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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

PDF Download • Responsorial Psalm for the 16th Sunday in Ordinary Time (Year B)

Jeff Ostrowski · April 9, 2024

ELOW YOU WILL FIND an impressive new setting of the Responsorial Psalm for the 16th Sunday in Ordinary Time (Year B). I have spoken of the CHAUMONOT COMPOSERS GROUP in the past, and I intend to promote several of their offerings over the next few months. While now isn’t an appropriate time to explore in exhaustive detail the origins of the RESPONSORIAL PSALM, I will be sharing a few thoughts about its history (see below).

Here To stay • Regardless of its provenance, the RESPONSORIAL PSALM is “here to stay”—at least for the foreseeable future. In light of this reality, I feel the liturgical compositions by the CHAUMONOT COMPOSERS GROUP are praiseworthy. Below is their musical setting of the Responsorial Psalm for the 16th Sunday in Ordinary Time (Year B).

My pronunciation will show I’m not a native speaker!

Here’s the direct URL link.

*  PDF Download • 16th Sunday in Ordinary Time, Year B
—Musical setting by the CHAUMONOT COMPOSERS GROUP.

Resp. Psalm History [Part 1] • The Catholic Church consists of sinful men who sometimes make mistakes. A “case in point” in the musical arena would be Romanorum Pontificum Sollicitudo, solemnly issued by Pope Leo XIII on 10 April 1883. That document was later found to contain inaccurate information. As a result, it was withdrawn by the Vatican.1 On 3 April 1969, Pope Saint Paul VI announced that Responsorial Psalms were now a valid option. His Holiness claimed that the Responsorial Psalm had been restored to the Mass. Such a notion is no longer accepted by scholars—but during the 1960s that wasn’t the case.

Resp. Psalm History [Part 2] • This situation is comparable the “notion” or “argument” or “belief” that the Roman Rite formerly had an extra reading. This idea was quite popular in the 1960s, but—as far as I can tell—has been abandoned by all serious scholars. As Father John Parsons wrote in 2001:

As regards the Old Testament, we are repeatedly assured that there was an Old Testament reading each Sunday morning at Mass, but that quite mysteriously these all vanished by the seventh century, and vanished leaving no memory that they had ever existed: no homilies on them by Leo or Gregory, no inadvertent cross references to them in any surviving source, not one palimpsest listing one pericope and the Sunday to which it was assigned, no tradition as to what Pope suppressed them and why; just an a priori assertion that there is a reading missing between the Gradual and the Alleluia, which would, incidentally, place the Old Testament reading after the New, contrary to practice elsewhere in the MISSALE VETUSTUM. This argument from silence is wildly improbable. There are indeed Old Testament lessons on penitential days in the traditional Roman lectionary, but these are quite a different matter. The alleged set of vanished Old Testament readings are, I fear, a romantic fantasy like the vanished peoples’ offertory procession.

Resp. Psalm History [Part 3] • As I mentioned above, at the inception of the RESPONSORIAL PSALM (circa 1968), it was believed to be restoring of a practice lost since the primitive Church, circa 300AD. Half a century later, scholarship has “swung” like a pendulum. All serious liturgical historians now agree its introduction was not a restoration. Rather, it added something new to the Mass. That’s why the Responsorial Psalm—unlike the Introit, Gradual, Offertory, etc.—has no ancient melodies.

Jeff’s Prediction • I personally believe that someday the RESPONSORIAL PSALM will be eliminated, because its introduction violated the decrees of the Second Vatican Council, which explicitly said: There must be no innovations unless the good of the Church genuinely and certainly requires them. In other words, the fathers of Vatican II desired to promote the sacred liturgy. Their desire was not to annihilate the sacred liturgy, replacing it with innovations that had never existed before.

1 As Dom André Mocquereau wrote in June of 1920: “The Sacred Congregation of Rites recalled this decree some years later, as soon as it realized that the facts upon which it was based were false.”

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, PDF Download Tagged With: Chaumonot Composers Group, Dom Mocquereau, Father John Parsons Reform of the Reform, Free Spanish Responsorial Psalms, Romanorum Pontificum Sollicitudo April 1883 Last Updated: April 10, 2024

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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President’s Corner

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    Our tiny 501(c)3 nonprofit organization exists solely by generous readers who donate $5.00 per month. We have no endowment; we have no major donors; we run no advertisements; we have no savings. A donor wrote to us: “I so appreciate all you do and have done, and your generosity is unprecedented. I am honored to be able to make a monthly contribution.” Another monthly donor says: “Thank you for everything CC Watershed does. We are able to add so much solemnity to Holy Mass due to the resources made available here.” Can you spare a few dollars each month to help us survive?
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    Dom Pothier • Photo from 1904
    Dom Paul Cagin, in a 1904 publication (L’oeuvre de Solesmes dans la restauration du chant grégorien) made sure to include a beautiful image of Dom Pothier, the legendary abbot of St-Wandrille. Also shown is a very young Dom André Mocquereau. Auguste Pécoul—considered the spiritual “son” of Abbat Prosper Guéranger of Solesmes—wrote as follows on 24 June 1901: “To forestall any confusion, let us remember that there is just one Gregorian notation—that restored, according to the ancient manuscripts, by the eminent Abbot of Saint-Wandrille, Dom Pothier.” ✠
    —Jeff Ostrowski
    PDF • “3-Voice Motet” (Father De Laet)
    I believe 99% of our readers will recognize this hymn tune. Perhaps Father Edgard De Laet should have called it a ‘hymn’ instead of a ‘motet for three voices’—but he’s technically correct, since MOTET is defined as: “a short piece of sacred choral music, typically polyphonic and unaccompanied.” The even verses are for three voices, as you will see if you download the PDF score at #20245. The odd verses may be song a cappella SATB or unison with organ.
    —Jeff Ostrowski

Quick Thoughts

    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    “Reminder” — Month of January (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

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When a friend speaks of his accomplishments and triumphs, he stands at a distance from our heart. When he shares his weaknesses and failings, he’s very near.

— Archbishop Fulton J. Sheen

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  • Dom Pothier • Photo from 1904
  • PDF Chart • “Plainsong Rhythm”
  • PDF • “3-Voice Motet” (Father De Laet)
  • PDF Download • “Hymn for 2 Voices”

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