• Skip to primary navigation
  • Skip to main content
  • Skip to primary sidebar

Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

  • Donate
  • Our Team
    • Our Editorial Policy
    • Who We Are
    • How To Contact Us
    • Sainte Marie Bulletin Articles
    • Jeff’s Mom Joins Fundraiser
    • “Let the Choir Have a Voice” (Essay)
  • Pew Resources
    • Brébeuf Catholic Hymnal
    • Jogues Illuminated Missal
    • Repository • “Spanish Music”
    • KYRIALE • Saint Antoine Daniel
    • Campion Missal, 3rd Edition
  • MUSICAL WEBSITES
    • René Goupil Gregorian Chant
    • Noël Chabanel Psalms
    • Nova Organi Harmonia (2,279 pages)
    • Roman Missal, 3rd Edition
    • Catechism of Gregorian Rhythm
    • Father Enemond Massé Manuscripts
    • Lalemant Polyphonic
    • Feasts Website
  • Miscellaneous
    • Site Map
    • Secrets of the Conscientious Choirmaster
    • “Wedding March” for lazy organists
    • Emporium Kevin Allen
    • Saint Jean de Lalande Library
    • Sacred Music Symposium 2023
    • The Eight Gregorian Modes
    • Gradual by Pothier’s Protégé
    • Seven (7) Considerations
Views from the Choir Loft

Will I Be Meeting You in Late June?

Dr. Lucas Tappan · May 9, 2024

N LATE JUNE, I will be joining my fellow Corpus Christi Watershed contributor, Dr. Charles Weaver, as a faculty member for the CMAA COLLOQUIUM being held at the University of Illinois. Dr. Weaver is a full professor at the Juilliard school of music (considered by some as North America’s preëminent conservatory). I’m pleased to be teaching a class called Fundamentals for Men and Women, a Gregorian chant course intended for real chant beginners—both those who can read modern notation and those with no musical training. In the past, both Dr. Weaver and I have served as faculty for the CCW Symposium, but I’ve not yet had the pleasure of meeting him in person. (Needless to say, I’ve noted assiduously his articles on Views from the Choir Loft.)

CMAA Summer • The CMAA (Church Music Association of America) has released their upcoming “in-person” events for 2024. The Saint John Newman Center in Champaign, Illinois, will host the Colloquium this summer. Their newly-renovated chapel is lovely, as evidenced by the photos of some of the aspects of the renovation. I encourage you to check out the events I’ve assembled below.

CMAA Summer Courses
June 18-22, 2024 (Champaign, IL)

Their Summer Courses will have three options this year.

  • Chant Intensive, to be taught by Jeffrey Morse, of St. Joan of Arc Parish in Phoenix, AZ.
  • Vocal Intensive, to be taught by Dr. MeeAe Cecilia Nam, of Eastern Michigan University
  • Organ Improvisation, to be taught by Dr. Horst Buchholz, Director of Music, Cathedral of the Most Blessed Sacrament, Diocese of Detroit

For the Vocal Intensive course, we will be limiting attendance to no more than 15 registrants. For the Organ Improvisation, we can accept no more than 5 registrants. The three courses will share breaks and meals, as well as working toward the culmination of the courses with a closing Mass in the lovely chapel. Chant Intensive students will prepare the Mass Ordinary and Proper Chants; Vocal Intensive will prepare polyphonic pieces; Organ Improvisation will prepare the prelude, postlude and any other Mass improvisation needed for the liturgy. Get all the details of the courses at this URL, as well as access to registration

CMAA Colloquium
June 24-29, 2024 (Champaign, IL)

Our 34th Annual Sacred Music Colloquium will feature the following plenary speakers for 2024:

  • Bishop Earl K. Fernandes, Bishop of Columbus, OH
  • Gregory DiPippo, Managing Editor, New Liturgical Movement
  • Dr. William P. Mahrt, Editor, Sacred Music, President of CMAA

Join the CMAA for a wonderful six days of learning, singing, praying and laughing together as we work on chant and polyphony with an outstanding faculty. Dormitory housing and meals will be on-site at the Newman Center facilities, as well as all sessions. This may be the most convenient of all our Colloquium locations to date! The repertory will include chanted Mass Ordinaries, Propers, and office hymns, as well as a variety of polyphonic works, including the Duruflé Requiem when we pray for all deceased CMAA Members. With liturgies in the Novus Ordo (in English, Spanish, and Latin), as well as the Usus antiquior, experience the full range of the Roman Rite with reverence and the best we can offer in worship of God. For all the details about the schedule, faculty, registration and housing, visit the website for the CMAA Colloquium.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: May 9, 2024

Subscribe

It greatly helps us if you subscribe to our mailing list!

