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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Cardinal Tobin says excluding EF Catholics is “good” so long as they’re not “banished” completely

Jeff Ostrowski · October 11, 2023

IRST I WILL comment on the video. Then I’ll share two personal stories of exclusion. With the archbishop of Newark, NJ (JOSEPH CARDINAL TOBIN), Diane Montagna had the following exchange, which was caught on video. Cardinal Tobin had said: “I think the real beauty of our Catholic Church is clear, when the doors are open and welcoming.” In response, Ms. Montagna asked how such a statement is consonant with recent Vatican attempts to kick Catholics out of their parishes, forcing them to celebrate the Holy Mass in other places such as gymnasiums.

Explicit & Specific • Diane Montagna asked specifically about parishes that were flourishing. Inexplicably, CARDINAL TOBIN chose to speak about parishes closed because they weren’t flourishing.

Here’s the direct URL link.

“So Long As They Aren’t Banished Completely” • Watch the video and judge for yourself. From what I can understand—and I’ve watched it twice—CARDINAL TOBIN says excluding EF Catholics is “good” (his word) as long as they’re not completely banished from the Catholic Church.

It’s Good For You! • Cardinal Tobin seems to be saying that moving Holy Mass from a flourishing parish Church into a gymnasium is actually a “good” thing, even though Catholics exercising what Pope Saint John Paul II called “legitimate aspirations” don’t realize it yet. (That’s what Cardinal Tobin said; watch the video.) It’s very difficult for me to understand how encouraging the People of God to treat certain Catholics as lepers is somehow equivalent to “welcoming.” Perhaps the best treatment of this situation so far was the heartfelt article published by Monsignor Charles Pope.

*  PDF Download • “From the Peripheries” (Mons. Charles Pope)
—Excerpt: “As a pastor of souls, I wince at this sort of language…”

“Ego Sum Ostium” • For the record, I believe CARDINAL TOBIN is incorrect to say that “the real beauty of our Catholic Church is … when the doors are open and welcoming.” The real beauty of our Catholic Church, at least according to what I was taught, is the REAL PRESENCE of Jesus Christ on our Altars. Jesus Christ, being the Second Person of the Blessed Trinity, is infinitely more valuable than an open door. Indeed, our Savior said in John 10:9: “I am the door; a man will find salvation if he makes his way in through Me.”

Jeff Shares Personal
Examples of Exclusion

(1) Consider a Benedictine monk I’ve known for twenty years. A few months ago, he brought up something about the “love” and “tenderness” shown by the Vatican to those who feel excluded. Responding to this, I asked him about recent documents from Rome attempting to strangle communities attached to the Traditional Latin Mass. Several times I asked: “What are we to make of this? Who can explain this?” His response was to cut off all communication with me. Just like that. He didn’t even have the courtesy to say: “By the way, it’s been nice knowing you for the last 20 years.” I dared to ask a question—and that’s my punishment.

(2) Consider a priest in Rome, whom I’ve known for more than a decade. I’ve gone out of my way to help him, even sending books he requested (which cost hundreds of dollars to ship to Rome). A few months after TRADITIONIS CUSTODES was issued, I called him on the telephone. I was trying to come to grips with certain items—but the minute I asked him to help me understand, he hung up the phone and has never spoken to me again.

I have already written about how ignoring someone can be one of the cruelest things you can do. Therefore, I don’t need to go into all that again.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: October 11, 2023

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    2-Voice Arr. • “Creator of the Starry Height”
    Do you direct a choir consisting of women or children only? (Some call this a “treble” choir.) Download a two-voice arrangement of Creator of the Starry Height set to the tune of IOANNES by clicking here and then scrolling to the bottom. In our times, this hymn is normally used during ADVENT, and the Latin title is: Cónditor alme síderum. It’s important to say “cónditor”—placing the accent on the antepenult—because ‘condítor’ in Latin means “one who embalms the dead.”
    —Jeff Ostrowski
    “Equal Voices” Choir Pieces
    My colleague, CORRINNE MAY, has posted some delightful compositions for equal voices: that is, choirs consisting of all men or all women. Included there are settings of the “Ave Maria” and “Tantum Ergo.” They strike me as relatively simple and not excessively lengthy. (In other words, within reach of volunteer singers.) Even better, all the scores have been made available as instant PDF downloads, completely free of charge. Bravo!
    —Jeff Ostrowski
    Typo in the “Missale Romanum” (1962)
    The 1962 MISSALE ROMANUM was a transitional missal. It was on its way to becoming the 1970 version, but wasn’t there yet. It eliminated certain duplications, downplayed the Prayers at the Foot of the Altar, expanded the role of laymen, minimized the Last Gospel, made many items optional, and so forth. Father Valentine Young spotted many typos in the 1962 MISSALE ROMANUM, especially incorrect accents. The Offertory Antiphon for this coming Sunday (OF kalendar) contains an error, citing the wrong verse from Psalm 118. It should be 118:107b, not 118:154. If you read verse 154, you’ll understand how that error crept in. [In this particular case, the error pre-dates the 1962 Missal, since the 1940s hand-missal by Father Lasance also gets it wrong.]
    —Jeff Ostrowski

Quick Thoughts

    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski
    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski
    “American Catholic Hymnal” (1991)
    The American Catholic Hymnal, with IMPRIMATUR granted (25 April 1991) by the Archdiocese of Chicago, is like a compendium of every horrible idea from the 1980s. Imagine being forced to stand all through Communion (even afterwards) when those self-same ‘enlightened’ liturgists moved the SEQUENCE before the Alleluia to make sure congregations wouldn’t have to stand during it. (Even worse, everything about the SEQUENCE—including its name—means it should follow the Alleluia.) And imagine endlessly repeating “Alleluia” during Holy Communion at every single Mass. It was all part of an effort to convince people that Holy Communion was historically a procession (which it wasn’t).
    —Jeff Ostrowski

Random Quote

On 26 July 1916—during the German occupation of Belgium—a student choir led by Van Nuffel performed his setting of the psalm “Super flumina Babylonis” in Saint Rumbold’s Cathedral. The text and the musical setting very aptly expressed the depressed and rebellious mood of the population. The acclaim was enormous, and it laid the foundation for Van Nuffel’s formation of the Saint Rumbold’s choir.

— Unknown

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