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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Josquin Des Prez Was A Vandal • (Not Kidding)

Jeff Ostrowski · February 15, 2024

OW COULD I EVER FORGET an incident that took place twenty years ago? While studying musicology at the graduate level, one of my professors burst into the classroom more excited than I’d ever seen her. She practically yelled to our class: “Josquin was a vandal.” You see, there had just been a discovery made. Somebody at the Vatican knocked down a wall in the choir loft revealing a wooden pew. Centuries ago, papal singers had vandalized this pew, carving their names with a knife. One vandal turned out to be none other than JOSQUIN DES PREZ (d. 1521).

Singers First! • We sometimes forget that all the great composers we love—Morales, Palestrina, Nanino, Arcadelt, Lassus, and so forth—were hired not as composers, but as singers. I have to admit, I would give my right arm to hear Father Cristóbal de Morales (d. 1553) sing. I suspect he was excellent. Father Morales was first admitted to the papal choir on 1 September 1535. Although I work with volunteer singers, many of them are superb. Listen to how perfectly these two sopranos (who sing in my choir) blend together:

To access this hymn’s media in the Brébeuf Portal, click here.

Richness • Even a marvelous studio recording like that one, however, lacks the richness of a full choir. Consider the following hymn, recorded yesterday (Ash Wednesday 2024) by my volunteer female singers. This text was prescribed for Lent in former times, and Father Adrian Fortescue (d. 1923) called it: “One of the most beautiful examples of mediæval hymnody.”

To access this hymn’s media in the Brébeuf Portal, click here.

The Day My Life Changed • Some claim it’s immoral for singers to take delight in the music they sing during Mass. Certain popes and other religious leaders throughout history argued that if there’s any enjoyment in singing sacred music, that “proves” it’s done for man and not for God; but I don’t believe that’s correct. When I was young, I erroneously believed the only things we could offer up to God were things we hate. But my life changed forever when I realized we can (and should) offer to God not only our sufferings, but also our joys. We must never allow ourselves to check our cell phone in the morning before we’ve made the morning offering. If you don’t know a morning offering, you might want to consider this one, by Cardinal Merry Del Vel.

My volunteer choir really enjoys—and finds edifying—the music of Kevin Allen. Here’s an example they sang recently during Mass:

Here’s the direct URL link.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Catholic Composer Cristobal de Morales, Rafael Merry del Val, Rev Fr Adrian Fortescue Liturgy Last Updated: February 15, 2024

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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President’s Corner

    Music List • (1st Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I’ve prepared for this coming Sunday—22 February 2026—the 1st Sunday of Lent (Year A). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the outstanding feasts website alongside the official texts in Latin. I spent an enormous amount of time preparing this ORDER OF MUSIC—because the children’s choir will join us—and some of its components came out great. For example, the COMMUNION ANTIPHON with Fauxbourdon is utterly resplendent, yet still ‘Lenten’.
    —Jeff Ostrowski
    2-Voice Arrangement for Lent
    Those seeking a two-voice arrangement for LENT and PASSIONTIDE should click here and scroll down. It’s based on number 775 in the Brébeuf Hymnal, with an enchanting melody written by Kevin Allen (the legendary American composer of sacred music). That text—“Pendens In Crucis Cornibus”—is often used for the Feast of our Lady of Sorrows. That link is important because, in addition to the musical score, it provides free rehearsal videos for each individual voice: something volunteer choirs appreciate!
    —Jeff Ostrowski
    “Sanctus VIII” • Organ Accompaniment
    A few days ago, I composed this organ harmonization for SANCTUS VIII. This Mass is traditionally called Missa de ángelis or “Mass of the angels.” In French, it is Messe de Anges. You can evaluate my attempt to simultaneously accompany myself on the pipe organ (click here) while singing the melody. My parish is currently singing this setting.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of Febr. (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

When a friend speaks of his accomplishments and triumphs, he stands at a distance from our heart. When he shares his weaknesses and failings, he’s very near.

— Archbishop Fulton J. Sheen

Recent Posts

  • “Chant Is Not a Penitential Act” • Lenten Reflection by Daniel Marshall
  • (Ash Wednesday) • Medieval Illumination Depicting the Distribution of Ashes
  • Music List • (1st Sunday of Lent)
  • Fulton J. Sheen • “24-Hour Catechism”
  • 2-Voice Arrangement for Lent

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