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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

PDF Download • Responsorial Psalm for the 16th Sunday in Ordinary Time (Year B)

Jeff Ostrowski · April 9, 2024

ELOW YOU WILL FIND an impressive new setting of the Responsorial Psalm for the 16th Sunday in Ordinary Time (Year B). I have spoken of the CHAUMONOT COMPOSERS GROUP in the past, and I intend to promote several of their offerings over the next few months. While now isn’t an appropriate time to explore in exhaustive detail the origins of the RESPONSORIAL PSALM, I will be sharing a few thoughts about its history (see below).

Here To stay • Regardless of its provenance, the RESPONSORIAL PSALM is “here to stay”—at least for the foreseeable future. In light of this reality, I feel the liturgical compositions by the CHAUMONOT COMPOSERS GROUP are praiseworthy. Below is their musical setting of the Responsorial Psalm for the 16th Sunday in Ordinary Time (Year B).

My pronunciation will show I’m not a native speaker!

Here’s the direct URL link.

*  PDF Download • 16th Sunday in Ordinary Time, Year B
—Musical setting by the CHAUMONOT COMPOSERS GROUP.

Resp. Psalm History [Part 1] • The Catholic Church consists of sinful men who sometimes make mistakes. A “case in point” in the musical arena would be Romanorum Pontificum Sollicitudo, solemnly issued by Pope Leo XIII on 10 April 1883. That document was later found to contain inaccurate information. As a result, it was withdrawn by the Vatican.1 On 3 April 1969, Pope Saint Paul VI announced that Responsorial Psalms were now a valid option. His Holiness claimed that the Responsorial Psalm had been restored to the Mass. Such a notion is no longer accepted by scholars—but during the 1960s that wasn’t the case.

Resp. Psalm History [Part 2] • This situation is comparable the “notion” or “argument” or “belief” that the Roman Rite formerly had an extra reading. This idea was quite popular in the 1960s, but—as far as I can tell—has been abandoned by all serious scholars. As Father John Parsons wrote in 2001:

As regards the Old Testament, we are repeatedly assured that there was an Old Testament reading each Sunday morning at Mass, but that quite mysteriously these all vanished by the seventh century, and vanished leaving no memory that they had ever existed: no homilies on them by Leo or Gregory, no inadvertent cross references to them in any surviving source, not one palimpsest listing one pericope and the Sunday to which it was assigned, no tradition as to what Pope suppressed them and why; just an a priori assertion that there is a reading missing between the Gradual and the Alleluia, which would, incidentally, place the Old Testament reading after the New, contrary to practice elsewhere in the MISSALE VETUSTUM. This argument from silence is wildly improbable. There are indeed Old Testament lessons on penitential days in the traditional Roman lectionary, but these are quite a different matter. The alleged set of vanished Old Testament readings are, I fear, a romantic fantasy like the vanished peoples’ offertory procession.

Resp. Psalm History [Part 3] • As I mentioned above, at the inception of the RESPONSORIAL PSALM (circa 1968), it was believed to be restoring of a practice lost since the primitive Church, circa 300AD. Half a century later, scholarship has “swung” like a pendulum. All serious liturgical historians now agree its introduction was not a restoration. Rather, it added something new to the Mass. That’s why the Responsorial Psalm—unlike the Introit, Gradual, Offertory, etc.—has no ancient melodies.

Jeff’s Prediction • I personally believe that someday the RESPONSORIAL PSALM will be eliminated, because its introduction violated the decrees of the Second Vatican Council, which explicitly said: There must be no innovations unless the good of the Church genuinely and certainly requires them. In other words, the fathers of Vatican II desired to promote the sacred liturgy. Their desire was not to annihilate the sacred liturgy, replacing it with innovations that had never existed before.

1 As Dom André Mocquereau wrote in June of 1920: “The Sacred Congregation of Rites recalled this decree some years later, as soon as it realized that the facts upon which it was based were false.”

