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Views from the Choir Loft

PDF Download • Responsorial Psalm for the 16th Sunday in Ordinary Time (Year B)

Jeff Ostrowski · April 9, 2024

ELOW YOU WILL FIND an impressive new setting of the Responsorial Psalm for the 16th Sunday in Ordinary Time (Year B). I have spoken of the CHAUMONOT COMPOSERS GROUP in the past, and I intend to promote several of their offerings over the next few months. While now isn’t an appropriate time to explore in exhaustive detail the origins of the RESPONSORIAL PSALM, I will be sharing a few thoughts about its history (see below).

Here To stay • Regardless of its provenance, the RESPONSORIAL PSALM is “here to stay”—at least for the foreseeable future. In light of this reality, I feel the liturgical compositions by the CHAUMONOT COMPOSERS GROUP are praiseworthy. Below is their musical setting of the Responsorial Psalm for the 16th Sunday in Ordinary Time (Year B).

My pronunciation will show I’m not a native speaker!

Here’s the direct URL link.

*  PDF Download • 16th Sunday in Ordinary Time, Year B
—Musical setting by the CHAUMONOT COMPOSERS GROUP.

Resp. Psalm History [Part 1] • The Catholic Church consists of sinful men who sometimes make mistakes. A “case in point” in the musical arena would be Romanorum Pontificum Sollicitudo, solemnly issued by Pope Leo XIII on 10 April 1883. That document was later found to contain inaccurate information. As a result, it was withdrawn by the Vatican.1 On 3 April 1969, Pope Saint Paul VI announced that Responsorial Psalms were now a valid option. His Holiness claimed that the Responsorial Psalm had been restored to the Mass. Such a notion is no longer accepted by scholars—but during the 1960s that wasn’t the case.

Resp. Psalm History [Part 2] • This situation is comparable the “notion” or “argument” or “belief” that the Roman Rite formerly had an extra reading. This idea was quite popular in the 1960s, but—as far as I can tell—has been abandoned by all serious scholars. As Father John Parsons wrote in 2001:

As regards the Old Testament, we are repeatedly assured that there was an Old Testament reading each Sunday morning at Mass, but that quite mysteriously these all vanished by the seventh century, and vanished leaving no memory that they had ever existed: no homilies on them by Leo or Gregory, no inadvertent cross references to them in any surviving source, not one palimpsest listing one pericope and the Sunday to which it was assigned, no tradition as to what Pope suppressed them and why; just an a priori assertion that there is a reading missing between the Gradual and the Alleluia, which would, incidentally, place the Old Testament reading after the New, contrary to practice elsewhere in the MISSALE VETUSTUM. This argument from silence is wildly improbable. There are indeed Old Testament lessons on penitential days in the traditional Roman lectionary, but these are quite a different matter. The alleged set of vanished Old Testament readings are, I fear, a romantic fantasy like the vanished peoples’ offertory procession.

Resp. Psalm History [Part 3] • As I mentioned above, at the inception of the RESPONSORIAL PSALM (circa 1968), it was believed to be restoring of a practice lost since the primitive Church, circa 300AD. Half a century later, scholarship has “swung” like a pendulum. All serious liturgical historians now agree its introduction was not a restoration. Rather, it added something new to the Mass. That’s why the Responsorial Psalm—unlike the Introit, Gradual, Offertory, etc.—has no ancient melodies.

Jeff’s Prediction • I personally believe that someday the RESPONSORIAL PSALM will be eliminated, because its introduction violated the decrees of the Second Vatican Council, which explicitly said: There must be no innovations unless the good of the Church genuinely and certainly requires them. In other words, the fathers of Vatican II desired to promote the sacred liturgy. Their desire was not to annihilate the sacred liturgy, replacing it with innovations that had never existed before.

1 As Dom André Mocquereau wrote in June of 1920: “The Sacred Congregation of Rites recalled this decree some years later, as soon as it realized that the facts upon which it was based were false.”

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, PDF Download Tagged With: Chaumonot Composers Group, Dom Mocquereau, Father John Parsons Reform of the Reform, Free Spanish Responsorial Psalms, Romanorum Pontificum Sollicitudo April 1883 Last Updated: April 10, 2024

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Booklet of Eucharistic Hymns” (16 pages)
    I was asked to create a booklet for my parish to use during our CORPUS CHRISTI PROCESSION on 22 June 2025. Would you be willing to look over the DRAFT BOOKLET (16 pages) I came up with? I tried to include a variety of hymns: some have a refrain; some are in major, others in minor; some are metered, others are plainsong; some are in Spanish, some are in Latin, but most are in English. Normally, we’d use the Brébeuf Hymnal—but we can’t risk having our congregation carry those heavy books all over the city to various churches.
    —Jeff Ostrowski
    “Yahweh” in church songs?
    My pastor asked me to write a weekly column for our parish bulletin. The one scheduled to run on 22 June 2025 is called “Three Words in a Psalm” and speaks of translating the TETRAGRAMMATON. You can read the article at this column repository. All of them are quite brief because I was asked to keep within a certain word limit.
    —Jeff Ostrowski
    “Music List” • Pentecost Sunday
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for Pentecost Sunday (8 June 2025). If such a thing interests you, feel free to download it as a PDF file. Because our choir is on break this week, the music is relatively simple.
    —Jeff Ostrowski

Quick Thoughts

    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt
    The Funeral Rites of the Graduale Romanum
    Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.
    —Daniel Tucker

Random Quote

“It is the choir that can make the most valuable contribution to the liturgy; it is through the choir that significant numbers of the congregation can make a significant and valuable offering in the community’s act of worship. The choir links directly academic excellence, artistic creation, disciplined attention and self expression in the making of something fitting for the worship of God.”

— Father Daniel Higgins, Choirmaster at Saint Edmund’s College, Ware

Recent Posts

  • PDF Download • “Polyphonic Extension” (Kevin Allen) for Gloria III
  • “Booklet of Eucharistic Hymns” (16 pages)
  • PDF Download • “Text by Saint Francis of Assisi” (choral setting w/ organ: Soprano & Alto)
  • “Yahweh” in church songs?
  • “Music List” • Pentecost Sunday

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