• Skip to primary navigation
  • Skip to main content
  • Skip to primary sidebar

Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

  • Donate
  • Our Team
    • Our Editorial Policy
    • Who We Are
    • How To Contact Us
    • Sainte Marie Bulletin Articles
    • Jeff’s Mom Joins Fundraiser
  • Pew Resources
    • Brébeuf Catholic Hymnal
    • Jogues Illuminated Missal
    • KYRIALE • Saint Antoine Daniel
    • Campion Missal, 3rd Edition
    • Repository • “Spanish Music”
    • Ordinary Form Feasts (Sainte-Marie)
  • MUSICAL WEBSITES
    • René Goupil Gregorian Chant
    • Noël Chabanel Psalms
    • Nova Organi Harmonia (2,279 pages)
    • Roman Missal, 3rd Edition
    • Catechism of Gregorian Rhythm
    • Father Enemond Massé Manuscripts
    • Lalemant Polyphonic
  • Miscellaneous
    • Site Map
    • Secrets of the Conscientious Choirmaster
    • “Wedding March” for lazy organists
    • Emporium Kevin Allen
    • Saint Jean de Lalande Library
    • Sacred Music Symposium 2023
    • The Eight Gregorian Modes
    • Gradual by Pothier’s Protégé
    • Seven (7) Considerations
Views from the Choir Loft

“Bravery!” • Schola Director Posts ‘Live’ Recording

Jeff Ostrowski · October 6, 2022

HENEVER Sergei Rachmaninov (d. 1943) would hear Josef Hofmann (d. 1957) play a piece, he would immediately throw up his hands and never perform that piece again. What was the point? As Abram Chasins explained in the 1980s, even the greatest pianists sounded like “innocent, naïve pupils” compared to Hofmann’s overwhelming, pristine interpretations. I’m reminded of this whenever I read the mind-boggling book by Robert Murrell Stevenson (d. 2012), which I’ve praised so frequently on this blog. Truly, Dr. Stevenson was on ‘another level’ as far as musicology was concerned. I recently uploaded a fascinating footnote from Stevenson’s book, which I’ll speak of below.

Live Recording • Here’s a live recording of our volunteer choir, singing on 3 October 2022:

M Rehearsal videos for each individual voice await you at #48088 .

Free Download! • You can download that wonderful Eucharistic Hymn, with counterpoint by Flor Peeters (d. 1986) at the following link. You can also purchase hard copies on AMAZON PRIME.

*  PDF Download • EUCHARSTIC HYMN (Flor Peeters)
—2-Voice Eucharistic Hymn (45 pages) • Includes a Descant!.

47206-Hoste-Dum-Victo-Triumphans-HYMN-Flor-Peeters-1588
47206-Hoste-Dum-Victo-Triumphans-HYMN-Flor-Peeters-1597
47206-Hoste-Dum-Victo-Triumphans-HYMN-Flor-Peeters-1598
47206-Hoste-Dum-Victo-Triumphans-HYMN-Flor-Peeters-1599
47206-Hoste-Dum-Victo-Triumphans-HYMN-Flor-Peeters-1600
47206-Hoste-Dum-Victo-Triumphans-HYMN-Flor-Peeters-1603
47206-Hoste-Dum-Victo-Triumphans-HYMN-Flor-Peeters-1604
47206-Hoste-Dum-Victo-Triumphans-HYMN-Flor-Peeters-1606

Choristers’ Questions • When members of my choir ask questions, I attempt to provide answers. One member asked whether it was common in the olden days to alternate pipe organ with a cappella singing, such as we did in that recording. A 1604AD document (memorial) provides clues vis-à-vis musical activities at the Cathedral Toledo:

