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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Heavy Crosses Borne by Choirmasters

Jeff Ostrowski · August 29, 2022

HE STORY IS TOLD of a man who spoke with our Redeemer, saying: “Lord, this cross does not suit me; I cannot carry it.” Our Savior replied: “Come with Me.” The man was taken to an emporium. Christ told him: “Pick out any cross you like.” The man examined each cross carefully. “This one scratches my shoulder too much,” he thought. He had difficulty gripping another cross, so he decided against it. Another was too heavy and bulky for him to carry. Finally, the man selected one. “This one suits me, and I’m happy to carry it,” he said. He didn’t realize it, but it was the cross he came in with!

Hymn For 14 September • Today, I will speak about the cross. I don’t know whether readers will be interested in my thoughts, so I repeat what Father Valentine used to say: Take ’em or leave ’em. To begin, here’s a hymn in honor of 14 September, the feast of the Holy Cross. By the way, the banner (a.k.a. ‘flag’ or ‘device’ or ‘standard’) of Jesus Christ is His cross: 1

M Rehearsal videos for each individual voice await you at #541.

Sad Or Happy? • This hymn (#541 from the Brébeuf Catholic Hymnal) is a famous poem for the Holy Cross known as Vexilla Regis Prodeunt. Experts consider this one of the greatest of all hymns. The Brébeuf hymnal contains numerous translations, musical settings, explanatory notes, etc. for this ancient hymn. The translation shown in that video strikes me as elegant yet surprisingly literal. The melody is neither ‘sad’ nor ‘happy’—which is fitting. So much of the Christian Faith is like that. Our Lord suffered and died on the Friday called good. Even the fourth ‘joyful’ mystery includes Simeon telling our Lady her heart would be pierced with a sword of sadness. Indeed, the fourth ‘joyful’ mystery also includes the poorest possible gift (“a pair of turtle-doves, or two young pigeons”), by which our Lord associates Himself with a life of poverty. [For the record, poverty is considered by Americans to be the greatest of all evils.]

14 September 2022 • On September 14th, we celebrate the feast of the Exaltation of the Holy Cross. This will be the fifteenth anniversary of SUMMORUM PONTIFICUM, a document which caused many Catholics to discover—and to fall in love with—the holy traditions of the Catholic Church. Fifteen years ago, the pope declared: “What earlier generations held as sacred, remains sacred and great for us too, and it cannot be all of a sudden entirely forbidden or even considered harmful. It behooves all of us to preserve the riches which have developed in the Church’s faith and prayer, and to give them their proper place.”

Our Lord “Hides” From Us • You probably know the hymn called “Adóro Te Devóte,” attributed to Saint Thomas Aquinas. This hymn—which is provided various translations & resplendent melodies in the Brébeuf Catholic Hymnal—contains the following stanza: In cruce latébat sola Déitas, | At hic latet simul et humánitas: | Ambo tamen credens atque cónfitens, | Peto quod petívit latro paénitens. Translated into English:

On the cross the Godhead alone lay hidden,
but here likewise lies hidden the manhood:
yet believing and acknowledging both,
I seek that which the repentant thief sought.

“Truly Thou Art A Hidden God” • Isaiah 45:15 says: “Verily thou art a hidden God.” According to Father Peter Gee, one drop of Our Lord’s Precious Blood—e.g. what was shed at the Circumcision—would have been enough to redeem the whole world. But our Lord chose to suffer and die on the cross to show us how much He loves us. “On the cross the Godhead alone lay hidden, but here likewise lies hidden the manhood.” Mysterious words! Our Lord chose to be present—Body, Blood, Soul, and Divinity—under the appearances of bread and wine. This teaching was rejected by the crowds in the Bible: “After this, many of his disciples went back to their old ways, and walked no more in his company” (John 6:67). Many still reject these teachings. A famous dissident publication—which shall remain nameless—for years has attacked the idea of Eucharistic adoration, trying to get away from the notion of the True Presence of Jesus and focus instead on the “community” becoming “the presences of Christ.” This evil publication insists that it’s “wrongheaded” to adore Christ during Mass. They begrudgingly admit that a Catholic who receives the SANCTISSIMUM under only one form receives the whole and entire Christ (cf. Lauda Sion v19), but they complain bitterly about this. The Second Person of the Blessed Trinity is not enough for such people. Talk about entitlement!

