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Corpus Christi Watershed

Jesus said to them: “I have come into this world so that a sentence may fall upon it, that those who are blind should see, and those who see should become blind. If you were blind, you would not be guilty. It is because you protest, ‘We can see clearly,’ that you cannot be rid of your guilt.”

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Views from the Choir Loft

Will I Be Meeting You in Late June?

Dr. Lucas Tappan · May 9, 2024

N LATE JUNE, I will be joining my fellow Corpus Christi Watershed contributor, Dr. Charles Weaver, as a faculty member for the CMAA COLLOQUIUM being held at the University of Illinois. Dr. Weaver is a full professor at the Juilliard school of music (considered by some as North America’s preëminent conservatory). I’m pleased to be teaching a class called Fundamentals for Men and Women, a Gregorian chant course intended for real chant beginners—both those who can read modern notation and those with no musical training. In the past, both Dr. Weaver and I have served as faculty for the CCW Symposium, but I’ve not yet had the pleasure of meeting him in person. (Needless to say, I’ve noted assiduously his articles on Views from the Choir Loft.)

CMAA Summer • The CMAA (Church Music Association of America) has released their upcoming “in-person” events for 2024. The Saint John Newman Center in Champaign, Illinois, will host the Colloquium this summer. Their newly-renovated chapel is lovely, as evidenced by the photos of some of the aspects of the renovation. I encourage you to check out the events I’ve assembled below.

CMAA Summer Courses
June 18-22, 2024 (Champaign, IL)

Their Summer Courses will have three options this year.

  • Chant Intensive, to be taught by Jeffrey Morse, of St. Joan of Arc Parish in Phoenix, AZ.
  • Vocal Intensive, to be taught by Dr. MeeAe Cecilia Nam, of Eastern Michigan University
  • Organ Improvisation, to be taught by Dr. Horst Buchholz, Director of Music, Cathedral of the Most Blessed Sacrament, Diocese of Detroit

For the Vocal Intensive course, we will be limiting attendance to no more than 15 registrants. For the Organ Improvisation, we can accept no more than 5 registrants. The three courses will share breaks and meals, as well as working toward the culmination of the courses with a closing Mass in the lovely chapel. Chant Intensive students will prepare the Mass Ordinary and Proper Chants; Vocal Intensive will prepare polyphonic pieces; Organ Improvisation will prepare the prelude, postlude and any other Mass improvisation needed for the liturgy. Get all the details of the courses at this URL, as well as access to registration

CMAA Colloquium
June 24-29, 2024 (Champaign, IL)

Our 34th Annual Sacred Music Colloquium will feature the following plenary speakers for 2024:

  • Bishop Earl K. Fernandes, Bishop of Columbus, OH
  • Gregory DiPippo, Managing Editor, New Liturgical Movement
  • Dr. William P. Mahrt, Editor, Sacred Music, President of CMAA

Join the CMAA for a wonderful six days of learning, singing, praying and laughing together as we work on chant and polyphony with an outstanding faculty. Dormitory housing and meals will be on-site at the Newman Center facilities, as well as all sessions. This may be the most convenient of all our Colloquium locations to date! The repertory will include chanted Mass Ordinaries, Propers, and office hymns, as well as a variety of polyphonic works, including the Duruflé Requiem when we pray for all deceased CMAA Members. With liturgies in the Novus Ordo (in English, Spanish, and Latin), as well as the Usus antiquior, experience the full range of the Roman Rite with reverence and the best we can offer in worship of God. For all the details about the schedule, faculty, registration and housing, visit the website for the CMAA Colloquium.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: May 9, 2024

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About Dr. Lucas Tappan

Dr. Lucas Tappan is a conductor and organist whose specialty is working with children. He lives in Kansas with his wife and four children.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Music List” • 6th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 6th Sunday of Easter (25 May 2025). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and propers for this Sunday are provided at the the feasts website.
    —Jeff Ostrowski
    “Gloria in Spanish” • Free Accompaniment
    Several people have requested an organ accompaniment for the GLORY TO GOD which prints the Spanish words directly above the chords. The Spanish adaptation—Gloria a Dios en el cielo—as printed in Roman Misal, tercera edición was adapted from the “Glória in excélsis” from Mass XV (DOMINATOR DEUS). I used to feel that it’s a pretty boring chant … until I heard it sung well by a men’s Schola Cantorum, which changed my view dramatically. This morning, I created this harmonization and dedicated it to my colleague, Corrinne May. You may download it for free. Please let me know if you enjoy it!
    —Jeff Ostrowski
    How Well Does ICEL Know Latin?
    This year, the Feast of Saints Peter and Paul (29 June 2025) will fall on a Sunday. It’s not necessary to be an eminent Latin scholar to be horrified by examples like this, which have been in place since 1970. For the last 55 years, anyone who’s attempted to correct such errors has been threatened with legal action. It is simply unbelievable that the (mandatory) texts of the Holy Mass began being sold for a profit in the 1970s. How much longer will this gruesome situation last?
    —Jeff Ostrowski

Quick Thoughts

    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt
    The Funeral Rites of the Graduale Romanum
    Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.
    —Daniel Tucker

Random Quote

Let us ponder the incontrovertible fact that Eucharistic Adoration in the Ordinary Form (“Novus Ordo”) is always and everywhere celebrated “ad orientem.” Why, then, is there such opposition to Mass being celebrated in that way, which is actually stipulated by the 1970 Missal rubrics?

— A Benedictine Monk (2013)

Recent Posts

  • “Music List” • 6th Sunday of Easter (Year C)
  • “Can the Choir Sing Alone at Mass?” • Yes! And Here’s Why That Matters
  • “Gloria in Spanish” • Free Accompaniment
  • How Well Does ICEL Know Latin?
  • Nobody Cares About This! • 1887 Rheims-Cambrai Gradual included “Restored” Plainsong

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