“At first vespers (In Nativitate Domini) the organ shall accompany the singing of the stanzas beginning Veni, redemptor gentium which come at the end of the book of Ave maris stella settings and other hymns by Morales.” […] “On Wednesday in Holy Week, the first Lamentation is to be Morales’s polyphonic setting. The MISERERE shall be sung antiphonally, one choir at the High Altar, another in the tribunes of the coro del arzobispo. One choir shall consist of the boys and a tenor.” […] “On Maundy Thursday at High Mass, the INTROIT shall be sung in a contrapuntal setting, the Kyrie, Gloria, Credo, and Sanctus polyphonically, the Agnus Dei in plainchant.” […] “On Good Friday, the Passion shall be sung as a solo [on Palm Sunday, the turba parts were sung polyphonically by a complete choir, and on Tuesday and Wednesday by a trio]. The first LAMENTATION shall be sung polyphonically.” […] “On Holy Saturday the Gloria shall be sung in plainchant with counterpoint above. The same for the Alleluia. At Vespers, the same for Psalm 150. The MAGNIFICAT must be in Tone VIII, odd verses plainchanted, even verses sung polyphonically. At Solemn Compline in the evening, two choirs shall sit on the benches of the cope-bearers and two bands of instrumentalists shall play. The portable organ shall be lowered into the coro to accompany the singers, who shall sing solos in their order of seniority, with organ and—if desired—instrumental support. Psalm 133 shall be sung in fabordón, Tone VIII.” On Easter, the prosa “must be the one composed by Morales.”

Peculiarities of Spain • Notice how the Veni Redemptor Gentium was part of the Divine Office at Toledo. I believe the Ordinary Form added it, but the 1962 Breviary does not have it. On the other hand, it will be remembered that Spain had peculiar liturgical “uses” in those days, which was why some of the reforms of the Council of Trent did not apply to Spain.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, PDF Download Tagged With: Hoste Dum Victo Triumphans, Josef Hofmann Pianist Extraordinaire, Sergei Rachmaninoff Last Updated: December 26, 2023

Subscribe

It greatly helps us if you subscribe to our mailing list!

* indicates required

About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

Primary Sidebar

Corpus Christi Watershed

President’s Corner

    “Music List” • 22nd in Ordinary Time (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 31 August 2025, which is the 22nd Sunday in Ordinary Time (Year C). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the spectacular feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    “The Worm That Dieth Not”
    My pastor asked me to write a column for our parish bulletin with reflections on the sacred liturgy and church music. In my most recent article, I discuss “The Worm That Dieth Not.” At this website, you can access it conveniently; simply scroll down to the one dated 31 August 2025.
    —Jeff Ostrowski
    A Nice Hymn In Spanish
    In my humble opinion, this is a really beautiful hymn in Spanish. If I practice diligently, I’ll be able to pronounce all the words properly. If you’re someone who’s interested in obtaining a melody only version (suitable for your congregational ORDER OF WORSHIP) you can steal that from this.
    —Jeff Ostrowski

Quick Thoughts

    Solemn “Salve Regina” (Chant)
    How many “S” words can you think of using alliteration? How about Schwann Solemn Salve Score? You can download the SOLEMN SALVE REGINA in Gregorian Chant. The notation follows the official rhythm (EDITIO VATICANA). Canon Jules Van Nuffel, choirmaster of the Cathedral of Saint Rumbold, composed this accompaniment for it (although some feel it isn’t his best work).
    —Corpus Christi Watershed
    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed

Random Quote

“At the hour for the Divine Office, | as soon as the signal is heard, | let them abandon whatever they may have in hand | and hasten with the greatest speed, | yet with seriousness, so that there is no excuse for levity. | Let nothing be preferred to the sacred liturgy.”

— Rule of St. Benedict (Chapter 43)

Recent Posts

  • “Music List” • 22nd in Ordinary Time (Year C)
  • Brave Schola Director Posts ‘Live’ Recording
  • “Cracker Barrel & Catholicism” • Logos and Lessons
  • “Reform of the Reform” officially embraced by USCCB
  • “The Worm That Dieth Not”

Subscribe

Subscribe

* indicates required

Copyright © 2025 Corpus Christi Watershed · Isaac Jogues on Genesis Framework · WordPress · Log in

Corpus Christi Watershed is a 501(c)3 public charity dedicated to exploring and embodying as our calling the relationship of religion, culture, and the arts. This non-profit organization employs the creative media in service of theology, the Church, and Christian culture for the enrichment and enjoyment of the public.