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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Church Music • “The Female Voice”

Jeff Ostrowski · March 19, 2024

HE LONGER I LIVE, the more I become convinced of the importance of music. My colleague, Professor Wilfrid Jones, has pointed out that one’s body and soul enter into a unique state while singing. In other words, think about the last time you were singing resplendent choral music. Think about how your body, mind, and soul felt. My friends, this is truly a UNIQUE FEELING. I believe God intended for all people to learn to love great music: Guerrero, Sebastian Bach, Morales, Gregorian Chant, Duruflé, Mozart, Zoilo, Machaut, Chopin, Mendelssohn, Palestrina, Marenzio, and so many others.

Female Voice (1 of 3) • Every member of the human race should learn about music. That includes women. POPE SAINT PIUS X on 22 November 1903 published “Inter Pastoralis Officii” (the most comprehensive and far-reaching sacred music document of all time). That document said: “Singers in church have a real liturgical office; women, therefore, being incapable of exercising such office, cannot be admitted to form part of the choir.” We have already treated at length this topic, and I won’t repeat all that. The word choir in that document referred to the “clerical choir” which sat inside the sanctuary. POPE SAINT PIUS X never tried to ban women from singing the Mass propers; nuns in their convents had done this for centuries.

Female Voice (2 of 3) • However, many people erroneously believed POPE SAINT PIUS X banned women from singing during Mass. For example, Bishop Henry J. Althoff of Belleville (Illinois) declared in 1938: “Women organists should be replaced by men wherever possible; but where this isn’t possible the women organists are not to sing together with—or alternate with—the choir of men and boys. In this connection, religious sisters are no longer to function as organists for male choirs.” Monsignor Leo P. Manzetti (d. 1942) was referred to by newspapers as “one of the world’s greatest authorities on Gregorian music” and “an internationally known authority on the music of the Catholic Church.” Nevertheless, Msgr. Manzetti was guilty of the following horrifically halfwitted statement:

“From an artistic standpoint there are no parts of our chants and services that choirs of men and boys cannot perform to better advantage for the spiritual uplifting of the Christian mind. Church musicians, when experts in vocal art, agree that women’s voices are effeminate, sensuous, and operatic, hence un-churchly.”

Female Voice (3 of 3) • Consider the following ‘live’ recording from last Sunday. My choir consists 100% of volunteers—and only the female voices sang for this piece. Even though it has no accompaniment on the pipe organ, I think it’s captivating and powerful. [By the way, don’t use this particular melody during Lent if your congregation has strong German ancestry. In Germany, this tune is reserved for Christmas.]

To access this hymn’s media in the Brébeuf Portal, click here.

Never Repeat • On our blog, we avoid RRR. That is to say, we never “Recycle” or “Regurgitate” or “Repeat” previously-released material. So everything you see on our blog is brand new. All the recordings I share with you are (quite literally) brand new. I don’t just “recycle” old recordings; nor do I “recycle” old articles. We feel that readers appreciate this. For example, the following was recorded last Sunday:

To access this hymn’s media in the Brébeuf Portal, click here.

Preposterous Proposal: In September 1906, someone using the fake name of “Wigornia” published an article promoting ideas I consider cockamamie. Essentially, WIGORNIA was saying females could never sing in the choir, but it would be praiseworthy for them to spend a lifetime studying music so they could instruct others (while they remain excluded). Again, I find such an idea bonkers:

Who Could Argue? • Those who insist that POPE SAINT PIUS X banned women usually point to his words: “women, therefore, being incapable of exercising such office…” The reality is, Pius X always permitted nuns to sing the High Mass. Some object: “Well, if there’s nobody else to sing, women become capable.” But that shows such people don’t understand what the word ‘capable’ means. They are confused; they are not thinking clearly. For example, I’m incapable flying into the air by flapping my wings. I don’t suddenly become capable “if there’s nobody else willing to fly into the air…” On a purely aesthetic level, listen to the following ‘live’ recording starting at marker 0:33—aren’t the female voices beautiful?

To access this hymn’s media in the Brébeuf Portal, click here.

Men + Women Blend • In a society with so many unwholesome activities that could be engaged in, I feel that men and women adoring God by means of song is something to be commended:

To access this hymn’s media in the Brébeuf Portal, click here.

Female Soloist • Finally, consider the solo female voice (after the refrain) in the following video:

To access this hymn’s media in the Brébeuf Portal, click here.

Doesn’t that young lady make a nice effect?

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, Featured Tagged With: Inter pastoralis officii Pius X, Pius X Banned Women Singers, Sebastian Bach d. 1750 Last Updated: March 19, 2024

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Music List” • 19th in Ordinary Time (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 19th Sunday in Ordinary Time (10 August 2025). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the feasts website.
    —Jeff Ostrowski
    This Sunday’s Communion Antiphon
    This coming Sunday—10 August 2025—is the 19th Sunday in Ordinary Time (Year C). The COMMUNION ANTIPHON is really gorgeous, and two of its features are worth mentioning. First of all, the Gospel reading assigned is from Saint Luke, whereas the the antiphon—although it matches the account—comes from Saint Matthew. (If anyone can point to a similar example, please notify me.) Furthermore, if you look at the authentic Gregorian Chant version posted on the feasts website, you’ll notice that it’s MODE III but ends on the ‘wrong’ note. A comparable instance of such a ‘transposed’ chant would be KYRIE IV.
    —Jeff Ostrowski
    Using “Ye” Vs. “You” Correctly
    Using “Ye” vs. “You” is rather tricky, because it depends upon which era one is trying to recreate—if that makes any sense. In other words, the rules haven’t always been the same for these two. Nevertheless, Father Philip George Caraman (the legendary Jesuit scholar) gives us a masterclass using Saint Luke’s Gospel. Father Caraman was close friends with Monsignor Ronald Knox, Evelyn Waugh, and Sir Alec Guinness.
    —Jeff Ostrowski

Quick Thoughts

    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed
    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed

Random Quote

“The first tasks of the new pope will be to restore normality, restore doctrinal clarity in faith and morals, restore a proper respect for the law and ensure that the first criterion for the nomination of bishops is acceptance of the apostolic tradition. Theological expertise and learning are an advantage, not a hinderance for all bishops and especially archbishops.”

— Cardinal Pell (2022) about the pope who will succeed Francis

Recent Posts

  • Is this what the new “Youth Mass” looks like?
  • “Music List” • 19th in Ordinary Time (Year C)
  • This Sunday’s Communion Antiphon
  • Using “Ye” Vs. “You” Correctly
  • Installment #3 • “Serious Problems with the Lectionary Translation”

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