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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Sequence For Martin Luther? • (Sung to the melody of “Victimae Paschali Laudes”)

Jeff Ostrowski · August 2, 2022

OD GAVE TO MAN free will. As a result, some members of the clergy do evil things. Our Blessed Lord Himself chose Judas as one of the Apostles! Our Lord did that—it would seem—to teach us something important. Archbishop Fulton J. Sheen used to say: “If the Church were as pristine and holy as some demand, I would be afraid to join because I am a sinner.” Sometimes church legislation needs to change; and we have seen this throughout history.

Change In Approach • After the Council of Trent, there was an emphasis given to Sacred Scripture by “pruning” the many sequences that had developed over the centuries. (Broadly speaking, sequences don’t come from Sacred Scripture.) After Vatican II, we saw the reverse. The reformers who came after Vatican II generally chose to downplay Sacred Scripture; e.g. they eliminated about 50% of Sacred Scripture from each Mass. This decision by the post-conciliar reformers was almost ‘unforgivable’ because the Proprium Missae prior to Vatican II had been the primary way Catholics came into contact with Sacred Scripture, since it was divided into tiny little snippets, easily absorbed by the faithful.

Father Valentine’s Discovery • The reformers who came after Vatican II also carefully removed certain parts of Sacred Scripture, making sure congregations would never hear or sing those parts at Mass. An example would be Saint Paul’s warning about unworthy reception of Holy Communion. Father Valentine Young (d. 2020) discovered this omission in the 1980s. Later on, in 1997, Alfons Cardinal Stickler wrote about Father Valentine’s discovery:

Pastorally “unpopular” passages—often of fundamental theological and moral significance—were simply eliminated. A classic example is the text from I CORINTHIANS 11:27-29. Here, in the narrative of the institution of the Eucharist, the serious concluding exhortation about the grave consequences of unworthy reception has been consistently left out, even on the Feast of Corpus Christi.

A Sequence For Martin Luther?

Father Adrian Fortescue (d. 1923) wrote as follows:

“Luther’s Wicked Deceits” • The heretical contrafactum by John Nass was called Invicti Martini laudes intonant Christiani (“Christians sing aloud the praises of the invincible Martin”), and appeared in the 1520s. But on the weblog of Gerhard Eger, we find Pessimas Lutheri Fraudes, which is a Carthusian Sequence condemning the false teachings of Martin Luther, written by Thomas Kress (also circa 1520). The translation begins: “Luther’s most wicked deceits let Christians flee.”

*  PDF Download • ENGLISH TRANSLATION

How Does It Sound? • A note explains that this text it is to be sung to the tune of Victimae paschali laudes (the famous Easter sequence). Gerhard Eger explains: “The text cleverly adapts the Easter sequence to portray Luther as a veritable Antichrist.” Dr. Luca Ricossa, professor of Gregorian chant at the Haute école de musique in Geneva, has made a recording:

The heretical ex-monk Martin Luther did tremendous damage to the Bride of Christ—there’s no question about that. However, there were others as well: Henry VIII, John Calvin, Huldrych Zwingli, and so forth.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Bishop Fulton J Sheen, Contrafactum or Contrafact, Glaring Omission Vatican II Lectionary, Martin Luther Heretic, Rev Fr Adrian Fortescue Liturgy, Victimae Paschali Laudes Last Updated: August 2, 2022

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Why A “Fugue” Here?
    I believe I know why this plainsong harmonizer created a tiny fugue as the INTRODUCTION to his accompaniment. Take a look (PDF) and tell me your thoughts about what he did on the feast of the Flight of Our Lord Jesus Christ into Egypt (17 February). And now I must go because “tempus fugit” as they say!
    —Jeff Ostrowski
    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski
    “Reminder” — Month of October (2025)
    Those who don’t sign up for our free EMAIL NEWSLETTER miss important notifications. Last week, for example, I sent a message about this job opening for a music director paying $65,000 per year plus benefits (plus weddings & funerals). Notice the job description says: “our vision for sacred music is to move from singing at Mass to truly singing the Mass wherein … especially the propers, ordinaries, and dialogues are given their proper place.” Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski

Quick Thoughts

    “American Catholic Hymnal” (1991)
    The American Catholic Hymnal, with IMPRIMATUR granted (25 April 1991) by the Archdiocese of Chicago, is like a compendium of every horrible idea from the 1980s. Imagine being forced to stand all through Communion (even afterwards) when those self-same ‘enlightened’ liturgists moved the SEQUENCE before the Alleluia to make sure congregations wouldn’t have to stand during it. (Even worse, everything about the SEQUENCE—including its name—means it should follow the Alleluia.) And imagine endlessly repeating “Alleluia” during Holy Communion at every single Mass. It was all part of an effort to convince people that Holy Communion was historically a procession (which it wasn’t).
    —Jeff Ostrowski
    “Canonic” • Ralph Vaughan Williams
    Fifty years ago, Dr. Theodore Marier made available this clever arrangement (PDF) of “Come down, O love divine” by P. R. Dietterich. The melody was composed in 1906 by Ralph Vaughan Williams (d. 1958) and named in honor of of his birthplace: DOWN AMPNEY. The arrangement isn’t a strict canon, but it does remind one of a canon since the pipe organ employs “points of imitation.” The melody and text are #709 in the Brébeuf Catholic Hymnal.
    —Jeff Ostrowski
    Did they simplify these hymn harmonies?
    Choirs love to sing the famous & splendid tune called “INNSBRUCK.” Looking through a (Roman Catholic) German hymnal printed in 1952, I discovered what appears to be a simplified version of that hymn. In other words, their harmonization is much less complex than the version found in the Saint Jean de Brébeuf Hymnal (which is suitable for singing by SATB choir). Please download their 1952 harmonization (PDF) and let me know your thoughts. I really like the groovy Germanic INTRODUCTION they added.
    —Jeff Ostrowski

Random Quote

“I ask that future priests, from their time in the seminary, receive the preparation needed to understand and to celebrate Mass in Latin, and also to use Latin texts and execute Gregorian chant; nor should we forget that the faithful can be taught to recite the more common prayers in Latin, and also to sing parts of the liturgy to Gregorian chant.”

— SACRAMENTUM CARITATIS

Recent Posts

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  • “Three Reasons To Shun Bad Hymns” • Daniel B. Marshall
  • “Puzzling Comment” • By A Respected FSSP Priest
  • New Bulletin Article • “12 October 2025”
  • “Reminder” — Month of October (2025)

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