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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

PDF Download • “O’Fallon Mass Propers” (483 Pages)

Jeff Ostrowski · July 29, 2024

ODAY, FOR THE FIRST time in history, we release the complete set of Englished Gregorian Propers—all 483 pages!—created by the Sisters of the Most Precious Blood in O’Fallon, Missouri. Monsignor Martin B. Hellriegel spent two decades as chaplain to these sisters at their motherhouse in O’Fallon before being transferred to Saint Louis.* Before I provide the download links, let me suggest four reasons composers should set the Sung Propers and not the Spoken Propers, which were included in the SACRAMENTARY for priests offering Mass privately or without music. In 2007, the chairman of the USCCB Committee on Divine Worship correctly pointed out that the Spoken Propers “differ substantially” (his words) from the Sung Propers and “were never intended to be sung” (again, his words). Archbishop Bugnini wrote, very succinctly: “The entrance and communion antiphons of the Missal were intended to be recited, not sung.”

(1 of 4) Disrespect for Scripture • The “spoken” propers often modify the traditional text in subtle ways. For example, the ENTRANCE CHANT for the 16th Sunday in Ordinary Time at first glance seems identical to the “sung” version, but closer examination shows how the “spoken” version omits the references to God “conquering” or “destroying” enemies. (The 1970s reformers considered such Scripture passages insufficiently “nice.”) But Sacred Scripture should not be bowdlerized. Something similar was done on the 18th Sunday in Ordinary Time.

(2 of 4) Theological Distortions • The “spoken” propers sometimes downplay traditional theology. For example, the 16th Sunday in Ordinary Time assigns Acceptábis Sacrifícium as the COMMUNION CHANT. But that chant “emphasizes” or “reinforces” or “calls to mind” how the Mass is primarily a sacrifice. Because of this, the “spoken” version eradicated the traditional passage, inexplicably replacing it with a completely different one.

(3 of 4) No More Sin? • Broadly speaking, the “spoken” propers de-emphasize, minimize, or eliminate texts which dwell on sin (and especially sorrow for sin). For example, the “spoken” version of the ENTRANCE CHANT for the 5th Sunday in Ordinary Time at first glance seems identical to the “sung” version. However, a close examination reveals that plorémus ante eum (“let us shed tears before the Lord”) was inexplicably excised.

(4 of 4) Connections Severed • The most important reason to avoid the “spoken” propers is obvious: they have no history. The GRADUALE ROMANUM is astronomically ancient, far more ancient than the ORDINARIUM MISSAE. Why on earth would we wish to sever the connection to these ancient prayers, and (by so doing) gain absolutely nothing?

Needless to say, the Sisters of the Most Precious Blood in O’Fallon, Missouri, used the Sung Propers. (The Spoken Propers wouldn’t be invented for another five years.)

*  PDF Download • “O’FALLON PROPERS” (1 of 7) —39 pages
—“Advent to Septuagesima” • Sisters of the Most Precious Blood (O’Fallon, Missouri).

*  PDF Download • “O’FALLON PROPERS” (2 of 7) —51 pages
—“Septuagesima to Easter Vigil” • Sisters of the Most Precious Blood (O’Fallon, Missouri).

*  PDF Download • “O’FALLON PROPERS” (3 of 7) —58 pages
—“Easter Vigil to the 3rd Sunday after Pentecost” • Sisters of the Most Precious Blood (O’Fallon, Missouri).

*  PDF Download • “O’FALLON PROPERS” (4 of 7) —64 pages
—“4th Sunday after Pentecost to Advent” • Sisters of the Most Precious Blood (O’Fallon, Missouri).

*  PDF Download • “O’FALLON PROPERS” (5 of 7) —84 pages
—“Common of the Saints” • Sisters of the Most Precious Blood (O’Fallon, Missouri).

*  PDF Download • “O’FALLON PROPERS” (6 of 7) —163 pages
—“Feasts of the Saints” • Sisters of the Most Precious Blood (O’Fallon, Missouri).

*  PDF Download • “O’FALLON PROPERS” (7 of 7) —24 pages
—“Plainsong Burial Rite” • Sisters of the Most Precious Blood (O’Fallon, Missouri).

Final Thoughts • Sadly, they didn’t include the feast of Saint Isaac Jogues and Companions, who are the Patron Saints of North America. Jim Randazzo informs me that the eye-catching artwork on the book covers was designed by one of their own: Sister Hiltrudis Powers. I would very much like to know why they included the word “alleluia” on the Requiem cover. (In the west, the word “alleluia” was not said as part of the Requiem Mass until after Vatican II.) From a musical perspective, some of the settings are very well done, very clever, and very tuneful.

