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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

PDF Download • Seasonal (“Ad Libitum”) Gospel Acclamations for Sundays and Weekdays

Jeff Ostrowski · August 28, 2024

HE FIRST PRIEST I ever worked for—immediately after college—was severely mentally ill. He was ordained by the Legionaries of Christ, but later worked for the diocese. (He concealed his illness from the parish.) This priest would insist upon having “business meetings” with me thrice weekly, and it wasn’t unusual for such meetings to last more than five hours. The meetings never dealt with any actual business. Instead, my boss just talked: explaining his political views; describing his desire that I come live with him (!) in the rectory; insisting these meetings happen at “special places” (like the beach or his friend’s private swimming pool); refusing to hand over my paycheck unless I spent time with him; trying to give me financial “gifts” under the table and becoming furious when I refused; describing what he plans on doing once he’s made a bishop; repeating in vivid detail the same (enormously lengthy) stories over and over; and so forth. My boss did not speak to me; he spoke at me. He continuously insisted I must “never answer my cell phone on my day off.” Yet he’d constantly call me on my day off. If I didn’t pick up, he’d keep calling. When that didn’t work, he’d call from phones belonging to other parish employees. Once, this priest traveled to the home of the mother of my girlfriend at the time, using her phone to try and reach me.

(1 of 3) Jeff’s Point • The point is, some people don’t act rationally—and we must come to grips with this. Readers have probably noticed I often mention this point vis-à-vis church legislation (e.g. the 20 November 2012 ruling by the USCCB). Certain musicians and priests believe erroneous things about sacred music legislation. You can show them all the documentation in the world and explain matters until you’re blue in the face. Nothing will change their mind about certain things. Indeed, I emphasized this in one of my recent articles.

(2 of 3) Jeff’s Point • It is a fact—whether we like it or not—that the Ordinary Form allows incredible freedom. In a derogatory way, this is sometimes referred to as “option-itis.” The question is not whether we believe this should be the case. After all, I wasn’t alive during the 1970s. Nobody asked for my opinion. I personally would have argued against having so many options, and the USCCB Secretariat of Divine Worship said the same thing a few years ago.

(3 of 3) Jeff’s Point • Some people don’t believe that “Seasonal” (ad libitum) options exist. But they do exist. If you want to see how the “seasonal” options for GOSPEL ACCLAMATION appear in the official books, click here:

*  PDF Download • GOSPEL ACCLAMATION (ad libitum)
—This options can be used as the Gospel Acclamation at any time.

The various options given here by the official 1970 Missal (in Latin) can be used during the week or on Sundays ad libitum. Some priests insist there’s no such thing as a “seasonal” GOSPEL ACCLAMATION. When they tell you this, just smile politely and respond: “Okay, Father.” Trying to persuade them will get you nowhere.

Those Who Doubt • I could easily cite tons more permissions which certain people pretend don’t exist—but they do exist. For example, the post-conciliar plainsong books clearly say:

In omnibus Missis de Tempore eligi potest pro opportunitate, loco cuiusvis cantus diei proprii, alius ex eodem tempore.

Translated into English, that means:

“At all seasonal Masses, to replace any chant proper to the day, another from the same season can be selected for the sake of convenience.”

Indeed, some very intelligent priests interpret that sentence to mean that an INTROIT could technically replace a TRACT; an OFFERTORY could technically replace a GRADUAL; and so forth. [Again, I’m not advocating any of this. Nobody asked me what I thought when they were formulating all these permissions.] Similar permissions are given for the Ordinary Form SANCTORALE section. And don’t even get me started on the GRADUALE SIMPLEX, or the “optional” Communion antiphons, or the lie about eliminating Neo-Gregorian Chants, or the 20 November 2012 ruling by the USCCB. I hope to discuss this whole “option-itis” situation in a future article.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, PDF Download Last Updated: August 31, 2024

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Music List • (3rd Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 3rd Sunday of Lent (8 March 2026). If such a thing interests you, feel free to download it as a PDF file. This feast has magnificent propers. Its stern INTROIT (“Óculi mei semper ad Dóminum”) is breathtaking, and the COMMUNION (“Qui bíberit aquam”) with its fauxbourdon verses is wonderful. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski
    “Samaritánæ” (3rd Sunday of Lent)
    With regard to the COMMUNION for the 3rd Sunday of Lent (Year A), the Ordo Cantus Missae—which was published in 1969 by the Vatican, bearing Hannibal Bugnini’s signature and approbation in its PREFACE—inexplicably introduced a variant melody and slightly different words, as you can see by this comparison chart. When it comes to such items, they’re always done in secrecy by unnamed people. (Although it is known that Dom Eugène Cardine collaborated in the creation of the GRADUALE SIMPLEX, a book considered by some to be a travesty.)
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski

Quick Thoughts

    Grotesque Pairing • “Passion Chorale”
    One of our rarest releases was undoubtably this PDF scan of the complete Pope Pius XII Hymnal (1959) by Father Joseph Roff, a student of Healey Willan. One of the scarcest titles in existence, this book was provided to us by Mr. Peter Meggison. Back in 2018, we scanned each page and uploaded it to our website, making it freely available to everyone. Readers are probably sick of hearing me say this, but just because we upload something that doesn’t necessarily mean it’s wonderful or worthy of imitation. We upload many publications precisely because they are ‘grotesque’, interesting, or revealing. Whereas the Brébeuf Catholic Hymnal had an editorial board that was careful and sensitive vis-à-vis pairing texts with tunes, the Pope Pius XII Hymnal (1959) seems to have been rather reckless in this regard. Please take a look at what they did with the PASSION CHORALE and see whether you agree.
    —Jeff Ostrowski
    Extreme Unction
    Those who search Google for “CCCC MS 079” will discover high resolution images of a medieval Pontificale (“Cambridge, Corpus Christi College, MS 079”). One of the pages contains this absolutely gorgeous depiction of the Sacrament of Extreme Unction.
    —Corpus Christi Watershed
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski

Random Quote

“How on earth in the [post-conciliar] liturgy for the dead should there be no more mention of sin and expiation? There’s a complete absence of imploring the Lord’s mercy. […] Although the texts were beautiful they were still lacking in the sense of sin and the sense of mercy. But we need this! And when my final hour comes, ask for mercy for me from the Lord, because I have such need of it!”

— Pope Saint Paul VI (3 June 1971)

Recent Posts

  • Music List • (3rd Sunday of Lent)
  • “National Survey” (Order of Christian Funerals) • By the USCCB Secretariat of Divine Worship
  • “Samaritánæ” (3rd Sunday of Lent)
  • Grotesque Pairing • “Passion Chorale”
  • PDF Download • “Ubi Caritas” (SATB)

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