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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Blase Cardinal Cupich Responds Directly to Me!

Jeff Ostrowski · November 10, 2022

N ONE of my articles, published on 22 September 2022, I provided a 1955 citation. The citation was pretty rare. (I’ve been involved with liturgical projects since the 1990s, and I’ve never seen it cited.) A perceptive reader alerted me to this article published on 11-2-2022 by Cardinal Cupich, which in all likelihood was submitted a few weeks in advance—i.e. shortly after my article appeared. A few weeks is standard, to allow for typesetting and proofreading.

Insane Coincidence? • Thanks be to God, I have become very careful vis-à-vis what I publish about other people. Calumny is a serious sin, for which reparation is virtually impossible. However, it’s difficult to believe Cardinal Cupich’s piece was written independently of my article because of the timing, and because of how rare that quote was. I will not insult your intelligence by telling you what I suspect. Whether deliberate or not, Cardinal Cupich responds directly to me. Compare Green to Green, Yellow to Yellow, Pink to Pink, and Blue to Blue:

I don’t have time to respond to Cardinal Cupich’s response to my article. Briefly, however, consider the following:

(1) Cardinal Cupich claims Vatican II mandated “recitation of the creed.”

Cardinal Cupich is mistaken. Catholics were allowed to recite the Creed along with the priest before Vatican II. Moreover, the reformers deliberately limited the recitation of the Creed. At Maria Laach Conference in 1951, progressives pushing for liturgical reform declared (resolution #6): “The recitation of the Creed should occur much less frequently.”

(2) Cardinal Cupich claims Vatican II mandated “a fixed altar from which the priest would face the people.”

Cardinal Cupich is mistaken. Vatican II said not one word about destroying the beautiful high altars or Mass “facing the people.” As a matter of fact, to this day, the Ordinary Form Missal presumes celebration ad orientem.

(3) Cardinal Cupich claims Vatican II was about: “moving from Latin to the vernacular.”

The opposite is true. Vatican II required that Latin be retained and that Gregorian Chant be given “first place” in liturgical services. The retention of Latin was not a suggestion or recommendation—it was required by the Council.

(4) Cardinal Cupich claims Vatican II restored “processions of gifts and the Gospels.”

Cardinal Cupich is mistaken. The Missale Vetustum had a splendid Gospel procession.

(5) Cardinal Cupich claims Vatican II restored “reciting in unison the Lord’s Prayer.”

Cardinal Cupich is mistaken. The Missale Vetustum allows that practice at Low Mass, and divides the singing at High Mass—i.e. the Celebrant sings one section of the Lord’s Prayer, and the congregation sings the other section.

(6) Cardinal Cupich claims Vatican II restored “singing together.”

Cardinal Cupich is mistaken. The Missale Vetustum not only allows, but even requires such a practice at High Mass.

(7) Cardinal Cupich claims Vatican II restored “periods of common silence.”

Cardinal Cupich is mistaken. I’m not even going to comment on such an assertion!

(8) Cardinal Cupich claims Vatican II restored a practice that takes place “in the eucharistic prayer, the […] people respond in the preface…”

Cardinal Cupich is mistaken. The Missale Vetustum requires that the entire congregation respond to the priest at the Preface, and it’s one of the most beautiful parts of the Mass: Habémus ad Dóminum…

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, Featured Tagged With: Archbishop Blase J Cupich, Blase Cardinal Cupich Last Updated: October 18, 2023

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Music List • (2nd Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 2nd Sunday of Lent (1 March 2026). If such a thing interests you, feel free to download it as a PDF file. This feast has magnificent propers. Its somber INTROIT is particularly striking—using a haunting tonality—but the COMMUNION with its fauxbourdon verses is also quite remarkable. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski
    Like! Like! Like!
    You won’t believe who recently gave us a “like” on the Corpus Christi Watershed FACEBOOK PAGE. Click here (PDF) to see who it was. We were not only sincerely honored, we were utterly flabbergasted. This was truly a resounding endorsement and unmistakable stamp of approval.
    —Jeff Ostrowski
    Which Mass?
    In 1905, when the Vatican Commission on Gregorian Chant began publishing the EDITIO VATICANA—still the Church’s official edition— they assigned different Masses to different types of feasts. However, they were careful to add a note (which began with the words “Qualislibet cantus hujus Ordinarii…”) making clear “chants from one Mass may be used together with those from others.” Sadly, I sometimes worked for TLM priests who weren’t fluent in Latin. As a result, they stubbornly insisted Mass settings were ‘assigned’ to different feasts and seasons (which is false). To understand the great variety, one should examine the 1904 KYRIALE of Dr. Peter Wagner. One should also look through Dom Mocquereau’s Liber Usualis (1904), in which the Masses are all mixed up. For instance, Gloria II in his book ended up being moved to the ‘ad libitum’ appendix in the EDITIO VATICANA.
    —Jeff Ostrowski

Quick Thoughts

    Extreme Unction
    Those who search Google for “CCCC MS 079” will discover high resolution images of a medieval Pontificale (“Cambridge, Corpus Christi College, MS 079”). One of the pages contains this absolutely gorgeous depiction of the Sacrament of Extreme Unction.
    —Corpus Christi Watershed
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

“You have thereby removed from the celebration of the Mass all superstitions, all greed for lucre, and all irreverence … removed its celebrations from private homes and profane places to holy and consecrated sanctuaries. You have banished from the temple of the Lord the more effeminate singing and musical compositions.”

— ‘Bishop Racozonus, speaking at the last session of the Council of Trent (1563)’

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