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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

John G. Dunn • 1943-2022 • Requiescat In Pace

Richard J. Clark · December 23, 2022

RJC Note: The following obituary is written by Brother Paul J. Murray, The Oratory York, England. He is a graduate of the Boston Archdiocesan Choir School, class of 1996 (currently known as Saint Paul’s Choir School in Harvard Square). He is the former Choirmaster and Organist at the Church of Our Saviour – New York, New York and The Church of the Holy Family “The United Nations Parish” – New York, New York. Murray served as Assistant Editor to John Dunn, Senior Editor of recent updates of the Theodore Marier Psalter first published in Hymns, Psalms, and Spiritual Canticles (1974, 1983) written about here in 2020. The work continues, and look here for updates. 
OHN G. DUNN died peacefully at his home in Watertown, Massachusetts on Saturday, December 17, at the age of 79. A graduate of Harvard College and Boston University, John Dunn studied organ with Theodore Marier, George Faxon, and Max Miller. For many, John’s name is synonymous with St. Paul’s Church, Cambridge, Massachusetts, where he worked in one capacity or another from 1960 until 2010. As a Harvard freshman, he persuaded Theodore Marier, St. Paul’s legendary organist and music director, to take him on as an organ student. John initially played the organ for the Sunday Student Mass at St. Paul’s.

IN 1963 UPON THE FOUNDING of Saint Paul’s Choir School in Cambridge, Massachusetts, John joined the faculty where he taught math, music theory, Ward Method, piano, recorder, and organ. He also served as Assistant Music Director and Organist under Marier. In 1974, as the Sisters of Saint Joseph of Boston began to withdraw from St. Paul’s, John became Principal of the Boston Archdiocesan Choir School and in 1986, upon the retirement of Dr. Marier, John became the Choir School’s second Music Director, a position he held concurrent with his duties as Principal. In 1998, he became Headmaster-Music Director. He retired from St. Paul’s after fifty years of dedicated service in 2010 and was named Headmaster-Music Director Emeritus.

An active member of the Boston American Guild of Organists (AGO) chapter for many years, John earned the Fellowship and Choir Master diplomas of the Guild and served the Boston Chapter in numerous capacities. He was an ardent supporter of the Boston AGO’s Young Organist Initiative and always encouraged his young organ students to apply for scholarships, attend Pipe Organ Encounters, and take AGO certification exams. In retirement, John served on the Executive Committee of the Boston AGO and substituted as organist in churches throughout the Boston area.

DUNN WAS A SKILLED HYMN WRITER. Most of his hymn texts were written specifically for Theodore Marier’s hymnal, Hymns, Psalms, and Spiritual Canticles (1974, 1983). Some of these hymns have found their way into various Christian hymnals throughout the English-speaking world. 

John was a gifted service player and accompanist. As assistant to Theodore Marier, he played for the funerals of John Cardinal Wright and Richard Cardinal Cushing, the visit of Pope Saint John Paul II to the Cathedral of the Holy Cross, and the Installations of Archbishop Humberto Medeiros and Archbishop Bernard Law. He was an active recitalist and performed throughout New England, including performances at the Methuen Memorial Music Hall, Trinity Church, Boston, Mechanics Hall, Harvard’s Memorial Church and the Busch-Reisinger Museum.

DURING JOHN’S YEARS AS MUSIC DIRECTOR, the Choir School under the title “Boston Boy Choir”, toured in Chicago, Montreal, Rome, and Washington, produced several recordings, collaborated with the Boston Symphony Orchestra at Tanglewood, the Boston Pops at Symphony Hall, and sang at countless concerts, weddings, and funerals throughout the Archdiocese of Boston, including the nationally televised funerals of the late Speaker of the House, Tip O’Neill and Rose Fitzgerald Kennedy, matriarch of the Kennedy Family.

Self-described as working “full-time, overtime, and all-the-time,” one wondered if John ever slept or if he lived out of his office at the Choir School. John enjoyed traveling, cooking, and swimming in his spare time.

