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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Traditional Latin Mass with Vernacular (!) Ordinary at High Mass in the 1600s

Jeff Ostrowski · September 14, 2023

HINK ABOUT SOMEONE you consider a really good friend. Usually, it’s somebody who listens when you speak. Readers will probably agree not many know how to listen when others talk. Most of the time, the other person—instead of listening—is thinking about what they’re going to say next. Growing up in Kansas, I knew a university professor named Dr. Thomas O’Connor. I always liked that man, and one day I ask myself why. I realized that Tom was someone who listened when others spoke. Part of reaching maturity is realizing there’s a time and a place to speak—and there’s a time and a place to remain silent.

Remaining Silent • Much could be said about the special permission the Jesuit missionaries in North America received allowing the Native Americans to sing the Ordinary of the Mass (!) in their vernacular languages. In the past, we have made reference to the astounding plainsong books printed in Iroquois, Algonquin, and other Native American languages. Much could be said about the efforts undertaken by the Jesuits to learn the languages of the various tribes. Much research still needs to be done regarding all these themes. But the time is not now.

Brief Overview • For a brief introduction, please watch this film (which I helped produce). I recorded the organ music in the background, so don’t say anything bad about it.

Here’s the direct URL link.

Please Don’t Tell Anyone! • We don’t know that much about the various Native American languages. For example, Father Noël Chabanel was a brilliant rhetorician and poet, yet struggled mightily to learn the Huron tongue. The missionaries—without translators—were able to communicate with the Hurons, Iroquois, Algonquins, Petuns, Neutrals, and many other tribes. But I have not been able to learn how this was possible. Some claim that Algonquin was a type of lingua franca, but there are problems with that theory. Making things even more complicated is the fact that the Huron race was exterminated hundreds of years ago, although they have descendants called “Wyandot.” In any event, I will let you in on a little secret. The video above does display Native American plainsong, but it’s not actually the Huron tongue. Several examples are in Algonquin and several are in Iroquois. Please Don’t Tell Anyone!

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Native American Gregorian Chant Books, Native American Plain-Chant, Native American Plainsong Last Updated: May 15, 2024

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Music List” • 28th in Ordinary Time (Year C)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 12 October 2025, which is the 28th Sunday in Ordinary Time (Year C). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the dazzling feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    PDF Download • “Offertory” for this Sunday
    This coming Sunday, 12 October 2025, is the 28th Sunday in Ordinary Time (Year C). Its OFFERTORY ANTIPHON (PDF) is gorgeous, and comes from the book of Esther, as did the ENTRANCE CHANT last Sunday. Depending on a variety of factors, various hand-missals (all with Imprimatur) translate this passage differently. For instance, “príncipis” can be rendered: King; Prince; Lion; or Fierce lord. None is “more correct” than another. It depends on what each translator wants to emphasize and which source text is chosen. All these pieces of plainsong are conveniently stored at the blue-ribbon feasts website.
    —Jeff Ostrowski
    Why A “Fugue” Here?
    I believe I know why this plainsong harmonizer created a tiny fugue as the INTRODUCTION to his accompaniment. Take a look (PDF example) and tell me your thoughts about what he did on the feast of the Flight of Our Lord Jesus Christ into Egypt (17 February). And now I must go because “tempus fugit” as they say!
    —Jeff Ostrowski

Quick Thoughts

    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski
    “American Catholic Hymnal” (1991)
    The American Catholic Hymnal, with IMPRIMATUR granted (25 April 1991) by the Archdiocese of Chicago, is like a compendium of every horrible idea from the 1980s. Imagine being forced to stand all through Communion (even afterwards) when those self-same ‘enlightened’ liturgists moved the SEQUENCE before the Alleluia to make sure congregations wouldn’t have to stand during it. (Even worse, everything about the SEQUENCE—including its name—means it should follow the Alleluia.) And imagine endlessly repeating “Alleluia” during Holy Communion at every single Mass. It was all part of an effort to convince people that Holy Communion was historically a procession (which it wasn’t).
    —Jeff Ostrowski
    “Canonic” • Ralph Vaughan Williams
    Fifty years ago, Dr. Theodore Marier made available this clever arrangement (PDF) of “Come down, O love divine” by P. R. Dietterich. The melody was composed in 1906 by Ralph Vaughan Williams (d. 1958) and named in honor of of his birthplace: DOWN AMPNEY. The arrangement isn’t a strict canon, but it does remind one of a canon since the pipe organ employs “points of imitation.” The melody and text are #709 in the Brébeuf Catholic Hymnal.
    —Jeff Ostrowski

Random Quote

“Today the Church has made a big mistake, turning the clock back 500 years with guitars and popular songs. I don’t like it at all. Gregorian Chant is a vital and important tradition of the Church and to waste this—by having guys mix religious words with profane, Western songs—is hugely grave, hugely grave.”

— Maestro Ennio Morricone (10 Sept 2009)

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