• Skip to primary navigation
  • Skip to main content
  • Skip to primary sidebar

Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

  • Donate
  • Our Team
    • Our Editorial Policy
    • Who We Are
    • How To Contact Us
    • Sainte Marie Bulletin Articles
    • Jeff’s Mom Joins Fundraiser
  • Pew Resources
    • Brébeuf Catholic Hymnal
    • Jogues Illuminated Missal
    • KYRIALE • Saint Antoine Daniel
    • Campion Missal, 3rd Edition
    • Repository • “Spanish Music”
    • Ordinary Form Feasts (Sainte-Marie)
  • MUSICAL WEBSITES
    • René Goupil Gregorian Chant
    • Noël Chabanel Psalms
    • Nova Organi Harmonia (2,279 pages)
    • Roman Missal, 3rd Edition
    • Catechism of Gregorian Rhythm
    • Father Enemond Massé Manuscripts
    • Lalemant Polyphonic
  • Miscellaneous
    • Site Map
    • Secrets of the Conscientious Choirmaster
    • “Wedding March” for lazy organists
    • Emporium Kevin Allen
    • Saint Jean de Lalande Library
    • Sacred Music Symposium 2023
    • The Eight Gregorian Modes
    • Gradual by Pothier’s Protégé
    • Seven (7) Considerations
Views from the Choir Loft

(Not Kidding) • Does Singing for Mass Fulfill One’s Obligation to Attend Mass?

Jeff Ostrowski · September 27, 2023

OR MANY YEARS, I never got paid as a church musician. I ran 100% of the weekly rehearsals, recruited members, played for weddings, sang for funerals, and played the pipe organ (and directed) every Sunday and major feast day as a volunteer. To this day, I still recall a conversation with a priest from that church who considered himself to be an “ultra” traditionalist. I can’t remember his exact words—after all, this was a conversation that took place 20+ years ago—but the priest condemned me for only attending Mass once each Sunday. His basic statement was something like this:

“A real Catholic, Jeff, would go to Mass twice on Sunday. You’re so busy playing organ and conducting during Mass—that hardly fulfills your obligation. I wish you would follow the example of an elderly organist I knew years ago. She played organ for Mass, but then always stayed afterward (praying silently) for an hour to fulfill her Sunday obligation.”

Was He Correct? • With the benefit of hindsight, I suppose I could have responded abrasively with something like: “Father, I can only assume that you likewise insist that your ushers, altar boys, deacon, and subdeacon attend Mass twice each Sunday, right? After all, they perform certain roles during Mass just like singers do.” But I was just a youngster in those days … so I probably just sat there with a dumb look on my face (like I usually do).

Twenty Years Later • Now that two decades have elapsed, I would like to respond. As part of my response, consider the following (recorded ‘live’ last Sunday by volunteer choir) of the magnificent “Pange Lingua Gloriosi” by Saint Thomas Aquinas:

To access this hymn’s media in the Brébeuf Portal, click here.

[In a moment, you’ll understand why that video has significance.]

Below, I attempt to provide five (5) answers to that priest who told me singing at Mass doesn’t really fulfill one’s obligation. I apologize my response is two decades late—but better late than never, as they say.

Response #1 • I am afraid this priest demonstrated a reality (whether we like it or not) about certain Catholics who claim to be “ultra” traditionalist: viz. they put themselves above the Church’s tradition. The fact is, singing at Mass has never been considered “in opposition” to fulfilling one’s Sunday obligation. Indeed, it is not permitted in the classical Roman Rite to celebrate a Solemn Mass without a choir! Does this priest believe he’s discovered a secret teaching nobody else has ever known about? Sorry, but I’ll stick with the tradition of the Church!

Response #2 • I have nothing against silent prayer. To be completely honest, the greatest memories of my life were serving silent Low Masses in the evening. The only person in the congregation was my own father! At the same time, the Catholic Church has always elevated and praised the MISSA CANTATA. To explain matters another way, the Second Vatican Council solemnly declared: “The treasury of sacred music [Thesaurus Musicæ Sacræ] is to be preserved and fostered with great care.” The Second Vatican Council did not add to that sentence: “but make sure anybody who employs the THESAURUS MUSICAE SACRAE also attends another Mass, because it doesn’t fulfill their obligation.”

