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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

“OCP” (Oregon Catholic Press) Forbids Organ Improvisation! • Screenshot Provided

Jeff Ostrowski · August 17, 2023

HAVE AN ENTIRE file in my drawer labelled “OCP.” I’m referring to OREGON CATHOLIC PRESS, originally known as “The Catholic Truth Society of Oregon.” This file contains a number of items from the last decade or so—items such as screenshots and letters—which chronicle behavior by the leaders of their organization which is reprehensible, dishonest, and (at least as far as I’m concerned) unforgivable. I have never felt called by God to release any of this information. I’m too busy with other tasks. Our organization attempts to provide positive solutions; we try to avoid dwelling on evil. However, this afternoon I was sent a message which almost tempts me to release some of my file. Who knows? Maybe someday I will.

No Organ Improvisation? • Just because something is legal, that doesn’t make it morally permissible. Indeed, the United States of America has legalized many acts which are (objectively speaking) gravely sinful. Contrariwise, just because something is illegal doesn’t necessarily mean it’s morally wrong. For example, the current laws of copyright in the United States—depending on certain factors too complicated to explain in this blog article—have the result that a short melody could be legally “under copyright” for something like 150 years. That’s what the law says, but such a law is immoral. Moreover, it’s unenforceable. Indeed, such a notion is a farce, and has nothing to do with what copyright was originally supposed to protect (for a reasonable period of time).

Forbidding Organ Improvisation? • Can you imagine a publishing company attempting to intrude into individual churches to prevent the organist from improvising on melodies during Mass? Believe it or not, OREGON CATHOLIC PRESS recently did precisely that:

*  SCREENSHOT • (OCP forbids organ improvisation)

Here’s a transcript of the message from OCP, dated 17 August 2023:

Hello, thank you for speaking with me today. To go over the copyright laws (when it comes to improvisation in the church) you are not allowed to change the melody without our approval. You will need to submit a copy of the music changes to OCP. I will have my editor review and accept the changes. You can submit a copy to my email. For improvisation, you can change keys or adapt the original melody, but you are not allowed to change the melody without our approval first. You can submit the live-streaming usage under your One License podcast/streaming license. Please feel free to contact me if you have any other questions.

OCP Takes My Breath Away • The hubris on the part of OCP is breathtaking. Perhaps they’re trying to take advantage of the fact that many musicians are ignorant about copyright laws. Indeed, certain internet forums and blogs spew forth disinformation on a daily basis about copyright—and such authors have much to answer for. Being ignorant about certain laws is one thing. Logging on to the internet and leading people into error is something else entirely.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, PDF Download Tagged With: OCP Forbids Organ Improvisation, Oregon Catholic Press Last Updated: August 17, 2023

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski
    “Reminder” — Month of October (2025)
    Those who don’t sign up for our free EMAIL NEWSLETTER miss important notifications. Last week, for example, I sent a message about this job opening for a music director paying $65,000 per year plus benefits (plus weddings & funerals). Notice the job description says: “our vision for sacred music is to move from singing at Mass to truly singing the Mass wherein … especially the propers, ordinaries, and dialogues are given their proper place.” Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    “Music List” • 27th in Ordinary Time (Year C)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 5 October 2025, which is the 27th Sunday in Ordinary Time (Year C). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the spectacular feasts website alongside the official texts in Latin. Readers will want to check out the ENTRANCE CHANT posted there, which has a haunting melody (in the DEUTERUS MODE) and extremely powerful text.
    —Jeff Ostrowski

Quick Thoughts

    “American Catholic Hymnal” (1991)
    The American Catholic Hymnal, with IMPRIMATUR granted (25 April 1991) by the Archdiocese of Chicago, is like a compendium of every horrible idea from the 1980s. Imagine being forced to stand all through Communion (even afterwards) when those self-same ‘enlightened’ liturgists moved the SEQUENCE before the Alleluia to make sure congregations wouldn’t have to stand during it. (Even worse, everything about the SEQUENCE—including its name—means it should follow the Alleluia.) And imagine endlessly repeating “Alleluia” during Holy Communion at every single Mass. It was all part of an effort to convince people that Holy Communion was historically a procession (which it wasn’t).
    —Jeff Ostrowski
    “Canonic” • Ralph Vaughan Williams
    Fifty years ago, Dr. Theodore Marier made available this clever arrangement (PDF) of “Come down, O love divine” by P. R. Dietterich. The melody was composed in 1906 by Ralph Vaughan Williams (d. 1958) and named in honor of of his birthplace: DOWN AMPNEY. The arrangement isn’t a strict canon, but it does remind one of a canon since the pipe organ employs “points of imitation.” The melody and text are #709 in the Brébeuf Catholic Hymnal.
    —Jeff Ostrowski
    Did they simplify these hymn harmonies?
    Choirs love to sing the famous & splendid tune called “INNSBRUCK.” Looking through a (Roman Catholic) German hymnal printed in 1952, I discovered what appears to be a simplified version of that hymn. In other words, their harmonization is much less complex than the version found in the Saint Jean de Brébeuf Hymnal (which is suitable for singing by SATB choir). Please download their 1952 harmonization (PDF) and let me know your thoughts. I really like the groovy Germanic INTRODUCTION they added.
    —Jeff Ostrowski

Random Quote

“After the Second Vatican Council, the impression arose that the pope really could do anything in liturgical matters, especially if he were acting on the mandate of an ecumenical council. Eventually, the idea of the givenness of the liturgy, the fact that one cannot do with it what one will, faded from the public consciousness of the West.”

— Joseph Cardinal Ratzinger

Recent Posts

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  • “Puzzling Comment” • By A Respected FSSP Priest
  • New Bulletin Article • “12 October 2025”
  • “Reminder” — Month of October (2025)
  • “American Catholic Hymnal” (1991)

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