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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Join Your Parish Choir! • Why We Sing as a Faith Community

Richard J. Clark · November 22, 2022

N THIS FEAST of Saint Cecilia we remember in gratitude God’s great gift of song. This gift smiles upon our prayer as music expresses what words cannot. Supplication to God which emanates from the fathoms of our being often finds its true voice in song. Words may fail us in sorrow, pain, gratitude, and in joy. Music is the emissary of the heart.

While deeply personal, music is also a public expression, one that can place individuals in a vulnerable position by risking such exposure. But music is a unifying force in our communities. We are by nature social beings, and called to serve one another and lift each other up.

 

Why do we sing? God is there!

Why do we sing? Why sing at Mass? This is a loaded question! I’m not going to tell you how it is. You have perfectly valid reasons within your own heart. The Church puts forth its case on many levels. Both must be deeply explored together.

*(Disclaimer: Everything I write is just as much to remind myself, as it is to share with others!)

We do know God is present in various ways including when we sing:

“He is present in the sacraments…He is present in His word…He is present…when the Church prays and sings, for He promised: “Where two or three are gathered together in my name, there am I in the midst of them” (Matt. 18:20). (Constitution on the Sacred Liturgy § 7)

Saint Augustine is attributed with the saying, “He who sings once, prays twice.” There is great wisdom in this regardless of its origin. Saint Augustine has said, “To sing is a sign of love. The singer of this new song is full of the warmth of God’s love.” (Sermon 336)

Quite fascinating is the context of Augustine’s words on singing: the celebration of the dedication of a Church. His wisdom teaches us love in a faith community:

“But Christians do not make a house of God until they are one in charity. The timber and stone must fit together in an orderly plan, must be joined in perfect harmony, must give each other the support as it were of love, or no one would enter the building…Therefore, to be raised up from your former state of ruin you must love one another. ” (Ibid.)

But what greater love is His sacrifice, which was offered on the cross for all? Our thanksgiving and joy may best find its voice in song. But to speak of music in the liturgy, to speak of community, one must first talk about the Eucharist which is the fabric of community and all our being.

Community is intrinsically tied to the Eucharist.

We cannot isolate from each other our encounter with the Divine. Sacrament, scripture, and prayer unite us in love in God’s presence. From Lumen Gentium §11:

“Taking part in the Eucharistic sacrifice, which is the fount and apex of the whole Christian life, they offer the Divine Victim to God, and offer themselves along with It.”

Pope Francis echoes this directly in his Apostolic letter Desiderio Desideravi § 37:

“There is no aspect of ecclesial life that does not find its summit and its source in the Liturgy…the consequence of placing the Sunday Eucharist, the foundation of communion, at the centre of the life of the community.”

The Eucharist is something in which we, the community — the Body of Christ participate.

From the catechism of the Catholic Church, §1322: “The holy Eucharist completes Christian initiation. Those who have been raised to the dignity of the royal priesthood by Baptism…participate with the whole community in the Lord’s own sacrifice by means of the Eucharist.”

We see over and over that the community is intrinsically tied to the Eucharist. From the Constitution on the Sacred Liturgy § 7:

“[I]n the liturgy the whole public worship is performed by the Mystical Body of Jesus Christ, that is, by the Head and His members.”

As members of the Body of Christ, we are reminded that we participate in the Lord’s own sacrifice. Therefore, (as Alan Hommerding reminds us) the Eucharist is not just a thing or an object to behold. Our celebration is a communal participation and our response is an action. We are not passive in the presence of God. The Eucharist is our sacramental food to go into the world and bear fruit that will last (John 15:16).

Sacred Song is Prayer 

Sacred song is prayer. In this prayer God dwells among us. As a consequence, we are reminded of Lex Orandi, Lex Credendi, and Lex Vivendi: The rule of prayer is the rule of belief, which leads to the rule of how we live out our lives — and quite bluntly, how we treat each other.

What we pray – how we pray – and sing – forms our belief which informs our action. The faith community is formed by what we sing. This is the power of song. This power is a call to responsibility for one another. What and how we sing is an act of love and of service. Each rehearsal is a prayer. Each carefully prepared song is a fulfillment of Jesus’ greatest Commandment to “Love one another.” God and each other is all we have.

Will I Make a Difference?

Whether in your parish choir or in the pews, if you think your voice may not make a difference, consider the following from Gaudium et Spes (“Joy and Hope” 1965 Vatican II) §8:

“The Paschal hymn, of course, does not cease when a liturgical celebration ends. Christ, whose praises we have sung, remains with us and leads us through church doors to the whole world, with its joys and hopes, griefs and anxieties.”

Remember this always: One never knows the pain, griefs, anxieties, hopes, joys, burdens, that one carries when they enter the doors of our churches, our parish communities. You will impact people’s lives in ways that you will never know. You will alter their lives for the better and forever. Your song may offer the one bit of hope that someone needs.

Your act of love through song ushers beauty to human hearts. Such beauty is redemptive and salvific.

But the Church is in a difficult state

Yet, the Church is in a difficult state, wrestling with its own horrific sins and struggling post-pandemic to welcome back with open arms a dispersed flock. Many parishes struggle to get families, parishioners, servers, and ministers to return. Many choirs are rebuilding with no recruitment or development for two years. This makes your presence, your voice, your witness to the love of Christ that much more important!

