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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

PDF Download • Seasonal (“Ad Libitum”) Gospel Acclamations for Sundays and Weekdays

Jeff Ostrowski · August 28, 2024

HE FIRST PRIEST I ever worked for—immediately after college—was severely mentally ill. He was ordained by the Legionaries of Christ, but later worked for the diocese. (He concealed his illness from the parish.) This priest would insist upon having “business meetings” with me thrice weekly, and it wasn’t unusual for such meetings to last more than five hours. The meetings never dealt with any actual business. Instead, my boss just talked: explaining his political views; describing his desire that I come live with him (!) in the rectory; insisting these meetings happen at “special places” (like the beach or his friend’s private swimming pool); refusing to hand over my paycheck unless I spent time with him; trying to give me financial “gifts” under the table and becoming furious when I refused; describing what he plans on doing once he’s made a bishop; repeating in vivid detail the same (enormously lengthy) stories over and over; and so forth. My boss did not speak to me; he spoke at me. He continuously insisted I must “never answer my cell phone on my day off.” Yet he’d constantly call me on my day off. If I didn’t pick up, he’d keep calling. When that didn’t work, he’d call from phones belonging to other parish employees. Once, this priest traveled to the home of the mother of my girlfriend at the time, using her phone to try and reach me.

(1 of 3) Jeff’s Point • The point is, some people don’t act rationally—and we must come to grips with this. Readers have probably noticed I often mention this point vis-à-vis church legislation (e.g. the 20 November 2012 ruling by the USCCB). Certain musicians and priests believe erroneous things about sacred music legislation. You can show them all the documentation in the world and explain matters until you’re blue in the face. Nothing will change their mind about certain things. Indeed, I emphasized this in one of my recent articles.

(2 of 3) Jeff’s Point • It is a fact—whether we like it or not—that the Ordinary Form allows incredible freedom. In a derogatory way, this is sometimes referred to as “option-itis.” The question is not whether we believe this should be the case. After all, I wasn’t alive during the 1970s. Nobody asked for my opinion. I personally would have argued against having so many options, and the USCCB Secretariat of Divine Worship said the same thing a few years ago.

(3 of 3) Jeff’s Point • Some people don’t believe that “Seasonal” (ad libitum) options exist. But they do exist. If you want to see how the “seasonal” options for GOSPEL ACCLAMATION appear in the official books, click here:

*  PDF Download • GOSPEL ACCLAMATION (ad libitum)
—This options can be used as the Gospel Acclamation at any time.

The various options given here by the official 1970 Missal (in Latin) can be used during the week or on Sundays ad libitum. Some priests insist there’s no such thing as a “seasonal” GOSPEL ACCLAMATION. When they tell you this, just smile politely and respond: “Okay, Father.” Trying to persuade them will get you nowhere.

Those Who Doubt • I could easily cite tons more permissions which certain people pretend don’t exist—but they do exist. For example, the post-conciliar plainsong books clearly say:

In omnibus Missis de Tempore eligi potest pro opportunitate, loco cuiusvis cantus diei proprii, alius ex eodem tempore.

Translated into English, that means:

“At all seasonal Masses, to replace any chant proper to the day, another from the same season can be selected for the sake of convenience.”

Indeed, some very intelligent priests interpret that sentence to mean that an INTROIT could technically replace a TRACT; an OFFERTORY could technically replace a GRADUAL; and so forth. [Again, I’m not advocating any of this. Nobody asked me what I thought when they were formulating all these permissions.] Similar permissions are given for the Ordinary Form SANCTORALE section. And don’t even get me started on the GRADUALE SIMPLEX, or the “optional” Communion antiphons, or the lie about eliminating Neo-Gregorian Chants, or the 20 November 2012 ruling by the USCCB. I hope to discuss this whole “option-itis” situation in a future article.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, PDF Download Last Updated: August 31, 2024

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Offertory” at Catholic Funerals
    I have argued that the OFFERTORY—at least in its ancient form—is more of a responsory than an antiphon. The 1962 Missal specifically calls it “Antiphona ad Offertorium.” From now on, I plan to use this beautiful setting (PDF) at funerals, since it cleverly inserts themes from the absolution of the body. Tons more research needs to be done on the OFFERTORY, which often is a ‘patchwork’ stitching together various beginnings and endings of biblical verses. For instance, if you examine the ancient verses for Dómine, vivífica me (30th Sunday in Ordinary Time) you’ll discover this being done in a most perplexing way. Rebecca Maloy published a very expensive book on the OFFERTORY, but it was a disappointment. Indeed, I can’t think of a single valuable insight contained in her book. What a missed opportunity!
    —Jeff Ostrowski
    “In Paradisum” • Gregorian Chant
    As a RECESSIONAL on All Souls’ Day (November 2nd), we will sing In Paradísum Dedúcant Te Ángeli (PDF). When it comes to Gregorian Chant, this is one of the most popular “songs.” Frankly, all the prayers and chants from the traditional REQUIEM MASS (Missa exsequialis or Missa pro defunctis) are incredibly powerful and never should’ve been scuttled. Click here to hear “In Paradisum” in a recording I made this afternoon. Professor Louis Bouyer spoke of the way Bugnini “scuttled the office of the dead” in this fascinating excerpt from his memoirs. In his book, La riforma litugica (1983), Bugnini bragged—in quite a shameful way—about eliminating the ancient funeral texts, and even admitted those venerable texts were “beloved” (his word) by Catholics.
    —Jeff Ostrowski
    “Music List” • All Souls (2 November)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 2 November 2025, which is the Commemoration of All the Faithful Departed (“All Souls”). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the top-notch feasts website alongside the official texts in Latin. In my humble opinion, it’s weird to have the feast of All Saints on a Sunday. No wonder the close associate of Pope Saint Paul VI said the revised KALENDAR was “the handiwork of a trio of maniacs.” However, I can’t deny that sometimes the sacred liturgy consists of elements that are seemingly contradictory: e.g. the Mode 7 “De Profúndis” ALLELUIA, or the Mode 8 “Dulce lignum” ALLELUIA on the various ancient feasts of the Holy Cross (3 May, 14 September, and so on).
    —Jeff Ostrowski

Quick Thoughts

    Gospel Options for 2 November (“All Souls”)
    We’ve been told some bishops are suppressing the TLM because of “unity.” But is unity truly found in the MISSALE RECENS? For instance, on All Souls (2 November), any of these Gospel readings may be chosen, for any reason (or for no reason at all). The same is true of the Propria Missæ and other readings—there are countless options in the ORDINARY FORM. In other words, no matter which OF parish you attend on 2 November, you’ll almost certainly hear different propers and readings, to say nothing of different ‘styles’ of music. Where is the “unity” in all this? Indeed, the Second Vatican Council solemnly declared: “Even in the liturgy, the Church has no wish to impose a rigid uniformity in matters which do not implicate the faith or the good of the whole community.”
    —Corpus Christi Watershed
    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski
    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski

Random Quote

“With all the powers of modern music open to him, from romanticism through French impressionism to the German and Russian modernists, he is yet able to confine all these contradictory forces on the groundwork of the Gregorian tradition.”

— Theodor Rehmann (on Msgr. Jules Van Nuffel)

Recent Posts

  • Never Work For A Priest Or Bishop Who Believes Sacred Music Should Be “Entertainment”
  • When Pilgrims Sing, the World Disappears
  • “Offertory” at Catholic Funerals
  • “In Paradisum” • Gregorian Chant
  • The Beauty of the Propers for All Souls’ Day (and the Requiem Mass)

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