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Views from the Choir Loft

To Persevere is Sanctity

Andrea Leal · October 12, 2024

OR EVERY PAID professional choir director in the Catholic church, there are probably three who work without any financial compensation whatsover—and possibly even spend their own money to finance the needs of their choir. However, the true value of a choir director does not come from how much they get paid. Rather, it comes from glorifying God through the beauty of the liturgy. And, in doing so, they move souls closer to Christ through an earthly expression of a heavenly moment. Both paid and unpaid choir directors do a very difficult job (often under difficult circumstances) and with little reward of any kind including spiritual consolations. To be a successful choir director is to sacrifice and to persevere in a nearly insane manner. Some have to manage difficult or exacting priests, or perhaps entitled singers, physically uncomfortable choir spaces, or rude and complaining parishioners. Or very possibly, several of those things at once—plus quite a few more I haven’t named.1

However, it must be said that the volunteer choir director bears a particularly dispiriting weight, because one cannot even comfort oneself by saying, “Well, at least I am still earning a paycheck and hey, that’s something!” Nonetheless, you continue to do your work. Month after month, year after year with no end in sight and no cavalry to come and save you. Despite your home life challenges and family circumstances, you continue to plan and run rehearsals, show up early to Mass and learn everyone’s parts better than even they know it. With so much difficult and unrewarded work to do, it’s easy to say, “I just have too much going on in my life” or “Let someone else deal with it.” To give up is easy and comfortable.

Why You Shouldn’t Give Up

It is a conscious decision to show up at rehearsals and to show up early to Mass; to spend the entire Mass laser focused on the liturgy and the music—not for just one or two Sundays, but for years on end. It is intentional to offer your work as a sacrifice to the Lord. If you’re tired now of your many sacrifices, and you are ready to give up, take heart. Your work is valuable to God if you will only offer it to him as a willing and joyful sacrifice for the sake of building up his Kingdom on this earth. As a choir director, you will never know the true value of your labors, nor will you ever know, until that final day when you face the just and righteous judge upon whose endless mercy we rely. But your reward will, one day, be at hand.

In the words of St. Josemaria Escrivá,

“To begin is easy; to persevere is sanctity. Let your perseverance not be a blind consequence of the first impulse, the work of inertia: let it be a reflective perseverance.”
The Way, 983

Offer your perseverance to God, and God will sanctify you. There is much more to be said on the topic of perseverance not only in music but in the life of faith itself. Entrust your perseverance to the Blessed Mother and she will never abandon you.

You Probably Didn’t Do This Alone, Anyway

Let’s talk about singers for a moment. This conscious decision of perseverance also applies to your volunteer singers, so remember that you are not alone! Yes, you made the sacrifice to lead the choir. But, without singers there is no choir. Many choirs are blessed by heaven to have at least one volunteer singer (and sometimes more!) who shows up on time week after week without fail, having learned their music and who is always uncomplainingly up to the task of learning and giving freely of their talents. Heaven has blessed choir directors with these people, that they may not despair or feel entirely alone. Dedicated singers are like comforting angels. That is not to say these singer don’t have their own challenges and personal difficulties to deal with, but it is clear that they have made their choice to prioritize the music over challenging circumstances.

Furthermore, if you are married and/or have children, the sacrifice is not totally your own. If you know a choir director or a dedicated singer with a family, go thank their spouse on Sunday after Mass. Your choir director and your singers can only continue with the support of their spouse and children. Don’t think for a moment that the family is incidental to the choir. Their whole family had to make a conscious decision to sacrifice not sitting together as a family, to give up one of the parents to run rehearsals, and to arrive early to church to warm up the choir. Many times, the family’s sacrifice and perseverance is equal to the choir directors.

My own husband, for example, has supported my ability to direct the choir by taking care of all 6 kids by himself on Sundays for Mass. And again I will stress the point that this is not for one or two Sundays or even one or two months. I am talking about years upon years, and in my case, a decade. And I know that I am not a rare case. I know another family where the husband would drive his wife and children an hour or more in traffic to get to rehearsals, and then spend hours out with their many, many children while mom was at rehearsal. When you remember to pray for your singers and your choir directors, remember to pray also for their families!

1 And many who are paid, aren’t even paid a just wage!

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: October 14, 2024

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About Andrea Leal

Andrea Leal is a wife and homeschooling mother of 6 children. She serves as choir director for the Traditional Latin Mass in Las Vegas.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Yahweh” in church songs?
    My pastor asked me to write a weekly column for our parish bulletin. The one scheduled to run on 22 June 2025 is called “Three Words in a Psalm” and speaks of translating the TETRAGRAMMATON. You can read the article at this column repository. All of them are quite brief because I was asked to keep within a certain word limit.
    —Jeff Ostrowski
    “Music List” • Pentecost Sunday
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for Pentecost Sunday (8 June 2025). If such a thing interests you, feel free to download it as a PDF file. Because our choir is on break this week, the music is relatively simple.
    —Jeff Ostrowski
    “Truly Great Processional” • (Pipe Organ)
    I stumbled upon this live recording of a PROCESSIONAL I played on the pipe organ in 2002. It’s an excerpt from a much longer composition by Sebastian Bach. In those days, there weren’t sophisticated recording devices allowing one “fix” wrong notes. (Perhaps they existed, but we didn’t have machines like that.) So it was necessary to play the entire piece from beginning to end. If you’re a church organist, feel free to download the PDF score. I suppose it’s only a matter of time until some joker uses “artificial intelligence” to play music at church … but there’s something so satisfying about playing an organ in real life.
    —Jeff Ostrowski

Quick Thoughts

    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt
    The Funeral Rites of the Graduale Romanum
    Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.
    —Daniel Tucker

Random Quote

The Sacrifice is celebrated with many solemn rites, none of which should be deemed useless or superfluous. On the contrary, all of them tend to display the majesty of this august sacrifice, and to excite the faithful, when beholding these saving mysteries, to contemplate the divine things which lie concealed in the Eucharistic Sacrifice.

— Catechism of the Council of Trent (1566)

Recent Posts

  • PDF Download • “Text by Saint Francis of Assisi” (choral setting w/ organ: Soprano & Alto)
  • “Yahweh” in church songs?
  • “Music List” • Pentecost Sunday
  • “Participation” • Recovering its Receptive Dimension
  • “Breathtaking Photographs” • First Mass of Father Michael Caughey, FSSP (Muskegon, MI)

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