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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

“OCP” (Oregon Catholic Press) Forbids Organ Improvisation! • Screenshot Provided

Jeff Ostrowski · August 17, 2023

HAVE AN ENTIRE file in my drawer labelled “OCP.” I’m referring to OREGON CATHOLIC PRESS, originally known as “The Catholic Truth Society of Oregon.” This file contains a number of items from the last decade or so—items such as screenshots and letters—which chronicle behavior by the leaders of their organization which is reprehensible, dishonest, and (at least as far as I’m concerned) unforgivable. I have never felt called by God to release any of this information. I’m too busy with other tasks. Our organization attempts to provide positive solutions; we try to avoid dwelling on evil. However, this afternoon I was sent a message which almost tempts me to release some of my file. Who knows? Maybe someday I will.

No Organ Improvisation? • Just because something is legal, that doesn’t make it morally permissible. Indeed, the United States of America has legalized many acts which are (objectively speaking) gravely sinful. Contrariwise, just because something is illegal doesn’t necessarily mean it’s morally wrong. For example, the current laws of copyright in the United States—depending on certain factors too complicated to explain in this blog article—have the result that a short melody could be legally “under copyright” for something like 150 years. That’s what the law says, but such a law is immoral. Moreover, it’s unenforceable. Indeed, such a notion is a farce, and has nothing to do with what copyright was originally supposed to protect (for a reasonable period of time).

Forbidding Organ Improvisation? • Can you imagine a publishing company attempting to intrude into individual churches to prevent the organist from improvising on melodies during Mass? Believe it or not, OREGON CATHOLIC PRESS recently did precisely that:

*  SCREENSHOT • (OCP forbids organ improvisation)

Here’s a transcript of the message from OCP, dated 17 August 2023:

Hello, thank you for speaking with me today. To go over the copyright laws (when it comes to improvisation in the church) you are not allowed to change the melody without our approval. You will need to submit a copy of the music changes to OCP. I will have my editor review and accept the changes. You can submit a copy to my email. For improvisation, you can change keys or adapt the original melody, but you are not allowed to change the melody without our approval first. You can submit the live-streaming usage under your One License podcast/streaming license. Please feel free to contact me if you have any other questions.

OCP Takes My Breath Away • The hubris on the part of OCP is breathtaking. Perhaps they’re trying to take advantage of the fact that many musicians are ignorant about copyright laws. Indeed, certain internet forums and blogs spew forth disinformation on a daily basis about copyright—and such authors have much to answer for. Being ignorant about certain laws is one thing. Logging on to the internet and leading people into error is something else entirely.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, PDF Download Tagged With: OCP Forbids Organ Improvisation, Oregon Catholic Press Last Updated: August 17, 2023

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    PDF Download • “Atténde Dómine”
    Although it isn’t nearly as ancient as other hymns in the plainsong repertoire, Atténde Dómine, et miserére, quía peccávimus tíbi (“Look down, O Lord, and have mercy, for we have sinned against Thee”) has become one of the most popular hymns for LENT—perhaps because it was included in the famous Liber Usualis of Solesmes. This musical score (PDF file) has an incredibly accurate version in English, as well as a nice version in Spanish, and also the original Latin. Although I don’t claim to have a great singing voice, this morning I recorded this rehearsal video.
    —Jeff Ostrowski
    Music List • (1st Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I’ve prepared for this coming Sunday—22 February 2026—the 1st Sunday of Lent (Year A). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the outstanding feasts website alongside the official texts in Latin. I spent an enormous amount of time preparing this ORDER OF MUSIC—because the children’s choir will join us—and some of its components came out great. For example, the COMMUNION ANTIPHON with Fauxbourdon is utterly resplendent, yet still ‘Lenten’.
    —Jeff Ostrowski
    2-Voice Arrangement for Lent
    Those seeking a two-voice arrangement for LENT and PASSIONTIDE should click here and scroll down. It’s based on number 775 in the Brébeuf Hymnal, with an enchanting melody written by Kevin Allen (the legendary American composer of sacred music). That text—“Pendens In Crucis Cornibus”—is often used for the Feast of our Lady of Sorrows. That link is important because, in addition to the musical score, it provides free rehearsal videos for each individual voice: something volunteer choirs appreciate!
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of Febr. (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

The literal translation: “Lord, have mercy—Christ, have mercy,” does not offer much material for an acceptable song text. The words, not having any feminine syllables, are abrupt; the sounds are almost all muted and colorless; the rhythmic flow is too brief. So many people may prefer responses that further extend the song of the assembly, e.g., “Have pity on us, Lord” or “Pardon us and change our hearts.

— J. Gelineau attacking the KYRIE ELEYSON (page 64 in “Learning to Celebrate,” 1985)

Recent Posts

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  • PDF Download • “Atténde Dómine”
  • “Chant Is Not a Penitential Act” • Lenten Reflection by Daniel Marshall
  • (Ash Wednesday) • Medieval Illumination Depicting the Distribution of Ashes
  • Music List • (1st Sunday of Lent)

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