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Views from the Choir Loft

PDF Download • Saint Noël Chabanel Mass Setting (“Holy, Holy, Holy”) for the Ordinary Form

Jeff Ostrowski · August 18, 2023

OHN VIANNEY had great difficulty learning Latin. I can sympathize, since I’ve studied Latin since the 1990s with virtually nothing to show for it. I do have some amazing friends whose Latin fluency is perfect. They’ve stressed that many online “Latin experts” are actually charlatans—so I console myself with that. In college, I studied with a Latin and Greek teacher (trained long ago by Jesuits) associated with the famous NORTON ANTHOLOGIES. His favorite phrase was: Verbum sat sapienti. That means: “A word to the wise is enough.”

A Word To The Wise? • Readers are doubtless aware of the sad state of education these days. We receive emails from all over the world. Many come from outstanding and inspiring Catholics, filling my soul with hope. On the other hand, we also receive messages—from supposedly educated people!—so garbled and betraying such limited grasp of the English language I scarcely know how to respond. This reality can make it dangerous to speak in any sort of “sophisticated” way for fear somebody will misunderstand.

Tricking My Friend • One of my friends is CORRINNE MAY, a platinum artist who lives in Singapore. I was able to trick her into recording plainsong sections of the Chabanel Mass. Sending her a text message, I justified my actions: “It’s okay to lie if you’re trying to accomplish something good.” Needless to say, that’s totally false (since ends do not justify means) but she knew I was kidding. I guess my point is, it’s cool to have friends you can goof around with. Best of all, I ended up with her dazzlingly beautiful voice singing the plainsong! (See below.)

Chabanel Mass • I have put together a Mass in Honor of Saint Noël Chabanel for the Ordinary Form. It involves your CONGREGATION, your CANTRIX, and your CHOIR. The Mass consists of seven movements. The other day I released the LAMB OF GOD. The other movements will most likely be released next week. We’re putting finishing touches on the rehearsal videos. Today I release the HOLY, HOLY, HOLY. The Mass setting was designed to be extremely brief and—since it’s vernacular—suitable for those whose priests have forbidden the traditional lingua sacra of the church:

Free rehearsal videos for each individual voice await you at #39167.

To freely download the PDF score, locate #39167.

Guessing The Priest • The polphonic “extension” never gets old, because it uses all the wonderful techniques we discussed during Sacred Music Symposium 2023. As if the canonic sections and points of imitation were insufficiently stupendous, the composer works in all kinds of stepwise ascending lines, while other voices sing melodies in augmentation (“oblique motion”). So far, nobody has guessed where the polyphony came from. I did reveal it was written by a priest who lived in the 16th century, but I won’t say more than that. Once you realize what the piece is based on, it seems so obvious! (By the way, using today’s hipster language, this Mass setting is very “based.”)

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, Featured, PDF Download Tagged With: Father Noel Chabanel, MASS IN HONOR OF NOEL CHABANEL Last Updated: August 22, 2023

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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President’s Corner

    PDF Download • “Polyphonic Extension” (Kevin Allen) for Gloria III
    EVIN ALLEN was commissioned by Sacred Music Symposium 2025 to compose a polyphonic ‘middle section’ for the GLORIA from Mass III, often denoted by its trope name: Missa Kyrie Deus sempiterne. This year, I’m traveling from Singapore to serve on the symposium faculty. I will be conducting Palestrina’s ‘Ave Maria’ as well as teaching plainsong to the men. A few days ago, I was asked to record rehearsal videos for this beautiful polyphonic extension. (See below.) This polyphonic composition fits ‘inside’ GLORIA III. That is, the congregation sings for the beginning and end, but the choir alone adds polyphony to the middle. The easiest way to understand how everything fits together is by examining this congregational insert. You may download the score, generously made available to the whole world—free of charge—by CORPUS CHRISTI WATERSHED:
    *  PDF Download • Gloria III ‘Middle Section’ (Kevin Allen)
    Free rehearsal videos for each individual voice await you at #24366. Related News • My colleague, Jeff Ostrowski, composed an organ accompaniment for this same GLORIA a few months ago. Obviously, the organist should drop out when the polyphony is being sung.
    —Corrinne May
    “Booklet of Eucharistic Hymns” (16 pages)
    I was asked to create a booklet for my parish to use during our CORPUS CHRISTI PROCESSION on 22 June 2025. Would you be willing to look over the DRAFT BOOKLET (16 pages) I came up with? I tried to include a variety of hymns: some have a refrain; some are in major, others in minor; some are metered, others are plainsong; some are in Spanish, some are in Latin, but most are in English. Normally, we’d use the Brébeuf Hymnal—but we can’t risk having our congregation carry those heavy books all over the city to various churches.
    —Jeff Ostrowski
    “Yahweh” in church songs?
    My pastor asked me to write a weekly column for our parish bulletin. The one scheduled to run on 22 June 2025 is called “Three Words in a Psalm” and speaks of translating the TETRAGRAMMATON. You can read the article at this column repository. All of them are quite brief because I was asked to keep within a certain word limit.
    —Jeff Ostrowski

Quick Thoughts

    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt
    The Funeral Rites of the Graduale Romanum
    Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.
    —Daniel Tucker

Random Quote

The 1960s reformers had no chance of success since their goal was “recasting from top to bottom—and in a few months!—an entire liturgy which had required twenty centuries to develop.”

— Professor Louis Bouyer, close friend of Pope Saint Paul VI

Recent Posts

  • PDF Download • “Polyphonic Extension” (Kevin Allen) for Gloria III
  • “Booklet of Eucharistic Hymns” (16 pages)
  • PDF Download • “Text by Saint Francis of Assisi” (choral setting w/ organ: Soprano & Alto)
  • “Yahweh” in church songs?
  • “Music List” • Pentecost Sunday

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