Why persist?

We persist because when one sings, the Kingdom of God is found not beyond one’s reach, but within your own heart. We persist because we offer an example of service to others. We persist because we give witness to the love for all of Jesus Christ who died for all. We persist because singing is a treasure of inestimable value to be pursued inexorably. We persist as song brings us closer in relationship with God and with each other. We sing to answer God’s call to love one another. We persist because of the deep need groaning within our soul to sing God’s praise.

The Mustard Seed

As many children and adult choirs rebuild, always remember: singing even with smaller numbers is like the mustard seed:

Matthew 13: 31-32 “The kingdom of heaven is like a mustard seed that a person took and sowed in a field. It is the smallest of all the seeds, yet when full-grown it is the largest of plants. It becomes a large bush, and the ‘birds of the sky come and dwell in its branches.’”

DO NOT BE DISCOURAGED, but be joyful! The small or imperfect efforts we make now become the mustard seed that transforms a life forever. The seed you plant may convert one soul or many souls. The seeds you plant may in time save us all. Be joyful. It is time to reclaim our humanity with song. It is past time to reclaim our role in the sung Mass glorifying God and bring our brothers and sisters close to God. Sacred music, a healing balm is needed now more than ever.

Finally, it must be understood that the simple is often beautiful. We do not have endless resources, financial and otherwise, to create the most beautiful sacred liturgy. We must do what is possible. The simplest of chant and inspired melody, sung well and with prayerful heart expresses truth. One might evoke Pope Francis who calls for a Church of and for the poor. In the recognition of all human dignity, the poor especially deserve truth from which beauty emanates. The greatest beauty often comes from the least among us.

Soli Deo gloria
To God alone the Glory

Oremus pro invicem
Let us pray for each other.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Catholic Youth Choirs, choir, community, faith, love, Saint Augustine, Saint Cecilia, singing at Mass Last Updated: November 21, 2022

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About Richard J. Clark

Richard J. Clark is the Director of Music of the Archdiocese of Boston and the Cathedral of the Holy Cross.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Music List • (5th Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 5th Sunday of Lent (22 March 2026). If such a thing interests you, feel free to download it as a PDF file. Traditionally, this Sunday was called ‘Passion’ Sunday. Starting in 1956, certain church leaders attempted rename both ‘Passion’ Sunday and ‘Palm’ Sunday—but it didn’t work. For example, Monsignor Frederick McManus tried to get people to call PALM SUNDAY “Second Passion Sunday”—but the faithful rejected that. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski
    Music List • (Holy Thursday, 2026)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for Holy Thursday, which is 2 April 2026. If such a thing interests you, feel free to download it as a PDF file. I’m not sure I’ve ever heard a more piercingly beautiful INTROIT, and I have come to absolutely love the SATB version of ‘Ubi cáritas’ we are singing (joined by our burgeoning children’s choir). I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski
    “O Escam Viatorum” • (Holy Thursday)
    When I was very young, I erroneously believed the four psalms provided by the 1957 Liber Usualis—for Communion on Holy Thursday—were the “correct” music to sing on that first day of the TRIDUUM SACRUM. Those four psalms are: Psalm 22 (Dóminus regit me et nihil mihi déerit); Psalm 71 (Deus judícium tuum regi da); Psalm 103 (Bénedic ánima méa); and Psalm 150 (Laudáte Dóminum in sanctis ejus). It turns out I was way out in left field! While nothing forbids singing those psalms, many other options are equally valid. Our volunteer parish choir will sing this COMMUNION PIECE (joined by our burgeoning children’s choir) on Holy Thursday during Holy Communion. Needless to say, this will happen after the proper antiphon from the GRADUALE ROMANUM has been sung.
    —Jeff Ostrowski

Quick Thoughts

    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski
    Stumped by “Episcopalian Hymnal” (1910)
    Some consider Songs of Syon (1910) the greatest Episcopalian hymnal ever printed. As a Roman Catholic, I have no right to weigh in one way or the other. However, this particular page has me stumped. I just know I’ve heard that tune somewhere! If you can help, please email me. I’m talking about the text which begins: “This is the day the Lord hath made; In unbeclouded light array’d.” The book is by George Ratcliffe Woodward, and its complete title is: Songs of Syon: A Collection of Psalms, Hymns, and Spiritual Songs. Back in 2016, Corpus Christi Watershed scanned and uploaded this insanely rare book. For years our website was the sole place one could download it as a PDF file.
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski

Random Quote

“After a discussion lasting several days, in which arguments for and against were discussed, the Council fathers came to the clear conclusion—wholly in agreement with the Council of Trent—that Latin must be retained as the language of cult in the Latin rite, although exceptional cases were possible and even welcome.”

— Alfons Cardinal Stickler, Vatican II ‘peritus’

Recent Posts

  • PDF Download • “Ubi Caritas” (SATB)
  • Summer 2026 • “Gregorian Chant Course” at Aquinas College (Nashville, TN)
  • Music List • (5th Sunday of Lent)
  • Music List • (Holy Thursday, 2026)
  • “O Escam Viatorum” • (Holy Thursday)

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