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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Sequence For Martin Luther? • (Sung to the melody of “Victimae Paschali Laudes”)

Jeff Ostrowski · August 2, 2022

OD GAVE TO MAN free will. As a result, some members of the clergy do evil things. Our Blessed Lord Himself chose Judas as one of the Apostles! Our Lord did that—it would seem—to teach us something important. Archbishop Fulton J. Sheen used to say: “If the Church were as pristine and holy as some demand, I would be afraid to join because I am a sinner.” Sometimes church legislation needs to change; and we have seen this throughout history.

Change In Approach • After the Council of Trent, there was an emphasis given to Sacred Scripture by “pruning” the many sequences that had developed over the centuries. (Broadly speaking, sequences don’t come from Sacred Scripture.) After Vatican II, we saw the reverse. The reformers who came after Vatican II generally chose to downplay Sacred Scripture; e.g. they eliminated about 50% of Sacred Scripture from each Mass. This decision by the post-conciliar reformers was almost ‘unforgivable’ because the Proprium Missae prior to Vatican II had been the primary way Catholics came into contact with Sacred Scripture, since it was divided into tiny little snippets, easily absorbed by the faithful.

Father Valentine’s Discovery • The reformers who came after Vatican II also carefully removed certain parts of Sacred Scripture, making sure congregations would never hear or sing those parts at Mass. An example would be Saint Paul’s warning about unworthy reception of Holy Communion. Father Valentine Young (d. 2020) discovered this omission in the 1980s. Later on, in 1997, Alfons Cardinal Stickler wrote about Father Valentine’s discovery:

Pastorally “unpopular” passages—often of fundamental theological and moral significance—were simply eliminated. A classic example is the text from I CORINTHIANS 11:27-29. Here, in the narrative of the institution of the Eucharist, the serious concluding exhortation about the grave consequences of unworthy reception has been consistently left out, even on the Feast of Corpus Christi.

A Sequence For Martin Luther?

Father Adrian Fortescue (d. 1923) wrote as follows:

“Luther’s Wicked Deceits” • The heretical contrafactum by John Nass was called Invicti Martini laudes intonant Christiani (“Christians sing aloud the praises of the invincible Martin”), and appeared in the 1520s. But on the weblog of Gerhard Eger, we find Pessimas Lutheri Fraudes, which is a Carthusian Sequence condemning the false teachings of Martin Luther, written by Thomas Kress (also circa 1520). The translation begins: “Luther’s most wicked deceits let Christians flee.”

*  PDF Download • ENGLISH TRANSLATION

How Does It Sound? • A note explains that this text it is to be sung to the tune of Victimae paschali laudes (the famous Easter sequence). Gerhard Eger explains: “The text cleverly adapts the Easter sequence to portray Luther as a veritable Antichrist.” Dr. Luca Ricossa, professor of Gregorian chant at the Haute école de musique in Geneva, has made a recording:

The heretical ex-monk Martin Luther did tremendous damage to the Bride of Christ—there’s no question about that. However, there were others as well: Henry VIII, John Calvin, Huldrych Zwingli, and so forth.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Bishop Fulton J Sheen, Contrafactum or Contrafact, Glaring Omission Vatican II Lectionary, Martin Luther Heretic, Rev Fr Adrian Fortescue Liturgy, Victimae Paschali Laudes Last Updated: August 2, 2022

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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President’s Corner

    💲 5.00 💵
    Our tiny 501(c)3 nonprofit organization exists solely by generous readers who donate $5.00 per month. We have no endowment; we have no major donors; we run no advertisements; we have no savings. A donor wrote to us: “I so appreciate all you do and have done, and your generosity is unprecedented. I am honored to be able to make a monthly contribution.” Another monthly donor says: “Thank you for everything CC Watershed does. We are able to add so much solemnity to Holy Mass due to the resources made available here.” Can you spare a few dollars each month to help us survive?
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    Dom Pothier • Photo from 1904
    Dom Paul Cagin, in a 1904 publication (L’oeuvre de Solesmes dans la restauration du chant grégorien) made sure to include a beautiful image of Dom Pothier, the legendary abbot of St-Wandrille. Also shown is a very young Dom André Mocquereau. Auguste Pécoul—considered the spiritual “son” of Abbat Prosper Guéranger of Solesmes—wrote as follows on 24 June 1901: “To forestall any confusion, let us remember that there is just one Gregorian notation—that restored, according to the ancient manuscripts, by the eminent Abbot of Saint-Wandrille, Dom Pothier.” ✠
    —Jeff Ostrowski
    PDF • “3-Voice Motet” (Father De Laet)
    I believe 99% of our readers will recognize this hymn tune. Perhaps Father Edgard De Laet should have called it a ‘hymn’ instead of a ‘motet for three voices’—but he’s technically correct, since MOTET is defined as: “a short piece of sacred choral music, typically polyphonic and unaccompanied.” The even verses are for three voices, as you will see if you download the PDF score at #20245. The odd verses may be song a cappella SATB or unison with organ.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of Febr. (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

“For any member of laity, who is at least somewhat literate, the ignorance of the Latin tongue, which we can call a truly Catholic language, indicates a certain lack of affection towards the Church.”

— Pope Pius IX

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Corpus Christi Watershed is a 501(c)3 public charity dedicated to exploring and embodying as our calling the relationship of religion, culture, and the arts. This non-profit organization employs the creative media in service of theology, the Church, and Christian culture for the enrichment and enjoyment of the public.