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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

“OCP” (Oregon Catholic Press) Forbids Organ Improvisation! • Screenshot Provided

Jeff Ostrowski · August 17, 2023

HAVE AN ENTIRE file in my drawer labelled “OCP.” I’m referring to OREGON CATHOLIC PRESS, originally known as “The Catholic Truth Society of Oregon.” This file contains a number of items from the last decade or so—items such as screenshots and letters—which chronicle behavior by the leaders of their organization which is reprehensible, dishonest, and (at least as far as I’m concerned) unforgivable. I have never felt called by God to release any of this information. I’m too busy with other tasks. Our organization attempts to provide positive solutions; we try to avoid dwelling on evil. However, this afternoon I was sent a message which almost tempts me to release some of my file. Who knows? Maybe someday I will.

No Organ Improvisation? • Just because something is legal, that doesn’t make it morally permissible. Indeed, the United States of America has legalized many acts which are (objectively speaking) gravely sinful. Contrariwise, just because something is illegal doesn’t necessarily mean it’s morally wrong. For example, the current laws of copyright in the United States—depending on certain factors too complicated to explain in this blog article—have the result that a short melody could be legally “under copyright” for something like 150 years. That’s what the law says, but such a law is immoral. Moreover, it’s unenforceable. Indeed, such a notion is a farce, and has nothing to do with what copyright was originally supposed to protect (for a reasonable period of time).

Forbidding Organ Improvisation? • Can you imagine a publishing company attempting to intrude into individual churches to prevent the organist from improvising on melodies during Mass? Believe it or not, OREGON CATHOLIC PRESS recently did precisely that:

*  SCREENSHOT • (OCP forbids organ improvisation)

Here’s a transcript of the message from OCP, dated 17 August 2023:

Hello, thank you for speaking with me today. To go over the copyright laws (when it comes to improvisation in the church) you are not allowed to change the melody without our approval. You will need to submit a copy of the music changes to OCP. I will have my editor review and accept the changes. You can submit a copy to my email. For improvisation, you can change keys or adapt the original melody, but you are not allowed to change the melody without our approval first. You can submit the live-streaming usage under your One License podcast/streaming license. Please feel free to contact me if you have any other questions.

OCP Takes My Breath Away • The hubris on the part of OCP is breathtaking. Perhaps they’re trying to take advantage of the fact that many musicians are ignorant about copyright laws. Indeed, certain internet forums and blogs spew forth disinformation on a daily basis about copyright—and such authors have much to answer for. Being ignorant about certain laws is one thing. Logging on to the internet and leading people into error is something else entirely.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, PDF Download Tagged With: OCP Forbids Organ Improvisation, Oregon Catholic Press Last Updated: August 17, 2023

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    PDF Download • “Sprinkling Rite”
    Liturgical reformers who gained power after Vatican II frequently caused great suffering to musicians. With the stroke of a pen, they sometimes make changes that would require thousands—or even millions—of man hours (work undertaken by composers and editors). The Sprinkling Rite during Eastertide is but one tiny example. The version given in that PDF document was the original melody for Roman Missal, Third Edition. Some still prefer that version. However, at the last moment, an “unknown hand” tinkered with a few notes in the antiphon. Those who examine the current edition can verify this with their own eyes.
    —Jeff Ostrowski
    ‘Sarum’ Good Friday?
    Plainsong of the Roman Rite has many variants—i.e. slight ‘variations’ or ‘alterations’ made to the ancient melodies. Variants often thrive in particular religious orders. Likewise, before Henry VIII broke away from the Catholic Church, Gregorian Chant variants were frequently associated with individual cathedrals in England: Hereford, Lincoln, Salisbury, and so forth. In the early 20th century, the (Anglican) organist at Westminster Abbey married “Let All Mortal Flesh Keep Silence” to this beautiful variant melody from England. Those who sing Gregorian Chant on Good Friday will recognize the melody. What do you think of this pairing?
    —Jeff Ostrowski
    PDF Download • “Eb Organ Postlude”
    Gustav Adolf Merkel (d. 1885) was a German organist, teacher, and composer. Although a Lutheran himself, he held the appointment at the (Roman Catholic) Cathedral of Dresden from 1864 until his death. You can download his Organ Postlude in E-Flat, which I like very much. He has an interesting way of marking the pedal notes. What do you think?
    —Jeff Ostrowski

Quick Thoughts

    “Gregorian Chant Quiz” • 24 March 2026
    How well do you know your Gregorian hymns? Do you recognize the tune inserted into the bass line on this score? For many years, we sang the entire Mass in Gregorian chant—and I mean everything. As a result, it would be difficult to find a Gregorian hymn I don’t recognize instantly. Only decades later did I realize (with sadness) that this skill cannot be ‘monetized’… This particular melody is used for a very famous Gregorian hymn, printed in the LIBER USUALIS. Do you recognize it? Send me an email with the correct words, and I promise to tell everybody I meet about your prowess!
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski

Random Quote

“Latin has been the language of the Latin liturgy for 1,600 years. It is a sign and source of unity as well as a defense of doctrine, not because of the language so much, but because it is a language no longer subject to changes. There are so many beautiful texts which can never have the same effectiveness in translation. Lastly, Latin is bound to an extremely precious heritage of melody, Gregorian chant and polyphony.”

— Cardinal Antonelli (Secretary of the Conciliar Commission on the Liturgy)

Recent Posts

  • PDF Download • “Sprinkling Rite”
  • ‘Sarum’ Good Friday?
  • Gregorian Chant • The “Correct” Way of Singing ?
  • PDF Download • “Eb Organ Postlude”
  • Fulton J. Sheen • “24-Hour Catechism”

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