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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Blase Cardinal Cupich Responds Directly to Me!

Jeff Ostrowski · November 10, 2022

N ONE of my articles, published on 22 September 2022, I provided a 1955 citation. The citation was pretty rare. (I’ve been involved with liturgical projects since the 1990s, and I’ve never seen it cited.) A perceptive reader alerted me to this article published on 11-2-2022 by Cardinal Cupich, which in all likelihood was submitted a few weeks in advance—i.e. shortly after my article appeared. A few weeks is standard, to allow for typesetting and proofreading.

Insane Coincidence? • Thanks be to God, I have become very careful vis-à-vis what I publish about other people. Calumny is a serious sin, for which reparation is virtually impossible. However, it’s difficult to believe Cardinal Cupich’s piece was written independently of my article because of the timing, and because of how rare that quote was. I will not insult your intelligence by telling you what I suspect. Whether deliberate or not, Cardinal Cupich responds directly to me. Compare Green to Green, Yellow to Yellow, Pink to Pink, and Blue to Blue:

I don’t have time to respond to Cardinal Cupich’s response to my article. Briefly, however, consider the following:

(1) Cardinal Cupich claims Vatican II mandated “recitation of the creed.”

Cardinal Cupich is mistaken. Catholics were allowed to recite the Creed along with the priest before Vatican II. Moreover, the reformers deliberately limited the recitation of the Creed. At Maria Laach Conference in 1951, progressives pushing for liturgical reform declared (resolution #6): “The recitation of the Creed should occur much less frequently.”

(2) Cardinal Cupich claims Vatican II mandated “a fixed altar from which the priest would face the people.”

Cardinal Cupich is mistaken. Vatican II said not one word about destroying the beautiful high altars or Mass “facing the people.” As a matter of fact, to this day, the Ordinary Form Missal presumes celebration ad orientem.

(3) Cardinal Cupich claims Vatican II was about: “moving from Latin to the vernacular.”

The opposite is true. Vatican II required that Latin be retained and that Gregorian Chant be given “first place” in liturgical services. The retention of Latin was not a suggestion or recommendation—it was required by the Council.

(4) Cardinal Cupich claims Vatican II restored “processions of gifts and the Gospels.”

Cardinal Cupich is mistaken. The Missale Vetustum had a splendid Gospel procession.

(5) Cardinal Cupich claims Vatican II restored “reciting in unison the Lord’s Prayer.”

Cardinal Cupich is mistaken. The Missale Vetustum allows that practice at Low Mass, and divides the singing at High Mass—i.e. the Celebrant sings one section of the Lord’s Prayer, and the congregation sings the other section.

(6) Cardinal Cupich claims Vatican II restored “singing together.”

Cardinal Cupich is mistaken. The Missale Vetustum not only allows, but even requires such a practice at High Mass.

(7) Cardinal Cupich claims Vatican II restored “periods of common silence.”

Cardinal Cupich is mistaken. I’m not even going to comment on such an assertion!

(8) Cardinal Cupich claims Vatican II restored a practice that takes place “in the eucharistic prayer, the […] people respond in the preface…”

Cardinal Cupich is mistaken. The Missale Vetustum requires that the entire congregation respond to the priest at the Preface, and it’s one of the most beautiful parts of the Mass: Habémus ad Dóminum…

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, Featured Tagged With: Archbishop Blase J Cupich, Blase Cardinal Cupich Last Updated: October 18, 2023

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    PDF Download • “Sprinkling Rite”
    Liturgical reformers who gained power after Vatican II frequently caused great suffering to musicians. With the stroke of a pen, they sometimes make changes that would require thousands—or even millions—of man hours (work undertaken by composers and editors). The Sprinkling Rite during Eastertide is but one tiny example. The version given in that PDF document was the original melody for Roman Missal, Third Edition. Some still prefer that version. However, at the last moment, an “unknown hand” tinkered with a few notes in the antiphon. Those who examine the current edition can verify this with their own eyes.
    —Jeff Ostrowski
    ‘Sarum’ Good Friday?
    Plainsong of the Roman Rite has many variants—i.e. slight ‘variations’ or ‘alterations’ made to the ancient melodies. Variants often thrive in particular religious orders. Likewise, before Henry VIII broke away from the Catholic Church, Gregorian Chant variants were frequently associated with individual cathedrals in England: Hereford, Lincoln, Salisbury, and so forth. In the early 20th century, the (Anglican) organist at Westminster Abbey married “Let All Mortal Flesh Keep Silence” to this beautiful variant melody from England. Those who sing Gregorian Chant on Good Friday will recognize the melody. What do you think of this pairing?
    —Jeff Ostrowski
    PDF Download • “Eb Organ Postlude”
    Gustav Adolf Merkel (d. 1885) was a German organist, teacher, and composer. Although a Lutheran himself, he held the appointment at the (Roman Catholic) Cathedral of Dresden from 1864 until his death. You can download his Organ Postlude in E-Flat, which I like very much. He has an interesting way of marking the pedal notes. What do you think?
    —Jeff Ostrowski

Quick Thoughts

    “Gregorian Chant Quiz” • 24 March 2026
    How well do you know your Gregorian hymns? Do you recognize the tune inserted into the bass line on this score? For many years, we sang the entire Mass in Gregorian chant—and I mean everything. As a result, it would be difficult to find a Gregorian hymn I don’t recognize instantly. Only decades later did I realize (with sadness) that this skill cannot be ‘monetized’… This particular melody is used for a very famous Gregorian hymn, printed in the LIBER USUALIS. Do you recognize it? Send me an email with the correct words, and I promise to tell everybody I meet about your prowess!
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski

Random Quote

From 1827 until the last month of his life, Liszt gave lessons in composition and piano playing. He wrote in 1829 that his schedule was “so full of lessons that each day, from half-past eight in the morning till 10 at night, I have scarcely breathing time”

— Re: Abbé Franz Liszt

Recent Posts

  • PDF Download • “Sprinkling Rite”
  • ‘Sarum’ Good Friday?
  • Gregorian Chant • The “Correct” Way of Singing ?
  • PDF Download • “Eb Organ Postlude”
  • Fulton J. Sheen • “24-Hour Catechism”

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