• Skip to primary navigation
  • Skip to main content
  • Skip to primary sidebar

Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

  • Donate
  • Our Team
    • Our Editorial Policy
    • Who We Are
    • How To Contact Us
    • Sainte Marie Bulletin Articles
    • Jeff’s Mom Joins Fundraiser
    • “Let the Choir Have a Voice” (Essay)
  • Pew Resources
    • Brébeuf Catholic Hymnal
    • Jogues Illuminated Missal
    • Repository • “Spanish Music”
    • KYRIALE • Saint Antoine Daniel
    • Campion Missal, 3rd Edition
  • MUSICAL WEBSITES
    • René Goupil Gregorian Chant
    • Noël Chabanel Psalms
    • Nova Organi Harmonia (2,279 pages)
    • Roman Missal, 3rd Edition
    • Catechism of Gregorian Rhythm
    • Father Enemond Massé Manuscripts
    • Lalemant Polyphonic
    • Feasts Website
  • Miscellaneous
    • Site Map
    • Secrets of the Conscientious Choirmaster
    • “Wedding March” for lazy organists
    • Emporium Kevin Allen
    • Saint Jean de Lalande Library
    • Sacred Music Symposium 2023
    • The Eight Gregorian Modes
    • Gradual by Pothier’s Protégé
    • Seven (7) Considerations
Views from the Choir Loft

“OCP” (Oregon Catholic Press) Forbids Organ Improvisation! • Screenshot Provided

Jeff Ostrowski · August 17, 2023

HAVE AN ENTIRE file in my drawer labelled “OCP.” I’m referring to OREGON CATHOLIC PRESS, originally known as “The Catholic Truth Society of Oregon.” This file contains a number of items from the last decade or so—items such as screenshots and letters—which chronicle behavior by the leaders of their organization which is reprehensible, dishonest, and (at least as far as I’m concerned) unforgivable. I have never felt called by God to release any of this information. I’m too busy with other tasks. Our organization attempts to provide positive solutions; we try to avoid dwelling on evil. However, this afternoon I was sent a message which almost tempts me to release some of my file. Who knows? Maybe someday I will.

No Organ Improvisation? • Just because something is legal, that doesn’t make it morally permissible. Indeed, the United States of America has legalized many acts which are (objectively speaking) gravely sinful. Contrariwise, just because something is illegal doesn’t necessarily mean it’s morally wrong. For example, the current laws of copyright in the United States—depending on certain factors too complicated to explain in this blog article—have the result that a short melody could be legally “under copyright” for something like 150 years. That’s what the law says, but such a law is immoral. Moreover, it’s unenforceable. Indeed, such a notion is a farce, and has nothing to do with what copyright was originally supposed to protect (for a reasonable period of time).

Forbidding Organ Improvisation? • Can you imagine a publishing company attempting to intrude into individual churches to prevent the organist from improvising on melodies during Mass? Believe it or not, OREGON CATHOLIC PRESS recently did precisely that:

*  SCREENSHOT • (OCP forbids organ improvisation)

Here’s a transcript of the message from OCP, dated 17 August 2023:

Hello, thank you for speaking with me today. To go over the copyright laws (when it comes to improvisation in the church) you are not allowed to change the melody without our approval. You will need to submit a copy of the music changes to OCP. I will have my editor review and accept the changes. You can submit a copy to my email. For improvisation, you can change keys or adapt the original melody, but you are not allowed to change the melody without our approval first. You can submit the live-streaming usage under your One License podcast/streaming license. Please feel free to contact me if you have any other questions.

OCP Takes My Breath Away • The hubris on the part of OCP is breathtaking. Perhaps they’re trying to take advantage of the fact that many musicians are ignorant about copyright laws. Indeed, certain internet forums and blogs spew forth disinformation on a daily basis about copyright—and such authors have much to answer for. Being ignorant about certain laws is one thing. Logging on to the internet and leading people into error is something else entirely.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, PDF Download Tagged With: OCP Forbids Organ Improvisation, Oregon Catholic Press Last Updated: August 17, 2023

Subscribe

It greatly helps us if you subscribe to our mailing list!

* indicates required

About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

Primary Sidebar

Corpus Christi Watershed

President’s Corner

    “Sanctus VIII” • Organ Accompaniment
    A few days ago, I composed this organ harmonization for SANCTUS VIII. This Mass is traditionally called Missa de ángelis or “Mass of the angels.” In French, it is Messe de Anges. You can evaluate my attempt to simultaneously accompany myself on the pipe organ (click here) while singing the melody. My parish is currently singing this setting.
    —Jeff Ostrowski
    Music List • (5th Sund. Ordinary Time)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for this coming Sunday, 8 February 2026, which is the 5th Sunday in Ordinary Time (Year A). If such a thing interests you, feel free to download it as a PDF file. You will probably notice it isn’t as ‘complete’ or ‘spiffy’ as usual, owing to some difficulties which took place this week.
    —Jeff Ostrowski
    PDF • “Communion” (5th Sunday in Ordin.)
    The COMMUNION ANTIPHON for this coming Sunday, 8 February 2026—which is the 5th Sunday in Ordinary Time (Year A)—is truly delightful. You can download the musical score completely free of charge. This text will be familiar to altar boys, because it’s PSALM 42. The Feder Missal makes the following claim about that psalm: “A hymn of a temple musician from Jerusalem: he is an exile in a heathen land, and he longs for the holy city and his ministry in the Temple there. The Church makes his words her own.”
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of Febr. (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

A hymn verse need not be a complete sentence, but it must have completed sense as a recognisable part of the complete sentence, and at each major pause there would be at least a “sense-pause.” Saint Ambrose and the early writers and centonists always kept to this rule. This indicates one of the differences between a poem and a hymn, and by this standard most of the modern hymns and the revisions of old hymns in the Breviary stand condemned.

— Fr. Joseph Connelly

Recent Posts

  • Pope Paul VI • “Sacrificium Laudis” (15 Aug 1966)
  • “Sanctus VIII” • Organ Accompaniment
  • PDF Download • Sanctus VIII Organ Accompaniment (“Mass of the Angels”)
  • Gorgeous Image of Monks Singing!
  • “Let the Choir Have a Voice” • Jeff Ostrowski’s Essay on Choral Music in the Catholic Mass

Subscribe

Subscribe

* indicates required

Copyright © 2026 Corpus Christi Watershed · Isaac Jogues on Genesis Framework · WordPress · Log in

Corpus Christi Watershed is a 501(c)3 public charity dedicated to exploring and embodying as our calling the relationship of religion, culture, and the arts. This non-profit organization employs the creative media in service of theology, the Church, and Christian culture for the enrichment and enjoyment of the public.