• Skip to primary navigation
  • Skip to main content
  • Skip to primary sidebar

Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

  • Donate
  • Our Team
    • Our Editorial Policy
    • Who We Are
    • How To Contact Us
    • Sainte Marie Bulletin Articles
    • Jeff’s Mom Joins Fundraiser
  • Pew Resources
    • Brébeuf Catholic Hymnal
    • Jogues Illuminated Missal
    • Repository • “Spanish Music”
    • KYRIALE • Saint Antoine Daniel
    • Campion Missal, 3rd Edition
  • MUSICAL WEBSITES
    • René Goupil Gregorian Chant
    • Noël Chabanel Psalms
    • Nova Organi Harmonia (2,279 pages)
    • Roman Missal, 3rd Edition
    • Catechism of Gregorian Rhythm
    • Father Enemond Massé Manuscripts
    • Lalemant Polyphonic
    • Feasts Website
  • Miscellaneous
    • Site Map
    • Secrets of the Conscientious Choirmaster
    • “Wedding March” for lazy organists
    • Emporium Kevin Allen
    • Saint Jean de Lalande Library
    • Sacred Music Symposium 2023
    • The Eight Gregorian Modes
    • Gradual by Pothier’s Protégé
    • Seven (7) Considerations
Views from the Choir Loft

“Daily, Daily, Sing to Mary” • (Hymn)

Jeff Ostrowski · May 19, 2023

Y COLLEAGUE, Patrick Williams, has given me permission to share with our audience a recording his choir made of “Daily, Daily, Sing to Mary.” This famous metrical hymn is known as THE HYMN OF SAINT CASIMIR. In 2015, I wrote a massive article about this hymn’s provenance. I won’t repeat what I said there, because this hymn has such an elaborate history it could easily serve as the basis for a dozen dissertations. Roman Catholic translators—who changed the hymn into English, Polish, Greek, French, Spanish, Italian, and Hungarian—miraculously kept the original rhyme scheme!

“Non Sint In Vobis Schismata” • Readers may have noticed I don’t necessarily “see eye to eye” with Mæstro Williams when it comes to plainsong rhythm. We have attempted to share these arguments with readers in the Gregorian Rhythm Wars series. Musicians often struggle to remain charitable when they have disagreements. We’re attempting to demonstrate that it’s possible to disagree without being disagreeable—please pray for us! In any event, it’s crucial to find areas of agreement where possible. I would like to say that I think Patrick’s recording (below) is praiseworthy:

*  Mp3 Download • “Daily, Daily, Sing to Mary”
—Live recording directed by Patrick Williams.

Other Sources • Abbat Pothier’s Latin/French “Liber Usualis” (1896) includes a plainsong version of this hymn. There can be more than one good harmonization for a hymn melody. The Brébeuf Hymnal harmonization (#768) is excellent. [It can be found in the organ accompaniment volume or the choral supplement.] I’m not sure which harmonization Patrick used. The Brébeuf Hymnal also includes a “text only version,” meaning you can sing the lyrics to a different tune. By the way, someone in Spain has made a nice recording of the Latin version, and it’s interesting to hear how the singer pronounces the letter “G.” The metrical tune commonly chosen has various names, including “SUNRISE” and “LAUDES MARIAE.” Believe it or not, the hymn tune called “DAILY DAILY” is a completely different melody.

Laudate Hymnal (1942) • The Laudate Hymnal (1942) by Father Andrew Green, OSB, uses the “LAUDES MARIAE” melody for a Christmas text:

*  PDF Download • “Daily, Daily, Sing to Mary” (TUNE)

Mediator Dei Hymnal (1955) • Joseph Vincent Higginson, in his “Mediator Dei Hymnal” (1955)—which he published under the fake name of “Cyr De Brant”—adds a passing tone. Otherwise, the melody is identical.

*  PDF Download • “Daily, Daily, Sing to Mary” (TUNE)

New Saint Basil Hymnal (1958) • When it comes to “The New Saint Basil Hymnal” (1958) published by Edward C. Currie, I have serious doubts about the athletic line given to the bass section towards the end:

*  PDF Download • “Daily, Daily, Sing to Mary” (TUNE)

Dr. Theodore Marier Hymnal • Notice how Dr. Theodore Marier uses the “LAUDES MARIAE” melody for two different texts, and neither is the Hymn of Saint Casimir:

*  PDF Download • “Daily, Daily, Sing to Mary” (TUNE)

Conclusion • It’s important to cultivate a love for Mary, the mother of Jesus. The Jesuit Martyrs of North America—Brébeuf, Lalemant, Jogues, Goupil, Lalande, Daniel, Garnier, and Chabanel—each had a strong, ardent, powerful devotion to the Blessed Mother. Their main base of operations was named in her honor: “Sainte-Marie among the Hurons.”

