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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Finding Realistic Inspiration for Organ Improvisation

Keven Smith · July 15, 2023

HERE DO IDEAS COME FROM? Can we make up an idea out of nowhere? Or is each of our creative thoughts based on other material we’ve seen or heard? I tend to think that as musicians, we’re products of all the music we’ve ever heard. When we sing, for example, we unconsciously recall the other voices we’ve loved best and discover elements of their resonance in our own voices. When we conduct, our bodies use a vocabulary of shapes and patterns we didn’t even know we were collecting as we watched other conductors direct us in ensembles.

When we improvise, we can’t play what’s not in our audiation—or at least, we can’t keep that up for long. Everything we improvise sounds familiar because it is. But to trace each phrase or each interval back to the day we acquired it would be as difficult as tracing each cell in our body back to the meal from which it was built.

How do we get better at improvising? By building up the library of music in our audiation. How do we build that library? By listening. A wonderful young organist friend of mine who’s wise beyond his years gave me some improvisation tips a few years ago. First priority: listen to lots of music.

It’s great advice, of course, because we acquire music in the same way we first acquired language as babies: by listening. The more good music we listen to, the more we’ll expand our audiational library.

But I contend that for a beginning improviser, not all music is created equal. We need ideas we can emulate, and we can’t emulate what we don’t understand. That’s why it can be frustrating to listen to the masters of organ improv.

If you’re learning organ improvisation, you’ve probably had someone tell you, “Listen to the greats: Olivier Messaien, Marcel Dupre, Olivier Latry….”

The greats are inspiring. Their music is uplifting. I can only imagine how they would draw me more deeply into the mysteries of the Mass if I were fortunate enough to have them playing at my parish (rather than listening to myself so much).

But from a learning perspective, listening to the greats has its limits. Take this masterful improvisation by Olivier Latry, for example:

Wow, right? But as an organ student, can you emulate this on any level? Probably not. It would be difficult even to dumb this down into a template you could use for your own exploration.

This is why we organ students need more accessible masters from whom to learn. We seek organists whose creations are easier to unpack and analyze, and whose artistry seems a bit more “in reach.”

Where can we find these musicians? I’m happy to share that you can sample the improvisations of dozens of organists at OrganImprovisation.com:

http://www.organimprovisation.com/organists/

Among the site’s many resources are pages that offer profiles of organists from around the world and provide links to their improvisation recordings on YouTube.

Now, some of the organists on OrganImprovisation.com do play at too high a level of sophistication for the student organist to analyze. But many sound more like very polished parish musicians. Spend some time sampling what they have to offer. Bookmark your favorites. And return often for fresh inspiration. Happy practicing!

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

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Filed Under: Articles Tagged With: organ, organ improvisation Last Updated: July 15, 2023

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About Keven Smith

Keven Smith, music director at St. Stephen the First Martyr, lives in Sacramento with his wife and five musical children.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    New Bulletin Article • “14 September 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 14 September 2025) discusses OFFERTORY ANTIPHONS and contains a wonderful quote by Archbishop Fulton J. Sheen.
    —Jeff Ostrowski
    PDF Download • Draft Copy (Pamphlet)
    A few days ago, I posted a draft copy of this 12-page pamphlet with citations about the laity’s “full, conscious, and active participation.” Its basic point or message is that choir directors should never feel embarrassed to teach real choral music because Vatican II explicitly ordered them to do that! We’ve received tons of mail regarding that pamphlet, with many excellent suggestions for improvement. Please feel free to chime in!
    —Jeff Ostrowski
    “Entrance Chant” • 23rd (Ordinary Time)
    This coming Sunday, 7 September 2025, is the 23rd Sunday in Ordinary Time (Year C). You can download the “Entrance Chant,” conveniently located at the feasts website. I also recorded a rehearsal video for it (freely available at the same website). The Communion Chant includes gorgeous verses in FAUXBOURDON. I attempted to create a rehearsal video for it, and it’s been posted at the feasts website, called by some: “church music’s best kept secret.”
    —Jeff Ostrowski

Quick Thoughts

    Karl Keating • “Canonization Questions”
    We were sent an internet statement (screenshot) that’s garnered significant attention, in which KARL KEATING (founder of Catholic Answers) speaks about whether canonizations are infallible. Mr. Keating seems unaware that canonizations are—in the final analysis—a theological opinion. They are not infallible, as explained in this 2014 article by a priest (with a doctorate in theology) who worked for multiple popes. Mr. Keating says: “I’m unaware of such claims arising from any quarter until several recent popes disliked by these Traditionalists were canonized, including John XXIII, Paul VI, and John Paul II. Usually Paul VI receives the most opprobrium.” Mr. Keating is incorrect; e.g. Father John Vianney, several centuries ago, taught clearly that canonizations are not infallible. Archbishop Fulton J. Sheen would be another example, although clearly much more recent than Saint John Vianney.
    —Corpus Christi Watershed
    Vatican II Changed Wedding Propers?
    It’s often claimed that the wedding propers were changed after Vatican II. As a matter of fact, that is a false claim. The EDITIO VATICANA propers (Introit: Deus Israel) remained the same after Vatican II. However, a new set of propers (Introit: Ecce Deus) was provided for optional use. The same holds true for the feast of Pope Saint Gregory the Great on 3 September: the 1943 propers (Introit: Si díligis me) were provided for optional use, but the traditional PROPRIA MISSAE (Introit: Sacerdótes Dei) were retained; they weren’t gotten rid of. The Ordo Cantus Missae (1970) makes this crystal clear, as does the Missal itself. There was an effort made in the post-conciliar years to eliminate so-called “Neo-Gregorian” chants, but (contrary to popular belief) most were retained: cf. the feast of Christ the King, the feast of the Immaculate Conception, and so forth.
    —Corpus Christi Watershed
    Solemn “Salve Regina” (Chant)
    How many “S” words can you think of using alliteration? How about Schwann Solemn Salve Score? You can download the SOLEMN SALVE REGINA in Gregorian Chant. The notation follows the official rhythm (EDITIO VATICANA). Canon Jules Van Nuffel, choirmaster of the Cathedral of Saint Rumbold, composed this accompaniment for it (although some feel it isn’t his best work).
    —Corpus Christi Watershed

Random Quote

“A striking detail: at Solesmes, we remember hearing Justine Ward criticize accompaniment sometimes or seeing her cover her ears, especially when the organ accompanied a soloist, which is something she could not accept.”

— Dom Pierre Combe

Recent Posts

  • “The Injustice of Traditionis Custodes” • (Private Meetings at the Vatican)
  • New Bulletin Article • “14 September 2025”
  • PDF Download • Croft’s “Canonic Kyrie” (SATB)
  • Karl Keating • “Canonization Questions”
  • “Music List” • 23rd in Ordinary Time (Year C)

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