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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Sequence For Martin Luther? • (Sung to the melody of “Victimae Paschali Laudes”)

Jeff Ostrowski · August 2, 2022

OD GAVE TO MAN free will. As a result, some members of the clergy do evil things. Our Blessed Lord Himself chose Judas as one of the Apostles! Our Lord did that—it would seem—to teach us something important. Archbishop Fulton J. Sheen used to say: “If the Church were as pristine and holy as some demand, I would be afraid to join because I am a sinner.” Sometimes church legislation needs to change; and we have seen this throughout history.

Change In Approach • After the Council of Trent, there was an emphasis given to Sacred Scripture by “pruning” the many sequences that had developed over the centuries. (Broadly speaking, sequences don’t come from Sacred Scripture.) After Vatican II, we saw the reverse. The reformers who came after Vatican II generally chose to downplay Sacred Scripture; e.g. they eliminated about 50% of Sacred Scripture from each Mass. This decision by the post-conciliar reformers was almost ‘unforgivable’ because the Proprium Missae prior to Vatican II had been the primary way Catholics came into contact with Sacred Scripture, since it was divided into tiny little snippets, easily absorbed by the faithful.

Father Valentine’s Discovery • The reformers who came after Vatican II also carefully removed certain parts of Sacred Scripture, making sure congregations would never hear or sing those parts at Mass. An example would be Saint Paul’s warning about unworthy reception of Holy Communion. Father Valentine Young (d. 2020) discovered this omission in the 1980s. Later on, in 1997, Alfons Cardinal Stickler wrote about Father Valentine’s discovery:

Pastorally “unpopular” passages—often of fundamental theological and moral significance—were simply eliminated. A classic example is the text from I CORINTHIANS 11:27-29. Here, in the narrative of the institution of the Eucharist, the serious concluding exhortation about the grave consequences of unworthy reception has been consistently left out, even on the Feast of Corpus Christi.

A Sequence For Martin Luther?

Father Adrian Fortescue (d. 1923) wrote as follows:

“Luther’s Wicked Deceits” • The heretical contrafactum by John Nass was called Invicti Martini laudes intonant Christiani (“Christians sing aloud the praises of the invincible Martin”), and appeared in the 1520s. But on the weblog of Gerhard Eger, we find Pessimas Lutheri Fraudes, which is a Carthusian Sequence condemning the false teachings of Martin Luther, written by Thomas Kress (also circa 1520). The translation begins: “Luther’s most wicked deceits let Christians flee.”

*  PDF Download • ENGLISH TRANSLATION

How Does It Sound? • A note explains that this text it is to be sung to the tune of Victimae paschali laudes (the famous Easter sequence). Gerhard Eger explains: “The text cleverly adapts the Easter sequence to portray Luther as a veritable Antichrist.” Dr. Luca Ricossa, professor of Gregorian chant at the Haute école de musique in Geneva, has made a recording:

The heretical ex-monk Martin Luther did tremendous damage to the Bride of Christ—there’s no question about that. However, there were others as well: Henry VIII, John Calvin, Huldrych Zwingli, and so forth.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Bishop Fulton J Sheen, Contrafactum or Contrafact, Glaring Omission Vatican II Lectionary, Martin Luther Heretic, Rev Fr Adrian Fortescue Liturgy, Victimae Paschali Laudes Last Updated: August 2, 2022

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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President’s Corner

    Pipe Organ “Answers” in Plainsong?
    In 2003, I copied a book by Félix Bélédin (d. 1895), who was titular organist—from 1841 to 1874—at the Cathedral of Saint John the Baptist in Lyon (France). In 2008, we scanned and uploaded the book to the Lalande Online Library. Nobody knows for sure when the book was published; some believe it first appeared in the 1840s. In any event, one who examines this excerpt, showing GLORIA IX might wonder why it says the organ answers in plainsong. However, the front of the book explains, telling the organist explicitly when to “respond in plainchant.” This is something called organ alternatim. Believe it or not, the pipe organ would take turns with the choir, playing certain texts instrumentally instead of having them sung. I’m not very well-versed in this—pardon the pun—but if memory serves, ORGAN ALTERNATIM was frowned upon by the time of Pope Saint Pius X. Nevertheless, French organists kept doing it, even after it was explicitly condemned as an abuse.
    —Jeff Ostrowski
    Music List • (5th Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 5th Sunday of Lent (22 March 2026). If such a thing interests you, feel free to download it as a PDF file. Traditionally, this Sunday was called ‘Passion’ Sunday. Starting in 1956, certain church leaders attempted rename both ‘Passion’ Sunday and ‘Palm’ Sunday—but it didn’t work. For example, Monsignor Frederick McManus tried to get people to call PALM SUNDAY “Second Passion Sunday”—but the faithful rejected that. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski
    Music List • (Holy Thursday, 2026)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for Holy Thursday, which is 2 April 2026. If such a thing interests you, feel free to download it as a PDF file. I’m not sure I’ve ever heard a more piercingly beautiful INTROIT, and I have come to absolutely love the SATB version of ‘Ubi cáritas’ we are singing (joined by our burgeoning children’s choir). I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski

Quick Thoughts

    “Gregorian Chant Quiz” • 24 March 2026
    How well do you know your Gregorian hymns? Do you recognize the tune inserted into the bass line on this score? For many years, we sang the entire Mass in Gregorian chant—and I mean everything. As a result, it would be difficult to find a Gregorian hymn I don’t recognize instantly. Only decades later did I realize (with sadness) that this skill cannot be ‘monetized’… This particular melody is used for a very famous Gregorian hymn, printed in the LIBER USUALIS. Do you recognize it? Send me an email with the correct words, and I promise to tell everybody I meet about your prowess!
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski

Random Quote

“In condemning us, you condemn all your own ancestors—all the ancient priests, bishops and kings—all that was once the glory of England, the island of saints and the most devoted child of the See of Peter. For what have we taught, however you may qualify it with the odious name of treason, that they did not uniformly teach?”

— Father Edmund Campion (to the Anglicans about to murder him)

Recent Posts

  • From Sentiment to Sacrament: Reclaiming Sacred Music for the Wedding Mass
  • Pipe Organ “Answers” in Plainsong?
  • “Gregorian Chant Quiz” • 24 March 2026
  • “Versions of the Psalter” • Jeff Interviews Top Biblical Scholar: Dr. Mark Giszczak
  • PDF Download • “Ubi Caritas” (SATB)

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