• Skip to primary navigation
  • Skip to main content
  • Skip to primary sidebar

Corpus Christi Watershed

Jesus said to them: “I have come into this world so that a sentence may fall upon it, that those who are blind should see, and those who see should become blind. If you were blind, you would not be guilty. It is because you protest, ‘We can see clearly,’ that you cannot be rid of your guilt.”

  • Our Team
    • Our Editorial Policy
    • Who We Are
    • How To Contact Us
  • Pew Resources
    • Brébeuf Catholic Hymnal
    • Jogues Illuminated Missal
    • KYRIALE • Saint Antoine Daniel
    • Campion Missal, 3rd Edition
    • Repository • “Spanish Music”
    • Ordinary Form Feasts (Sainte-Marie)
  • MUSICAL WEBSITES
    • René Goupil Gregorian Chant
    • Noël Chabanel Psalms
    • Nova Organi Harmonia (2,279 pages)
    • Roman Missal, 3rd Edition
    • Father Enemond Massé Manuscripts
    • Lalemant Polyphonic
  • Miscellaneous
    • Site Map
    • Secrets of the Conscientious Choirmaster
    • “Wedding March” for lazy organists
    • Emporium Kevin Allen
    • Saint Jean de Lalande Library
    • Sacred Music Symposium 2023
    • The Eight Gregorian Modes
    • Gradual by Pothier’s Protégé
    • Seven (7) Considerations
  • Donate
Views from the Choir Loft

PDF Download • Spanish Responsorial Psalm — “17th Sunday in Ordinary Time” (Year B)

Jeff Ostrowski · April 16, 2024

OT ONE. I’m not aware of a single website or blog—except for ours—which delves into the psychology behind directing choirs in the Roman Catholic Church. I’m talking about articles which “build up” (mentally) aspiring choirmasters, speak in earnest about obstacles they can expect, provide guidance on avoiding discouragement, and so forth. We also give ‘tips’ and little bits of advice, such as an article I remember by Dr. Tappan wherein he encouraged choirmasters to let children from the parish tinker around on the pipe organ after Mass (which can result in them wanting to take lessons). How is it possible that ours are the only authors writing about such things? I don’t know … but perhaps it has something to do with a “reluctance” or “fear” on the part of choir directors to show vulnerability or deficiency. In other words, maybe they’re afraid that discussing their shortcomings publicly might scare off potential employers.

Promoting Young Composers • I’ll say more about this in a moment. First, I promised to promote the CHAUMONOT COMPOSERS GROUP. Here’s my attempt to record their Responsorial Psalm for the 17th Sunday in Ordinary Time, Year B:

*  PDF Download • 17th Sunday in Ordinary Time, Year B
—Musical setting by the CHAUMONOT COMPOSERS GROUP.

Here’s the direct URL link.

Vulnerabilities • The conscientious choirmaster must wake up each morning and call to mind something important: The planet has no shortage of haters. We must never let criticism by ‘haters’ bother us. We must strive to block them from our minds, the same way we “give no quarter” to temptations against the holy virtue of purity. Remember that for every 1,000 haters who cast stones and use derogatory language, there’s usually only one person willing to do something positive to help build up the Catholic Church. I’m sad to say that many of the articles by “liturgical conservatives” basically just repeat the same things over and over: They are smart and cultured; everyone else is a dumb philistine; and so on. Very few offer positive solutions.

Our Duty • We have a duty to encourage others striving to elevate the sacred liturgy. If we don’t do that, who else is going to? You will notice I posted a rehearsal video (see above) in spite of the fact that it contains many flaws. I’m clearly not a native Spanish speaker. But people who never offer anything because they’re waiting for it to be “perfect” will go to their graves without ever having produced anything. They’ll go to their graves without ever having learned anything or matured in any way. They’ll go to their graves without ever having offered anything in the service of the One, Holy, Catholic and Apostolic Church.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, PDF Download Tagged With: Chaumonot Composers Group, Free Spanish Responsorial Psalms, Psalmi Responsorii Cum Suis Responsis, Psalmus Responsorius Last Updated: September 19, 2024

Subscribe

It greatly helps us if you subscribe to our mailing list!

* indicates required

About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

Primary Sidebar

Corpus Christi Watershed

President’s Corner

    “Music List” • 5th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 5th Sunday of Easter (18 May 2025). If such a thing interests you, feel free to download it as a PDF file. The Communion Antiphon was ‘restored’ the 1970 Missale Romanum (a.k.a. MISSALE RECENS) from an obscure martyr’s feast. Our choir is on break this Sunday, so the selections are relatively simple in nature.
    —Jeff Ostrowski
    Communion Chant (5th Sunday of Easter)
    This coming Sunday—18 May 2025—is the 5th Sunday of Easter, Year C (MISSALE RECENS). The COMMUNION ANTIPHON “Ego Sum Vitis Vera” assigned by the Church is rather interesting, because it comes from a rare martyr’s feast: viz. Saint Vitalis of Milan. It was never part of the EDITIO VATICANA, which is the still the Church’s official edition. As a result, the musical notation had to be printed in the Ordo Cantus Missae, which appeared in 1970.
    —Jeff Ostrowski
    “Music List” • 4th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 4th Sunday of Easter (11 May 2025). If such a thing interests you, feel free to download it as a PDF file. I don’t know a more gorgeous ENTRANCE CHANT than the one given there: Misericórdia Dómini Plena Est Terra.
    —Jeff Ostrowski

Quick Thoughts

    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt
    The Funeral Rites of the Graduale Romanum
    Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.
    —Daniel Tucker

Random Quote

“All those who take part in sacred music, as composers, organists, choir directors, singers, or musicians should above all give good example of Christian life to the rest of the faithful because they directly or indirectly participate in the sacred liturgy.”

— Directive issued under Pope Pius XII on 3 Sept. 1958

Recent Posts

  • A Gentleman (Whom I Don’t Know) Approached Me After Mass Yesterday And Said…
  • “For me, Gregorian chant at the Mass was much more consonant with what the Mass truly is…” —Bp. Earl Fernandes
  • “Lindisfarne Gospels” • Created circa 705 A.D.
  • “Music List” • 5th Sunday of Easter (Year C)
  • Communion Chant (5th Sunday of Easter)

Subscribe

Subscribe

* indicates required

Copyright © 2025 Corpus Christi Watershed · Isaac Jogues on Genesis Framework · WordPress · Log in

Corpus Christi Watershed is a 501(c)3 public charity dedicated to exploring and embodying as our calling the relationship of religion, culture, and the arts. This non-profit organization employs the creative media in service of theology, the Church, and Christian culture for the enrichment and enjoyment of the public.