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Jesus said to them: “I have come into this world so that a sentence may fall upon it, that those who are blind should see, and those who see should become blind. If you were blind, you would not be guilty. It is because you protest, ‘We can see clearly,’ that you cannot be rid of your guilt.”

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Views from the Choir Loft

Which Hymnal Did Archbishop Fulton J. Sheen Endorse?

Jeff Ostrowski · January 8, 2023

ROADLY SPEAKING, most church musicians are paid very little. Some are not far from becoming destitute. But you know what? It turns out that’s okay. Fulton J. Sheen often spoke about how “God in the form of man shared the poverty of mankind.” In the Old Testament, the traditional offerings for purification were a lamb and a turtledove (if the parents were rich), and two doves or two pigeons (since they were poor). Our Lady had to use the POVERTY OPTION—although we don’t know whether she offered turtledoves or pigeons. Bishop Sheen adds: “Thus the mother who brought the Lamb of God into the world had no lamb to offer—except the Lamb of God.”

Sheen’s Favorite Hymnal? • If Fulton J. Sheen were alive today, I believe he would endorse the Brébeuf Hymnal. First of all, his whole life was dedicated to evangelization, and Father Brébeuf (and his companions) were among the Church’s greatest evangelizers. Moreover, Bishop Sheen drew his teachings from the exact same sources as the Brébeuf Hymnal. Consider Sheen’s teachings about the feast of the Epiphany. That was taken directly from a 4th-century hymn: O Sola Magnarum Urbium. [It would take too long to explain, so please see pages 288-289 in the Brébeuf Hymnal.]

During Rehearsal • Here’s an English translation of that 4th-century hymn. We recorded this during our rehearsal last Thursday night. The choir is 100% volunteers, and fewer than three (3) of them read music. However, because of the masterly way the Brébeuf Choral Supplement prints each verse, they can sing SATB parts very well. Notice how we alternate between unison and SATB:

M To access this hymn’s media in the Brébeuf Portal, click here.

Missing His Voice • If only our Church still had a powerful voice like that of Archbishop Sheen. When he was on television during the 1950s, he received 15,000 letters each day—can you imagine that? When Sheen was in good form, his way of speaking was hypnotic. Even the way he pronounced simple sentences was unforgettable. For instance, Sheen would say: “If you pour water in blue glass, it looks blue. If you pour it into a red glass, it looks red.” Whereas, if I were to say those words, nobody would listen.

Your Voice Can Be Louder • Thursday evening, I took the men outside so we could rehearse something. The ladies stayed behind and spent time learning the Introit for this coming Sunday, which is the Feast of the Holy Family. When I came back, I head the women singing this Introit, and its beauty almost knocked me off my feet. I’d never heard something so gorgeous, so powerful, so arresting. I realized that musicians can have a more powerful voice than even the legendary Fulton J. Sheen! The recording taken during that rehearsal doesn’t show how sublime it sounds in real life, because no microphone can accurately reproduce the complex and luscious choral sound:

“Cemeteries Are Full…” • By the way, at the last second, I asked one of my friends to accompany that Introit on the organ, using the NOH. She did an excellent job—as you can hear—and I am so proud of her! Church musicians must remember to let others “have a chance,” because before we know it our life on earth will end. As Father Alan Heet used to say: “The cemeteries are full of people who thought they were indispensable.”

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, Featured Tagged With: Bishop Fulton J Sheen, Epiphany Hymns, Father Alan Heet OFM, Feast of the Holy Family, Nova Organi Harmonia, O Sola Magnarum Urbium Last Updated: January 8, 2023

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Music List” • 5th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 5th Sunday of Easter (18 May 2025). If such a thing interests you, feel free to download it as a PDF file. The Communion Antiphon was ‘restored’ the 1970 Missale Romanum (a.k.a. MISSALE RECENS) from an obscure martyr’s feast. Our choir is on break this Sunday, so the selections are relatively simple in nature.
    —Jeff Ostrowski
    Communion Chant (5th Sunday of Easter)
    This coming Sunday—18 May 2025—is the 5th Sunday of Easter, Year C (MISSALE RECENS). The COMMUNION ANTIPHON “Ego Sum Vitis Vera” assigned by the Church is rather interesting, because it comes from a rare martyr’s feast: viz. Saint Vitalis of Milan. It was never part of the EDITIO VATICANA, which is the still the Church’s official edition. As a result, the musical notation had to be printed in the Ordo Cantus Missae, which appeared in 1970.
    —Jeff Ostrowski
    “Music List” • 4th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 4th Sunday of Easter (11 May 2025). If such a thing interests you, feel free to download it as a PDF file. I don’t know a more gorgeous ENTRANCE CHANT than the one given there: Misericórdia Dómini Plena Est Terra.
    —Jeff Ostrowski

Quick Thoughts

    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt
    The Funeral Rites of the Graduale Romanum
    Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.
    —Daniel Tucker

Random Quote

It’s good that you are in the USA, otherwise who is going to—in the best sense—make music?

— Ignaz Friedman writing to Josef Hofmann (4 January 1940)

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