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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Which Hymnal Did Archbishop Fulton J. Sheen Endorse?

Jeff Ostrowski · January 8, 2023

ROADLY SPEAKING, most church musicians are paid very little. Some are not far from becoming destitute. But you know what? It turns out that’s okay. Fulton J. Sheen often spoke about how “God in the form of man shared the poverty of mankind.” In the Old Testament, the traditional offerings for purification were a lamb and a turtledove (if the parents were rich), and two doves or two pigeons (since they were poor). Our Lady had to use the POVERTY OPTION—although we don’t know whether she offered turtledoves or pigeons. Bishop Sheen adds: “Thus the mother who brought the Lamb of God into the world had no lamb to offer—except the Lamb of God.”

Sheen’s Favorite Hymnal? • If Fulton J. Sheen were alive today, I believe he would endorse the Brébeuf Hymnal. First of all, his whole life was dedicated to evangelization, and Father Brébeuf (and his companions) were among the Church’s greatest evangelizers. Moreover, Bishop Sheen drew his teachings from the exact same sources as the Brébeuf Hymnal. Consider Sheen’s teachings about the feast of the Epiphany. That was taken directly from a 4th-century hymn: O Sola Magnarum Urbium. [It would take too long to explain, so please see pages 288-289 in the Brébeuf Hymnal.]

During Rehearsal • Here’s an English translation of that 4th-century hymn. We recorded this during our rehearsal last Thursday night. The choir is 100% volunteers, and fewer than three (3) of them read music. However, because of the masterly way the Brébeuf Choral Supplement prints each verse, they can sing SATB parts very well. Notice how we alternate between unison and SATB:

M To access this hymn’s media in the Brébeuf Portal, click here.

Missing His Voice • If only our Church still had a powerful voice like that of Archbishop Sheen. When he was on television during the 1950s, he received 15,000 letters each day—can you imagine that? When Sheen was in good form, his way of speaking was hypnotic. Even the way he pronounced simple sentences was unforgettable. For instance, Sheen would say: “If you pour water in blue glass, it looks blue. If you pour it into a red glass, it looks red.” Whereas, if I were to say those words, nobody would listen.

Your Voice Can Be Louder • Thursday evening, I took the men outside so we could rehearse something. The ladies stayed behind and spent time learning the Introit for this coming Sunday, which is the Feast of the Holy Family. When I came back, I head the women singing this Introit, and its beauty almost knocked me off my feet. I’d never heard something so gorgeous, so powerful, so arresting. I realized that musicians can have a more powerful voice than even the legendary Fulton J. Sheen! The recording taken during that rehearsal doesn’t show how sublime it sounds in real life, because no microphone can accurately reproduce the complex and luscious choral sound:

“Cemeteries Are Full…” • By the way, at the last second, I asked one of my friends to accompany that Introit on the organ, using the NOH. She did an excellent job—as you can hear—and I am so proud of her! Church musicians must remember to let others “have a chance,” because before we know it our life on earth will end. As Father Alan Heet used to say: “The cemeteries are full of people who thought they were indispensable.”

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, Featured Tagged With: Bishop Fulton J Sheen, Could Fulton J Sheen Sing, Epiphany Hymns, Father Alan Heet OFM, Feast of the Holy Family, Nova Organi Harmonia, O Sola Magnarum Urbium Last Updated: January 30, 2026

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    PDF Download • “For Pentecost Sunday”
    Yesterday morning, I recorded myself singing the ENTRANCE CHANT for Pentecost Sunday while simultaneously accompanying myself on the pipe organ. Click here to see how that came out. At the end of the antiphon, there’s a triple Allelúja and I just love the chord at the end of the 2nd iteration. The organ accompaniment—along with the musical score for singers—can be downloaded free of charge at the flourishing feasts website. For the record, the antiphon on Pentecost Sunday doesn’t come from a psalm; it comes from the book of Wisdom.
    —Jeff Ostrowski
    PDF Download • “Organ Accompaniment”
    Over the past few years, I’ve been harmonizing all the vernacular plainsong Introit settings by the CHAUMONOT COMPOSERS GROUP. This coming Sunday—10 May 2026—is the 6th Sunday of Easter (Year A). The following declaration will probably smack of “blowing my own horn.” However, I’d rank this accompaniment as my best yet. In this rehearsal video, I attempt to sing it while simultaneously accompanying myself on the pipe organ. The musical score [for singers] as well as my organ accompaniment can be downloaded free of charge from the flourishing feasts website.
    —Jeff Ostrowski
    “Gregorian Chant Quiz” • 4 May 2026
    A few days ago, the CORPUS CHRISTI WATERSHED Facebook page posted this Gregorian Chant quiz regarding a rubric for the SEQUENCE for the feast of Corpus Christi: “Lauda Sion Salvatórem.” There is no audience more intelligent than ours—yet surprisingly nobody has been able to guess the rubric. Drop me an email with the right answer, and I’ll affirm your brilliance to everyone I encounter!
    —Jeff Ostrowski

Quick Thoughts

    “Thee” + “Thou” + “Thine”
    Few musicians realize that various English translations of Sacred Scripture were granted formal approval by the USCCB and the Vatican for liturgical use in the United States of America. But don’t take my word for it! Here are four documents proving this, which you can examine with your own eyes. Some believe the words “Thine” and “Thou” and “Thee” were forbidden after Vatican II—but that’s incorrect. For example, they’re found in the English translation of the ‘Our Father’ at Mass. Moreover, the Revised Standard Version (Catholic Edition) mentioned in those four documents employs “Thine” and “Thou” and “Thee.” It was published with a FOREWORD by Westminster’s Roman Catholic Archbishop (John Cardinal Heenan).
    —Jeff Ostrowski
    “Reminder” — Month of May (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    Simplified Version • “Canon in D” (Pachelbel)
    I published an article on 11 November 2023 called Wedding March For The Lazy Organist, which rather offhandedly made reference to a simplified version I created in 2007 for Pachelbel’s Canon. I often use it as a PROCESSIONAL for weddings and quinceañeras. Many organists say they “hate” Pachelbel’s Canon. But I love it. I think it’s bright and beautiful. I created that ‘simplified version’ for musicians coming to grips with playing the pipe organ. It can be downloaded as a free PDF if you visit Andrea Leal’s article dated 15 August 2022: Manuals Only: Organ Interludes Based on Plainsong. Specifically, it is page 84 in that collection—generously offered as a free PDF download. Johann Pachelbel (d. 1706) was a renowned German organist, violinist, teacher, and composer of over 500 works. A friend of Bach’s family, he taught Johann Christoph Bach (Sebastian Bach’s eldest brother) and lived in his house. Those who read Pachelbel’s biography will notice his connection to two German cities adopted as famous hymn tune names: EISENACH and ERFURT.
    —Jeff Ostrowski

Random Quote

At papal Masses, the regulations against tardiness were more stringent than at Masses celebrated by cardinals or bishops. Giovanni Maria Nanino records that any singer who is not in his place—and in his vestments—by the end of the repetition of the “Introit” will be fined eight vinti. At papal Vespers, the singer who is not present at the “Gloria Patri” of the first psalm pays a fine of fifty balocchi.

— Giovanni M. Nanino (d. 1607), Papal “Maestro di Cappella”

Recent Posts

  • “Unfair Characterization” • (But Good Question)
  • “Thee” + “Thou” + “Thine”
  • PDF Download • “For Pentecost Sunday”
  • “Reminder” — Month of May (2026)
  • “Englished” Gregorian Chant • 5 Considerations

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