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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Which Hymnal Did Archbishop Fulton J. Sheen Endorse?

Jeff Ostrowski · January 8, 2023

ROADLY SPEAKING, most church musicians are paid very little. Some are not far from becoming destitute. But you know what? It turns out that’s okay. Fulton J. Sheen often spoke about how “God in the form of man shared the poverty of mankind.” In the Old Testament, the traditional offerings for purification were a lamb and a turtledove (if the parents were rich), and two doves or two pigeons (since they were poor). Our Lady had to use the POVERTY OPTION—although we don’t know whether she offered turtledoves or pigeons. Bishop Sheen adds: “Thus the mother who brought the Lamb of God into the world had no lamb to offer—except the Lamb of God.”

Sheen’s Favorite Hymnal? • If Fulton J. Sheen were alive today, I believe he would endorse the Brébeuf Hymnal. First of all, his whole life was dedicated to evangelization, and Father Brébeuf (and his companions) were among the Church’s greatest evangelizers. Moreover, Bishop Sheen drew his teachings from the exact same sources as the Brébeuf Hymnal. Consider Sheen’s teachings about the feast of the Epiphany. That was taken directly from a 4th-century hymn: O Sola Magnarum Urbium. [It would take too long to explain, so please see pages 288-289 in the Brébeuf Hymnal.]

During Rehearsal • Here’s an English translation of that 4th-century hymn. We recorded this during our rehearsal last Thursday night. The choir is 100% volunteers, and fewer than three (3) of them read music. However, because of the masterly way the Brébeuf Choral Supplement prints each verse, they can sing SATB parts very well. Notice how we alternate between unison and SATB:

M To access this hymn’s media in the Brébeuf Portal, click here.

Missing His Voice • If only our Church still had a powerful voice like that of Archbishop Sheen. When he was on television during the 1950s, he received 15,000 letters each day—can you imagine that? When Sheen was in good form, his way of speaking was hypnotic. Even the way he pronounced simple sentences was unforgettable. For instance, Sheen would say: “If you pour water in blue glass, it looks blue. If you pour it into a red glass, it looks red.” Whereas, if I were to say those words, nobody would listen.

Your Voice Can Be Louder • Thursday evening, I took the men outside so we could rehearse something. The ladies stayed behind and spent time learning the Introit for this coming Sunday, which is the Feast of the Holy Family. When I came back, I head the women singing this Introit, and its beauty almost knocked me off my feet. I’d never heard something so gorgeous, so powerful, so arresting. I realized that musicians can have a more powerful voice than even the legendary Fulton J. Sheen! The recording taken during that rehearsal doesn’t show how sublime it sounds in real life, because no microphone can accurately reproduce the complex and luscious choral sound:

“Cemeteries Are Full…” • By the way, at the last second, I asked one of my friends to accompany that Introit on the organ, using the NOH. She did an excellent job—as you can hear—and I am so proud of her! Church musicians must remember to let others “have a chance,” because before we know it our life on earth will end. As Father Alan Heet used to say: “The cemeteries are full of people who thought they were indispensable.”

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, Featured Tagged With: Bishop Fulton J Sheen, Epiphany Hymns, Father Alan Heet OFM, Feast of the Holy Family, Nova Organi Harmonia, O Sola Magnarum Urbium Last Updated: January 8, 2023

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Music List” • 22nd in Ordinary Time (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 31 August 2025, which is the 22nd Sunday in Ordinary Time (Year C). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the spectacular feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    “The Worm That Dieth Not”
    My pastor asked me to write a column for our parish bulletin with reflections on the sacred liturgy and church music. In my most recent article, I discuss “The Worm That Dieth Not.” At this website, you can access it conveniently; simply scroll down to the one dated 31 August 2025.
    —Jeff Ostrowski
    A Nice Hymn In Spanish
    In my humble opinion, this is a really beautiful hymn in Spanish. If I practice diligently, I’ll be able to pronounce all the words properly. If you’re someone who’s interested in obtaining a melody only version (suitable for your congregational ORDER OF WORSHIP) you can steal that from this.
    —Jeff Ostrowski

Quick Thoughts

    Solemn “Salve Regina” (Chant)
    How many “S” words can you think of using alliteration? How about Schwann Solemn Salve Score? You can download the SOLEMN SALVE REGINA in Gregorian Chant. The notation follows the official rhythm (EDITIO VATICANA). Canon Jules Van Nuffel, choirmaster of the Cathedral of Saint Rumbold, composed this accompaniment for it (although some feel it isn’t his best work).
    —Corpus Christi Watershed
    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed

Random Quote

The People’s Hymnal suffers from a too literal and awkward translation. And even in the lovely Slovak “Memorare” in The Saint Gregory Hymnal we are still asked to sing “that anyone who sought thee, or made to thee his moan.” Why not “groan” or “bone” or even “phone?” The only thing necessary, it seems, is that it rhyme with “known.”

— Mons. Francis P. Schmitt (1958)

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