• Skip to primary navigation
  • Skip to main content
  • Skip to primary sidebar

Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

  • Donate
  • Our Team
    • Our Editorial Policy
    • Who We Are
    • How To Contact Us
    • Sainte Marie Bulletin Articles
    • Jeff’s Mom Joins Fundraiser
  • Pew Resources
    • Brébeuf Catholic Hymnal
    • Jogues Illuminated Missal
    • Repository • “Spanish Music”
    • KYRIALE • Saint Antoine Daniel
    • Campion Missal, 3rd Edition
  • MUSICAL WEBSITES
    • René Goupil Gregorian Chant
    • Noël Chabanel Psalms
    • Nova Organi Harmonia (2,279 pages)
    • Roman Missal, 3rd Edition
    • Catechism of Gregorian Rhythm
    • Father Enemond Massé Manuscripts
    • Lalemant Polyphonic
    • Feasts Website
  • Miscellaneous
    • Site Map
    • Secrets of the Conscientious Choirmaster
    • “Wedding March” for lazy organists
    • Emporium Kevin Allen
    • Saint Jean de Lalande Library
    • Sacred Music Symposium 2023
    • The Eight Gregorian Modes
    • Gradual by Pothier’s Protégé
    • Seven (7) Considerations
Views from the Choir Loft

PDF Download • Spanish Responsorial Psalm — “17th Sunday in Ordinary Time” (Year B)

Jeff Ostrowski · April 16, 2024

OT ONE. I’m not aware of a single website or blog—except for ours—which delves into the psychology behind directing choirs in the Roman Catholic Church. I’m talking about articles which “build up” (mentally) aspiring choirmasters, speak in earnest about obstacles they can expect, provide guidance on avoiding discouragement, and so forth. We also give ‘tips’ and little bits of advice, such as an article I remember by Dr. Tappan wherein he encouraged choirmasters to let children from the parish tinker around on the pipe organ after Mass (which can result in them wanting to take lessons). How is it possible that ours are the only authors writing about such things? I don’t know … but perhaps it has something to do with a “reluctance” or “fear” on the part of choir directors to show vulnerability or deficiency. In other words, maybe they’re afraid that discussing their shortcomings publicly might scare off potential employers.

Promoting Young Composers • I’ll say more about this in a moment. First, I promised to promote the CHAUMONOT COMPOSERS GROUP. Here’s my attempt to record their Responsorial Psalm for the 17th Sunday in Ordinary Time, Year B:

*  PDF Download • 17th Sunday in Ordinary Time, Year B
—Musical setting by the CHAUMONOT COMPOSERS GROUP.

Here’s the direct URL link.

Vulnerabilities • The conscientious choirmaster must wake up each morning and call to mind something important: The planet has no shortage of haters. We must never let criticism by ‘haters’ bother us. We must strive to block them from our minds, the same way we “give no quarter” to temptations against the holy virtue of purity. Remember that for every 1,000 haters who cast stones and use derogatory language, there’s usually only one person willing to do something positive to help build up the Catholic Church. I’m sad to say that many of the articles by “liturgical conservatives” basically just repeat the same things over and over: They are smart and cultured; everyone else is a dumb philistine; and so on. Very few offer positive solutions.

Our Duty • We have a duty to encourage others striving to elevate the sacred liturgy. If we don’t do that, who else is going to? You will notice I posted a rehearsal video (see above) in spite of the fact that it contains many flaws. I’m clearly not a native Spanish speaker. But people who never offer anything because they’re waiting for it to be “perfect” will go to their graves without ever having produced anything. They’ll go to their graves without ever having learned anything or matured in any way. They’ll go to their graves without ever having offered anything in the service of the One, Holy, Catholic and Apostolic Church.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, PDF Download Tagged With: Chaumonot Composers Group, Free Spanish Responsorial Psalms, Psalmi Responsorii Cum Suis Responsis, Psalmus Responsorius Last Updated: September 19, 2024

Subscribe

It greatly helps us if you subscribe to our mailing list!

* indicates required

About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

Primary Sidebar

Corpus Christi Watershed

President’s Corner

    PDF Download • “Offertory” for this Sunday
    This coming Sunday, 12 October 2025, is the 28th Sunday in Ordinary Time (Year C). Its OFFERTORY ANTIPHON (PDF) is gorgeous, and comes from the book of Esther, as did the ENTRANCE CHANT last Sunday. Depending on a variety of factors, various hand-missals (all with Imprimatur) translate this passage differently. For instance, “príncipis” can be rendered: King; Prince; Lion; or Fierce lord. None is “more correct” than another. It depends on what each translator wants to emphasize and which source text is chosen. All these pieces of plainsong are conveniently stored at the blue-ribbon feasts website.
    —Jeff Ostrowski
    Why A “Fugue” Here?
    I believe I know why this plainsong harmonizer created a tiny fugue as the INTRODUCTION to his accompaniment. Take a look (PDF example) and tell me your thoughts about what he did on the feast of the Flight of Our Lord Jesus Christ into Egypt (17 February). And now I must go because “tempus fugit” as they say!
    —Jeff Ostrowski
    “Reminder” — Month of October (2025)
    Those who don’t sign up for our free EMAIL NEWSLETTER miss important notifications. Last week, for example, I sent a message about this job opening for a music director paying $65,000 per year plus benefits (plus weddings & funerals). Notice the job description says: “our vision for sacred music is to move from singing at Mass to truly singing the Mass wherein … especially the propers, ordinaries, and dialogues are given their proper place.” Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski

Quick Thoughts

    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski
    “American Catholic Hymnal” (1991)
    The American Catholic Hymnal, with IMPRIMATUR granted (25 April 1991) by the Archdiocese of Chicago, is like a compendium of every horrible idea from the 1980s. Imagine being forced to stand all through Communion (even afterwards) when those self-same ‘enlightened’ liturgists moved the SEQUENCE before the Alleluia to make sure congregations wouldn’t have to stand during it. (Even worse, everything about the SEQUENCE—including its name—means it should follow the Alleluia.) And imagine endlessly repeating “Alleluia” during Holy Communion at every single Mass. It was all part of an effort to convince people that Holy Communion was historically a procession (which it wasn’t).
    —Jeff Ostrowski
    “Canonic” • Ralph Vaughan Williams
    Fifty years ago, Dr. Theodore Marier made available this clever arrangement (PDF) of “Come down, O love divine” by P. R. Dietterich. The melody was composed in 1906 by Ralph Vaughan Williams (d. 1958) and named in honor of of his birthplace: DOWN AMPNEY. The arrangement isn’t a strict canon, but it does remind one of a canon since the pipe organ employs “points of imitation.” The melody and text are #709 in the Brébeuf Catholic Hymnal.
    —Jeff Ostrowski

Random Quote

“Always remember: God opposes the proud.” (leaning into the microphone) “…even when they’re right!”

— ‘Scott Hahn, speaking in Plano, TX’

Recent Posts

  • Every Diocesan Music Commission Should Do This
  • Exclusive Interview • “Púeri Cantóres” President
  • PDF Download • “Offertory” for this Sunday
  • The Real Miracle of Gregorian Chant
  • Why A “Fugue” Here?

Subscribe

Subscribe

* indicates required

Copyright © 2025 Corpus Christi Watershed · Isaac Jogues on Genesis Framework · WordPress · Log in

Corpus Christi Watershed is a 501(c)3 public charity dedicated to exploring and embodying as our calling the relationship of religion, culture, and the arts. This non-profit organization employs the creative media in service of theology, the Church, and Christian culture for the enrichment and enjoyment of the public.