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Corpus Christi Watershed

Jesus said to them: “I have come into this world so that a sentence may fall upon it, that those who are blind should see, and those who see should become blind. If you were blind, you would not be guilty. It is because you protest, ‘We can see clearly,’ that you cannot be rid of your guilt.”

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Views from the Choir Loft

Josquin Des Prez Was A Vandal • (Not Kidding)

Jeff Ostrowski · February 15, 2024

OW COULD I EVER FORGET an incident that took place twenty years ago? While studying musicology at the graduate level, one of my professors burst into the classroom more excited than I’d ever seen her. She practically yelled to our class: “Josquin was a vandal.” You see, there had just been a discovery made. Somebody at the Vatican knocked down a wall in the choir loft revealing a wooden pew. Centuries ago, papal singers had vandalized this pew, carving their names with a knife. One vandal turned out to be none other than JOSQUIN DES PREZ (d. 1521).

Singers First! • We sometimes forget that all the great composers we love—Morales, Palestrina, Nanino, Arcadelt, Lassus, and so forth—were hired not as composers, but as singers. I have to admit, I would give my right arm to hear Father Cristóbal de Morales (d. 1553) sing. I suspect he was excellent. Father Morales was first admitted to the papal choir on 1 September 1535. Although I work with volunteer singers, many of them are superb. Listen to how perfectly these two sopranos (who sing in my choir) blend together:

To access this hymn’s media in the Brébeuf Portal, click here.

Richness • Even a marvelous studio recording like that one, however, lacks the richness of a full choir. Consider the following hymn, recorded yesterday (Ash Wednesday 2024) by my volunteer female singers. This text was prescribed for Lent in former times, and Father Adrian Fortescue (d. 1923) called it: “One of the most beautiful examples of mediæval hymnody.”

To access this hymn’s media in the Brébeuf Portal, click here.

The Day My Life Changed • Some claim it’s immoral for singers to take delight in the music they sing during Mass. Certain popes and other religious leaders throughout history argued that if there’s any enjoyment in singing sacred music, that “proves” it’s done for man and not for God; but I don’t believe that’s correct. When I was young, I erroneously believed the only things we could offer up to God were things we hate. But my life changed forever when I realized we can (and should) offer to God not only our sufferings, but also our joys. We must never allow ourselves to check our cell phone in the morning before we’ve made the morning offering. If you don’t know a morning offering, you might want to consider this one, by Cardinal Merry Del Vel.

My volunteer choir really enjoys—and finds edifying—the music of Kevin Allen. Here’s an example they sang recently during Mass:

Here’s the direct URL link.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Catholic Composer Cristobal de Morales, Rafael Merry del Val, Rev Fr Adrian Fortescue Liturgy Last Updated: February 15, 2024

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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President’s Corner

    “Music List” • 5th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 5th Sunday of Easter (18 May 2025). If such a thing interests you, feel free to download it as a PDF file. The Communion Antiphon was ‘restored’ the 1970 Missale Romanum (a.k.a. MISSALE RECENS) from an obscure martyr’s feast. Our choir is on break this Sunday, so the selections are relatively simple in nature.
    —Jeff Ostrowski
    Communion Chant (5th Sunday of Easter)
    This coming Sunday—18 May 2025—is the 5th Sunday of Easter, Year C (MISSALE RECENS). The COMMUNION ANTIPHON “Ego Sum Vitis Vera” assigned by the Church is rather interesting, because it comes from a rare martyr’s feast: viz. Saint Vitalis of Milan. It was never part of the EDITIO VATICANA, which is the still the Church’s official edition. As a result, the musical notation had to be printed in the Ordo Cantus Missae, which appeared in 1970.
    —Jeff Ostrowski
    “Music List” • 4th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 4th Sunday of Easter (11 May 2025). If such a thing interests you, feel free to download it as a PDF file. I don’t know a more gorgeous ENTRANCE CHANT than the one given there: Misericórdia Dómini Plena Est Terra.
    —Jeff Ostrowski

Quick Thoughts

    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt
    The Funeral Rites of the Graduale Romanum
    Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.
    —Daniel Tucker

Random Quote

Giovanni Doni is known for having changed the name of note “Ut,” renaming it “Do.” He convinced his contemporaries to make the change by arguing that 1) “Do” is easier to pronounce than “Ut,” and 2) “Do” is an abbreviation for “Dominus,” the Latin word for the Lord, Who is the tonic and root of the world. There is much academic speculation that Giovanni Doni also wanted to imprint himself into musical canon in perpetuity because “Do” is also ulteriorly an abbreviation for his family name.

— Giovanni Battista Doni died in 1647AD

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