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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Traditional Latin Mass with Vernacular (!) Ordinary at High Mass in the 1600s

Jeff Ostrowski · September 14, 2023

HINK ABOUT SOMEONE you consider a really good friend. Usually, it’s somebody who listens when you speak. Readers will probably agree not many know how to listen when others talk. Most of the time, the other person—instead of listening—is thinking about what they’re going to say next. Growing up in Kansas, I knew a university professor named Dr. Thomas O’Connor. I always liked that man, and one day I ask myself why. I realized that Tom was someone who listened when others spoke. Part of reaching maturity is realizing there’s a time and a place to speak—and there’s a time and a place to remain silent.

Remaining Silent • Much could be said about the special permission the Jesuit missionaries in North America received allowing the Native Americans to sing the Ordinary of the Mass (!) in their vernacular languages. In the past, we have made reference to the astounding plainsong books printed in Iroquois, Algonquin, and other Native American languages. Much could be said about the efforts undertaken by the Jesuits to learn the languages of the various tribes. Much research still needs to be done regarding all these themes. But the time is not now.

Brief Overview • For a brief introduction, please watch this film (which I helped produce). I recorded the organ music in the background, so don’t say anything bad about it.

Here’s the direct URL link.

Please Don’t Tell Anyone! • We don’t know that much about the various Native American languages. For example, Father Noël Chabanel was a brilliant rhetorician and poet, yet struggled mightily to learn the Huron tongue. The missionaries—without translators—were able to communicate with the Hurons, Iroquois, Algonquins, Petuns, Neutrals, and many other tribes. But I have not been able to learn how this was possible. Some claim that Algonquin was a type of lingua franca, but there are problems with that theory. Making things even more complicated is the fact that the Huron race was exterminated hundreds of years ago, although they have descendants called “Wyandot.” In any event, I will let you in on a little secret. The video above does display Native American plainsong, but it’s not actually the Huron tongue. Several examples are in Algonquin and several are in Iroquois. Please Don’t Tell Anyone!

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Native American Gregorian Chant Books, Native American Plain-Chant, Native American Plainsong Last Updated: May 15, 2024

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Which Mass?
    In 1905, when the Vatican Commission on Gregorian Chant began publishing the EDITIO VATICANA—still the Church’s official edition— they assigned different Masses to different types of feasts. However, they were careful to add a note (which began with the words “Qualislibet cantus hujus Ordinarii…”) making clear “chants from one Mass may be used together with those from others.” Sadly, I sometimes worked for TLM priests who weren’t fluent in Latin. As a result, they stubbornly insisted Mass settings were ‘assigned’ to different feasts and seasons (which is false). To understand the great variety, one should examine the 1904 KYRIALE of Dr. Peter Wagner. One should also look through Dom Mocquereau’s Liber Usualis (1904), in which the Masses are all mixed up. For instance, Gloria II in his book ended up being moved to the ‘ad libitum’ appendix in the EDITIO VATICANA.
    —Jeff Ostrowski
    Like! Like! Like!
    You won’t believe who recently gave us a “like” on the Corpus Christi Watershed FACEBOOK PAGE. Click here (PDF) to see who it was. We were not only sincerely honored, we were utterly flabbergasted. This was truly a resounding endorsement and unmistakable stamp of approval.
    —Jeff Ostrowski
    PDF Download • “Atténde Dómine”
    Although it isn’t nearly as ancient as other hymns in the plainsong repertoire, Atténde Dómine, et miserére, quía peccávimus tíbi (“Look down, O Lord, and have mercy, for we have sinned against Thee”) has become one of the most popular hymns for LENT—perhaps because it was included in the famous Liber Usualis of Solesmes. This musical score (PDF file) has an incredibly accurate version in English, as well as a nice version in Spanish, and also the original Latin. Although I don’t claim to have a great singing voice, this morning I recorded this rehearsal video.
    —Jeff Ostrowski

Quick Thoughts

    Extreme Unction
    Those who search Google for “CCCC MS 079” will discover high resolution images of a medieval Pontificale (“Cambridge, Corpus Christi College, MS 079”). One of the pages contains this absolutely gorgeous depiction of the Sacrament of Extreme Unction.
    —Corpus Christi Watershed
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

“Contradictions place us at the foot of the Cross, and the Cross places us at the gates of Heaven.” (Saint John Mary Vianney)

— Cardinal Merry del Val’s Prayer-Book

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