Response #3 • Rather than telling me I should attend Mass twice on Sunday, perhaps a better thing for that priest to do would have been to thank me for all the duties I fulfilled (without any monetary compensation). I freely gave hundreds of hours: running weekly rehearsals, recruiting members, playing for weddings, singing for funerals, playing the pipe organ for Masses, and directing and singing each Sunday Mass—plus the major feast days. Looking back, that priest would have done well to research Catholic teaching on a “living wage.” If memory serves, our Savior Himself said: “the laborer is worthy of his hire.” On the other hand, I just loved doing all that stuff, and got invaluable experience.

Response #4 • The first paragraph of the recent article by Dr. Charles Weaver really hit home with me. I never have time for all the things I want to do. For more than a decade, I’ve been trying to find time to post a long rebuttal to a 1977 monograph by DOM GREGORY MURRAY (d. 1992). I’m starting to think I may die before I’m able to find the requisite time. Alas, supporting a family in today’s world is not easy, and I have many obligations. The basic premise of the book by Dom Gregory Murray is that the THESAURUS MUSICAE SACRAE should be abolished. He says liturgical music might be okay if it consisted of simple syllabic chants that don’t delay the Mass, but he thinks the THESAURUS MUSICAE SACRAE is (in his words) “absurd.” He claims there was “no place in the primitive Church for music.” He provides no evidence for that assertion, but assures us that “a moment’s thought will convince us” of this. Dom Gregory Murray had a special hatred for Gregorian Chant:

“I see clearly that the need for reform in liturgical music arose, not in the 18th and 19th centuries, but a thousand years earlier—in the 8th and 9th centuries, or even before that. The abuses began, not with Mozart and Haydn, but with those over-enthusiastic medieval musicians who developed the elaborate and flamboyant Gregorian Chant.”

Essentially, Dom Gregory Murray thinks the only justification for music is to amplify the words of the Mass. According to Dom Gregory Murray, now that we have microphones & loudspeakers capable of sonic amplification, liturgical music has no real value. By the way, he believes it was insane for Vatican II to mandate the traditional lingua sacra at Mass. In his opinion, absolutely everything should be in the vernacular. Dom Gregory Murray seems to believe that every man, woman, and child—no matter how much education they possess—can instantly understand Sacred Scripture. He seems ignorant of the fact that even the Catholic Church herself has never explained certain Scripture passages (e.g. parts of the book of the Apocalypse). Dom Gregory Murray attacks Saint Thomas Aquinas, who in the Summa Theologiae wrote (cf. “Reply to Objection 5”) as follows:

“The same is true of the hearers, for even if they do not understand what is sung, they understand why it is sung, namely, for God’s honour, and this is enough to arouse their devotion.”

Responding to the teaching of Saint Thomas Aquinas, Dom Gregory Murray asks mockingly: “Then why have any words at all, if their message need not be conveyed to the hearers?”

#4 (cont’d): “Liturgical Earplugs” • I think it is fair to say that Dom Gregory Murray would have agreed with the priest who told me I should go to Mass twice on Sunday, because Mass doesn’t fulfill one’s obligation if one plays the pipe organ or sings. Indeed, Dom Gregory Murray said “some enterprising firm should have invented ear-plugs in the various liturgical colours for use by celebrants” so they wouldn’t have to hear liturgical music.

Please Note: I’m not suggesting that we should be distracted during Holy Mass. Indeed, if someone performed an insanely intricate orchestral Mass setting—during which the percussionist was preoccupied the entire time and was not praying—I might have an issue with that. Indeed, I’ve suggested that it was an abuse for French organists to play “mini-concerts” on the pipe organ during the entirety of the Low Mass, although certain colleagues wrote to me in disagreement over that point.

Response #5 • Finally, I don’t believe it’s sinful to take delight in the THESAURUS MUSICAE SACRAE. Above, I posted that video which—although sung by an all-volunteer choir—is utterly captivating from a musical standpoint. That’s nothing to be ashamed of! Indeed, Almighty God has associated certain pleasures with certain things. Consider the holy Sacrament of Matrimony. Only a foolish person would condemn the pleasures associated with procreation (in the context of a valid, Sacramental marriage). The melody in that video is “catchy” and “melodious” and memorable. That’s exactly how it should be. Somewhere in his writings, I believe Saint Augustine pointed out that “if you love something you want to learn about it.” I believe he was saying that we should learn about God if we love Him. Those who sing this melody (and hear it) will remember those words throughout the week, and hopefully meditate upon those words during their entire life. That’s one reason I’ve fought strenuously against singing hymns from the big Catholic publishers, because the lyrics are often written by men who openly lead immoral lives and publicly contradict church teaching.

