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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

“Not Schmaltzy” • An Ancient Christmas Hymn

Jeff Ostrowski · December 22, 2023

ATHER VALENTINE used to say: De gustibus non est disputandum. “In matters of taste, let there be no dispute.” For example, he didn’t like the Lemmensinstituut accompaniments—which should come as no surprise since he studied under the John de Deo Oldegeering, OFM, a legendary plainsong instructor who followed the Mocquereau-Bragers school. I try not emphasize my opinions unduly on this blog. That’s a quick way to make lifelong enemies. For example, I consider the hymn tune “SANDON” to be just dreadful—but should I dwell on that? Surely it’s better to emphasize the positive.

Christmas Carols • Speaking of opinions, there are certain Christmas carols I find so “sentimental” or “schmaltzy” or “gooey” or “saccharine” that—in my personal opinion—they don’t belong at the Holy Sacrifice of the Mass. One that comes to mind immediately: O Little town of Bethlehem. I realize others will disagree. Contrariwise, an ancient Christmas hymn that’s robust is Christe Redemptor Omnium (whose title was changed in 1631AD to Jesu Redemptor Omnium). Do you agree the English translation by Robert Campbell of Skerrington is fabulous?

Just look how faithful Campbell was to the original:

*  PDF Download • COMPARISON CHART
—Literal translation Vs. a poetic translation by Robert Campbell of Skerrington.

To access this hymn’s media in the Brébeuf Portal, click here.

English Primers • The Brébeuf Catholic Hymnal printed ancient translations from ENGLISH PRIMERS. I’m talking about Roman Catholic translations into English from the 1500s—which were intended for singing—of ancient Latin hymns. (The Brébeuf editors found explicit proof that these translations were intended to be sung, not just read.) We don’t have permission to reprint them on this blog, but let me just assure you they’re endlessly fascinating:

Robert Campbell + Saint Augustine:

Not every translation by Robert Campbell 1 is literal. Consider Campbell’s famous version of Ad Cenam Agni Providi (“At the Lamb’s high feast we sing”). It’s not really a translation. Rather, Campbell uses the original text as a springboard for his own thoughts. Consider “after the crossing of the red sea.” Campbell relates this “red sea” to the blood and water that flowed from Christ’s side on the cross, so crossing the red sea now means being washed by the blood and water from the Heart of Jesus. Indeed, Saint Augustine (Enn. in Ps. CXXXVIII) says: Ex latere Domini dormientis, id est, in passione morientis, et in cruce percusso de lancea, manaverunt sacramenta, quibus formaretur Ecclesia. (“From the side of the Lord sleeping, that is, dying in his passion, and pierced by a spear on the cross, flowed the sacraments whereby the Church would be formed.”) For the record, Corpus Christi Watershed is named in honor of “water shed” from the Heart of Christ.

To access this hymn’s media in the Brébeuf Portal, click here.

1 According to a footnote in the Brébeuf Catholic Hymnal, Robert Campbell of Skerrington converted to the True Faith in 1852.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, PDF Download Tagged With: Christe Redemptor Omnium Xmas, Jesu Redemptor Omnium, Robert Campbell of Skerrington Last Updated: December 23, 2023

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Simplified Accomp. • Schubert’s “Ave Maria.”
    Sometimes the organist must simultaneously serve as the CANTOR. (Those who work in the field of church music know exactly what I’m talking about.) One of our contributors composed this simplified keyboard accompaniment for Franz Schubert’s “Ave Maria,” a piece which is frequently requested for Catholic funerals and weddings. In terms of the discussion about whether that piece is too theatrical (‘operatic’) for use in Church, I will leave that discussion to others. All I know is, many church musicians out there will appreciate this simplified version.
    —Jeff Ostrowski
    “Reminder” — Month of April (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    Simplified Accompaniment (Easter Hymn)
    Number 36 in the Brébeuf Hymnal is “At the Lamb’s high feast we sing,” an English translation for Ad Cenam Agni Próvidi (which was called “Ad Régias Agni Dapes” starting 1631). As of this morning, you can download a simplified keyboard accompaniment for it. Simply click here and scroll to the bottom. Many organists are forced to serve simultaneously as both CANTOR and ACCOMPANIST. In spite of what some claim, this can be difficult—which explains why choirmasters appreciate these simplified keyboard accompaniments. Sadly, many readers will click that link but forget to scroll to the bottom where the simplified PDF file is located.
    —Jeff Ostrowski

Quick Thoughts

    PDF Download • “Anima Christi”
    I received a request for an organ accompaniment I created way back in 2007 for the “Anima Christi” Gregorian Chant. You can download this PDF file which has the score in plainsong followed by a keyboard accompaniment. Many melodies have been paired with “Anima Christi” over the centuries, but this is—perhaps—the most common one.
    —Jeff Ostrowski
    PDF • “Liturgical Law” (467 Pages)
    On Good Friday during the middle ages, the pope privately recited THE ENTIRE PSALTER. If you don’t believe me, see for yourself by reading this passage by Dom Charles Augustine Bachofen (d. 1943). His famous book—called “Liturgical Law: A Handbook Of The Roman Liturgy”—was published by the Benjamin Herder Book Company, which was the American arm (operating out of St. Louis, Missouri) of one of the world’s most significant Catholic publishers. Dom Charles Augustine Bachofen was born in Switzerland but spent his career between the Benedictine monasteries at Conception (Missouri) and Mount Angel (Oregon). His 1931 masterpiece, Liturgical Law can be downloaded as a PDF file … 467 pages!
    —Jeff Ostrowski
    “Gregorian Chant Quiz” • 24 March 2026
    How well do you know your Gregorian hymns? Do you recognize the tune inserted into the bass line on this score? For many years, we sang the entire Mass in Gregorian chant—and I mean everything. As a result, it would be difficult to find a Gregorian hymn I don’t recognize instantly. Only decades later did I realize (with sadness) that this skill cannot be ‘monetized’… This particular melody is used for a very famous Gregorian hymn, printed in the LIBER USUALIS. Do you recognize it? Send me an email with the correct words, and I promise to tell everybody I meet about your prowess!
    —Jeff Ostrowski

Random Quote

“I ask that future priests, from their time in the seminary, receive the preparation needed to understand and to celebrate Mass in Latin, and also to use Latin texts and execute Gregorian chant; nor should we forget that the faithful can be taught to recite the more common prayers in Latin, and also to sing parts of the liturgy to Gregorian chant.”

— Statement by the Supreme Pontiff (Sacramentum Caritatis, 22-feb-2007)

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  • “Reminder” — Month of April (2026)

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