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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

My Student Singing Byrd Will Make You Weep!

Jeff Ostrowski · April 30, 2023

OW MANY READERS have—at one time or another—considered giving up the church music vocation? I suspect most choirmasters have. After all, as youngsters we work so hard at musical perfection. We learn where “Middle C” is located. We learn about key signatures. We learn about staccato, sforzando, crescendo, and molto allegro. Our parents spend their life savings to buy us an instrument, obtain sheet music for us, and pay our teachers. Later on, we must figure out how to pay our professors at the conservatory. We sound the depths of Chopin, Grieg, Beethoven, Bach, Schumann, Schubert, Liszt, Debussy, Mendelssohn, and Mozart. We spend hours memorizing music. We learn how to perform before audiences, often through painful lessons. And on and on. Then, we finally get our first church job—only to discover staff members who betray us, parishioners who belittle us, and pastors who cause us anguish through abuse or (worst of all) through indifference.

Why We Stay • One reason we don’t quit is because of the power of sacred music: Cantus Gregorianus, Marenzio, Guerrero, Palestrina, Van Nuffel, and all our favorite composers. Another reason we don’t quit is because we see the influence we have on a new generation of choirmasters, organists, and singers. A few days ago, I recorded a SANCTUS by William Byrd, a Catholic composer of the Late Renaissance. One of my students provided the other voices.

Her name is Claire, and listen to how well she sings:

M Rehearsal videos for each individual voice await you at #40998.

Another “William” Who Composes • Another reason we don’t quit is because of the terrific colleagues we meet. One such colleague is Maestro William Fritz of CYPRIAN STUDIOS. His kindness, generosity, and humility are outstanding. Moreover, he’s a phenomenal musician, theorist, organist, and composer. He was recently selected to study privately with Sir James MacMillan, the famous Scottish composer. Maestro Fritz has written a gorgeous AGNUS DEI which will be sung for the very first time during Sacred Music Symposium 2023:

M Rehearsal videos for each individual voice await you at #40878.

Deep Sadness: Most readers won’t click on the individual voice parts, and that makes me glum. When we post a “scandalous” liturgical video, we get 40,000 views. I wish we could get as many views for the rehearsal videos! They take forever to create. Moreover, those who fail to click on those links will miss out on downloading free PDF scores.

“BBB” (Brief Byrd Biography) • William Byrd, famous English composer, was named Gentleman of the Chapel Royal in 1572AD where he stayed for approximately 20 years. In 1575AD, Byrd and Tallis were jointly granted a monopoly on music printing for 21 years. Circa 1594AD, he moved with his wife and children to a small village called Stondon Massey. His ownership of Stondon Place—where he lived for the rest of his life—was contested by Joanna Shelley, causing a legal dispute lasting about 15 years. From the early 1570s onwards, Byrd became increasingly involved with Catholicism, met Father Robert Southwell (whose works are featured in the Brébeuf Hymnal), and was increasingly persecuted by the Anglicans for his adherence to Catholicism. Despite repeated citations for recusancy (and heavy fines), he died a rich man.

*  Mp3 Download • WILLIAM BYRD SANCTUS (a5)
—Recorded ‘live’ on 10 December 2023.

Live recording on 24 September 2023

Live recording on 17 September 2023.

*  Mp3 Download • SANCTUS (William Byrd)
*  Mp3 Download • BENEDICTUS (William Byrd)

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, Featured, PDF Download Tagged With: Mass For Five Voices, William Byrd Composer, William Fritz Composer Last Updated: December 23, 2023

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Why A “Fugue” Here?
    I believe I know why this plainsong harmonizer created a tiny fugue as the INTRODUCTION to his accompaniment. Take a look (PDF) and tell me your thoughts about what he did on the feast of the Flight of Our Lord Jesus Christ into Egypt (17 February). And now I must go because “tempus fugit” as they say!
    —Jeff Ostrowski
    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski
    “Reminder” — Month of October (2025)
    Those who don’t sign up for our free EMAIL NEWSLETTER miss important notifications. Last week, for example, I sent a message about this job opening for a music director paying $65,000 per year plus benefits (plus weddings & funerals). Notice the job description says: “our vision for sacred music is to move from singing at Mass to truly singing the Mass wherein … especially the propers, ordinaries, and dialogues are given their proper place.” Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski

Quick Thoughts

    “American Catholic Hymnal” (1991)
    The American Catholic Hymnal, with IMPRIMATUR granted (25 April 1991) by the Archdiocese of Chicago, is like a compendium of every horrible idea from the 1980s. Imagine being forced to stand all through Communion (even afterwards) when those self-same ‘enlightened’ liturgists moved the SEQUENCE before the Alleluia to make sure congregations wouldn’t have to stand during it. (Even worse, everything about the SEQUENCE—including its name—means it should follow the Alleluia.) And imagine endlessly repeating “Alleluia” during Holy Communion at every single Mass. It was all part of an effort to convince people that Holy Communion was historically a procession (which it wasn’t).
    —Jeff Ostrowski
    “Canonic” • Ralph Vaughan Williams
    Fifty years ago, Dr. Theodore Marier made available this clever arrangement (PDF) of “Come down, O love divine” by P. R. Dietterich. The melody was composed in 1906 by Ralph Vaughan Williams (d. 1958) and named in honor of of his birthplace: DOWN AMPNEY. The arrangement isn’t a strict canon, but it does remind one of a canon since the pipe organ employs “points of imitation.” The melody and text are #709 in the Brébeuf Catholic Hymnal.
    —Jeff Ostrowski
    Did they simplify these hymn harmonies?
    Choirs love to sing the famous & splendid tune called “INNSBRUCK.” Looking through a (Roman Catholic) German hymnal printed in 1952, I discovered what appears to be a simplified version of that hymn. In other words, their harmonization is much less complex than the version found in the Saint Jean de Brébeuf Hymnal (which is suitable for singing by SATB choir). Please download their 1952 harmonization (PDF) and let me know your thoughts. I really like the groovy Germanic INTRODUCTION they added.
    —Jeff Ostrowski

Random Quote

Soloists are dangerous in any church choir! Their voices frequently do not blend with those of the other singers to form a rich, integrated tone.

— Roger Wagner

Recent Posts

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  • Why A “Fugue” Here?
  • “Three Reasons To Shun Bad Hymns” • Daniel B. Marshall
  • “Puzzling Comment” • By A Respected FSSP Priest
  • New Bulletin Article • “12 October 2025”

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