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Photographs courtesy of Cynthia Ostrowski.

Addendum (27 November 2024):

The PREFACE to the first book says: “A very special word of acknowledgment is due to the late Dom Ermin Vitry, O.S.B., who bequeathed to the Sisters of the Most Precious Blood the fruits of his many years of research and study in Gregorian chant. His careful and authoritative analyses of hundreds of Gregorian antiphons have been the chief reference in the work of adapting these melodies to the vernacular texts.”

* Some believe that Monsignor Martin Hellriegel was quite involved with the creation of the O’FALLON PROPERS.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, PDF Download Tagged With: Dom Ermin Vitry, Graduale Romanum Roman Gradual Propers, Mass Propers Proprium Missae, Monsignor Martin B. Hellriegel, O'Fallon Missouri Mass Propers, Propers, Sisters of the Most Precious Blood, Sung Vs Spoken Propers Novus Ordo Last Updated: November 27, 2024

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    New Bulletin Article • “14 September 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 14 September 2025) discusses OFFERTORY ANTIPHONS and contains a wonderful quote by Archbishop Fulton J. Sheen.
    —Jeff Ostrowski
    PDF Download • Draft Copy (Pamphlet)
    A few days ago, I posted a draft copy of this 12-page pamphlet with citations about the laity’s “full, conscious, and active participation.” Its basic point or message is that choir directors should never feel embarrassed to teach real choral music because Vatican II explicitly ordered them to do that! We’ve received tons of mail regarding that pamphlet, with many excellent suggestions for improvement. Please feel free to chime in!
    —Jeff Ostrowski
    “Entrance Chant” • 23rd (Ordinary Time)
    This coming Sunday, 7 September 2025, is the 23rd Sunday in Ordinary Time (Year C). You can download the “Entrance Chant,” conveniently located at the feasts website. I also recorded a rehearsal video for it (freely available at the same website). The Communion Chant includes gorgeous verses in FAUXBOURDON. I attempted to create a rehearsal video for it, and it’s been posted at the feasts website, called by some: “church music’s best kept secret.”
    —Jeff Ostrowski

Quick Thoughts

    Karl Keating • “Canonization Questions”
    We were sent an internet statement (screenshot) that’s garnered significant attention, in which KARL KEATING (founder of Catholic Answers) speaks about whether canonizations are infallible. Mr. Keating seems unaware that canonizations are—in the final analysis—a theological opinion. They are not infallible, as explained in this 2014 article by a priest (with a doctorate in theology) who worked for multiple popes. Mr. Keating says: “I’m unaware of such claims arising from any quarter until several recent popes disliked by these Traditionalists were canonized, including John XXIII, Paul VI, and John Paul II. Usually Paul VI receives the most opprobrium.” Mr. Keating is incorrect; e.g. Father John Vianney, several centuries ago, taught clearly that canonizations are not infallible. Archbishop Fulton J. Sheen would be another example, although clearly much more recent than Saint John Vianney.
    —Corpus Christi Watershed
    Vatican II Changed Wedding Propers?
    It’s often claimed that the wedding propers were changed after Vatican II. As a matter of fact, that is a false claim. The EDITIO VATICANA propers (Introit: Deus Israel) remained the same after Vatican II. However, a new set of propers (Introit: Ecce Deus) was provided for optional use. The same holds true for the feast of Pope Saint Gregory the Great on 3 September: the 1943 propers (Introit: Si díligis me) were provided for optional use, but the traditional PROPRIA MISSAE (Introit: Sacerdótes Dei) were retained; they weren’t gotten rid of. The Ordo Cantus Missae (1970) makes this crystal clear, as does the Missal itself. There was an effort made in the post-conciliar years to eliminate so-called “Neo-Gregorian” chants, but (contrary to popular belief) most were retained: cf. the feast of Christ the King, the feast of the Immaculate Conception, and so forth.
    —Corpus Christi Watershed
    Solemn “Salve Regina” (Chant)
    How many “S” words can you think of using alliteration? How about Schwann Solemn Salve Score? You can download the SOLEMN SALVE REGINA in Gregorian Chant. The notation follows the official rhythm (EDITIO VATICANA). Canon Jules Van Nuffel, choirmaster of the Cathedral of Saint Rumbold, composed this accompaniment for it (although some feel it isn’t his best work).
    —Corpus Christi Watershed

Random Quote

Some are called not to much speaking, | nor to conversations about the Church, | but, rather, to a deep silence | and to a life hidden in the heart of the Church, | far from wrangling tongues, from speculations, and discord. […] This is the essence of a Eucharistic monastic life.

— Fr. Mark Daniel Kirby (Meditation on Colossians 3:3)

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