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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Josquin Des Prez Was A Vandal • (Not Kidding)

Jeff Ostrowski · February 15, 2024

OW COULD I EVER FORGET an incident that took place twenty years ago? While studying musicology at the graduate level, one of my professors burst into the classroom more excited than I’d ever seen her. She practically yelled to our class: “Josquin was a vandal.” You see, there had just been a discovery made. Somebody at the Vatican knocked down a wall in the choir loft revealing a wooden pew. Centuries ago, papal singers had vandalized this pew, carving their names with a knife. One vandal turned out to be none other than JOSQUIN DES PREZ (d. 1521).

Singers First! • We sometimes forget that all the great composers we love—Morales, Palestrina, Nanino, Arcadelt, Lassus, and so forth—were hired not as composers, but as singers. I have to admit, I would give my right arm to hear Father Cristóbal de Morales (d. 1553) sing. I suspect he was excellent. Father Morales was first admitted to the papal choir on 1 September 1535. Although I work with volunteer singers, many of them are superb. Listen to how perfectly these two sopranos (who sing in my choir) blend together:

To access this hymn’s media in the Brébeuf Portal, click here.

Richness • Even a marvelous studio recording like that one, however, lacks the richness of a full choir. Consider the following hymn, recorded yesterday (Ash Wednesday 2024) by my volunteer female singers. This text was prescribed for Lent in former times, and Father Adrian Fortescue (d. 1923) called it: “One of the most beautiful examples of mediæval hymnody.”

To access this hymn’s media in the Brébeuf Portal, click here.

The Day My Life Changed • Some claim it’s immoral for singers to take delight in the music they sing during Mass. Certain popes and other religious leaders throughout history argued that if there’s any enjoyment in singing sacred music, that “proves” it’s done for man and not for God; but I don’t believe that’s correct. When I was young, I erroneously believed the only things we could offer up to God were things we hate. But my life changed forever when I realized we can (and should) offer to God not only our sufferings, but also our joys. We must never allow ourselves to check our cell phone in the morning before we’ve made the morning offering. If you don’t know a morning offering, you might want to consider this one, by Cardinal Merry Del Vel.

My volunteer choir really enjoys—and finds edifying—the music of Kevin Allen. Here’s an example they sang recently during Mass:

Here’s the direct URL link.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Catholic Composer Cristobal de Morales, Rafael Merry del Val, Rev Fr Adrian Fortescue Liturgy Last Updated: February 15, 2024

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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President’s Corner

    PDF Download • “Sprinkling Rite”
    Liturgical reformers who gained power after Vatican II frequently caused great suffering to musicians. With the stroke of a pen, they sometimes make changes that would require thousands—or even millions—of man hours (work undertaken by composers and editors). The Sprinkling Rite during Eastertide is but one tiny example. The version given in that PDF document was the original melody for Roman Missal, Third Edition. Some still prefer that version. However, at the last moment, an “unknown hand” tinkered with a few notes in the antiphon. Those who examine the current edition can verify this with their own eyes.
    —Jeff Ostrowski
    ‘Sarum’ Good Friday?
    Plainsong of the Roman Rite has many variants—i.e. slight ‘variations’ or ‘alterations’ made to the ancient melodies. Variants often thrive in particular religious orders. Likewise, before Henry VIII broke away from the Catholic Church, Gregorian Chant variants were frequently associated with individual cathedrals in England: Hereford, Lincoln, Salisbury, and so forth. In the early 20th century, the (Anglican) organist at Westminster Abbey married “Let All Mortal Flesh Keep Silence” to this beautiful variant melody from England. Those who sing Gregorian Chant on Good Friday will recognize the melody. What do you think of this pairing?
    —Jeff Ostrowski
    PDF Download • “Eb Organ Postlude”
    Gustav Adolf Merkel (d. 1885) was a German organist, teacher, and composer. Although a Lutheran himself, he held the appointment at the (Roman Catholic) Cathedral of Dresden from 1864 until his death. You can download his Organ Postlude in E-Flat, which I like very much. He has an interesting way of marking the pedal notes. What do you think?
    —Jeff Ostrowski

Quick Thoughts

    “Gregorian Chant Quiz” • 24 March 2026
    How well do you know your Gregorian hymns? Do you recognize the tune inserted into the bass line on this score? For many years, we sang the entire Mass in Gregorian chant—and I mean everything. As a result, it would be difficult to find a Gregorian hymn I don’t recognize instantly. Only decades later did I realize (with sadness) that this skill cannot be ‘monetized’… This particular melody is used for a very famous Gregorian hymn, printed in the LIBER USUALIS. Do you recognize it? Send me an email with the correct words, and I promise to tell everybody I meet about your prowess!
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski

Random Quote

“As a little child, Christ is presented in the temple, the Lawgiver obeying His law. Here the Redeemer offers Himself and is redeemed at a pauper’s price.”

— Father Augustine Thomas Ricchini (d. 1779)

Recent Posts

  • PDF Download • “Sprinkling Rite”
  • ‘Sarum’ Good Friday?
  • Gregorian Chant • The “Correct” Way of Singing ?
  • PDF Download • “Eb Organ Postlude”
  • Fulton J. Sheen • “24-Hour Catechism”

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