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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

PDF Download • Spanish Responsorial Psalm — “17th Sunday in Ordinary Time” (Year B)

Jeff Ostrowski · April 16, 2024

OT ONE. I’m not aware of a single website or blog—except for ours—which delves into the psychology behind directing choirs in the Roman Catholic Church. I’m talking about articles which “build up” (mentally) aspiring choirmasters, speak in earnest about obstacles they can expect, provide guidance on avoiding discouragement, and so forth. We also give ‘tips’ and little bits of advice, such as an article I remember by Dr. Tappan wherein he encouraged choirmasters to let children from the parish tinker around on the pipe organ after Mass (which can result in them wanting to take lessons). How is it possible that ours are the only authors writing about such things? I don’t know … but perhaps it has something to do with a “reluctance” or “fear” on the part of choir directors to show vulnerability or deficiency. In other words, maybe they’re afraid that discussing their shortcomings publicly might scare off potential employers.

Promoting Young Composers • I’ll say more about this in a moment. First, I promised to promote the CHAUMONOT COMPOSERS GROUP. Here’s my attempt to record their Responsorial Psalm for the 17th Sunday in Ordinary Time, Year B:

*  PDF Download • 17th Sunday in Ordinary Time, Year B
—Musical setting by the CHAUMONOT COMPOSERS GROUP.

Here’s the direct URL link.

Vulnerabilities • The conscientious choirmaster must wake up each morning and call to mind something important: The planet has no shortage of haters. We must never let criticism by ‘haters’ bother us. We must strive to block them from our minds, the same way we “give no quarter” to temptations against the holy virtue of purity. Remember that for every 1,000 haters who cast stones and use derogatory language, there’s usually only one person willing to do something positive to help build up the Catholic Church. I’m sad to say that many of the articles by “liturgical conservatives” basically just repeat the same things over and over: They are smart and cultured; everyone else is a dumb philistine; and so on. Very few offer positive solutions.

Our Duty • We have a duty to encourage others striving to elevate the sacred liturgy. If we don’t do that, who else is going to? You will notice I posted a rehearsal video (see above) in spite of the fact that it contains many flaws. I’m clearly not a native Spanish speaker. But people who never offer anything because they’re waiting for it to be “perfect” will go to their graves without ever having produced anything. They’ll go to their graves without ever having learned anything or matured in any way. They’ll go to their graves without ever having offered anything in the service of the One, Holy, Catholic and Apostolic Church.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, PDF Download Tagged With: Chaumonot Composers Group, Free Spanish Responsorial Psalms, Psalmi Responsorii Cum Suis Responsis, Psalmus Responsorius Last Updated: September 19, 2024

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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President’s Corner

    Good Friday Flowers
    Good Friday has a series of prayers for various parties: the pope, catechumens, pagans, heretics, schismatics, and so forth. In the old liturgical books, there was no official ‘name’ for these prayers. (This wasn’t unusual as ‘headers’ and ‘titles’ for each section is a rather modern idea.) The Missal simply instructed the priest to go to the Epistle side and begin. In the SHERBORNE MISSAL, each prayer begins with a different—utterly spectacular—flower. This PDF file shows the first few prayers. Has anyone counted the ‘initial’ drop-cap flowers in the SHERBORNE MISSAL? Surely there are more than 1,000.
    —Jeff Ostrowski
    Music List • (3rd Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 3rd Sunday of Lent (8 March 2026). If such a thing interests you, feel free to download it as a PDF file. This feast has magnificent propers. Its stern INTROIT (“Óculi mei semper ad Dóminum”) is breathtaking, and the COMMUNION (“Qui bíberit aquam”) with its fauxbourdon verses is wonderful. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski

Quick Thoughts

    “Dies Irae” • A Monstrous Translation
    It isn’t easy to determine what Alice King MacGilton hoped to accomplish with her very popular book—A Study of Latin Hymns (1918)—which continued to be reprinted in new editions for at least 34 years. This PDF file shows her attempt to translate the DIES IRAE “in the fewest words possible.” There’s a place for dynamic equivalency, but this is repugnant. In particular, look what she does to “Quærens me sedísti lassus.”
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski
    Grotesque Pairing • “Passion Chorale”
    One of our rarest releases was undoubtably this PDF scan of the complete Pope Pius XII Hymnal (1959) by Father Joseph Roff, a student of Healey Willan. One of the scarcest titles in existence, this book was provided to us by Mr. Peter Meggison. Back in 2018, we scanned each page and uploaded it to our website, making it freely available to everyone. Readers are probably sick of hearing me say this, but just because we upload something that doesn’t necessarily mean it’s wonderful or worthy of imitation. We upload many publications precisely because they are ‘grotesque’, interesting, or revealing. Whereas the Brébeuf Catholic Hymnal had an editorial board that was careful and sensitive vis-à-vis pairing texts with tunes, the Pope Pius XII Hymnal (1959) seems to have been rather reckless in this regard. Please take a look at what they did with the PASSION CHORALE and see whether you agree.
    —Jeff Ostrowski

Random Quote

“I prefer to preach,” said one priest “even without immediate preparation, for I can always draw—from the various studies stored away during the seminary years—enough material to interest our good Catholic people. But when I have to go to the altar and sing High Mass or a Requiem, and I know that I cannot read a note of the Preface and the ‘Pater Noster’, I feel like going to martyrdom. Yet the notes are right there before my eyes, but they seem to mock my ignorance.”

— From a 1920 article by Very Rev. Leo P. Manzetti

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