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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Which Hymnal Did Archbishop Fulton J. Sheen Endorse?

Jeff Ostrowski · January 8, 2023

ROADLY SPEAKING, most church musicians are paid very little. Some are not far from becoming destitute. But you know what? It turns out that’s okay. Fulton J. Sheen often spoke about how “God in the form of man shared the poverty of mankind.” In the Old Testament, the traditional offerings for purification were a lamb and a turtledove (if the parents were rich), and two doves or two pigeons (since they were poor). Our Lady had to use the POVERTY OPTION—although we don’t know whether she offered turtledoves or pigeons. Bishop Sheen adds: “Thus the mother who brought the Lamb of God into the world had no lamb to offer—except the Lamb of God.”

Sheen’s Favorite Hymnal? • If Fulton J. Sheen were alive today, I believe he would endorse the Brébeuf Hymnal. First of all, his whole life was dedicated to evangelization, and Father Brébeuf (and his companions) were among the Church’s greatest evangelizers. Moreover, Bishop Sheen drew his teachings from the exact same sources as the Brébeuf Hymnal. Consider Sheen’s teachings about the feast of the Epiphany. That was taken directly from a 4th-century hymn: O Sola Magnarum Urbium. [It would take too long to explain, so please see pages 288-289 in the Brébeuf Hymnal.]

During Rehearsal • Here’s an English translation of that 4th-century hymn. We recorded this during our rehearsal last Thursday night. The choir is 100% volunteers, and fewer than three (3) of them read music. However, because of the masterly way the Brébeuf Choral Supplement prints each verse, they can sing SATB parts very well. Notice how we alternate between unison and SATB:

M To access this hymn’s media in the Brébeuf Portal, click here.

Missing His Voice • If only our Church still had a powerful voice like that of Archbishop Sheen. When he was on television during the 1950s, he received 15,000 letters each day—can you imagine that? When Sheen was in good form, his way of speaking was hypnotic. Even the way he pronounced simple sentences was unforgettable. For instance, Sheen would say: “If you pour water in blue glass, it looks blue. If you pour it into a red glass, it looks red.” Whereas, if I were to say those words, nobody would listen.

Your Voice Can Be Louder • Thursday evening, I took the men outside so we could rehearse something. The ladies stayed behind and spent time learning the Introit for this coming Sunday, which is the Feast of the Holy Family. When I came back, I head the women singing this Introit, and its beauty almost knocked me off my feet. I’d never heard something so gorgeous, so powerful, so arresting. I realized that musicians can have a more powerful voice than even the legendary Fulton J. Sheen! The recording taken during that rehearsal doesn’t show how sublime it sounds in real life, because no microphone can accurately reproduce the complex and luscious choral sound:

“Cemeteries Are Full…” • By the way, at the last second, I asked one of my friends to accompany that Introit on the organ, using the NOH. She did an excellent job—as you can hear—and I am so proud of her! Church musicians must remember to let others “have a chance,” because before we know it our life on earth will end. As Father Alan Heet used to say: “The cemeteries are full of people who thought they were indispensable.”

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, Featured Tagged With: Bishop Fulton J Sheen, Epiphany Hymns, Father Alan Heet OFM, Feast of the Holy Family, Nova Organi Harmonia, O Sola Magnarum Urbium Last Updated: January 8, 2023

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Music List” • 19th in Ordinary Time (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 19th Sunday in Ordinary Time (10 August 2025). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the feasts website.
    —Jeff Ostrowski
    This Sunday’s Communion Antiphon
    This coming Sunday—10 August 2025—is the 19th Sunday in Ordinary Time (Year C). The COMMUNION ANTIPHON is really gorgeous, and two of its features are worth mentioning. First of all, the Gospel reading assigned is from Saint Luke, whereas the the antiphon—although it matches the account—comes from Saint Matthew. (If anyone can point to a similar example, please notify me.) Furthermore, if you look at the authentic Gregorian Chant version posted on the feasts website, you’ll notice that it’s MODE III but ends on the ‘wrong’ note. A comparable instance of such a ‘transposed’ chant would be KYRIE IV.
    —Jeff Ostrowski
    Using “Ye” Vs. “You” Correctly
    Using “Ye” vs. “You” is rather tricky, because it depends upon which era one is trying to recreate—if that makes any sense. In other words, the rules haven’t always been the same for these two. Nevertheless, Father Philip George Caraman (the legendary Jesuit scholar) gives us a masterclass using Saint Luke’s Gospel. Father Caraman was close friends with Monsignor Ronald Knox, Evelyn Waugh, and Sir Alec Guinness.
    —Jeff Ostrowski

Quick Thoughts

    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed
    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed

Random Quote

“Edwin Fischer was, on the concert platform, a short, leonine, resilient figure, whose every fibre seemed to vibrate with elemental musical power.”

— Daniel Barenboim (1960)

Recent Posts

  • Is this what the new “Youth Mass” looks like?
  • “Music List” • 19th in Ordinary Time (Year C)
  • This Sunday’s Communion Antiphon
  • Using “Ye” Vs. “You” Correctly
  • Installment #3 • “Serious Problems with the Lectionary Translation”

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