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Views from the Choir Loft

Will I Be Meeting You in Late June?

Dr. Lucas Tappan · May 9, 2024

N LATE JUNE, I will be joining my fellow Corpus Christi Watershed contributor, Dr. Charles Weaver, as a faculty member for the CMAA COLLOQUIUM being held at the University of Illinois. Dr. Weaver is a full professor at the Juilliard school of music (considered by some as North America’s preëminent conservatory). I’m pleased to be teaching a class called Fundamentals for Men and Women, a Gregorian chant course intended for real chant beginners—both those who can read modern notation and those with no musical training. In the past, both Dr. Weaver and I have served as faculty for the CCW Symposium, but I’ve not yet had the pleasure of meeting him in person. (Needless to say, I’ve noted assiduously his articles on Views from the Choir Loft.)

CMAA Summer • The CMAA (Church Music Association of America) has released their upcoming “in-person” events for 2024. The Saint John Newman Center in Champaign, Illinois, will host the Colloquium this summer. Their newly-renovated chapel is lovely, as evidenced by the photos of some of the aspects of the renovation. I encourage you to check out the events I’ve assembled below.

CMAA Summer Courses
June 18-22, 2024 (Champaign, IL)

Their Summer Courses will have three options this year.

  • Chant Intensive, to be taught by Jeffrey Morse, of St. Joan of Arc Parish in Phoenix, AZ.
  • Vocal Intensive, to be taught by Dr. MeeAe Cecilia Nam, of Eastern Michigan University
  • Organ Improvisation, to be taught by Dr. Horst Buchholz, Director of Music, Cathedral of the Most Blessed Sacrament, Diocese of Detroit

For the Vocal Intensive course, we will be limiting attendance to no more than 15 registrants. For the Organ Improvisation, we can accept no more than 5 registrants. The three courses will share breaks and meals, as well as working toward the culmination of the courses with a closing Mass in the lovely chapel. Chant Intensive students will prepare the Mass Ordinary and Proper Chants; Vocal Intensive will prepare polyphonic pieces; Organ Improvisation will prepare the prelude, postlude and any other Mass improvisation needed for the liturgy. Get all the details of the courses at this URL, as well as access to registration

CMAA Colloquium
June 24-29, 2024 (Champaign, IL)

Our 34th Annual Sacred Music Colloquium will feature the following plenary speakers for 2024:

  • Bishop Earl K. Fernandes, Bishop of Columbus, OH
  • Gregory DiPippo, Managing Editor, New Liturgical Movement
  • Dr. William P. Mahrt, Editor, Sacred Music, President of CMAA

Join the CMAA for a wonderful six days of learning, singing, praying and laughing together as we work on chant and polyphony with an outstanding faculty. Dormitory housing and meals will be on-site at the Newman Center facilities, as well as all sessions. This may be the most convenient of all our Colloquium locations to date! The repertory will include chanted Mass Ordinaries, Propers, and office hymns, as well as a variety of polyphonic works, including the Duruflé Requiem when we pray for all deceased CMAA Members. With liturgies in the Novus Ordo (in English, Spanish, and Latin), as well as the Usus antiquior, experience the full range of the Roman Rite with reverence and the best we can offer in worship of God. For all the details about the schedule, faculty, registration and housing, visit the website for the CMAA Colloquium.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: May 9, 2024

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About Dr. Lucas Tappan

Dr. Lucas Tappan is a conductor and organist whose specialty is working with children. He lives in Kansas with his wife and four children.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Luis Martínez Must Go!
    Sevilla Cathedral (entry dated 13 December 1564): The chapter orders Luis Martínez, a cathedral chaplain, to stay away from the choirbook-stand when the rest of the singers gather around it to sing polyphony—the reason being that “he throws the others out of tune.” [Excerpt from “The Life of Father Francisco Guerrero.”]
    —Jeff Ostrowski
    Urgent! • We Desperately Need Funds!
    A few days ago, the president of Corpus Christi Watershed posted this urgent appeal for funds. Please help us make sure we’re never forced to place our content behind a paywall. We feel it’s crucial that 100% of our content remains free to everyone. We’re a tiny 501(c)3 public charity, entirely dependent upon the generosity of small donors. We have no endowment and no major donors. We run no advertisements and have no savings. We beg you to consider donating $4.00 per month. Thank you!
    —Jeff Ostrowski
    “Booklet of Eucharistic Hymns” (16 pages)
    I was asked to create a booklet for my parish to use during our CORPUS CHRISTI PROCESSION on 22 June 2025. Would you be willing to look over the DRAFT BOOKLET (16 pages) I came up with? I tried to include a variety of hymns: some have a refrain; some are in major, others in minor; some are metered, others are plainsong; some are in Spanish, some are in Latin, but most are in English. Normally, we’d use the Brébeuf Hymnal—but we can’t risk having our congregation carry those heavy books all over the city to various churches.
    —Jeff Ostrowski

Quick Thoughts

    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed
    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed

Random Quote

“Participation” in the Mass does not mean hearing our own voices. It means God hearing our voices. Only He knows who is “participating” at Mass. I believe, to compare small things with great, that I “participate” in a work of art when I study it and love it silently.

— Evelyn Waugh

Recent Posts

  • Luis Martínez Must Go!
  • Pope Pius XII Hymnal?
  • PDF Download • “Gospel Acclamation” for 29 June (Solemnity of Saints Peter and Paul, Apostles)
  • “Hybrid” Chant Notation?
  • Available! • Free Rehearsal Videos for Agnus Dei “Mille Regretz” after Gombert (d. 1560)

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Corpus Christi Watershed is a 501(c)3 public charity dedicated to exploring and embodying as our calling the relationship of religion, culture, and the arts. This non-profit organization employs the creative media in service of theology, the Church, and Christian culture for the enrichment and enjoyment of the public.

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