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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Musical Resources • “The Season of Septuagesima”

Andrea Leal · December 29, 2023

OR THOSE WHO ATTEND the Extraordinary Form of the Mass, we have a very short Epiphany season this year. There will be only 3 Sundays of Epiphany before we get into the season of Septuagesima and then Lent. Easter Sunday comes very early this year, on March 31st. While it may seem too soon to even think about that while we are in the Octave of Christmas, choirmasters must plan ahead. If you are leading a choir of any size, it is not just about picking a lineup a week beforehand. You have to consider the abilities of your singers, how long it will take them to learn something, and how ambitious your selections are.

Fun Fact: If Epiphany were any longer than three Sundays, you would repeat the same propers for 3rd Sunday of Epiphany in the same way that you do for the 23rd Sunday after Pentecost.

A Bit Of History • The season of Septuagesima, which was entirely eliminated in the Novus Ordo is a sort of “pre-Lent”. In the Extraordinary Form, we prepare (Septuagesima) for the preparation (Lent) of the resurrection of Christ (Easter)! I admit I have always struggled to completely understand it from a musical perspective and to program songs for it, but essentially you can sing anything that would be considered Sundays after Pentecost. In the Novus Ordo this is called “Ordinary Time.” Anything Eucharistic is always appropriate. I always want to program something specifically matching the propers, but our former priest, Fr. Philip O’Donnel (requiescat in pace), once advised me once that the propers already perfectly contain everything necessary for that particular Sunday. That idea has released me from the bond of trying to be too specific, although I still combat the instinct to do so. By the way, it turns out there’s actually a hymn specific to the season of SEPTUAGESIMA.

To assist other choirs, I am sharing my lineup for the season Septuagesima. Feel free to copy whatever parts of this works for your choir.

Septuagesima Sunday
23 January 2024
Opening: Organ Processional
Introit: Polyphonic Circumdederunt Me (SATB) by Heinrich Isaac1
Kyrie XVI
Gradual: Men, pg. 94 Goupil Gradual (top)
Tract: Men, pg. 95 Goupil Gradual (bottom)
Credo VII
Offertory Antiphon: Treble, full offertory pg. 97
Offertory Hymn: Jesu Dulcis Memoria chant, alternatum
Sanctus XI, Orbis Factor
Agnus Dei XI, Orbis Factor
Comm. Ant.: Men, pg. 98 Goupil Gradual
Communion Hymn: CONFITEOR DEO OMNINPOTENTI, Kevin Allen
Post-Communion: Organ postlude
Close: Ave Regina Caelorum chant

Sexagesima Sunday
4 February 2024
Opening: Organ Processional
Introit: Men
Kyrie XI, Orbis Factor
Gradual: Men, pg. 100
Tract: Men, pg. 100
Credo VII
Offertory Antiphon: Treble, full offertory pg. 103
Offertory Hymn: Misericordias Domini, Henryk Jan Botor
Sanctus XI, Orbis Factor
Agnus Dei XI, Orbis Factor
Comm. Ant.: Men, pg. 104
Communion Hymn: Jesu Dulcis Memoria, Victoria
Post-Communion: Organ postlude
Close: Ave Regina Caelorum chant

Quinquagesima Sunday
11 February 2024
Opening: Organ Processional
Introit: Men
Kyrie XI, Orbis Factor
Gradual: Men, pg. 106
Tract: Men, pg. 106
Credo VII
Offertory Ant.: Adv. Treble, full Offertory
Offertory Hymn: Pange Lingua chant (alternatum)
Sanctus XI, Orbis Factor
Agnus Dei XI, Orbis Factor
Comm. Ant.: Adv. Treble
Communion Hymn: Anima Christi, Marco Frisina2
Post-Communion: Organ postlude
Close: Ave Regina Caelorum chant

1 My choir will attempt a somewhat long polyphonic Introit, but we will chant it as a psalm tone the first time, then the polyphonic version the second time. To make up for the extra length of time it will take to sing a polyphonic Introit, we will sing the shortest Kyrie we can, which is Kyrie XVI. Kyrie XVI is well known to many as the typical Kyrie for a Sunday Mass but is, technically, a Kyrie meant for Masses during the week.
2 “Anima Christi” is under copyright, so I cannot provide it here. You will have to find a copy for purchase.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Season of Septuagesima Last Updated: December 29, 2023

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About Andrea Leal

Andrea Leal is a wife and homeschooling mother of 6 children. She serves as choir director for the Traditional Latin Mass in Las Vegas.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Good Friday Flowers
    Good Friday has a series of prayers for various parties: the pope, catechumens, pagans, heretics, schismatics, and so forth. In the old liturgical books, there was no official ‘name’ for these prayers. (This wasn’t unusual as ‘headers’ and ‘titles’ for each section is a rather modern idea.) The Missal simply instructed the priest to go to the Epistle side and begin. In the SHERBORNE MISSAL, each prayer begins with a different—utterly spectacular—flower. This PDF file shows the first few prayers. Has anyone counted the ‘initial’ drop-cap flowers in the SHERBORNE MISSAL? Surely there are more than 1,000.
    —Jeff Ostrowski
    Music List • (3rd Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 3rd Sunday of Lent (8 March 2026). If such a thing interests you, feel free to download it as a PDF file. This feast has magnificent propers. Its stern INTROIT (“Óculi mei semper ad Dóminum”) is breathtaking, and the COMMUNION (“Qui bíberit aquam”) with its fauxbourdon verses is wonderful. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski

Quick Thoughts

    “Dies Irae” • A Monstrous Translation
    It isn’t easy to determine what Alice King MacGilton hoped to accomplish with her very popular book—A Study of Latin Hymns (1918)—which continued to be reprinted in new editions for at least 34 years. This PDF file shows her attempt to translate the DIES IRAE “in the fewest words possible.” There’s a place for dynamic equivalency, but this is repugnant. In particular, look what she does to “Quærens me sedísti lassus.”
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski
    Grotesque Pairing • “Passion Chorale”
    One of our rarest releases was undoubtably this PDF scan of the complete Pope Pius XII Hymnal (1959) by Father Joseph Roff, a student of Healey Willan. One of the scarcest titles in existence, this book was provided to us by Mr. Peter Meggison. Back in 2018, we scanned each page and uploaded it to our website, making it freely available to everyone. Readers are probably sick of hearing me say this, but just because we upload something that doesn’t necessarily mean it’s wonderful or worthy of imitation. We upload many publications precisely because they are ‘grotesque’, interesting, or revealing. Whereas the Brébeuf Catholic Hymnal had an editorial board that was careful and sensitive vis-à-vis pairing texts with tunes, the Pope Pius XII Hymnal (1959) seems to have been rather reckless in this regard. Please take a look at what they did with the PASSION CHORALE and see whether you agree.
    —Jeff Ostrowski

Random Quote

[Speaking about the Silent Canon, with audible “per ómnia”] — “So in all such cases it is usual for the otherwise silent celebrant occasionally to sing a clause aloud, to show how far he has arrived.”

— Father Fortescue (pages 313-314) • “A Study of the Roman Liturgy”

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