* indicates required

About Dr. Lucas Tappan

Dr. Lucas Tappan is a conductor and organist whose specialty is working with children. He lives in Kansas with his wife and four children.—(Read full biography).

Primary Sidebar

Corpus Christi Watershed

President’s Corner

    Music List • (3rd Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 3rd Sunday of Lent (8 March 2026). If such a thing interests you, feel free to download it as a PDF file. This feast has magnificent propers. Its stern INTROIT (“Óculi mei semper ad Dóminum”) is breathtaking, and the COMMUNION (“Qui bíberit aquam”) with its fauxbourdon verses is wonderful. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski
    “Samaritánæ” (3rd Sunday of Lent)
    With regard to the COMMUNION for the 3rd Sunday of Lent (Year A), the Ordo Cantus Missae—which was published in 1969 by the Vatican, bearing Hannibal Bugnini’s signature and approbation in its PREFACE—inexplicably introduced a variant melody and slightly different words, as you can see by this comparison chart. When it comes to such items, they’re always done in secrecy by unnamed people. (Although it is known that Dom Eugène Cardine collaborated in the creation of the GRADUALE SIMPLEX, a book considered by some to be a travesty.)
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski

Quick Thoughts

    Grotesque Pairing • “Passion Chorale”
    One of our rarest releases was undoubtably this PDF scan of the complete Pope Pius XII Hymnal (1959) by Father Joseph Roff, a student of Healey Willan. One of the scarcest titles in existence, this book was provided to us by Mr. Peter Meggison. Back in 2018, we scanned each page and uploaded it to our website, making it freely available to everyone. Readers are probably sick of hearing me say this, but just because we upload something that doesn’t necessarily mean it’s wonderful or worthy of imitation. We upload many publications precisely because they are ‘grotesque’, interesting, or revealing. Whereas the Brébeuf Catholic Hymnal had an editorial board that was careful and sensitive vis-à-vis pairing texts with tunes, the Pope Pius XII Hymnal (1959) seems to have been rather reckless in this regard. Please take a look at what they did with the PASSION CHORALE and see whether you agree.
    —Jeff Ostrowski
    Extreme Unction
    Those who search Google for “CCCC MS 079” will discover high resolution images of a medieval Pontificale (“Cambridge, Corpus Christi College, MS 079”). One of the pages contains this absolutely gorgeous depiction of the Sacrament of Extreme Unction.
    —Corpus Christi Watershed
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski

Random Quote

“The Humanists abominated the rhythmical poetry of the Middle Ages from an exaggerated enthusiasm for ancient classical forms and meters. Hymnody then received its death blow as, on the revision of the Breviary under Pope Urban VIII, the medieval rhythmical hymns were forced into more classical forms by means of so-called corrections.”

— Father Clemens Blume, S.J.

Recent Posts

  • Music List • (3rd Sunday of Lent)
  • “National Survey” (Order of Christian Funerals) • By the USCCB Secretariat of Divine Worship
  • “Samaritánæ” (3rd Sunday of Lent)
  • Grotesque Pairing • “Passion Chorale”
  • PDF Download • “Ubi Caritas” (SATB)

Subscribe

Subscribe

* indicates required

Copyright © 2026 Corpus Christi Watershed · Isaac Jogues on Genesis Framework · WordPress · Log in

Corpus Christi Watershed is a 501(c)3 public charity dedicated to exploring and embodying as our calling the relationship of religion, culture, and the arts. This non-profit organization employs the creative media in service of theology, the Church, and Christian culture for the enrichment and enjoyment of the public.