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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Blase Cardinal Cupich Responds Directly to Me!

Jeff Ostrowski · November 10, 2022

N ONE of my articles, published on 22 September 2022, I provided a 1955 citation. The citation was pretty rare. (I’ve been involved with liturgical projects since the 1990s, and I’ve never seen it cited.) A perceptive reader alerted me to this article published on 11-2-2022 by Cardinal Cupich, which in all likelihood was submitted a few weeks in advance—i.e. shortly after my article appeared. A few weeks is standard, to allow for typesetting and proofreading.

Insane Coincidence? • Thanks be to God, I have become very careful vis-à-vis what I publish about other people. Calumny is a serious sin, for which reparation is virtually impossible. However, it’s difficult to believe Cardinal Cupich’s piece was written independently of my article because of the timing, and because of how rare that quote was. I will not insult your intelligence by telling you what I suspect. Whether deliberate or not, Cardinal Cupich responds directly to me. Compare Green to Green, Yellow to Yellow, Pink to Pink, and Blue to Blue:

I don’t have time to respond to Cardinal Cupich’s response to my article. Briefly, however, consider the following:

(1) Cardinal Cupich claims Vatican II mandated “recitation of the creed.”

Cardinal Cupich is mistaken. Catholics were allowed to recite the Creed along with the priest before Vatican II. Moreover, the reformers deliberately limited the recitation of the Creed. At Maria Laach Conference in 1951, progressives pushing for liturgical reform declared (resolution #6): “The recitation of the Creed should occur much less frequently.”

(2) Cardinal Cupich claims Vatican II mandated “a fixed altar from which the priest would face the people.”

Cardinal Cupich is mistaken. Vatican II said not one word about destroying the beautiful high altars or Mass “facing the people.” As a matter of fact, to this day, the Ordinary Form Missal presumes celebration ad orientem.

(3) Cardinal Cupich claims Vatican II was about: “moving from Latin to the vernacular.”

The opposite is true. Vatican II required that Latin be retained and that Gregorian Chant be given “first place” in liturgical services. The retention of Latin was not a suggestion or recommendation—it was required by the Council.

(4) Cardinal Cupich claims Vatican II restored “processions of gifts and the Gospels.”

Cardinal Cupich is mistaken. The Missale Vetustum had a splendid Gospel procession.

(5) Cardinal Cupich claims Vatican II restored “reciting in unison the Lord’s Prayer.”

Cardinal Cupich is mistaken. The Missale Vetustum allows that practice at Low Mass, and divides the singing at High Mass—i.e. the Celebrant sings one section of the Lord’s Prayer, and the congregation sings the other section.

(6) Cardinal Cupich claims Vatican II restored “singing together.”

Cardinal Cupich is mistaken. The Missale Vetustum not only allows, but even requires such a practice at High Mass.

(7) Cardinal Cupich claims Vatican II restored “periods of common silence.”

Cardinal Cupich is mistaken. I’m not even going to comment on such an assertion!

(8) Cardinal Cupich claims Vatican II restored a practice that takes place “in the eucharistic prayer, the […] people respond in the preface…”

Cardinal Cupich is mistaken. The Missale Vetustum requires that the entire congregation respond to the priest at the Preface, and it’s one of the most beautiful parts of the Mass: Habémus ad Dóminum…

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, Featured Tagged With: Archbishop Blase J Cupich, Blase Cardinal Cupich Last Updated: October 18, 2023

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Music List • (5th Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 5th Sunday of Lent (22 March 2026). If such a thing interests you, feel free to download it as a PDF file. Traditionally, this Sunday was called ‘Passion’ Sunday. Starting in 1956, certain church leaders attempted rename both ‘Passion’ Sunday and ‘Palm’ Sunday—but it didn’t work. For example, Monsignor Frederick McManus tried to get people to call PALM SUNDAY “Second Passion Sunday”—but the faithful rejected that. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski
    Music List • (Holy Thursday, 2026)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for Holy Thursday, which is 2 April 2026. If such a thing interests you, feel free to download it as a PDF file. I’m not sure I’ve ever heard a more piercingly beautiful INTROIT, and I have come to absolutely love the SATB version of ‘Ubi cáritas’ we are singing (joined by our burgeoning children’s choir). I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski
    “O Escam Viatorum” • (Holy Thursday)
    When I was very young, I erroneously believed the four psalms provided by the 1957 Liber Usualis—for Communion on Holy Thursday—were the “correct” music to sing on that first day of the TRIDUUM SACRUM. Those four psalms are: Psalm 22 (Dóminus regit me et nihil mihi déerit); Psalm 71 (Deus judícium tuum regi da); Psalm 103 (Bénedic ánima méa); and Psalm 150 (Laudáte Dóminum in sanctis ejus). It turns out I was way out in left field! While nothing forbids singing those psalms, many other options are equally valid. Our volunteer parish choir will sing this COMMUNION PIECE (joined by our burgeoning children’s choir) on Holy Thursday during Holy Communion. Needless to say, this will happen after the proper antiphon from the GRADUALE ROMANUM has been sung.
    —Jeff Ostrowski

Quick Thoughts

    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski
    Stumped by “Episcopalian Hymnal” (1910)
    Some consider Songs of Syon (1910) the greatest Episcopalian hymnal ever printed. As a Roman Catholic, I have no right to weigh in one way or the other. However, this particular page has me stumped. I just know I’ve heard that tune somewhere! If you can help, please email me. I’m talking about the text which begins: “This is the day the Lord hath made; In unbeclouded light array’d.” The book is by George Ratcliffe Woodward, and its complete title is: Songs of Syon: A Collection of Psalms, Hymns, and Spiritual Songs. Back in 2016, Corpus Christi Watershed scanned and uploaded this insanely rare book. For years our website was the sole place one could download it as a PDF file.
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski

Random Quote

“The sun’s disc did not remain immobile. This was not the sparkling of a heavenly body, for it spun round on itself in a mad whirl, when suddenly a clamor was heard from all the people. The sun, whirling, seemed to loosen itself from the firmament and advance threateningly upon the earth as if to crush us with its huge fiery weight. The sensation during those moments was terrible.”

— ‘Dr. Almeida Garrett, professor of natural sciences at the University of Coimbra (1917)’

Recent Posts

  • PDF Download • “Ubi Caritas” (SATB)
  • Summer 2026 • “Gregorian Chant Course” at Aquinas College (Nashville, TN)
  • Music List • (5th Sunday of Lent)
  • Music List • (Holy Thursday, 2026)
  • “O Escam Viatorum” • (Holy Thursday)

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