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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

PDF Download • Responsorial Psalm for the 16th Sunday in Ordinary Time (Year B)

Jeff Ostrowski · April 9, 2024

ELOW YOU WILL FIND an impressive new setting of the Responsorial Psalm for the 16th Sunday in Ordinary Time (Year B). I have spoken of the CHAUMONOT COMPOSERS GROUP in the past, and I intend to promote several of their offerings over the next few months. While now isn’t an appropriate time to explore in exhaustive detail the origins of the RESPONSORIAL PSALM, I will be sharing a few thoughts about its history (see below).

Here To stay • Regardless of its provenance, the RESPONSORIAL PSALM is “here to stay”—at least for the foreseeable future. In light of this reality, I feel the liturgical compositions by the CHAUMONOT COMPOSERS GROUP are praiseworthy. Below is their musical setting of the Responsorial Psalm for the 16th Sunday in Ordinary Time (Year B).

My pronunciation will show I’m not a native speaker!

Here’s the direct URL link.

*  PDF Download • 16th Sunday in Ordinary Time, Year B
—Musical setting by the CHAUMONOT COMPOSERS GROUP.

Resp. Psalm History [Part 1] • The Catholic Church consists of sinful men who sometimes make mistakes. A “case in point” in the musical arena would be Romanorum Pontificum Sollicitudo, solemnly issued by Pope Leo XIII on 10 April 1883. That document was later found to contain inaccurate information. As a result, it was withdrawn by the Vatican.1 On 3 April 1969, Pope Saint Paul VI announced that Responsorial Psalms were now a valid option. His Holiness claimed that the Responsorial Psalm had been restored to the Mass. Such a notion is no longer accepted by scholars—but during the 1960s that wasn’t the case.

Resp. Psalm History [Part 2] • This situation is comparable the “notion” or “argument” or “belief” that the Roman Rite formerly had an extra reading. This idea was quite popular in the 1960s, but—as far as I can tell—has been abandoned by all serious scholars. As Father John Parsons wrote in 2001:

As regards the Old Testament, we are repeatedly assured that there was an Old Testament reading each Sunday morning at Mass, but that quite mysteriously these all vanished by the seventh century, and vanished leaving no memory that they had ever existed: no homilies on them by Leo or Gregory, no inadvertent cross references to them in any surviving source, not one palimpsest listing one pericope and the Sunday to which it was assigned, no tradition as to what Pope suppressed them and why; just an a priori assertion that there is a reading missing between the Gradual and the Alleluia, which would, incidentally, place the Old Testament reading after the New, contrary to practice elsewhere in the MISSALE VETUSTUM. This argument from silence is wildly improbable. There are indeed Old Testament lessons on penitential days in the traditional Roman lectionary, but these are quite a different matter. The alleged set of vanished Old Testament readings are, I fear, a romantic fantasy like the vanished peoples’ offertory procession.

Resp. Psalm History [Part 3] • As I mentioned above, at the inception of the RESPONSORIAL PSALM (circa 1968), it was believed to be restoring of a practice lost since the primitive Church, circa 300AD. Half a century later, scholarship has “swung” like a pendulum. All serious liturgical historians now agree its introduction was not a restoration. Rather, it added something new to the Mass. That’s why the Responsorial Psalm—unlike the Introit, Gradual, Offertory, etc.—has no ancient melodies.

Jeff’s Prediction • I personally believe that someday the RESPONSORIAL PSALM will be eliminated, because its introduction violated the decrees of the Second Vatican Council, which explicitly said: There must be no innovations unless the good of the Church genuinely and certainly requires them. In other words, the fathers of Vatican II desired to promote the sacred liturgy. Their desire was not to annihilate the sacred liturgy, replacing it with innovations that had never existed before.

1 As Dom André Mocquereau wrote in June of 1920: “The Sacred Congregation of Rites recalled this decree some years later, as soon as it realized that the facts upon which it was based were false.”

