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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Musical Resources • “The Season of Septuagesima”

Andrea Leal · December 29, 2023

OR THOSE WHO ATTEND the Extraordinary Form of the Mass, we have a very short Epiphany season this year. There will be only 3 Sundays of Epiphany before we get into the season of Septuagesima and then Lent. Easter Sunday comes very early this year, on March 31st. While it may seem too soon to even think about that while we are in the Octave of Christmas, choirmasters must plan ahead. If you are leading a choir of any size, it is not just about picking a lineup a week beforehand. You have to consider the abilities of your singers, how long it will take them to learn something, and how ambitious your selections are.

Fun Fact: If Epiphany were any longer than three Sundays, you would repeat the same propers for 3rd Sunday of Epiphany in the same way that you do for the 23rd Sunday after Pentecost.

A Bit Of History • The season of Septuagesima, which was entirely eliminated in the Novus Ordo is a sort of “pre-Lent”. In the Extraordinary Form, we prepare (Septuagesima) for the preparation (Lent) of the resurrection of Christ (Easter)! I admit I have always struggled to completely understand it from a musical perspective and to program songs for it, but essentially you can sing anything that would be considered Sundays after Pentecost. In the Novus Ordo this is called “Ordinary Time.” Anything Eucharistic is always appropriate. I always want to program something specifically matching the propers, but our former priest, Fr. Philip O’Donnel (requiescat in pace), once advised me once that the propers already perfectly contain everything necessary for that particular Sunday. That idea has released me from the bond of trying to be too specific, although I still combat the instinct to do so. By the way, it turns out there’s actually a hymn specific to the season of SEPTUAGESIMA.

To assist other choirs, I am sharing my lineup for the season Septuagesima. Feel free to copy whatever parts of this works for your choir.

Septuagesima Sunday
23 January 2024
Opening: Organ Processional
Introit: Polyphonic Circumdederunt Me (SATB) by Heinrich Isaac1
Kyrie XVI
Gradual: Men, pg. 94 Goupil Gradual (top)
Tract: Men, pg. 95 Goupil Gradual (bottom)
Credo VII
Offertory Antiphon: Treble, full offertory pg. 97
Offertory Hymn: Jesu Dulcis Memoria chant, alternatum
Sanctus XI, Orbis Factor
Agnus Dei XI, Orbis Factor
Comm. Ant.: Men, pg. 98 Goupil Gradual
Communion Hymn: CONFITEOR DEO OMNINPOTENTI, Kevin Allen
Post-Communion: Organ postlude
Close: Ave Regina Caelorum chant

Sexagesima Sunday
4 February 2024
Opening: Organ Processional
Introit: Men
Kyrie XI, Orbis Factor
Gradual: Men, pg. 100
Tract: Men, pg. 100
Credo VII
Offertory Antiphon: Treble, full offertory pg. 103
Offertory Hymn: Misericordias Domini, Henryk Jan Botor
Sanctus XI, Orbis Factor
Agnus Dei XI, Orbis Factor
Comm. Ant.: Men, pg. 104
Communion Hymn: Jesu Dulcis Memoria, Victoria
Post-Communion: Organ postlude
Close: Ave Regina Caelorum chant

Quinquagesima Sunday
11 February 2024
Opening: Organ Processional
Introit: Men
Kyrie XI, Orbis Factor
Gradual: Men, pg. 106
Tract: Men, pg. 106
Credo VII
Offertory Ant.: Adv. Treble, full Offertory
Offertory Hymn: Pange Lingua chant (alternatum)
Sanctus XI, Orbis Factor
Agnus Dei XI, Orbis Factor
Comm. Ant.: Adv. Treble
Communion Hymn: Anima Christi, Marco Frisina2
Post-Communion: Organ postlude
Close: Ave Regina Caelorum chant

1 My choir will attempt a somewhat long polyphonic Introit, but we will chant it as a psalm tone the first time, then the polyphonic version the second time. To make up for the extra length of time it will take to sing a polyphonic Introit, we will sing the shortest Kyrie we can, which is Kyrie XVI. Kyrie XVI is well known to many as the typical Kyrie for a Sunday Mass but is, technically, a Kyrie meant for Masses during the week.
2 “Anima Christi” is under copyright, so I cannot provide it here. You will have to find a copy for purchase.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Season of Septuagesima Last Updated: December 29, 2023

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About Andrea Leal

Andrea Leal is a wife and homeschooling mother of 6 children. She serves as choir director for the Traditional Latin Mass in Las Vegas.—(Read full biography).

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President’s Corner

    PDF • “Music List” (Sunday, 28 December)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for Feast of the Holy Family of Jesus, Mary, & Joseph (28 Dec. 2025). If such a thing interests you, feel free to download it as a PDF file. The FAUXBOURDON verses for the Communion Antiphon are particularly gorgeous. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    PDF • “Music List” (Xmas Midnight Mass)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for Christmas Midnight Mass (“Ad Missam In Nocte”). If such a thing interests you, feel free to download it as a PDF file. The ENTRANCE CHANT is simple, but quite beautiful. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    PDF • “Music List” (4th Sunday of Advent)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 21 December 2025, which is the 4th Sunday of Advent (Year A). If such a thing interests you, feel free to download it as a PDF file. The ENTRANCE CHANT is the famous “Roráte Coeli” and the fauxbourdon setting of the COMMUNION is exquisite. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski

Quick Thoughts

    PDF Download • “In Paradisum” in English
    We always sing the IN PARADISUM in Latin, as printed on this PDF score. I have an appallingly bad memory (meaning I’d be a horrible witness in court). In any event, it’s been brought to my attention that 15 years ago I created this organ accompaniment for the famous and beautiful ‘IN PARADISUM’ Gregorian chant sung in English according to ‘MR3’ (Roman Missal, Third Edition). If anyone desires such a thing, feel free to download and print. Looking back, I wish I’d brought the TENOR and BASS voices into a unison (on B-Natural) for the word “welcome” on the second line.
    —Jeff Ostrowski
    What does this mean? “Pre-Urbanite”
    Something informed critics have frequently praised vis-à-vis the Saint Jean de Brébeuf Hymnal is its careful treatment of the ancient hymns vs. the “Urbanite” hymns. This topic I had believed to be fairly well understood—but I was wrong. The reason I thought people knew about it is simple; in the EDITIO VATICANA 1908 Graduale Romanum (as well as the 1913 Liber Antiphonarius) both versions are provided, right next to each other. You can see what I mean by examining this PDF file from the Roman Gradual of 1908. Most people still don’t understand that the Urbanite versions were never adopted by any priests or monks who sang the Divine Office each day. Switching would have required a massive amount of effort and money, because all the books would need to be changed.
    —Jeff Ostrowski
    PDF Download • “Santo Santo Santo”
    Those searching for a dignified, brief, simple, bright setting of SANCTUS in Spanish (“Santo Santo Santo”) are invited to download this Setting in honor of Saint John Brébeuf (organist & vocalist). I wonder if there would be any interest in me recording a rehearsal video for this piece.
    —Jeff Ostrowski

Random Quote

Let us ponder the incontrovertible fact that Eucharistic Adoration in the Ordinary Form (“Novus Ordo”) is always and everywhere celebrated “ad orientem.” Why, then, is there such opposition to Mass being celebrated in that way, which is actually stipulated by the 1970 Missal rubrics?

— A Benedictine Monk (2013)

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