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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

PDF Download • Saint Noël Chabanel Mass Setting (“Holy, Holy, Holy”) for the Ordinary Form

Jeff Ostrowski · August 18, 2023

OHN VIANNEY had great difficulty learning Latin. I can sympathize, since I’ve studied Latin since the 1990s with virtually nothing to show for it. I do have some amazing friends whose Latin fluency is perfect. They’ve stressed that many online “Latin experts” are actually charlatans—so I console myself with that. In college, I studied with a Latin and Greek teacher (trained long ago by Jesuits) associated with the famous NORTON ANTHOLOGIES. His favorite phrase was: Verbum sat sapienti. That means: “A word to the wise is enough.”

A Word To The Wise? • Readers are doubtless aware of the sad state of education these days. We receive emails from all over the world. Many come from outstanding and inspiring Catholics, filling my soul with hope. On the other hand, we also receive messages—from supposedly educated people!—so garbled and betraying such limited grasp of the English language I scarcely know how to respond. This reality can make it dangerous to speak in any sort of “sophisticated” way for fear somebody will misunderstand.

Tricking My Friend • One of my friends is CORRINNE MAY, a platinum artist who lives in Singapore. I was able to trick her into recording plainsong sections of the Chabanel Mass. Sending her a text message, I justified my actions: “It’s okay to lie if you’re trying to accomplish something good.” Needless to say, that’s totally false (since ends do not justify means) but she knew I was kidding. I guess my point is, it’s cool to have friends you can goof around with. Best of all, I ended up with her dazzlingly beautiful voice singing the plainsong! (See below.)

Chabanel Mass • I have put together a Mass in Honor of Saint Noël Chabanel for the Ordinary Form. It involves your CONGREGATION, your CANTRIX, and your CHOIR. The Mass consists of seven movements. The other day I released the LAMB OF GOD. The other movements will most likely be released next week. We’re putting finishing touches on the rehearsal videos. Today I release the HOLY, HOLY, HOLY. The Mass setting was designed to be extremely brief and—since it’s vernacular—suitable for those whose priests have forbidden the traditional lingua sacra of the church:

Free rehearsal videos for each individual voice await you at #39167.

To freely download the PDF score, locate #39167.

Guessing The Priest • The polphonic “extension” never gets old, because it uses all the wonderful techniques we discussed during Sacred Music Symposium 2023. As if the canonic sections and points of imitation were insufficiently stupendous, the composer works in all kinds of stepwise ascending lines, while other voices sing melodies in augmentation (“oblique motion”). So far, nobody has guessed where the polyphony came from. I did reveal it was written by a priest who lived in the 16th century, but I won’t say more than that. Once you realize what the piece is based on, it seems so obvious! (By the way, using today’s hipster language, this Mass setting is very “based.”)

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, Featured, PDF Download Tagged With: Father Noel Chabanel, MASS IN HONOR OF NOEL CHABANEL Last Updated: August 22, 2023

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    New Bulletin Article • “21 September 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 21 September 2025) discusses some theological items—supported by certain verses in ancient Catholic hymns—and ends by explaining why certain folks become delirious with jealousy when they observe feats by Monsignor Ronald Knox.
    —Jeff Ostrowski
    Cheap! Cheap! Cheap!
    It’s always amusing to see old diocesan newspapers—in huge capital letters—advertising the Cheapest Catholic Paper in the United States. The correspondent who sent this to me added: “I can think of certain composers, published by large companies in our own day, who could truthfully brag about the most tawdry compositions in the world!” I wonder what she could have meant by such a cryptic comment…
    —Jeff Ostrowski
    PDF Download • Dom Murray Harmonies
    Along with so many others, I have deep respect for Dom Gregory Gregory Murray, who produced this clever harmonization (PDF) of “O SANCTISSIMA.” It’s always amazed me that Dom Gregory—a truly inspired composer—was so confused when it came to GREGORIAN CHANT. Throughout his life, he published contradictory statements, veering back-and-forth like a weather vane. Toward the end of his life, he declared: “I see clearly that the need for reform in liturgical music arose, not in the 18th and 19th centuries, but a thousand years earlier—in the 8th and 9th centuries, or even before that. The abuses began, not with Mozart and Haydn, but with those over-enthusiastic medieval musicians who developed the elaborate and flamboyant Gregorian Chant.”
    —Jeff Ostrowski

Quick Thoughts

    Karl Keating • “Canonization Questions”
    We were sent an internet statement (screenshot) that’s garnered significant attention, in which KARL KEATING (founder of Catholic Answers) speaks about whether canonizations are infallible. Mr. Keating seems unaware that canonizations are—in the final analysis—a theological opinion. They are not infallible, as explained in this 2014 article by a priest (with a doctorate in theology) who worked for multiple popes. Mr. Keating says: “I’m unaware of such claims arising from any quarter until several recent popes disliked by these Traditionalists were canonized, including John XXIII, Paul VI, and John Paul II. Usually Paul VI receives the most opprobrium.” Mr. Keating is incorrect; e.g. Father John Vianney, several centuries ago, taught clearly that canonizations are not infallible. Archbishop Fulton J. Sheen would be another example, although clearly much more recent than Saint John Vianney.
    —Corpus Christi Watershed
    Vatican II Changed Wedding Propers?
    It’s often claimed that the wedding propers were changed after Vatican II. As a matter of fact, that is a false claim. The EDITIO VATICANA propers (Introit: Deus Israel) remained the same after Vatican II. However, a new set of propers (Introit: Ecce Deus) was provided for optional use. The same holds true for the feast of Pope Saint Gregory the Great on 3 September: the 1943 propers (Introit: Si díligis me) were provided for optional use, but the traditional PROPRIA MISSAE (Introit: Sacerdótes Dei) were retained; they weren’t gotten rid of. The Ordo Cantus Missae (1970) makes this crystal clear, as does the Missal itself. There was an effort made in the post-conciliar years to eliminate so-called “Neo-Gregorian” chants, but (contrary to popular belief) most were retained: cf. the feast of Christ the King, the feast of the Immaculate Conception, and so forth.
    —Corpus Christi Watershed
    Solemn “Salve Regina” (Chant)
    How many “S” words can you think of using alliteration? How about Schwann Solemn Salve Score? You can download the SOLEMN SALVE REGINA in Gregorian Chant. The notation follows the official rhythm (EDITIO VATICANA). Canon Jules Van Nuffel, choirmaster of the Cathedral of Saint Rumbold, composed this accompaniment for it (although some feel it isn’t his best work).
    —Corpus Christi Watershed

Random Quote

“Since the English is not meant to be sung—but only to tell people who do not understand Latin what the hymn text means—a simple paraphrase in prose is sufficient. The versions are not always very literal. (Literal translations from Latin hymns would often look odd in English.) I have tried to give in a readable, generally rhythmic form the real meaning of the text.”

— Father Adrian Fortescue (d. 1923)

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