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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Traditional Latin Mass with Vernacular (!) Ordinary at High Mass in the 1600s

Jeff Ostrowski · September 14, 2023

HINK ABOUT SOMEONE you consider a really good friend. Usually, it’s somebody who listens when you speak. Readers will probably agree not many know how to listen when others talk. Most of the time, the other person—instead of listening—is thinking about what they’re going to say next. Growing up in Kansas, I knew a university professor named Dr. Thomas O’Connor. I always liked that man, and one day I ask myself why. I realized that Tom was someone who listened when others spoke. Part of reaching maturity is realizing there’s a time and a place to speak—and there’s a time and a place to remain silent.

Remaining Silent • Much could be said about the special permission the Jesuit missionaries in North America received allowing the Native Americans to sing the Ordinary of the Mass (!) in their vernacular languages. In the past, we have made reference to the astounding plainsong books printed in Iroquois, Algonquin, and other Native American languages. Much could be said about the efforts undertaken by the Jesuits to learn the languages of the various tribes. Much research still needs to be done regarding all these themes. But the time is not now.

Brief Overview • For a brief introduction, please watch this film (which I helped produce). I recorded the organ music in the background, so don’t say anything bad about it.

Here’s the direct URL link.

Please Don’t Tell Anyone! • We don’t know that much about the various Native American languages. For example, Father Noël Chabanel was a brilliant rhetorician and poet, yet struggled mightily to learn the Huron tongue. The missionaries—without translators—were able to communicate with the Hurons, Iroquois, Algonquins, Petuns, Neutrals, and many other tribes. But I have not been able to learn how this was possible. Some claim that Algonquin was a type of lingua franca, but there are problems with that theory. Making things even more complicated is the fact that the Huron race was exterminated hundreds of years ago, although they have descendants called “Wyandot.” In any event, I will let you in on a little secret. The video above does display Native American plainsong, but it’s not actually the Huron tongue. Several examples are in Algonquin and several are in Iroquois. Please Don’t Tell Anyone!

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Native American Gregorian Chant Books, Native American Plain-Chant, Native American Plainsong Last Updated: May 15, 2024

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    A Nice Hymn In Spanish
    In my humble opinion, this is a really beautiful hymn in Spanish. If I practice diligently, I’ll be able to pronounce all the words properly. If you’re someone who’s interested in obtaining a melody only version (suitable for your congregational ORDER OF WORSHIP) you can steal that from this.
    —Jeff Ostrowski
    “Music List” • 21st in Ordinary Time (Year C)
    Our choir returns on Sunday, 24 August 2025. Some have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for it, which is the 21st Sunday in Ordinary Time (Year C). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the spectacular feasts website. When it comes to the feast of the Assumption (15 August 2025), I have uploaded the music list for that Mass—but not the “bi-lingual” Mass in the evening (Spanish, Latin, and English) which has completely different music.
    —Jeff Ostrowski
    “Entrance Chant” • 21st Sunday Ordin. Time
    You can download the ENTRANCE ANTIPHON in English for the 21st Sunday in Ordinary Time (Year C) which is coming up on 24 August 2025. Corresponding to the vocalist score is this free organ accompaniment. It’s set in a melancholy mode, but if you heard my choir’s female voices singing it your soul would be uplifted beyond belief. If you’re someone who enjoys rehearsal videos, this morning I tried to sing it while simultaneously accompanying my voice on the pipe organ.
    —Jeff Ostrowski

Quick Thoughts

    Solemn “Salve Regina” (Chant)
    How many “S” words can you think of using alliteration? How about Schwann Solemn Salve Score? You can download the SOLEMN SALVE REGINA in Gregorian Chant. The notation follows the official rhythm (EDITIO VATICANA). Canon Jules Van Nuffel, choirmaster of the Cathedral of Saint Rumbold, composed this accompaniment for it (although some feel it isn’t his best work).
    —Corpus Christi Watershed
    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed

Random Quote

“For me, religious music ceased with the sixteenth century. The fresh, childlike souls of that time alone expressed their vehement, untainted fervor in music free from worldliness. Since then we have had pious musical improvisations more or less made for show. That wonderful man Johann Sebastian Bach only escaped because of his natural genius. He built harmonic edifices as a devout architect and not as an apostle.”

— Claude Debussy (1862-1918)

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