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, PDF Download Tagged With: Chaumonot Composers Group, Dom Mocquereau, Father John Parsons Reform of the Reform, Free Spanish Responsorial Psalms, Romanorum Pontificum Sollicitudo April 1883 Last Updated: April 10, 2024

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    PDF Download • “For Pentecost Sunday”
    Yesterday morning, I recorded myself singing the ENTRANCE CHANT for Pentecost Sunday while simultaneously accompanying myself on the pipe organ. Click here to see how that came out. At the end of the antiphon, there’s a triple Allelúja and I just love the chord at the end of the 2nd iteration. The organ accompaniment—along with the musical score for singers—can be downloaded free of charge at the flourishing feasts website. For the record, the antiphon on Pentecost Sunday doesn’t come from a psalm; it comes from the book of Wisdom.
    —Jeff Ostrowski
    PDF Download • “Organ Accompaniment”
    Over the past few years, I’ve been harmonizing all the vernacular plainsong Introit settings by the CHAUMONOT COMPOSERS GROUP. This coming Sunday—10 May 2026—is the 6th Sunday of Easter (Year A). The following declaration will probably smack of “blowing my own horn.” However, I’d rank this accompaniment as my best yet. In this rehearsal video, I attempt to sing it while simultaneously accompanying myself on the pipe organ. The musical score [for singers] as well as my organ accompaniment can be downloaded free of charge from the flourishing feasts website.
    —Jeff Ostrowski
    “Gregorian Chant Quiz” • 4 May 2026
    A few days ago, the CORPUS CHRISTI WATERSHED Facebook page posted this Gregorian Chant quiz regarding a rubric for the SEQUENCE for the feast of Corpus Christi: “Lauda Sion Salvatórem.” There is no audience more intelligent than ours—yet surprisingly nobody has been able to guess the rubric. Drop me an email with the right answer, and I’ll affirm your brilliance to everyone I encounter!
    —Jeff Ostrowski

Quick Thoughts

    “Thee” + “Thou” + “Thine”
    Few musicians realize that various English translations of Sacred Scripture were granted formal approval by the USCCB and the Vatican for liturgical use in the United States of America. But don’t take my word for it! Here are four documents proving this, which you can examine with your own eyes. Some believe the words “Thine” and “Thou” and “Thee” were forbidden after Vatican II—but that’s incorrect. For example, they’re found in the English translation of the ‘Our Father’ at Mass. Moreover, the Revised Standard Version (Catholic Edition) mentioned in those four documents employs “Thine” and “Thou” and “Thee.” It was published with a FOREWORD by Westminster’s Roman Catholic Archbishop (John Cardinal Heenan).
    —Jeff Ostrowski
    “Reminder” — Month of May (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    Simplified Version • “Canon in D” (Pachelbel)
    I published an article on 11 November 2023 called Wedding March For The Lazy Organist, which rather offhandedly made reference to a simplified version I created in 2007 for Pachelbel’s Canon. I often use it as a PROCESSIONAL for weddings and quinceañeras. Many organists say they “hate” Pachelbel’s Canon. But I love it. I think it’s bright and beautiful. I created that ‘simplified version’ for musicians coming to grips with playing the pipe organ. It can be downloaded as a free PDF if you visit Andrea Leal’s article dated 15 August 2022: Manuals Only: Organ Interludes Based on Plainsong. Specifically, it is page 84 in that collection—generously offered as a free PDF download. Johann Pachelbel (d. 1706) was a renowned German organist, violinist, teacher, and composer of over 500 works. A friend of Bach’s family, he taught Johann Christoph Bach (Sebastian Bach’s eldest brother) and lived in his house. Those who read Pachelbel’s biography will notice his connection to two German cities adopted as famous hymn tune names: EISENACH and ERFURT.
    —Jeff Ostrowski

Random Quote

“The sun, at one moment surrounded with scarlet flame, at another aureoled in yellow and deep purple, seemed to be in an exceedingly swift and whirling movement, at times appearing to be loosened from the sky and to be approaching the earth, strongly radiating heat.”

— ‘Dr. Domingos Pinto Coelho, noted lawyer from Lisbon and chairman of the Bar Association (1917)’

Recent Posts

  • “Thee” + “Thou” + “Thine”
  • PDF Download • “For Pentecost Sunday”
  • “Reminder” — Month of May (2026)
  • “Englished” Gregorian Chant • 5 Considerations
  • Simplified Version • “Canon in D” (Pachelbel)

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