John always said that he was very privileged to work closely with Theodore Marier and always spoke about Dr. Marier with great fondness. Immediately prior to his death, John, in collaboration with Choir School alumnus Paul Murray, completed a revision of Marier’s signature psalmody to conform to the new liturgical texts that have been implemented in the Catholic Church since the psalms were published in Dr. Marier’s hymnal. For many, John’s death marks the end of a direct link to Theodore Marier.

ALWAYS HAVING TREASURED HIS TIME spent with the boys, John Dunn was always eager to hear from alumni who had gone on to highly successful careers, musical and otherwise, and who pointed to their attending the Choir School as a defining moment in their lives. The Choir School would not exist today without John Dunn’s vision, dedication, and talent. He was a great mentor and friend to his colleagues and former students and he will be missed by his family, friends, and students.

May he rest in peace and may God console those who mourn.

Brother Paul Murray The Oratory York, England Boston Archdiocesan Choir School, Class of 1996

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Archdiocese of Boston, Boston Archdiocesan Choir School, John Dunn, Saint Pauls Choir School Harvard Square, Theodore Marier Last Updated: December 23, 2022

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About Richard J. Clark

Richard J. Clark is the Director of Music of the Archdiocese of Boston and the Cathedral of the Holy Cross.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Music List • (3rd Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 3rd Sunday of Lent (8 March 2026). If such a thing interests you, feel free to download it as a PDF file. This feast has magnificent propers. Its stern INTROIT (“Óculi mei semper ad Dóminum”) is breathtaking, and the COMMUNION (“Qui bíberit aquam”) with its fauxbourdon verses is wonderful. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski
    “Samaritánæ” (3rd Sunday of Lent)
    With regard to the COMMUNION for the 3rd Sunday of Lent (Year A), the Ordo Cantus Missae—which was published in 1969 by the Vatican, bearing Hannibal Bugnini’s signature and approbation in its PREFACE—inexplicably introduced a variant melody and slightly different words, as you can see by this comparison chart. When it comes to such items, they’re always done in secrecy by unnamed people. (Although it is known that Dom Eugène Cardine collaborated in the creation of the GRADUALE SIMPLEX, a book considered by some to be a travesty.)
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski

Quick Thoughts

    “Dies Irae” • A Monstrous Translation
    It isn’t easy to determine what Alice King MacGilton hoped to accomplish with her very popular book—A Study of Latin Hymns (1918)—which continued to be reprinted in new editions for at least 34 years. This PDF file shows her attempt to translate the DIES IRAE “in the fewest words possible.” There’s a place for dynamic equivalency, but this is repugnant. In particular, look what she does to “Quærens me sedísti lassus.”
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski
    Grotesque Pairing • “Passion Chorale”
    One of our rarest releases was undoubtably this PDF scan of the complete Pope Pius XII Hymnal (1959) by Father Joseph Roff, a student of Healey Willan. One of the scarcest titles in existence, this book was provided to us by Mr. Peter Meggison. Back in 2018, we scanned each page and uploaded it to our website, making it freely available to everyone. Readers are probably sick of hearing me say this, but just because we upload something that doesn’t necessarily mean it’s wonderful or worthy of imitation. We upload many publications precisely because they are ‘grotesque’, interesting, or revealing. Whereas the Brébeuf Catholic Hymnal had an editorial board that was careful and sensitive vis-à-vis pairing texts with tunes, the Pope Pius XII Hymnal (1959) seems to have been rather reckless in this regard. Please take a look at what they did with the PASSION CHORALE and see whether you agree.
    —Jeff Ostrowski

Random Quote

When a friend speaks of his accomplishments and triumphs, he stands at a distance from our heart. When he shares his weaknesses and failings, he’s very near.

— Archbishop Fulton J. Sheen

Recent Posts

  • “Dies Irae” • A Monstrous Translation
  • PDF Download • “Holy, Holy, Holy”
  • Music List • (3rd Sunday of Lent)
  • “National Survey” (Order of Christian Funerals) • By the USCCB Secretariat of Divine Worship
  • “Samaritánæ” (3rd Sunday of Lent)

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