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Views from the Choir Loft

Sequence For Martin Luther? • (Sung to the melody of “Victimae Paschali Laudes”)

Jeff Ostrowski · August 2, 2022

OD GAVE TO MAN free will. As a result, some members of the clergy do evil things. Our Blessed Lord Himself chose Judas as one of the Apostles! Our Lord did that—it would seem—to teach us something important. Archbishop Fulton J. Sheen used to say: “If the Church were as pristine and holy as some demand, I would be afraid to join because I am a sinner.” Sometimes church legislation needs to change; and we have seen this throughout history.

Change In Approach • After the Council of Trent, there was an emphasis given to Sacred Scripture by “pruning” the many sequences that had developed over the centuries. (Broadly speaking, sequences don’t come from Sacred Scripture.) After Vatican II, we saw the reverse. The reformers who came after Vatican II generally chose to downplay Sacred Scripture; e.g. they eliminated about 50% of Sacred Scripture from each Mass. This decision by the post-conciliar reformers was almost ‘unforgivable’ because the Proprium Missae prior to Vatican II had been the primary way Catholics came into contact with Sacred Scripture, since it was divided into tiny little snippets, easily absorbed by the faithful.

Father Valentine’s Discovery • The reformers who came after Vatican II also carefully removed certain parts of Sacred Scripture, making sure congregations would never hear or sing those parts at Mass. An example would be Saint Paul’s warning about unworthy reception of Holy Communion. Father Valentine Young (d. 2020) discovered this omission in the 1980s. Later on, in 1997, Alfons Cardinal Stickler wrote about Father Valentine’s discovery:

Pastorally “unpopular” passages—often of fundamental theological and moral significance—were simply eliminated. A classic example is the text from I CORINTHIANS 11:27-29. Here, in the narrative of the institution of the Eucharist, the serious concluding exhortation about the grave consequences of unworthy reception has been consistently left out, even on the Feast of Corpus Christi.

A Sequence For Martin Luther?

Father Adrian Fortescue (d. 1923) wrote as follows:

“Luther’s Wicked Deceits” • The heretical contrafactum by John Nass was called Invicti Martini laudes intonant Christiani (“Christians sing aloud the praises of the invincible Martin”), and appeared in the 1520s. But on the weblog of Gerhard Eger, we find Pessimas Lutheri Fraudes, which is a Carthusian Sequence condemning the false teachings of Martin Luther, written by Thomas Kress (also circa 1520). The translation begins: “Luther’s most wicked deceits let Christians flee.”

*  PDF Download • ENGLISH TRANSLATION

How Does It Sound? • A note explains that this text it is to be sung to the tune of Victimae paschali laudes (the famous Easter sequence). Gerhard Eger explains: “The text cleverly adapts the Easter sequence to portray Luther as a veritable Antichrist.” Dr. Luca Ricossa, professor of Gregorian chant at the Haute école de musique in Geneva, has made a recording:

The heretical ex-monk Martin Luther did tremendous damage to the Bride of Christ—there’s no question about that. However, there were others as well: Henry VIII, John Calvin, Huldrych Zwingli, and so forth.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Bishop Fulton J Sheen, Contrafactum or Contrafact, Glaring Omission Vatican II Lectionary, Martin Luther Heretic, Rev Fr Adrian Fortescue Liturgy, Victimae Paschali Laudes Last Updated: August 2, 2022

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Urgent! • We Desperately Need Funds!
    A few days ago, the president of Corpus Christi Watershed posted this urgent appeal for funds. Please help us make sure we’re never forced to place our content behind a paywall. We feel it’s crucial that 100% of our content remains free to everyone. We’re a tiny 501(c)3 public charity, entirely dependent upon the generosity of small donors. We have no endowment and no major donors. We run no advertisements and have no savings. We beg you to consider donating $4.00 per month. Thank you!
    —Jeff Ostrowski
    “Booklet of Eucharistic Hymns” (16 pages)
    I was asked to create a booklet for my parish to use during our CORPUS CHRISTI PROCESSION on 22 June 2025. Would you be willing to look over the DRAFT BOOKLET (16 pages) I came up with? I tried to include a variety of hymns: some have a refrain; some are in major, others in minor; some are metered, others are plainsong; some are in Spanish, some are in Latin, but most are in English. Normally, we’d use the Brébeuf Hymnal—but we can’t risk having our congregation carry those heavy books all over the city to various churches.
    —Jeff Ostrowski
    “Yahweh” in church songs?
    My pastor asked me to write a weekly column for our parish bulletin. The one scheduled to run on 22 June 2025 is called “Three Words in a Psalm” and speaks of translating the TETRAGRAMMATON. You can read the article at this column repository. All of them are quite brief because I was asked to keep within a certain word limit.
    —Jeff Ostrowski

Quick Thoughts

    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt
    The Funeral Rites of the Graduale Romanum
    Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.
    —Daniel Tucker

Random Quote

An Indult of the “Commission for Russia” (25 November 1929) authorizes Bishops and Administrators Apostolic in Russia to permit the celebration of Mass and the reception of Holy Communion in the afternoon or evening, on condition that a Eucharistic fast of four hours from noon be observed.

— Sacred Congregation of Rites, 25 nov 1929

Recent Posts

  • Urgent! • We Desperately Need Funds!
  • PDF Download • “Polyphonic Extension” (Kevin Allen) for Gloria III
  • “Booklet of Eucharistic Hymns” (16 pages)
  • PDF Download • “Text by Saint Francis of Assisi” (choral setting w/ organ: Soprano & Alto)
  • “Yahweh” in church songs?

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Corpus Christi Watershed is a 501(c)3 public charity dedicated to exploring and embodying as our calling the relationship of religion, culture, and the arts. This non-profit organization employs the creative media in service of theology, the Church, and Christian culture for the enrichment and enjoyment of the public.

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