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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

PDF Download • Responsorial Psalm for the 16th Sunday in Ordinary Time (Year B)

Jeff Ostrowski · April 9, 2024

ELOW YOU WILL FIND an impressive new setting of the Responsorial Psalm for the 16th Sunday in Ordinary Time (Year B). I have spoken of the CHAUMONOT COMPOSERS GROUP in the past, and I intend to promote several of their offerings over the next few months. While now isn’t an appropriate time to explore in exhaustive detail the origins of the RESPONSORIAL PSALM, I will be sharing a few thoughts about its history (see below).

Here To stay • Regardless of its provenance, the RESPONSORIAL PSALM is “here to stay”—at least for the foreseeable future. In light of this reality, I feel the liturgical compositions by the CHAUMONOT COMPOSERS GROUP are praiseworthy. Below is their musical setting of the Responsorial Psalm for the 16th Sunday in Ordinary Time (Year B).

My pronunciation will show I’m not a native speaker!

Here’s the direct URL link.

*  PDF Download • 16th Sunday in Ordinary Time, Year B
—Musical setting by the CHAUMONOT COMPOSERS GROUP.

Resp. Psalm History [Part 1] • The Catholic Church consists of sinful men who sometimes make mistakes. A “case in point” in the musical arena would be Romanorum Pontificum Sollicitudo, solemnly issued by Pope Leo XIII on 10 April 1883. That document was later found to contain inaccurate information. As a result, it was withdrawn by the Vatican.1 On 3 April 1969, Pope Saint Paul VI announced that Responsorial Psalms were now a valid option. His Holiness claimed that the Responsorial Psalm had been restored to the Mass. Such a notion is no longer accepted by scholars—but during the 1960s that wasn’t the case.

Resp. Psalm History [Part 2] • This situation is comparable the “notion” or “argument” or “belief” that the Roman Rite formerly had an extra reading. This idea was quite popular in the 1960s, but—as far as I can tell—has been abandoned by all serious scholars. As Father John Parsons wrote in 2001:

As regards the Old Testament, we are repeatedly assured that there was an Old Testament reading each Sunday morning at Mass, but that quite mysteriously these all vanished by the seventh century, and vanished leaving no memory that they had ever existed: no homilies on them by Leo or Gregory, no inadvertent cross references to them in any surviving source, not one palimpsest listing one pericope and the Sunday to which it was assigned, no tradition as to what Pope suppressed them and why; just an a priori assertion that there is a reading missing between the Gradual and the Alleluia, which would, incidentally, place the Old Testament reading after the New, contrary to practice elsewhere in the MISSALE VETUSTUM. This argument from silence is wildly improbable. There are indeed Old Testament lessons on penitential days in the traditional Roman lectionary, but these are quite a different matter. The alleged set of vanished Old Testament readings are, I fear, a romantic fantasy like the vanished peoples’ offertory procession.

Resp. Psalm History [Part 3] • As I mentioned above, at the inception of the RESPONSORIAL PSALM (circa 1968), it was believed to be restoring of a practice lost since the primitive Church, circa 300AD. Half a century later, scholarship has “swung” like a pendulum. All serious liturgical historians now agree its introduction was not a restoration. Rather, it added something new to the Mass. That’s why the Responsorial Psalm—unlike the Introit, Gradual, Offertory, etc.—has no ancient melodies.

Jeff’s Prediction • I personally believe that someday the RESPONSORIAL PSALM will be eliminated, because its introduction violated the decrees of the Second Vatican Council, which explicitly said: There must be no innovations unless the good of the Church genuinely and certainly requires them. In other words, the fathers of Vatican II desired to promote the sacred liturgy. Their desire was not to annihilate the sacred liturgy, replacing it with innovations that had never existed before.

1 As Dom André Mocquereau wrote in June of 1920: “The Sacred Congregation of Rites recalled this decree some years later, as soon as it realized that the facts upon which it was based were false.”

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, PDF Download Tagged With: Chaumonot Composers Group, Dom Mocquereau, Father John Parsons Reform of the Reform, Free Spanish Responsorial Psalms, Romanorum Pontificum Sollicitudo April 1883 Last Updated: April 10, 2024

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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President’s Corner

    PDF Download • “Offertory” for this Sunday
    This coming Sunday, 12 October 2025, is the 28th Sunday in Ordinary Time (Year C). Its OFFERTORY ANTIPHON (PDF) is gorgeous, and comes from the book of Esther, as did the ENTRANCE CHANT last Sunday. Depending on a variety of factors, various hand-missals (all with Imprimatur) translate this passage differently. For instance, “príncipis” can be rendered: King; Prince; Lion; or Fierce lord. None is “more correct” than another. It depends on what each translator wants to emphasize and which source text is chosen. All these pieces of plainsong are conveniently stored at the blue-ribbon feasts website.
    —Jeff Ostrowski
    Why A “Fugue” Here?
    I believe I know why this plainsong harmonizer created a tiny fugue as the INTRODUCTION to his accompaniment. Take a look (PDF example) and tell me your thoughts about what he did on the feast of the Flight of Our Lord Jesus Christ into Egypt (17 February). And now I must go because “tempus fugit” as they say!
    —Jeff Ostrowski
    “Reminder” — Month of October (2025)
    Those who don’t sign up for our free EMAIL NEWSLETTER miss important notifications. Last week, for example, I sent a message about this job opening for a music director paying $65,000 per year plus benefits (plus weddings & funerals). Notice the job description says: “our vision for sacred music is to move from singing at Mass to truly singing the Mass wherein … especially the propers, ordinaries, and dialogues are given their proper place.” Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski

Quick Thoughts

    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski
    “American Catholic Hymnal” (1991)
    The American Catholic Hymnal, with IMPRIMATUR granted (25 April 1991) by the Archdiocese of Chicago, is like a compendium of every horrible idea from the 1980s. Imagine being forced to stand all through Communion (even afterwards) when those self-same ‘enlightened’ liturgists moved the SEQUENCE before the Alleluia to make sure congregations wouldn’t have to stand during it. (Even worse, everything about the SEQUENCE—including its name—means it should follow the Alleluia.) And imagine endlessly repeating “Alleluia” during Holy Communion at every single Mass. It was all part of an effort to convince people that Holy Communion was historically a procession (which it wasn’t).
    —Jeff Ostrowski
    “Canonic” • Ralph Vaughan Williams
    Fifty years ago, Dr. Theodore Marier made available this clever arrangement (PDF) of “Come down, O love divine” by P. R. Dietterich. The melody was composed in 1906 by Ralph Vaughan Williams (d. 1958) and named in honor of of his birthplace: DOWN AMPNEY. The arrangement isn’t a strict canon, but it does remind one of a canon since the pipe organ employs “points of imitation.” The melody and text are #709 in the Brébeuf Catholic Hymnal.
    —Jeff Ostrowski

Random Quote

“Another cathedral functionary, a compañero named (coincidentally!) Francisco Guerrero, departs for the New World sometime before June 8, on which date the benefice held by him comes up for a split among three former choirboys whose voices have changed.”

— Chapter Resolution: 14 February 1562

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