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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Will I Be Meeting You in Late June?

Dr. Lucas Tappan · May 9, 2024

N LATE JUNE, I will be joining my fellow Corpus Christi Watershed contributor, Dr. Charles Weaver, as a faculty member for the CMAA COLLOQUIUM being held at the University of Illinois. Dr. Weaver is a full professor at the Juilliard school of music (considered by some as North America’s preëminent conservatory). I’m pleased to be teaching a class called Fundamentals for Men and Women, a Gregorian chant course intended for real chant beginners—both those who can read modern notation and those with no musical training. In the past, both Dr. Weaver and I have served as faculty for the CCW Symposium, but I’ve not yet had the pleasure of meeting him in person. (Needless to say, I’ve noted assiduously his articles on Views from the Choir Loft.)

CMAA Summer • The CMAA (Church Music Association of America) has released their upcoming “in-person” events for 2024. The Saint John Newman Center in Champaign, Illinois, will host the Colloquium this summer. Their newly-renovated chapel is lovely, as evidenced by the photos of some of the aspects of the renovation. I encourage you to check out the events I’ve assembled below.

CMAA Summer Courses
June 18-22, 2024 (Champaign, IL)

Their Summer Courses will have three options this year.

  • Chant Intensive, to be taught by Jeffrey Morse, of St. Joan of Arc Parish in Phoenix, AZ.
  • Vocal Intensive, to be taught by Dr. MeeAe Cecilia Nam, of Eastern Michigan University
  • Organ Improvisation, to be taught by Dr. Horst Buchholz, Director of Music, Cathedral of the Most Blessed Sacrament, Diocese of Detroit

For the Vocal Intensive course, we will be limiting attendance to no more than 15 registrants. For the Organ Improvisation, we can accept no more than 5 registrants. The three courses will share breaks and meals, as well as working toward the culmination of the courses with a closing Mass in the lovely chapel. Chant Intensive students will prepare the Mass Ordinary and Proper Chants; Vocal Intensive will prepare polyphonic pieces; Organ Improvisation will prepare the prelude, postlude and any other Mass improvisation needed for the liturgy. Get all the details of the courses at this URL, as well as access to registration

CMAA Colloquium
June 24-29, 2024 (Champaign, IL)

Our 34th Annual Sacred Music Colloquium will feature the following plenary speakers for 2024:

  • Bishop Earl K. Fernandes, Bishop of Columbus, OH
  • Gregory DiPippo, Managing Editor, New Liturgical Movement
  • Dr. William P. Mahrt, Editor, Sacred Music, President of CMAA

Join the CMAA for a wonderful six days of learning, singing, praying and laughing together as we work on chant and polyphony with an outstanding faculty. Dormitory housing and meals will be on-site at the Newman Center facilities, as well as all sessions. This may be the most convenient of all our Colloquium locations to date! The repertory will include chanted Mass Ordinaries, Propers, and office hymns, as well as a variety of polyphonic works, including the Duruflé Requiem when we pray for all deceased CMAA Members. With liturgies in the Novus Ordo (in English, Spanish, and Latin), as well as the Usus antiquior, experience the full range of the Roman Rite with reverence and the best we can offer in worship of God. For all the details about the schedule, faculty, registration and housing, visit the website for the CMAA Colloquium.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: May 9, 2024

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About Dr. Lucas Tappan

Dr. Lucas Tappan is a conductor and organist whose specialty is working with children. He lives in Kansas with his wife and four children.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Sanctus VIII” • Organ Accompaniment
    A few days ago, I composed this organ harmonization for SANCTUS VIII. This Mass is traditionally called Missa de ángelis or “Mass of the angels.” In French, it is Messe de Anges. You can evaluate my attempt to simultaneously accompany myself on the pipe organ (click here) while singing the melody. My parish is currently singing this setting.
    —Jeff Ostrowski
    Music List • (5th Sund. Ordinary Time)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for this coming Sunday, 8 February 2026, which is the 5th Sunday in Ordinary Time (Year A). If such a thing interests you, feel free to download it as a PDF file. You will probably notice it isn’t as ‘complete’ or ‘spiffy’ as usual, owing to some difficulties which took place this week.
    —Jeff Ostrowski
    PDF • “Communion” (5th Sunday in Ordin.)
    The COMMUNION ANTIPHON for this coming Sunday, 8 February 2026—which is the 5th Sunday in Ordinary Time (Year A)—is truly delightful. You can download the musical score completely free of charge. This text will be familiar to altar boys, because it’s PSALM 42. The Feder Missal makes the following claim about that psalm: “A hymn of a temple musician from Jerusalem: he is an exile in a heathen land, and he longs for the holy city and his ministry in the Temple there. The Church makes his words her own.”
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of Febr. (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

“For any member of laity, who is at least somewhat literate, the ignorance of the Latin tongue, which we can call a truly Catholic language, indicates a certain lack of affection towards the Church.”

— Pope Pius IX

Recent Posts

  • Pope Paul VI • “Sacrificium Laudis” (15 Aug 1966)
  • “Sanctus VIII” • Organ Accompaniment
  • PDF Download • Sanctus VIII Organ Accompaniment (“Mass of the Angels”)
  • Gorgeous Image of Monks Singing!
  • “Let the Choir Have a Voice” • Jeff Ostrowski’s Essay on Choral Music in the Catholic Mass

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