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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Blase Cardinal Cupich Responds Directly to Me!

Jeff Ostrowski · November 10, 2022

N ONE of my articles, published on 22 September 2022, I provided a 1955 citation. The citation was pretty rare. (I’ve been involved with liturgical projects since the 1990s, and I’ve never seen it cited.) A perceptive reader alerted me to this article published on 11-2-2022 by Cardinal Cupich, which in all likelihood was submitted a few weeks in advance—i.e. shortly after my article appeared. A few weeks is standard, to allow for typesetting and proofreading.

Insane Coincidence? • Thanks be to God, I have become very careful vis-à-vis what I publish about other people. Calumny is a serious sin, for which reparation is virtually impossible. However, it’s difficult to believe Cardinal Cupich’s piece was written independently of my article because of the timing, and because of how rare that quote was. I will not insult your intelligence by telling you what I suspect. Whether deliberate or not, Cardinal Cupich responds directly to me. Compare Green to Green, Yellow to Yellow, Pink to Pink, and Blue to Blue:

I don’t have time to respond to Cardinal Cupich’s response to my article. Briefly, however, consider the following:

(1) Cardinal Cupich claims Vatican II mandated “recitation of the creed.”

Cardinal Cupich is mistaken. Catholics were allowed to recite the Creed along with the priest before Vatican II. Moreover, the reformers deliberately limited the recitation of the Creed. At Maria Laach Conference in 1951, progressives pushing for liturgical reform declared (resolution #6): “The recitation of the Creed should occur much less frequently.”

(2) Cardinal Cupich claims Vatican II mandated “a fixed altar from which the priest would face the people.”

Cardinal Cupich is mistaken. Vatican II said not one word about destroying the beautiful high altars or Mass “facing the people.” As a matter of fact, to this day, the Ordinary Form Missal presumes celebration ad orientem.

(3) Cardinal Cupich claims Vatican II was about: “moving from Latin to the vernacular.”

The opposite is true. Vatican II required that Latin be retained and that Gregorian Chant be given “first place” in liturgical services. The retention of Latin was not a suggestion or recommendation—it was required by the Council.

(4) Cardinal Cupich claims Vatican II restored “processions of gifts and the Gospels.”

Cardinal Cupich is mistaken. The Missale Vetustum had a splendid Gospel procession.

(5) Cardinal Cupich claims Vatican II restored “reciting in unison the Lord’s Prayer.”

Cardinal Cupich is mistaken. The Missale Vetustum allows that practice at Low Mass, and divides the singing at High Mass—i.e. the Celebrant sings one section of the Lord’s Prayer, and the congregation sings the other section.

(6) Cardinal Cupich claims Vatican II restored “singing together.”

Cardinal Cupich is mistaken. The Missale Vetustum not only allows, but even requires such a practice at High Mass.

(7) Cardinal Cupich claims Vatican II restored “periods of common silence.”

Cardinal Cupich is mistaken. I’m not even going to comment on such an assertion!

(8) Cardinal Cupich claims Vatican II restored a practice that takes place “in the eucharistic prayer, the […] people respond in the preface…”

Cardinal Cupich is mistaken. The Missale Vetustum requires that the entire congregation respond to the priest at the Preface, and it’s one of the most beautiful parts of the Mass: Habémus ad Dóminum…

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, Featured Tagged With: Archbishop Blase J Cupich, Blase Cardinal Cupich Last Updated: October 18, 2023

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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President’s Corner

    Pipe Organ “Answers” in Plainsong?
    In 2003, I copied a book by Félix Bélédin (d. 1895), who was titular organist—from 1841 to 1874—at the Cathedral of Saint John the Baptist in Lyon (France). In 2008, we scanned and uploaded the book to the Lalande Online Library. Nobody knows for sure when the book was published; some believe it first appeared in the 1840s. In any event, one who examines this excerpt, showing GLORIA IX might wonder why it says the organ answers in plainsong. However, the front of the book explains, telling the organist explicitly when to “respond in plainchant.” This is something called organ alternatim. Believe it or not, the pipe organ would take turns with the choir, playing certain texts instrumentally instead of having them sung. I’m not very well-versed in this—pardon the pun—but if memory serves, ORGAN ALTERNATIM was frowned upon by the time of Pope Saint Pius X. Nevertheless, French organists kept doing it, even after it was explicitly condemned as an abuse.
    —Jeff Ostrowski
    Music List • (5th Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 5th Sunday of Lent (22 March 2026). If such a thing interests you, feel free to download it as a PDF file. Traditionally, this Sunday was called ‘Passion’ Sunday. Starting in 1956, certain church leaders attempted rename both ‘Passion’ Sunday and ‘Palm’ Sunday—but it didn’t work. For example, Monsignor Frederick McManus tried to get people to call PALM SUNDAY “Second Passion Sunday”—but the faithful rejected that. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski
    Music List • (Holy Thursday, 2026)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for Holy Thursday, which is 2 April 2026. If such a thing interests you, feel free to download it as a PDF file. I’m not sure I’ve ever heard a more piercingly beautiful INTROIT, and I have come to absolutely love the SATB version of ‘Ubi cáritas’ we are singing (joined by our burgeoning children’s choir). I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski

Quick Thoughts

    “Gregorian Chant Quiz” • 24 March 2026
    How well do you know your Gregorian hymns? Do you recognize the tune inserted into the bass line on this score? For many years, we sang the entire Mass in Gregorian chant—and I mean everything. As a result, it would be difficult to find a Gregorian hymn I don’t recognize instantly. Only decades later did I realize (with sadness) that this skill cannot be ‘monetized’… This particular melody is used for a very famous Gregorian hymn, printed in the LIBER USUALIS. Do you recognize it? Send me an email with the correct words, and I promise to tell everybody I meet about your prowess!
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski

Random Quote

“The conciliar norms regarding reform of the liturgy have given the choir’s function greater prominence and importance. The choir is responsible for the correct performance of the parts that belong to it…”

— “Musicam Sacram” (5 March 1967)

Recent Posts

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  • “Gregorian Chant Quiz” • 24 March 2026
  • “Versions of the Psalter” • Jeff Interviews Top Biblical Scholar: Dr. Mark Giszczak
  • PDF Download • “Ubi Caritas” (SATB)

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