Some Complex, Some Not • Holy monks like Abbat Pothier had a saying: In medio stat virtus. Our volunteer choir does a wide variety of music. Some of it is quite complicated. Last week, we sang a GLORIA by Father Francisco Guerrero. Below is a (live recording) excerpt:

*  Mp3 Download • Complicated Polyphony (Excerpt)

On the other hand, some of our music is basically speech! An example would be the recessional hymn we sang last Sunday, with a text written by the founder of the Anglican Ordinariate.

Alligant enim onera gravia,
et importabilia, et imponunt in humeros hominum:
digito autem suo nolunt ea movere.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Francisco Guerrero Composer, Music and the Mass Dom Gregory Murray, Pange Lingua Thomas Aquinas, Thesaurus musicae sacrae, Thomas Aquinas Summa Theologiae Last Updated: September 28, 2023

Subscribe

It greatly helps us if you subscribe to our mailing list!

* indicates required

About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

Primary Sidebar

Corpus Christi Watershed

President’s Corner

    PDF Comparison Chart • “Serious Problems with the Lectionary Translation”
    EARS BEFORE truly revolutionary changes were introduced by the post-conciliar reformers, Evelyn Waugh wrote (on 16 August 1964) to John Cardinal Heenan: “I think that a vociferous minority has imposed itself on the hierarchy and made them believe that a popular demand existed where there was in fact not even a preference.” We ask the kind reader— indeed, we beg you—to realize that those of us born in the 1940s and 1950s had no cognizance of Roman activities during the 1960s and 1970s. We were concerned with making sure we had the day’s bus fare, graduating from high school, taking care of our siblings, learning a trade, getting a job, courting a spouse. We questioned neither the nuns nor the Church.1 Do not believe for one instant any of us were following the liturgical machinations of Cardinal Lercaro or Father Bugnini in real time. Setting The Stage • To never question or resist Church authorities is praiseworthy. On the other hand, when a scandalous situation persists for decades, it must be brought into focus. Our series will do precisely that as we discuss the Lectionary Scandal from a variety of angles. We don’t do this to attack the Catholic Church. Our goal is bringing to light what’s been going on, so it can be fixed once and for all. Our subject is extremely knotty and difficult to navigate. Its complexity helps explain why the situation has persisted for such a long time.2 But if we immediately get “into the weeds” we’ll lose our audience. Therefore, it seems better to jump right in. So today, we’ll explore the legality of selling these texts. A Word On Copyright • Suppose Susie modifies a paragraph by Edgar Allan Poe. That doesn’t mean ipso facto she can assert copyright on it. If Susie takes a picture of a Corvette and uses Photoshop to color the tires blue, that doesn’t mean she henceforth “owns” all Corvettes in America. But when it comes to Responsorial Psalm translations, certain parties have been asserting copyright over them, selling them for a profit, and bullying publishers vis-à-vis hymnals and missals. Increasingly, Catholics are asking whether these translations are truly under copyright—because they are identical (or substantially identical) to other translations.3 Example After Example • Our series will provide copious examples supporting our claims. Sometimes we’ll rely on the readership for assistance, because—as we’ve stressed—our subject’s history couldn’t be more convoluted. There are countless manuscripts (in Greek, Hebrew, and Latin) we don’t have access to, so it would be foolish for us to claim that our observations are somehow the ‘final word’ on anything. Nevertheless, we demand accountability. Catholics in the pews are the ones who paid for all this. We demand to know who specifically made these decisions (which impact every English-speaking Catholic) and why specifically certain decisions were made. The Responsorial Psalms used in America are—broadly speaking—stolen from the hard work of others. In particular, they borrowed heavily from Father Cuthbert Lattey’s 1939 PSALTER TRANSLATION:
    *  PDF Download • COMPARISON CHART —We thank the CCW staff for technical assistance with this graph.
    Analysis • Although certain parties have been selling (!!!) that translation for decades, the chart demonstrates it’s not a candidate for copyright since it “borrows” or “steals” or “rearranges” so much material from other translations, especially the 1939 translation by Father Cuthbert Lattey. What this means in layman’s terms is that individuals have been selling a translation under false pretenses, a translation they don’t own (although they claim to). To make RESTITUTION, all that money will have to be returned. A few years ago, the head of ICEL gave a public speech in which he said they give some of “their” profits to the poor. While almsgiving is a good thing, it cannot justify theft. Our Constant Theme • Our series will be held together by one thread, which will be repeated constantly: “Who was responsible?” Since 1970, the conduct of those who made a profit by selling these sacred texts has been repugnant. Favoritism was shown toward certain entities—and we will document that with written proof. It is absolutely essential going forward that the faithful be told who is making these decisions. Moreover, vague justifications can no longer be accepted. If we’re told they are “making the translations better,” we must demand to know what specifically they’re doing and what specific criteria they’re following. Stay Tuned • If you’re wondering whether we’ll address the forthcoming (allegedly) Lectionary and the so-called ABBEY PSALMS AND CANTICLES, have no fear. We’ll have much to say about both. Please stay tuned. We believe this will end up being the longest series of articles ever submitted to Corpus Christi Watershed. To be continued. ROBERT O’NEILL Former associate of Monsignor Francis “Frank” P. Schmitt at Boys Town in Nebraska JAMES ARNOLD Formerly associated w/ King’s College, Cambridge A convert to the Catholic Church, and distant relative of J. H. Arnold MARIA B. Currently serves as a musician in the Roman Catholic Diocese of Charlotte. Those aware of the situation in her diocese won’t be surprised she chose to withhold her last name.
    1 Even if we’d been able to obtain Roman journals such as NOTITIAE, none of them contained English translations. But such an idea would never have occurred to a high school student or a college student growing up in the 1960s. 2 A number of shell corporations claim to own the various biblical translations mandated for Roman Catholics. They’ve made millions of dollars selling (!) these indulgenced texts. If time permits, we hope to enumerate these various shell corporations and explain: which texts they claim to own; how much they bring in each year; who runs them; and so forth. It would also be good to explore the morality of selling these indulgenced texts for a profit. Furthermore, for the last fifty years these organizations have employed several tactics to manipulate and bully others. If time permits, we will expose those tactics (including written examples). Some of us—who have been working on this problem for three decades—have amassed written documentation we’ll be sharing that demonstrates behavior at best “shady” and at worst criminal. 3 Again, we are not yet examining the morality of selling (!) indulgenced texts to Catholics mandated to use those same translations.
    —Guest Author
    “Music List” • 17th in Ordinary Time (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 17th Sunday in Ordinary Time (27 July 2025). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the the feasts website.
    —Jeff Ostrowski
    Communion • “Ask & You Shall Receive”
    All of the chants for 27 July 2025 have been added to the feasts website, as usual under a convenient “drop down” menu. The COMMUNION ANTIPHON (both text and melody) are exceedingly beautiful and ancient.
    —Jeff Ostrowski

