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Views from the Choir Loft

Musical Resources • “The Season of Septuagesima”

Andrea Leal · December 29, 2023

OR THOSE WHO ATTEND the Extraordinary Form of the Mass, we have a very short Epiphany season this year. There will be only 3 Sundays of Epiphany before we get into the season of Septuagesima and then Lent. Easter Sunday comes very early this year, on March 31st. While it may seem too soon to even think about that while we are in the Octave of Christmas, choirmasters must plan ahead. If you are leading a choir of any size, it is not just about picking a lineup a week beforehand. You have to consider the abilities of your singers, how long it will take them to learn something, and how ambitious your selections are.

Fun Fact: If Epiphany were any longer than three Sundays, you would repeat the same propers for 3rd Sunday of Epiphany in the same way that you do for the 23rd Sunday after Pentecost.

A Bit Of History • The season of Septuagesima, which was entirely eliminated in the Novus Ordo is a sort of “pre-Lent”. In the Extraordinary Form, we prepare (Septuagesima) for the preparation (Lent) of the resurrection of Christ (Easter)! I admit I have always struggled to completely understand it from a musical perspective and to program songs for it, but essentially you can sing anything that would be considered Sundays after Pentecost. In the Novus Ordo this is called “Ordinary Time.” Anything Eucharistic is always appropriate. I always want to program something specifically matching the propers, but our former priest, Fr. Philip O’Donnel (requiescat in pace), once advised me once that the propers already perfectly contain everything necessary for that particular Sunday. That idea has released me from the bond of trying to be too specific, although I still combat the instinct to do so. By the way, it turns out there’s actually a hymn specific to the season of SEPTUAGESIMA.

To assist other choirs, I am sharing my lineup for the season Septuagesima. Feel free to copy whatever parts of this works for your choir.

Septuagesima Sunday
23 January 2024
Opening: Organ Processional
Introit: Polyphonic Circumdederunt Me (SATB) by Heinrich Isaac1
Kyrie XVI
Gradual: Men, pg. 94 Goupil Gradual (top)
Tract: Men, pg. 95 Goupil Gradual (bottom)
Credo VII
Offertory Antiphon: Treble, full offertory pg. 97
Offertory Hymn: Jesu Dulcis Memoria chant, alternatum
Sanctus XI, Orbis Factor
Agnus Dei XI, Orbis Factor
Comm. Ant.: Men, pg. 98 Goupil Gradual
Communion Hymn: CONFITEOR DEO OMNINPOTENTI, Kevin Allen
Post-Communion: Organ postlude
Close: Ave Regina Caelorum chant

Sexagesima Sunday
4 February 2024
Opening: Organ Processional
Introit: Men
Kyrie XI, Orbis Factor
Gradual: Men, pg. 100
Tract: Men, pg. 100
Credo VII
Offertory Antiphon: Treble, full offertory pg. 103
Offertory Hymn: Misericordias Domini, Henryk Jan Botor
Sanctus XI, Orbis Factor
Agnus Dei XI, Orbis Factor
Comm. Ant.: Men, pg. 104
Communion Hymn: Jesu Dulcis Memoria, Victoria
Post-Communion: Organ postlude
Close: Ave Regina Caelorum chant

Quinquagesima Sunday
11 February 2024
Opening: Organ Processional
Introit: Men
Kyrie XI, Orbis Factor
Gradual: Men, pg. 106
Tract: Men, pg. 106
Credo VII
Offertory Ant.: Adv. Treble, full Offertory
Offertory Hymn: Pange Lingua chant (alternatum)
Sanctus XI, Orbis Factor
Agnus Dei XI, Orbis Factor
Comm. Ant.: Adv. Treble
Communion Hymn: Anima Christi, Marco Frisina2
Post-Communion: Organ postlude
Close: Ave Regina Caelorum chant

1 My choir will attempt a somewhat long polyphonic Introit, but we will chant it as a psalm tone the first time, then the polyphonic version the second time. To make up for the extra length of time it will take to sing a polyphonic Introit, we will sing the shortest Kyrie we can, which is Kyrie XVI. Kyrie XVI is well known to many as the typical Kyrie for a Sunday Mass but is, technically, a Kyrie meant for Masses during the week.
2 “Anima Christi” is under copyright, so I cannot provide it here. You will have to find a copy for purchase.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Season of Septuagesima Last Updated: December 29, 2023

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About Andrea Leal

Andrea Leal is a wife and homeschooling mother of 6 children. She serves as choir director for the Traditional Latin Mass in Las Vegas.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Music List” • 5th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 5th Sunday of Easter (18 May 2025). If such a thing interests you, feel free to download it as a PDF file. The Communion Antiphon was ‘restored’ the 1970 Missale Romanum (a.k.a. MISSALE RECENS) from an obscure martyr’s feast. Our choir is on break this Sunday, so the selections are relatively simple in nature.
    —Jeff Ostrowski
    Communion Chant (5th Sunday of Easter)
    This coming Sunday—18 May 2025—is the 5th Sunday of Easter, Year C (MISSALE RECENS). The COMMUNION ANTIPHON “Ego Sum Vitis Vera” assigned by the Church is rather interesting, because it comes from a rare martyr’s feast: viz. Saint Vitalis of Milan. It was never part of the EDITIO VATICANA, which is the still the Church’s official edition. As a result, the musical notation had to be printed in the Ordo Cantus Missae, which appeared in 1970.
    —Jeff Ostrowski
    “Music List” • 4th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 4th Sunday of Easter (11 May 2025). If such a thing interests you, feel free to download it as a PDF file. I don’t know a more gorgeous ENTRANCE CHANT than the one given there: Misericórdia Dómini Plena Est Terra.
    —Jeff Ostrowski

Quick Thoughts

    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt
    The Funeral Rites of the Graduale Romanum
    Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.
    —Daniel Tucker

Random Quote

“As liturgical art, church music is obliged to conform to ecclesiastical law. But to construct artificial polarities here, between legalistic order and a dynamic church music, demanded by the alleged needs of the day, would be to forsake the foundation of a music rooted in liturgical experience. What is in fact the pastoral value of the shoddy, the profane, the third-rate?”

— Dr. Robert Skeris (1996)

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