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, PDF Download Tagged With: Chaumonot Composers Group, Dom Mocquereau, Father John Parsons Reform of the Reform, Free Spanish Responsorial Psalms, Romanorum Pontificum Sollicitudo April 1883 Last Updated: April 10, 2024

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    New Bulletin Article • “21 September 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 21 September 2025) discusses some theological items—supported by certain verses in ancient Catholic hymns—and ends by explaining why certain folks become delirious with jealousy when they observe feats by Monsignor Ronald Knox.
    —Jeff Ostrowski
    Cheap! Cheap! Cheap!
    It’s always amusing to see old diocesan newspapers—in huge capital letters—advertising the Cheapest Catholic Paper in the United States. The correspondent who sent this to me added: “I can think of certain composers, published by large companies in our own day, who could truthfully brag about the most tawdry compositions in the world!” I wonder what she could have meant by such a cryptic comment…
    —Jeff Ostrowski
    PDF Download • Dom Murray Harmonies
    Along with so many others, I have deep respect for Dom Gregory Gregory Murray, who produced this clever harmonization (PDF) of “O SANCTISSIMA.” It’s always amazed me that Dom Gregory—a truly inspired composer—was so confused when it came to GREGORIAN CHANT. Throughout his life, he published contradictory statements, veering back-and-forth like a weather vane. Toward the end of his life, he declared: “I see clearly that the need for reform in liturgical music arose, not in the 18th and 19th centuries, but a thousand years earlier—in the 8th and 9th centuries, or even before that. The abuses began, not with Mozart and Haydn, but with those over-enthusiastic medieval musicians who developed the elaborate and flamboyant Gregorian Chant.”
    —Jeff Ostrowski

Quick Thoughts

    Karl Keating • “Canonization Questions”
    We were sent an internet statement (screenshot) that’s garnered significant attention, in which KARL KEATING (founder of Catholic Answers) speaks about whether canonizations are infallible. Mr. Keating seems unaware that canonizations are—in the final analysis—a theological opinion. They are not infallible, as explained in this 2014 article by a priest (with a doctorate in theology) who worked for multiple popes. Mr. Keating says: “I’m unaware of such claims arising from any quarter until several recent popes disliked by these Traditionalists were canonized, including John XXIII, Paul VI, and John Paul II. Usually Paul VI receives the most opprobrium.” Mr. Keating is incorrect; e.g. Father John Vianney, several centuries ago, taught clearly that canonizations are not infallible. Archbishop Fulton J. Sheen would be another example, although clearly much more recent than Saint John Vianney.
    —Corpus Christi Watershed
    Vatican II Changed Wedding Propers?
    It’s often claimed that the wedding propers were changed after Vatican II. As a matter of fact, that is a false claim. The EDITIO VATICANA propers (Introit: Deus Israel) remained the same after Vatican II. However, a new set of propers (Introit: Ecce Deus) was provided for optional use. The same holds true for the feast of Pope Saint Gregory the Great on 3 September: the 1943 propers (Introit: Si díligis me) were provided for optional use, but the traditional PROPRIA MISSAE (Introit: Sacerdótes Dei) were retained; they weren’t gotten rid of. The Ordo Cantus Missae (1970) makes this crystal clear, as does the Missal itself. There was an effort made in the post-conciliar years to eliminate so-called “Neo-Gregorian” chants, but (contrary to popular belief) most were retained: cf. the feast of Christ the King, the feast of the Immaculate Conception, and so forth.
    —Corpus Christi Watershed
    Solemn “Salve Regina” (Chant)
    How many “S” words can you think of using alliteration? How about Schwann Solemn Salve Score? You can download the SOLEMN SALVE REGINA in Gregorian Chant. The notation follows the official rhythm (EDITIO VATICANA). Canon Jules Van Nuffel, choirmaster of the Cathedral of Saint Rumbold, composed this accompaniment for it (although some feel it isn’t his best work).
    —Corpus Christi Watershed

Random Quote

“It is when they are practicing that large groups stop in order to sleep; they don’t give themselves a new impetus after a pause (even if it is minimal) and singers pause when they should not (quarter-bar, half-bar)—everything provides temptation to go to sleep! It is thus not a question of rhythm but of musical integrity.”

— Justine Ward (20 July 1952)

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