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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

To Persevere is Sanctity

Andrea Leal · October 12, 2024

OR EVERY PAID professional choir director in the Catholic church, there are probably three who work without any financial compensation whatsover—and possibly even spend their own money to finance the needs of their choir. However, the true value of a choir director does not come from how much they get paid. Rather, it comes from glorifying God through the beauty of the liturgy. And, in doing so, they move souls closer to Christ through an earthly expression of a heavenly moment. Both paid and unpaid choir directors do a very difficult job (often under difficult circumstances) and with little reward of any kind including spiritual consolations. To be a successful choir director is to sacrifice and to persevere in a nearly insane manner. Some have to manage difficult or exacting priests, or perhaps entitled singers, physically uncomfortable choir spaces, or rude and complaining parishioners. Or very possibly, several of those things at once—plus quite a few more I haven’t named.1

However, it must be said that the volunteer choir director bears a particularly dispiriting weight, because one cannot even comfort oneself by saying, “Well, at least I am still earning a paycheck and hey, that’s something!” Nonetheless, you continue to do your work. Month after month, year after year with no end in sight and no cavalry to come and save you. Despite your home life challenges and family circumstances, you continue to plan and run rehearsals, show up early to Mass and learn everyone’s parts better than even they know it. With so much difficult and unrewarded work to do, it’s easy to say, “I just have too much going on in my life” or “Let someone else deal with it.” To give up is easy and comfortable.

Why You Shouldn’t Give Up

It is a conscious decision to show up at rehearsals and to show up early to Mass; to spend the entire Mass laser focused on the liturgy and the music—not for just one or two Sundays, but for years on end. It is intentional to offer your work as a sacrifice to the Lord. If you’re tired now of your many sacrifices, and you are ready to give up, take heart. Your work is valuable to God if you will only offer it to him as a willing and joyful sacrifice for the sake of building up his Kingdom on this earth. As a choir director, you will never know the true value of your labors, nor will you ever know, until that final day when you face the just and righteous judge upon whose endless mercy we rely. But your reward will, one day, be at hand.

In the words of St. Josemaria Escrivá,

“To begin is easy; to persevere is sanctity. Let your perseverance not be a blind consequence of the first impulse, the work of inertia: let it be a reflective perseverance.”
The Way, 983

Offer your perseverance to God, and God will sanctify you. There is much more to be said on the topic of perseverance not only in music but in the life of faith itself. Entrust your perseverance to the Blessed Mother and she will never abandon you.

You Probably Didn’t Do This Alone, Anyway

Let’s talk about singers for a moment. This conscious decision of perseverance also applies to your volunteer singers, so remember that you are not alone! Yes, you made the sacrifice to lead the choir. But, without singers there is no choir. Many choirs are blessed by heaven to have at least one volunteer singer (and sometimes more!) who shows up on time week after week without fail, having learned their music and who is always uncomplainingly up to the task of learning and giving freely of their talents. Heaven has blessed choir directors with these people, that they may not despair or feel entirely alone. Dedicated singers are like comforting angels. That is not to say these singer don’t have their own challenges and personal difficulties to deal with, but it is clear that they have made their choice to prioritize the music over challenging circumstances.

Furthermore, if you are married and/or have children, the sacrifice is not totally your own. If you know a choir director or a dedicated singer with a family, go thank their spouse on Sunday after Mass. Your choir director and your singers can only continue with the support of their spouse and children. Don’t think for a moment that the family is incidental to the choir. Their whole family had to make a conscious decision to sacrifice not sitting together as a family, to give up one of the parents to run rehearsals, and to arrive early to church to warm up the choir. Many times, the family’s sacrifice and perseverance is equal to the choir directors.

My own husband, for example, has supported my ability to direct the choir by taking care of all 6 kids by himself on Sundays for Mass. And again I will stress the point that this is not for one or two Sundays or even one or two months. I am talking about years upon years, and in my case, a decade. And I know that I am not a rare case. I know another family where the husband would drive his wife and children an hour or more in traffic to get to rehearsals, and then spend hours out with their many, many children while mom was at rehearsal. When you remember to pray for your singers and your choir directors, remember to pray also for their families!

1 And many who are paid, aren’t even paid a just wage!

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: October 14, 2024

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About Andrea Leal

Andrea Leal is a wife and homeschooling mother of 6 children. She serves as choir director for the Traditional Latin Mass in Las Vegas.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Music List • (1st Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I’ve prepared for this coming Sunday—22 February 2026—the 1st Sunday of Lent (Year A). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the outstanding feasts website alongside the official texts in Latin. I spent an enormous amount of time preparing this ORDER OF MUSIC—because the children’s choir will join us—and some of its components came out great. For example, the COMMUNION ANTIPHON with Fauxbourdon is utterly resplendent, yet still ‘Lenten’.
    —Jeff Ostrowski
    2-Voice Arrangement for Lent
    Those seeking a two-voice arrangement for LENT and PASSIONTIDE should click here and scroll down. It’s based on number 775 in the Brébeuf Hymnal, with an enchanting melody written by Kevin Allen (the legendary American composer of sacred music). That text—“Pendens In Crucis Cornibus”—is often used for the Feast of our Lady of Sorrows. That link is important because, in addition to the musical score, it provides free rehearsal videos for each individual voice: something volunteer choirs appreciate!
    —Jeff Ostrowski
    “Sanctus VIII” • Organ Accompaniment
    A few days ago, I composed this organ harmonization for SANCTUS VIII. This Mass is traditionally called Missa de ángelis or “Mass of the angels.” In French, it is Messe de Anges. You can evaluate my attempt to simultaneously accompany myself on the pipe organ (click here) while singing the melody. My parish is currently singing this setting.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of Febr. (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

“The Jesuits have spoiled the work of Christian antiquity, under pretext of restoring the hymns in accordance with the laws of metre and elegant language.”

— M. Ulysse Chevalier (1891)

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