• Skip to primary navigation
  • Skip to main content
  • Skip to primary sidebar

Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

  • Donate
  • Our Team
    • Our Editorial Policy
    • Who We Are
    • How To Contact Us
    • Sainte Marie Bulletin Articles
    • Jeff’s Mom Joins Fundraiser
  • Pew Resources
    • Brébeuf Catholic Hymnal
    • Jogues Illuminated Missal
    • Repository • “Spanish Music”
    • KYRIALE • Saint Antoine Daniel
    • Campion Missal, 3rd Edition
  • MUSICAL WEBSITES
    • René Goupil Gregorian Chant
    • Noël Chabanel Psalms
    • Nova Organi Harmonia (2,279 pages)
    • Roman Missal, 3rd Edition
    • Catechism of Gregorian Rhythm
    • Father Enemond Massé Manuscripts
    • Lalemant Polyphonic
    • Feasts Website
  • Miscellaneous
    • Site Map
    • Secrets of the Conscientious Choirmaster
    • “Wedding March” for lazy organists
    • Emporium Kevin Allen
    • Saint Jean de Lalande Library
    • Sacred Music Symposium 2023
    • The Eight Gregorian Modes
    • Gradual by Pothier’s Protégé
    • Seven (7) Considerations
Views from the Choir Loft

Young Boys Who “Play” Mass

Veronica Moreno · December 18, 2022

Y SON started by carrying a stick (as processional cross) around the house. He would don a towel and carry sticks around the house. In time, it slowly evolved. By the time he turned 10, it was the entire Mass. This mother couldn’t help it; I bought him a “play vestment set” one Christmas. Then some play vessels. One day he found a vintage silver-plated goblet (now a chalice!) in his grandmother’s garage, and slowly his MASS KIT grew. Visiting a colonial Mexican town, we bought him candy that looked like hosts.

His Bell Summons My Children • At first, he “played” the entire Mass—from beginning to end—in our living room. He memorized (broadly speaking) the entire Mass in Latin. He single-handedly functioned as priest, altar server, and choir. But like the “instruments” and “tools” of Mass, this also grew. My other children learned to accept that during his “Masses,” they’d have to go to Communion when they heard his bells ring. The bells. I forgot to mention the different bells he went through until he found the right set. I am not joking about this: He memorized most of the Latin Mass server responses, priest prayers, and chanted chants.

*  PDF Download • Excerpt from Fulton Sheen’s Autobiography
—Archbishop Fulton J. Sheen speaks about children and priestly vocations.

Possible Vocation? • To be perfectly honest, my husband and I didn’t know how much or which way to nurture this. We’re happy to see him grow in his faith, but we’re also aware that our excitement needn’t turn into “pushing.” If he has a priestly vocation, God will let him know. And if not, God will also let him know. We’re going to stand by his side as he becomes a man and hopefully see him lead a long life as a holy Catholic man.

Recruiting “Whomever” • My son started recruiting altar servers and “parishioners” outside of our immediate family. A recent family and friend gathering turned into a Low and a High Mass. We are used to it. He even has a little brother to boss around the altar. But this time he had a “real altar server”. This time he had a friend who actually serves at the altar in a real Mass. This time his altar server actually has an attention span longer than his little brother’s 3.7 minutes. So what you see in that video is a glorious event for my son. (above)

Introibo Unrequited? • I’m not sure anyone but his mother will recognize the intense pride he has in this video. Only his mother may recognize what it may mean for his friend to ring the bells at the right moment, with the right cadence. Only this mother may recognize a complete “Prayers at the Foot of the Altar” after hearing countless unrequited INTROIBO AD ALTARE DEO’S. (He didn’t have to respond to himself. Finally someone to answer back!)

Not Alone • It seems my son is not the only child who does this. We were sent the following images of our son’s friend:

Purchasing Mass Sets For Boys • My friend had a good experience buying children’s vestments, chasubles, maniples, burses, corporals, chalices, patens, and other items from Vestments For Juniors on Etsy. We have bought from Lil Catholic Novelties who make and sell Mass sets for boys.

M Know of additional
M vestment makers?
M Email: seekenchantaspire@gmail.com

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, Featured, PDF Download Tagged With: Boy Chasuble, Child Vestments, Children Mass Set Vestments, Young Boy Playing Mass Last Updated: December 18, 2022

Subscribe

It greatly helps us if you subscribe to our mailing list!

* indicates required

About Veronica Moreno

Veronica Moreno is married to a teacher and homeschools five children. She has been cantor at her local Catholic parish for over a decade.—(Read full biography).

