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Views from the Choir Loft

“Bravery!” • Schola Director Posts ‘Live’ Recording

Jeff Ostrowski · October 6, 2022

HENEVER Sergei Rachmaninov (d. 1943) would hear Josef Hofmann (d. 1957) play a piece, he would immediately throw up his hands and never perform that piece again. What was the point? As Abram Chasins explained in the 1980s, even the greatest pianists sounded like “innocent, naïve pupils” compared to Hofmann’s overwhelming, pristine interpretations. I’m reminded of this whenever I read the mind-boggling book by Robert Murrell Stevenson (d. 2012), which I’ve praised so frequently on this blog. Truly, Dr. Stevenson was on ‘another level’ as far as musicology was concerned. I recently uploaded a fascinating footnote from Stevenson’s book, which I’ll speak of below.

Live Recording • Here’s a live recording of our volunteer choir, singing on 3 October 2022:

M Rehearsal videos for each individual voice await you at #48088 .

Free Download! • You can download that wonderful Eucharistic Hymn, with counterpoint by Flor Peeters (d. 1986) at the following link. You can also purchase hard copies on AMAZON PRIME.

*  PDF Download • EUCHARSTIC HYMN (Flor Peeters)
—2-Voice Eucharistic Hymn (45 pages) • Includes a Descant!.

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Choristers’ Questions • When members of my choir ask questions, I attempt to provide answers. One member asked whether it was common in the olden days to alternate pipe organ with a cappella singing, such as we did in that recording. A 1604AD document (memorial) provides clues vis-à-vis musical activities at the Cathedral Toledo:

“At first vespers (In Nativitate Domini) the organ shall accompany the singing of the stanzas beginning Veni, redemptor gentium which come at the end of the book of Ave maris stella settings and other hymns by Morales.” […] “On Wednesday in Holy Week, the first Lamentation is to be Morales’s polyphonic setting. The MISERERE shall be sung antiphonally, one choir at the High Altar, another in the tribunes of the coro del arzobispo. One choir shall consist of the boys and a tenor.” […] “On Maundy Thursday at High Mass, the INTROIT shall be sung in a contrapuntal setting, the Kyrie, Gloria, Credo, and Sanctus polyphonically, the Agnus Dei in plainchant.” […] “On Good Friday, the Passion shall be sung as a solo [on Palm Sunday, the turba parts were sung polyphonically by a complete choir, and on Tuesday and Wednesday by a trio]. The first LAMENTATION shall be sung polyphonically.” […] “On Holy Saturday the Gloria shall be sung in plainchant with counterpoint above. The same for the Alleluia. At Vespers, the same for Psalm 150. The MAGNIFICAT must be in Tone VIII, odd verses plainchanted, even verses sung polyphonically. At Solemn Compline in the evening, two choirs shall sit on the benches of the cope-bearers and two bands of instrumentalists shall play. The portable organ shall be lowered into the coro to accompany the singers, who shall sing solos in their order of seniority, with organ and—if desired—instrumental support. Psalm 133 shall be sung in fabordón, Tone VIII.” On Easter, the prosa “must be the one composed by Morales.”

Peculiarities of Spain • Notice how the Veni Redemptor Gentium was part of the Divine Office at Toledo. I believe the Ordinary Form added it, but the 1962 Breviary does not have it. On the other hand, it will be remembered that Spain had peculiar liturgical “uses” in those days, which was why some of the reforms of the Council of Trent did not apply to Spain.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, PDF Download Tagged With: Hoste Dum Victo Triumphans, Josef Hofmann Pianist Extraordinaire, Sergei Rachmaninoff Last Updated: December 26, 2023

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Booklet of Eucharistic Hymns” (16 pages)
    I was asked to create a booklet for my parish to use during our CORPUS CHRISTI PROCESSION on 22 June 2025. Would you be willing to look over the DRAFT BOOKLET (16 pages) I came up with? I tried to include a variety of hymns: some have a refrain; some are in major, others in minor; some are metered, others are plainsong; some are in Spanish, some are in Latin, but most are in English. Normally, we’d use the Brébeuf Hymnal—but we can’t risk having our congregation carry those heavy books all over the city to various churches.
    —Jeff Ostrowski
    “Yahweh” in church songs?
    My pastor asked me to write a weekly column for our parish bulletin. The one scheduled to run on 22 June 2025 is called “Three Words in a Psalm” and speaks of translating the TETRAGRAMMATON. You can read the article at this column repository. All of them are quite brief because I was asked to keep within a certain word limit.
    —Jeff Ostrowski
    “Music List” • Pentecost Sunday
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for Pentecost Sunday (8 June 2025). If such a thing interests you, feel free to download it as a PDF file. Because our choir is on break this week, the music is relatively simple.
    —Jeff Ostrowski

Quick Thoughts

    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt
    The Funeral Rites of the Graduale Romanum
    Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.
    —Daniel Tucker

Random Quote

At the Catholic gathering (Katholikentag) held at Breslau in August, the Papal Nuncio celebrated Mass for 80,000 participants, facing the people (the “Missa versus populum”).

— “Orate Fratres” Magazine (23 Jan. 1927)

Recent Posts

  • “Booklet of Eucharistic Hymns” (16 pages)
  • PDF Download • “Text by Saint Francis of Assisi” (choral setting w/ organ: Soprano & Alto)
  • “Yahweh” in church songs?
  • “Music List” • Pentecost Sunday
  • “Participation” • Recovering its Receptive Dimension

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Corpus Christi Watershed is a 501(c)3 public charity dedicated to exploring and embodying as our calling the relationship of religion, culture, and the arts. This non-profit organization employs the creative media in service of theology, the Church, and Christian culture for the enrichment and enjoyment of the public.

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