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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Church Music • “The Female Voice”

Jeff Ostrowski · March 19, 2024

HE LONGER I LIVE, the more I become convinced of the importance of music. My colleague, Professor Wilfrid Jones, has pointed out that one’s body and soul enter into a unique state while singing. In other words, think about the last time you were singing resplendent choral music. Think about how your body, mind, and soul felt. My friends, this is truly a UNIQUE FEELING. I believe God intended for all people to learn to love great music: Guerrero, Sebastian Bach, Morales, Gregorian Chant, Duruflé, Mozart, Zoilo, Machaut, Chopin, Mendelssohn, Palestrina, Marenzio, and so many others.

Female Voice (1 of 3) • Every member of the human race should learn about music. That includes women. POPE SAINT PIUS X on 22 November 1903 published “Inter Pastoralis Officii” (the most comprehensive and far-reaching sacred music document of all time). That document said: “Singers in church have a real liturgical office; women, therefore, being incapable of exercising such office, cannot be admitted to form part of the choir.” We have already treated at length this topic, and I won’t repeat all that. The word choir in that document referred to the “clerical choir” which sat inside the sanctuary. POPE SAINT PIUS X never tried to ban women from singing the Mass propers; nuns in their convents had done this for centuries.

Female Voice (2 of 3) • However, many people erroneously believed POPE SAINT PIUS X banned women from singing during Mass. For example, Bishop Henry J. Althoff of Belleville (Illinois) declared in 1938: “Women organists should be replaced by men wherever possible; but where this isn’t possible the women organists are not to sing together with—or alternate with—the choir of men and boys. In this connection, religious sisters are no longer to function as organists for male choirs.” Monsignor Leo P. Manzetti (d. 1942) was referred to by newspapers as “one of the world’s greatest authorities on Gregorian music” and “an internationally known authority on the music of the Catholic Church.” Nevertheless, Msgr. Manzetti was guilty of the following horrifically halfwitted statement:

“From an artistic standpoint there are no parts of our chants and services that choirs of men and boys cannot perform to better advantage for the spiritual uplifting of the Christian mind. Church musicians, when experts in vocal art, agree that women’s voices are effeminate, sensuous, and operatic, hence un-churchly.”

Female Voice (3 of 3) • Consider the following ‘live’ recording from last Sunday. My choir consists 100% of volunteers—and only the female voices sang for this piece. Even though it has no accompaniment on the pipe organ, I think it’s captivating and powerful. [By the way, don’t use this particular melody during Lent if your congregation has strong German ancestry. In Germany, this tune is reserved for Christmas.]

To access this hymn’s media in the Brébeuf Portal, click here.

Never Repeat • On our blog, we avoid RRR. That is to say, we never “Recycle” or “Regurgitate” or “Repeat” previously-released material. So everything you see on our blog is brand new. All the recordings I share with you are (quite literally) brand new. I don’t just “recycle” old recordings; nor do I “recycle” old articles. We feel that readers appreciate this. For example, the following was recorded last Sunday:

To access this hymn’s media in the Brébeuf Portal, click here.

Preposterous Proposal: In September 1906, someone using the fake name of “Wigornia” published an article promoting ideas I consider cockamamie. Essentially, WIGORNIA was saying females could never sing in the choir, but it would be praiseworthy for them to spend a lifetime studying music so they could instruct others (while they remain excluded). Again, I find such an idea bonkers:

Who Could Argue? • Those who insist that POPE SAINT PIUS X banned women usually point to his words: “women, therefore, being incapable of exercising such office…” The reality is, Pius X always permitted nuns to sing the High Mass. Some object: “Well, if there’s nobody else to sing, women become capable.” But that shows such people don’t understand what the word ‘capable’ means. They are confused; they are not thinking clearly. For example, I’m incapable flying into the air by flapping my wings. I don’t suddenly become capable “if there’s nobody else willing to fly into the air…” On a purely aesthetic level, listen to the following ‘live’ recording starting at marker 0:33—aren’t the female voices beautiful?

To access this hymn’s media in the Brébeuf Portal, click here.

Men + Women Blend • In a society with so many unwholesome activities that could be engaged in, I feel that men and women adoring God by means of song is something to be commended:

To access this hymn’s media in the Brébeuf Portal, click here.

Female Soloist • Finally, consider the solo female voice (after the refrain) in the following video:

To access this hymn’s media in the Brébeuf Portal, click here.

Doesn’t that young lady make a nice effect?

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, Featured Tagged With: Inter pastoralis officii Pius X, Pius X Banned Women Singers, Sebastian Bach d. 1750 Last Updated: March 19, 2024

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Music List • (5th Sund. Ordinary Time)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for this coming Sunday, 8 February 2026, which is the 5th Sunday in Ordinary Time (Year A). If such a thing interests you, feel free to download it as a PDF file. You will probably notice it isn’t as ‘complete’ or ‘spiffy’ as usual, owing to some difficulties which took place this week.
    —Jeff Ostrowski
    PDF • “Communion” (5th Sunday in Ordin.)
    The COMMUNION ANTIPHON for this coming Sunday, 8 February 2026—which is the 5th Sunday in Ordinary Time (Year A)—is truly delightful. You can download the musical score completely free of charge. This text will be familiar to altar boys, because it’s PSALM 42. The Feder Missal makes the following claim about that psalm: “A hymn of a temple musician from Jerusalem: he is an exile in a heathen land, and he longs for the holy city and his ministry in the Temple there. The Church makes his words her own.”
    —Jeff Ostrowski
    Funeral Music “Template” • For Families
    Many have requested the MUSICAL TEMPLATE for funerals we give to families at our parish. The family of the deceased is usually involved in selecting Number 12 on that sheet. This template was difficult to assemble, because the “Ordo Exsequiarum” has never been translated into English, and the assigned chants and hymns are given in different liturgical books (Lectionary, Gradual, Order of Christian Funerals, and so on). Please notify me if you spot errors or broken links. Readers will be particularly interested in some of the plainsong musical settings, which are truly haunting in their beauty.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of Febr. (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

“Come now,” they said, “Thou who wouldst destroy the temple and build it up in three days, rescue Thyself; come down from that cross, if Thou art the Son of God.”

— Gospel of St. Matthew 27:42

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  • Music List • (5th Sund. Ordinary Time)
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