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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

“Nobody Cares About This” • (Except Me!)

Jeff Ostrowski · September 24, 2022

IDS USED TO PLAY a game called TELEPHONE. They’d pass along a message and laugh at how distorted it became when the final child tried to repeat it. That’s what should have happened to Gregorian Chant as it was passed along over 1,500 years. However, through some inexplicable miracle, that’s not what happened. Even though plainsong melodies kept changing—since each monastery had its own singing style—the basic melodies never became unrecognizably corrupt (until they reached Guillaume Nivers). Even today, no scholar can explain this. It’s like each generation had access to a “primary source” … but we know they didn’t, because somebody over the last 1,500 years would surely have mentioned such a manuscript.1

This Sunday’s Introit • The Introit for this coming Sunday (Sixteenth Sunday after Pentecost) is Miserére Mihi Dómine. As part of an ongoing project, I took a few minutes and created a recording corresponding to the official rhythm:

Nobody Cares About This • I’m not sure anyone will care about this, but the Introit for the Friday before Palm Sunday (“Feria Sexta post Dominicam Passionis”) strongly resembles the one we just spoke about:

Ps. 30 vs Ps. 85 • The Introit from the 16th Sunday after Pentecost is from Psalm 80, whereas the other comes from Psalm 30. One is in Mode V while the other is in Mode VIII. Incidentally, in more recent times the “Friday before Palm Sunday” was replaced with a feast called The Seven Dolours of the Blessed Virgin Mary (with Introit “Stabant Juxta Cruem Jesu”). Getting back to the topic at hand, some might believe one Miserére is a “corrupted” version of the other Miserére—but that’s not the case. As you can see, both go back centuries before music could even be written down:

*  PDF Download • Comparison Between Introits
—16th Sunday after Pentecost VS. Friday before Palm Sunday.

The Most Difficult Thing • The hardest thing about memorizing music is not melodies that are identical. Rather, it’s melodies which are almost identical. The best example I can think of is Visiónem Quam Vidístis from the Feast of the Transfiguration.

1 If I had the time, I could easily demonstrate the truth of what I’ve just said—but such a demonstration will have to wait for another day.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: September 24, 2022

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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President’s Corner

    PDF Download • “Sprinkling Rite”
    Liturgical reformers who gained power after Vatican II frequently caused great suffering to musicians. With the stroke of a pen, they sometimes make changes that would require thousands—or even millions—of man hours (work undertaken by composers and editors). The Sprinkling Rite during Eastertide is but one tiny example. The version given in that PDF document was the original melody for Roman Missal, Third Edition. Some still prefer that version. However, at the last moment, an “unknown hand” tinkered with a few notes in the antiphon. Those who examine the current edition can verify this with their own eyes.
    —Jeff Ostrowski
    ‘Sarum’ Good Friday?
    Plainsong of the Roman Rite has many variants—i.e. slight ‘variations’ or ‘alterations’ made to the ancient melodies. Variants often thrive in particular religious orders. Likewise, before Henry VIII broke away from the Catholic Church, Gregorian Chant variants were frequently associated with individual cathedrals in England: Hereford, Lincoln, Salisbury, and so forth. In the early 20th century, the (Anglican) organist at Westminster Abbey married “Let All Mortal Flesh Keep Silence” to this beautiful variant melody from England. Those who sing Gregorian Chant on Good Friday will recognize the melody. What do you think of this pairing?
    —Jeff Ostrowski
    PDF Download • “Eb Organ Postlude”
    Gustav Adolf Merkel (d. 1885) was a German organist, teacher, and composer. Although a Lutheran himself, he held the appointment at the (Roman Catholic) Cathedral of Dresden from 1864 until his death. You can download his Organ Postlude in E-Flat, which I like very much. He has an interesting way of marking the pedal notes. What do you think?
    —Jeff Ostrowski

Quick Thoughts

    “Gregorian Chant Quiz” • 24 March 2026
    How well do you know your Gregorian hymns? Do you recognize the tune inserted into the bass line on this score? For many years, we sang the entire Mass in Gregorian chant—and I mean everything. As a result, it would be difficult to find a Gregorian hymn I don’t recognize instantly. Only decades later did I realize (with sadness) that this skill cannot be ‘monetized’… This particular melody is used for a very famous Gregorian hymn, printed in the LIBER USUALIS. Do you recognize it? Send me an email with the correct words, and I promise to tell everybody I meet about your prowess!
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski

Random Quote

“Subsequent changes were more radical than those intended by Pope John and the bishops who passed the decree on the liturgy.”

— John Cardinal Heenan (1974)

Recent Posts

  • PDF Download • “Sprinkling Rite”
  • ‘Sarum’ Good Friday?
  • Gregorian Chant • The “Correct” Way of Singing ?
  • PDF Download • “Eb Organ Postlude”
  • Fulton J. Sheen • “24-Hour Catechism”

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