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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Church Music • “The Female Voice”

Jeff Ostrowski · March 19, 2024

HE LONGER I LIVE, the more I become convinced of the importance of music. My colleague, Professor Wilfrid Jones, has pointed out that one’s body and soul enter into a unique state while singing. In other words, think about the last time you were singing resplendent choral music. Think about how your body, mind, and soul felt. My friends, this is truly a UNIQUE FEELING. I believe God intended for all people to learn to love great music: Guerrero, Sebastian Bach, Morales, Gregorian Chant, Duruflé, Mozart, Zoilo, Machaut, Chopin, Mendelssohn, Palestrina, Marenzio, and so many others.

Female Voice (1 of 3) • Every member of the human race should learn about music. That includes women. POPE SAINT PIUS X on 22 November 1903 published “Inter Pastoralis Officii” (the most comprehensive and far-reaching sacred music document of all time). That document said: “Singers in church have a real liturgical office; women, therefore, being incapable of exercising such office, cannot be admitted to form part of the choir.” We have already treated at length this topic, and I won’t repeat all that. The word choir in that document referred to the “clerical choir” which sat inside the sanctuary. POPE SAINT PIUS X never tried to ban women from singing the Mass propers; nuns in their convents had done this for centuries.

Female Voice (2 of 3) • However, many people erroneously believed POPE SAINT PIUS X banned women from singing during Mass. For example, Bishop Henry J. Althoff of Belleville (Illinois) declared in 1938: “Women organists should be replaced by men wherever possible; but where this isn’t possible the women organists are not to sing together with—or alternate with—the choir of men and boys. In this connection, religious sisters are no longer to function as organists for male choirs.” Monsignor Leo P. Manzetti (d. 1942) was referred to by newspapers as “one of the world’s greatest authorities on Gregorian music” and “an internationally known authority on the music of the Catholic Church.” Nevertheless, Msgr. Manzetti was guilty of the following horrifically halfwitted statement:

“From an artistic standpoint there are no parts of our chants and services that choirs of men and boys cannot perform to better advantage for the spiritual uplifting of the Christian mind. Church musicians, when experts in vocal art, agree that women’s voices are effeminate, sensuous, and operatic, hence un-churchly.”

Female Voice (3 of 3) • Consider the following ‘live’ recording from last Sunday. My choir consists 100% of volunteers—and only the female voices sang for this piece. Even though it has no accompaniment on the pipe organ, I think it’s captivating and powerful. [By the way, don’t use this particular melody during Lent if your congregation has strong German ancestry. In Germany, this tune is reserved for Christmas.]

To access this hymn’s media in the Brébeuf Portal, click here.

Never Repeat • On our blog, we avoid RRR. That is to say, we never “Recycle” or “Regurgitate” or “Repeat” previously-released material. So everything you see on our blog is brand new. All the recordings I share with you are (quite literally) brand new. I don’t just “recycle” old recordings; nor do I “recycle” old articles. We feel that readers appreciate this. For example, the following was recorded last Sunday:

To access this hymn’s media in the Brébeuf Portal, click here.

Preposterous Proposal: In September 1906, someone using the fake name of “Wigornia” published an article promoting ideas I consider cockamamie. Essentially, WIGORNIA was saying females could never sing in the choir, but it would be praiseworthy for them to spend a lifetime studying music so they could instruct others (while they remain excluded). Again, I find such an idea bonkers:

Who Could Argue? • Those who insist that POPE SAINT PIUS X banned women usually point to his words: “women, therefore, being incapable of exercising such office…” The reality is, Pius X always permitted nuns to sing the High Mass. Some object: “Well, if there’s nobody else to sing, women become capable.” But that shows such people don’t understand what the word ‘capable’ means. They are confused; they are not thinking clearly. For example, I’m incapable flying into the air by flapping my wings. I don’t suddenly become capable “if there’s nobody else willing to fly into the air…” On a purely aesthetic level, listen to the following ‘live’ recording starting at marker 0:33—aren’t the female voices beautiful?

To access this hymn’s media in the Brébeuf Portal, click here.

Men + Women Blend • In a society with so many unwholesome activities that could be engaged in, I feel that men and women adoring God by means of song is something to be commended:

To access this hymn’s media in the Brébeuf Portal, click here.

Female Soloist • Finally, consider the solo female voice (after the refrain) in the following video:

To access this hymn’s media in the Brébeuf Portal, click here.

Doesn’t that young lady make a nice effect?

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, Featured Tagged With: Inter pastoralis officii Pius X, Pius X Banned Women Singers, Sebastian Bach d. 1750 Last Updated: March 19, 2024

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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President’s Corner

    PDF • “Music List” (4th Sunday of Advent)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 21 December 2025, which is the 4th Sunday of Advent (Year A). If such a thing interests you, feel free to download it as a PDF file. The ENTRANCE CHANT is the famous “Roráte Coeli” and the fauxbourdon setting of the COMMUNION is exquisite. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    PDF • Our Lady of Guadalupe (12 Dec.)
    The Responsorial Psalm may be downloaded as a PDF file (organist & vocalist) for 12 December, which is the Feast of Our Lady of Guadalupe. When it comes to the formulary for this Mass, it’s astounding how infrequently it’s included in official books. Prior to Vatican II, one had to search through “supplemental material” printed in the back of hand-missals and graduals. But since 1970, the feast is virtually nonexistent. According to the UNIVERSAL KALENDAR, 12 December is the “Feast of Saint Jane Frances De Chantal, Religious” (Die 12 decembris: S. Ioannæ Franciscæ de Chantal, religiosæ). Why should that feast overpower Our Lady of Guadalupe? In the United States, OLG is celebrated—and I’d assume in Mexico, Central America, South America, and Canada—but, as I said, the Propria Missae are virtually impossible to locate. I possess only three books which mention this feast.
    —Jeff Ostrowski
    Simplified Accompaniment (Advent Hymn)
    Many organists are forced to simultaneously serve as both CANTOR and ACCOMPANIST. In spite of what some claim, this can be difficult. I invite you to download this simplified organ accompaniment (PDF) which in the Father Brébeuf Hymnal is hymn #661: “Come, Thou Long-Expected Jesus” (for ADVENT). I’m toying with the idea of creating a whole bunch of these, to help amateur organists. The last one I uploaded was downloaded more than 2,900 times in a matter of hours—so there appears to be interest.
    —Jeff Ostrowski

Quick Thoughts

    PDF Download • “Santo Santo Santo”
    Those searching for a dignified, brief, simple, bright setting of SANCTUS in Spanish (“Santo Santo Santo”) are invited to download this Setting in honor of Saint John Brébeuf (organist & vocalist). I wonder if there would be any interest in me recording a rehearsal video for this piece.
    —Jeff Ostrowski
    Pope Leo XIV on Sacred Music
    On 5 December 2025, Pope Leo XIV made this declaration with regard to liturgical music.
    —Corpus Christi Watershed
    “Translations Approved for Liturgical Use”
    According to the newsletter for USSCB’s Committee on Divine Worship dated September 1996, there are three (3) translations of the Bible which can be used in the sacred liturgy in the United States. You can read this information with your own eyes. It seems the USCCB and also Rome fully approved the so-called NRSV (“New Revised Standard Version”) on 13 November 1991 and 6 April 1992 but this permission was then withdrawn in 1994.
    —Corpus Christi Watershed

Random Quote

At High Mass the Celebrant is not allowed to proceed with the Offertory while the “Credo” is being sung. Likewise he should not proceed with the Consecration until the singing of the “Sanctus” is completed.

— Father Carlo Rossini (1939)

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