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Corpus Christi Watershed

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Views from the Choir Loft

Josquin Des Prez Was A Vandal • (Not Kidding)

Jeff Ostrowski · February 15, 2024

OW COULD I EVER FORGET an incident that took place twenty years ago? While studying musicology at the graduate level, one of my professors burst into the classroom more excited than I’d ever seen her. She practically yelled to our class: “Josquin was a vandal.” You see, there had just been a discovery made. Somebody at the Vatican knocked down a wall in the choir loft revealing a wooden pew. Centuries ago, papal singers had vandalized this pew, carving their names with a knife. One vandal turned out to be none other than JOSQUIN DES PREZ (d. 1521).

Singers First! • We sometimes forget that all the great composers we love—Morales, Palestrina, Nanino, Arcadelt, Lassus, and so forth—were hired not as composers, but as singers. I have to admit, I would give my right arm to hear Father Cristóbal de Morales (d. 1553) sing. I suspect he was excellent. Father Morales was first admitted to the papal choir on 1 September 1535. Although I work with volunteer singers, many of them are superb. Listen to how perfectly these two sopranos (who sing in my choir) blend together:

To access this hymn’s media in the Brébeuf Portal, click here.

Richness • Even a marvelous studio recording like that one, however, lacks the richness of a full choir. Consider the following hymn, recorded yesterday (Ash Wednesday 2024) by my volunteer female singers. This text was prescribed for Lent in former times, and Father Adrian Fortescue (d. 1923) called it: “One of the most beautiful examples of mediæval hymnody.”

To access this hymn’s media in the Brébeuf Portal, click here.

The Day My Life Changed • Some claim it’s immoral for singers to take delight in the music they sing during Mass. Certain popes and other religious leaders throughout history argued that if there’s any enjoyment in singing sacred music, that “proves” it’s done for man and not for God; but I don’t believe that’s correct. When I was young, I erroneously believed the only things we could offer up to God were things we hate. But my life changed forever when I realized we can (and should) offer to God not only our sufferings, but also our joys. We must never allow ourselves to check our cell phone in the morning before we’ve made the morning offering. If you don’t know a morning offering, you might want to consider this one, by Cardinal Merry Del Vel.

My volunteer choir really enjoys—and finds edifying—the music of Kevin Allen. Here’s an example they sang recently during Mass:

Here’s the direct URL link.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Catholic Composer Cristobal de Morales, Rafael Merry del Val, Rev Fr Adrian Fortescue Liturgy Last Updated: February 15, 2024

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    PDF Download • “Polyphonic Extension” (Kevin Allen) for Gloria III
    EVIN ALLEN was commissioned by Sacred Music Symposium 2025 to compose a polyphonic ‘middle section’ for the GLORIA from Mass III, often denoted by its trope name: Missa Kyrie Deus sempiterne. This year, I’m traveling from Singapore to serve on the symposium faculty. I will be conducting Palestrina’s ‘Ave Maria’ as well as teaching plainsong to the men. A few days ago, I was asked to record rehearsal videos for this beautiful polyphonic extension. (See below.) This polyphonic composition fits ‘inside’ GLORIA III. That is, the congregation sings for the beginning and end, but the choir alone adds polyphony to the middle. The easiest way to understand how everything fits together is by examining this congregational insert. You may download the score, generously made available to the whole world—free of charge—by CORPUS CHRISTI WATERSHED:
    *  PDF Download • Gloria III ‘Middle Section’ (Kevin Allen)
    Free rehearsal videos for each individual voice await you at #24366. Related News • My colleague, Jeff Ostrowski, composed an organ accompaniment for this same GLORIA a few months ago. Obviously, the organist should drop out when the polyphony is being sung.
    —Corrinne May
    “Booklet of Eucharistic Hymns” (16 pages)
    I was asked to create a booklet for my parish to use during our CORPUS CHRISTI PROCESSION on 22 June 2025. Would you be willing to look over the DRAFT BOOKLET (16 pages) I came up with? I tried to include a variety of hymns: some have a refrain; some are in major, others in minor; some are metered, others are plainsong; some are in Spanish, some are in Latin, but most are in English. Normally, we’d use the Brébeuf Hymnal—but we can’t risk having our congregation carry those heavy books all over the city to various churches.
    —Jeff Ostrowski
    “Yahweh” in church songs?
    My pastor asked me to write a weekly column for our parish bulletin. The one scheduled to run on 22 June 2025 is called “Three Words in a Psalm” and speaks of translating the TETRAGRAMMATON. You can read the article at this column repository. All of them are quite brief because I was asked to keep within a certain word limit.
    —Jeff Ostrowski

Quick Thoughts

    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt
    The Funeral Rites of the Graduale Romanum
    Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.
    —Daniel Tucker

Random Quote

“We decided to entrust this work to learned men of our selection. They very carefully collated all their work with the ancient codices in Our Vatican Library and with reliable, preserved or emended codices from elsewhere. Besides this, these men consulted the works of ancient and approved authors concerning the same sacred rites; and thus they have restored the Missal itself to the original form and rite of the holy Fathers.”

— ‘Pope St. Pius V (Quo Primum, 1570)’

Recent Posts

  • PDF Download • “Polyphonic Extension” (Kevin Allen) for Gloria III
  • “Booklet of Eucharistic Hymns” (16 pages)
  • PDF Download • “Text by Saint Francis of Assisi” (choral setting w/ organ: Soprano & Alto)
  • “Yahweh” in church songs?
  • “Music List” • Pentecost Sunday

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Corpus Christi Watershed is a 501(c)3 public charity dedicated to exploring and embodying as our calling the relationship of religion, culture, and the arts. This non-profit organization employs the creative media in service of theology, the Church, and Christian culture for the enrichment and enjoyment of the public.

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