Heavy Crosses Borne By Choirmasters • I could easily spend the next decade writing a book about the injustices I’ve seen toward Catholic musicians. In my 25 years as a choirmaster, I’ve witnessed hypocrisy and mistreatment that would make your head spin. Indeed, anyone who’s worked in the field of sacred music could undoubtedly tell tales of corruption and cruelty that would bring tears to my eyes. The worst is when someone you’ve been friends with, someone you’ve helped, and someone you’ve served betrays you. Such betrayals often happen for the dumbest reasons imaginable. So what do we do? How do we ‘process’ or ‘deal’ or ‘cope’ with these heavy crosses? It is helpful to say this prayer at least once a day. It is good to recall that our Lord made the ultimate sacrifice. It is excellent to read Chapter 12 from The Imitation of Christ by Father Thomas à Kempis (d. 1471AD), which is called “The Royal Road of the Holy Cross.”

Jeff’s Weird Solution • When members of the Catholic Church betray you, treat you poorly, lie to you, or abuse you, the pain is real. It may not be a physical pain, but it still hurts very much. Sometimes it’s good to remember the blessings we have. Modern medicine, clean drinking water, air conditioning, electricity, technology, loving family members, our health … God has given each of us so much! The suffering that comes from mistreatment is painful, there’s no doubt about it. And yet, so many jobs are even more stressful. For example, I did numerous jobs throughout my life, yet I was never forced to clean toilets for a living—and I thank God for this. [I would clean toilets for a living if that were the only way I could support my family. Nevertheless, I feel blessed that I’ve never had to do this; I would not enjoy it.]

Ancient Manuscript • Here is how the Vexilla Regis Prodeunt—the hymn for the Holy Cross—looks in the Harley MS 2961 (circa 1062AD):


NOTES FROM THIS ARTICLE:

1   When Catholic hymns speak of standard-bearer, they refer to “a soldier responsible for carrying the distinctive flag of an army.” They do not refer to somebody doing a mediocre job of carrying something!

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, Featured Tagged With: Anniversary Summorum Pontificum, Eisenach Hymn, Summorum Pontificum, Vexilla Regis Prodeunt Last Updated: August 29, 2022

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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President’s Corner

    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski
    PDF • “Cantus Mariales” (192 pages)
    Andrea Leal has posted an absolutely pristine scan of CANTUS MARIALES (192 pages) which can be downloaded as a PDF file. To access this treasure, navigate to the frabjous article Andrea posted Monday. The file is being offered completely free of charge. The beginning pages of the book have something not to be missed: viz. a letter from Pope Saint Pius X to Dom Pothier, in which the pope calls Abbat Pothier “a man versed above all others in the science of liturgy, and to whom the cause of Gregorian chant is greatly indebted.”
    —Jeff Ostrowski
    Music List • (2nd Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 2nd Sunday of Lent (1 March 2026). If such a thing interests you, feel free to download it as a PDF file. This feast has magnificent propers. Its somber INTROIT is particularly striking—using a haunting tonality—but the COMMUNION with its fauxbourdon verses is also quite remarkable. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski

Quick Thoughts

    Extreme Unction
    Those who search Google for “CCCC MS 079” will discover high resolution images of a medieval Pontificale (“Cambridge, Corpus Christi College, MS 079”). One of the pages contains this absolutely gorgeous depiction of the Sacrament of Extreme Unction.
    —Corpus Christi Watershed
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

“It is when they are practicing that large groups stop in order to sleep; they don’t give themselves a new impetus after a pause (even if it is minimal) and singers pause when they should not (quarter-bar, half-bar)—everything provides temptation to go to sleep! It is thus not a question of rhythm but of musical integrity.”

— Justine Ward (20 July 1952)

Recent Posts

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  • PDF • “Cantus Mariales” (192 pages)
  • PDF Download • Fourteen (14) Versions of the Splendid Hymn: “Salve Mater Misericordiae”
  • Fulton J. Sheen • “24-Hour Catechism”
  • Music List • (2nd Sunday of Lent)

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