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, PDF Download Tagged With: Hymn of Saint Casimir, Omni Die Dic Mariae Last Updated: May 19, 2023

Subscribe

It greatly helps us if you subscribe to our mailing list!

* indicates required

About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

Primary Sidebar

Corpus Christi Watershed

President’s Corner

    “Music List” • 14 September (Holy Cross)
    Readers have expressed interest in perusing the ORDER OF MUSIC I prepared for 14 September 2025, which is the Feast of Exaltation of the Holy Cross. If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the spectacular feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    New Bulletin Article • “14 September 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 14 September 2025) discusses OFFERTORY ANTIPHONS and contains a wonderful quote by Archbishop Fulton J. Sheen.
    —Jeff Ostrowski
    PDF Download • Draft Copy (Pamphlet)
    A few days ago, I posted a draft copy of this 12-page pamphlet with citations about the laity’s “full, conscious, and active participation.” Its basic point or message is that choir directors should never feel embarrassed to teach real choral music because Vatican II explicitly ordered them to do that! We’ve received tons of mail regarding that pamphlet, with many excellent suggestions for improvement. Please feel free to chime in!
    —Jeff Ostrowski

Quick Thoughts

    Karl Keating • “Canonization Questions”
    We were sent an internet statement (screenshot) that’s garnered significant attention, in which KARL KEATING (founder of Catholic Answers) speaks about whether canonizations are infallible. Mr. Keating seems unaware that canonizations are—in the final analysis—a theological opinion. They are not infallible, as explained in this 2014 article by a priest (with a doctorate in theology) who worked for multiple popes. Mr. Keating says: “I’m unaware of such claims arising from any quarter until several recent popes disliked by these Traditionalists were canonized, including John XXIII, Paul VI, and John Paul II. Usually Paul VI receives the most opprobrium.” Mr. Keating is incorrect; e.g. Father John Vianney, several centuries ago, taught clearly that canonizations are not infallible. Archbishop Fulton J. Sheen would be another example, although clearly much more recent than Saint John Vianney.
    —Corpus Christi Watershed
    Vatican II Changed Wedding Propers?
    It’s often claimed that the wedding propers were changed after Vatican II. As a matter of fact, that is a false claim. The EDITIO VATICANA propers (Introit: Deus Israel) remained the same after Vatican II. However, a new set of propers (Introit: Ecce Deus) was provided for optional use. The same holds true for the feast of Pope Saint Gregory the Great on 3 September: the 1943 propers (Introit: Si díligis me) were provided for optional use, but the traditional PROPRIA MISSAE (Introit: Sacerdótes Dei) were retained; they weren’t gotten rid of. The Ordo Cantus Missae (1970) makes this crystal clear, as does the Missal itself. There was an effort made in the post-conciliar years to eliminate so-called “Neo-Gregorian” chants, but (contrary to popular belief) most were retained: cf. the feast of Christ the King, the feast of the Immaculate Conception, and so forth.
    —Corpus Christi Watershed
    Solemn “Salve Regina” (Chant)
    How many “S” words can you think of using alliteration? How about Schwann Solemn Salve Score? You can download the SOLEMN SALVE REGINA in Gregorian Chant. The notation follows the official rhythm (EDITIO VATICANA). Canon Jules Van Nuffel, choirmaster of the Cathedral of Saint Rumbold, composed this accompaniment for it (although some feel it isn’t his best work).
    —Corpus Christi Watershed

Random Quote

“In my capacity as the prefect of the Congregation for Divine Worship and the Discipline of the Sacraments, I continue to remind all that the celebration toward the East (versus orientem) is authorized by the rubrics of the missal, which specify the moments when the celebrant must turn toward the people. A particular authorization is, therefore, not needed to celebrate Mass facing the Lord.”

— ‘Robert Cardinal Sarah, 23 May 2016’

Recent Posts

  • “Music List” • 14 September (Holy Cross)
  • Do You Recognize This Hymn? Do You Like It?
  • Charlie Kirk’s Fascination with Traditional Catholic Liturgy
  • “Novus Ordo Parish … With Polyphony?” • Is that possible? How specifically does that work?
  • “The Injustice of Traditionis Custodes” • (Private Meetings at the Vatican)

Subscribe

Subscribe

* indicates required

Copyright © 2025 Corpus Christi Watershed · Isaac Jogues on Genesis Framework · WordPress · Log in

Corpus Christi Watershed is a 501(c)3 public charity dedicated to exploring and embodying as our calling the relationship of religion, culture, and the arts. This non-profit organization employs the creative media in service of theology, the Church, and Christian culture for the enrichment and enjoyment of the public.