Quick Thoughts

    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed
    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed

Random Quote

“By a decree of the synod of the diocese of Exeter in 1284, no one should claim any seat in a church; but whoever first entered a church for the purpose of devotion, might choose at his pleasure a place for praying.”

— A work by Fr. Husenbeth (d. 1872)

Recent Posts

  • PDF Comparison Chart • “Serious Problems with the Lectionary Translation”
  • “Music List” • 17th in Ordinary Time (Year C)
  • Flor Peeters In A Weird Mood?
  • Communion • “Ask & You Shall Receive”
  • Jeff’s Mother Joins Our Fundraiser

Subscribe

Subscribe

* indicates required

Copyright © 2025 Corpus Christi Watershed · Isaac Jogues on Genesis Framework · WordPress · Log in

Corpus Christi Watershed is a 501(c)3 public charity dedicated to exploring and embodying as our calling the relationship of religion, culture, and the arts. This non-profit organization employs the creative media in service of theology, the Church, and Christian culture for the enrichment and enjoyment of the public.

The election of Pope Leo XIV has been exciting, and we’re filled with hope for our apostolate’s future!

But we’re under pressure to transfer our website to a “subscription model.”

We don’t want to do that. We believe our website should remain free to all.

Our president has written the following letter:

President’s Message (dated 30 May 2025)

Are you able to support us?

clock.png

Time's up