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Views from the Choir Loft

Blase Cardinal Cupich Responds Directly to Me!

Jeff Ostrowski · November 10, 2022

N ONE of my articles, published on 22 September 2022, I provided a 1955 citation. The citation was pretty rare. (I’ve been involved with liturgical projects since the 1990s, and I’ve never seen it cited.) A perceptive reader alerted me to this article published on 11-2-2022 by Cardinal Cupich, which in all likelihood was submitted a few weeks in advance—i.e. shortly after my article appeared. A few weeks is standard, to allow for typesetting and proofreading.

Insane Coincidence? • Thanks be to God, I have become very careful vis-à-vis what I publish about other people. Calumny is a serious sin, for which reparation is virtually impossible. However, it’s difficult to believe Cardinal Cupich’s piece was written independently of my article because of the timing, and because of how rare that quote was. I will not insult your intelligence by telling you what I suspect. Whether deliberate or not, Cardinal Cupich responds directly to me. Compare Green to Green, Yellow to Yellow, Pink to Pink, and Blue to Blue:

I don’t have time to respond to Cardinal Cupich’s response to my article. Briefly, however, consider the following:

(1) Cardinal Cupich claims Vatican II mandated “recitation of the creed.”

Cardinal Cupich is mistaken. Catholics were allowed to recite the Creed along with the priest before Vatican II. Moreover, the reformers deliberately limited the recitation of the Creed. At Maria Laach Conference in 1951, progressives pushing for liturgical reform declared (resolution #6): “The recitation of the Creed should occur much less frequently.”

(2) Cardinal Cupich claims Vatican II mandated “a fixed altar from which the priest would face the people.”

Cardinal Cupich is mistaken. Vatican II said not one word about destroying the beautiful high altars or Mass “facing the people.” As a matter of fact, to this day, the Ordinary Form Missal presumes celebration ad orientem.

(3) Cardinal Cupich claims Vatican II was about: “moving from Latin to the vernacular.”

The opposite is true. Vatican II required that Latin be retained and that Gregorian Chant be given “first place” in liturgical services. The retention of Latin was not a suggestion or recommendation—it was required by the Council.

(4) Cardinal Cupich claims Vatican II restored “processions of gifts and the Gospels.”

Cardinal Cupich is mistaken. The Missale Vetustum had a splendid Gospel procession.

(5) Cardinal Cupich claims Vatican II restored “reciting in unison the Lord’s Prayer.”

Cardinal Cupich is mistaken. The Missale Vetustum allows that practice at Low Mass, and divides the singing at High Mass—i.e. the Celebrant sings one section of the Lord’s Prayer, and the congregation sings the other section.

(6) Cardinal Cupich claims Vatican II restored “singing together.”

Cardinal Cupich is mistaken. The Missale Vetustum not only allows, but even requires such a practice at High Mass.

(7) Cardinal Cupich claims Vatican II restored “periods of common silence.”

Cardinal Cupich is mistaken. I’m not even going to comment on such an assertion!

(8) Cardinal Cupich claims Vatican II restored a practice that takes place “in the eucharistic prayer, the […] people respond in the preface…”

Cardinal Cupich is mistaken. The Missale Vetustum requires that the entire congregation respond to the priest at the Preface, and it’s one of the most beautiful parts of the Mass: Habémus ad Dóminum…

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, Featured Tagged With: Archbishop Blase J Cupich, Blase Cardinal Cupich Last Updated: October 18, 2023

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Booklet of Eucharistic Hymns” (16 pages)
    I was asked to create a booklet for my parish to use during our CORPUS CHRISTI PROCESSION on 22 June 2025. Would you be willing to look over the DRAFT BOOKLET (16 pages) I came up with? I tried to include a variety of hymns: some have a refrain; some are in major, others in minor; some are metered, others are plainsong; some are in Spanish, some are in Latin, but most are in English. Normally, we’d use the Brébeuf Hymnal—but we can’t risk having our congregation carry those heavy books all over the city to various churches.
    —Jeff Ostrowski
    “Yahweh” in church songs?
    My pastor asked me to write a weekly column for our parish bulletin. The one scheduled to run on 22 June 2025 is called “Three Words in a Psalm” and speaks of translating the TETRAGRAMMATON. You can read the article at this column repository. All of them are quite brief because I was asked to keep within a certain word limit.
    —Jeff Ostrowski
    “Music List” • Pentecost Sunday
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for Pentecost Sunday (8 June 2025). If such a thing interests you, feel free to download it as a PDF file. Because our choir is on break this week, the music is relatively simple.
    —Jeff Ostrowski

Quick Thoughts

    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt
    The Funeral Rites of the Graduale Romanum
    Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.
    —Daniel Tucker

Random Quote

“I ask that future priests, from their time in the seminary, receive the preparation needed to understand and to celebrate Mass in Latin, and also to use Latin texts and execute Gregorian chant; nor should we forget that the faithful can be taught to recite the more common prayers in Latin, and also to sing parts of the liturgy to Gregorian chant.”

— SACRAMENTUM CARITATIS

Recent Posts

  • “Booklet of Eucharistic Hymns” (16 pages)
  • PDF Download • “Text by Saint Francis of Assisi” (choral setting w/ organ: Soprano & Alto)
  • “Yahweh” in church songs?
  • “Music List” • Pentecost Sunday
  • “Participation” • Recovering its Receptive Dimension

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Corpus Christi Watershed is a 501(c)3 public charity dedicated to exploring and embodying as our calling the relationship of religion, culture, and the arts. This non-profit organization employs the creative media in service of theology, the Church, and Christian culture for the enrichment and enjoyment of the public.

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