaster’s work is founded on the following three axioms: (1) Few boys have a really good natural voice; (2) No boy is able to control his voice and produce good tone without training; (3) Most boys have a good ear, and considerable imitative capacity. It is on the last of these axioms that the choirmaster must begin his work.”

— Sir Richard Runciman Terry (1912)

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