Primary Sidebar

Corpus Christi Watershed

President’s Corner

    Cheap! Cheap! Cheap!
    It’s always amusing to see old diocesan newspapers—in huge capital letters—advertising the Cheapest Catholic Paper in the United States. The correspondent who sent this to me added: “I can think of certain composers, published by large companies in our own day, who could truthfully brag about the most tawdry compositions in the world!” I wonder what she could have meant by such a cryptic comment…
    —Jeff Ostrowski
    PDF Download • Dom Murray Harmonies
    Along with so many others, I have deep respect for Dom Gregory Gregory Murray, who produced this clever harmonization (PDF) of “O SANCTISSIMA.” It’s always amazed me that Dom Gregory—a truly inspired composer—was so confused when it came to GREGORIAN CHANT. Throughout his life, he published contradictory statements, veering back-and-forth like a weather vane. Toward the end of his life, he declared: “I see clearly that the need for reform in liturgical music arose, not in the 18th and 19th centuries, but a thousand years earlier—in the 8th and 9th centuries, or even before that. The abuses began, not with Mozart and Haydn, but with those over-enthusiastic medieval musicians who developed the elaborate and flamboyant Gregorian Chant.”
    —Jeff Ostrowski
    “Music List” • 14 September (Holy Cross)
    Readers have expressed interest in perusing the ORDER OF MUSIC I prepared for 14 September 2025, which is the Feast of Exaltation of the Holy Cross. If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the spectacular feasts website alongside the official texts in Latin.
    —Jeff Ostrowski

Quick Thoughts

    Karl Keating • “Canonization Questions”
    We were sent an internet statement (screenshot) that’s garnered significant attention, in which KARL KEATING (founder of Catholic Answers) speaks about whether canonizations are infallible. Mr. Keating seems unaware that canonizations are—in the final analysis—a theological opinion. They are not infallible, as explained in this 2014 article by a priest (with a doctorate in theology) who worked for multiple popes. Mr. Keating says: “I’m unaware of such claims arising from any quarter until several recent popes disliked by these Traditionalists were canonized, including John XXIII, Paul VI, and John Paul II. Usually Paul VI receives the most opprobrium.” Mr. Keating is incorrect; e.g. Father John Vianney, several centuries ago, taught clearly that canonizations are not infallible. Archbishop Fulton J. Sheen would be another example, although clearly much more recent than Saint John Vianney.
    —Corpus Christi Watershed
    Vatican II Changed Wedding Propers?
    It’s often claimed that the wedding propers were changed after Vatican II. As a matter of fact, that is a false claim. The EDITIO VATICANA propers (Introit: Deus Israel) remained the same after Vatican II. However, a new set of propers (Introit: Ecce Deus) was provided for optional use. The same holds true for the feast of Pope Saint Gregory the Great on 3 September: the 1943 propers (Introit: Si díligis me) were provided for optional use, but the traditional PROPRIA MISSAE (Introit: Sacerdótes Dei) were retained; they weren’t gotten rid of. The Ordo Cantus Missae (1970) makes this crystal clear, as does the Missal itself. There was an effort made in the post-conciliar years to eliminate so-called “Neo-Gregorian” chants, but (contrary to popular belief) most were retained: cf. the feast of Christ the King, the feast of the Immaculate Conception, and so forth.
    —Corpus Christi Watershed
    Solemn “Salve Regina” (Chant)
    How many “S” words can you think of using alliteration? How about Schwann Solemn Salve Score? You can download the SOLEMN SALVE REGINA in Gregorian Chant. The notation follows the official rhythm (EDITIO VATICANA). Canon Jules Van Nuffel, choirmaster of the Cathedral of Saint Rumbold, composed this accompaniment for it (although some feel it isn’t his best work).
    —Corpus Christi Watershed

Random Quote

“Finally, let us not forget that listening especially is active participation. When we listen to the performances of Bach’s Saint Matthew Passion, we can fully participate actively in the Passion of Christ. And so, if we listen attentively to the singing and organ music during the celebration of the divine services, our participation is not less complete. The real significance of this objective and very important aspect is insufficiently understood.”

— Flor Peeters

Recent Posts

  • How do you pronounce this word in Latin?
  • Cheap! Cheap! Cheap!
  • Children’s Repertoire: “3 Recommendations”
  • PDF Download • Dom Murray Harmonies
  • “Music List” • 14 September (Holy Cross)

Subscribe

Subscribe

* indicates required

Copyright © 2025 Corpus Christi Watershed · Isaac Jogues on Genesis Framework · WordPress · Log in

Corpus Christi Watershed is a 501(c)3 public charity dedicated to exploring and embodying as our calling the relationship of religion, culture, and the arts. This non-profit organization employs the creative media in service of theology, the Church, and Christian culture for the enrichment and enjoyment of the public.