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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Sequence For Martin Luther? • (Sung to the melody of “Victimae Paschali Laudes”)

Jeff Ostrowski · August 2, 2022

OD GAVE TO MAN free will. As a result, some members of the clergy do evil things. Our Blessed Lord Himself chose Judas as one of the Apostles! Our Lord did that—it would seem—to teach us something important. Archbishop Fulton J. Sheen used to say: “If the Church were as pristine and holy as some demand, I would be afraid to join because I am a sinner.” Sometimes church legislation needs to change; and we have seen this throughout history.

Change In Approach • After the Council of Trent, there was an emphasis given to Sacred Scripture by “pruning” the many sequences that had developed over the centuries. (Broadly speaking, sequences don’t come from Sacred Scripture.) After Vatican II, we saw the reverse. The reformers who came after Vatican II generally chose to downplay Sacred Scripture; e.g. they eliminated about 50% of Sacred Scripture from each Mass. This decision by the post-conciliar reformers was almost ‘unforgivable’ because the Proprium Missae prior to Vatican II had been the primary way Catholics came into contact with Sacred Scripture, since it was divided into tiny little snippets, easily absorbed by the faithful.

Father Valentine’s Discovery • The reformers who came after Vatican II also carefully removed certain parts of Sacred Scripture, making sure congregations would never hear or sing those parts at Mass. An example would be Saint Paul’s warning about unworthy reception of Holy Communion. Father Valentine Young (d. 2020) discovered this omission in the 1980s. Later on, in 1997, Alfons Cardinal Stickler wrote about Father Valentine’s discovery:

Pastorally “unpopular” passages—often of fundamental theological and moral significance—were simply eliminated. A classic example is the text from I CORINTHIANS 11:27-29. Here, in the narrative of the institution of the Eucharist, the serious concluding exhortation about the grave consequences of unworthy reception has been consistently left out, even on the Feast of Corpus Christi.

A Sequence For Martin Luther?

Father Adrian Fortescue (d. 1923) wrote as follows:

“Luther’s Wicked Deceits” • The heretical contrafactum by John Nass was called Invicti Martini laudes intonant Christiani (“Christians sing aloud the praises of the invincible Martin”), and appeared in the 1520s. But on the weblog of Gerhard Eger, we find Pessimas Lutheri Fraudes, which is a Carthusian Sequence condemning the false teachings of Martin Luther, written by Thomas Kress (also circa 1520). The translation begins: “Luther’s most wicked deceits let Christians flee.”

*  PDF Download • ENGLISH TRANSLATION

How Does It Sound? • A note explains that this text it is to be sung to the tune of Victimae paschali laudes (the famous Easter sequence). Gerhard Eger explains: “The text cleverly adapts the Easter sequence to portray Luther as a veritable Antichrist.” Dr. Luca Ricossa, professor of Gregorian chant at the Haute école de musique in Geneva, has made a recording:

The heretical ex-monk Martin Luther did tremendous damage to the Bride of Christ—there’s no question about that. However, there were others as well: Henry VIII, John Calvin, Huldrych Zwingli, and so forth.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Bishop Fulton J Sheen, Contrafactum or Contrafact, Glaring Omission Vatican II Lectionary, Martin Luther Heretic, Rev Fr Adrian Fortescue Liturgy, Victimae Paschali Laudes Last Updated: August 2, 2022

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    PDF Download • “For Pentecost Sunday”
    Yesterday morning, I recorded myself singing the ENTRANCE CHANT for Pentecost Sunday while simultaneously accompanying myself on the pipe organ. Click here to see how that came out. At the end of the antiphon, there’s a triple Allelúja and I just love the chord at the end of the 2nd iteration. The organ accompaniment—along with the musical score for singers—can be downloaded free of charge at the flourishing feasts website. For the record, the antiphon on Pentecost Sunday doesn’t come from a psalm; it comes from the book of Wisdom.
    —Jeff Ostrowski
    PDF Download • “Organ Accompaniment”
    Over the past few years, I’ve been harmonizing all the vernacular plainsong Introit settings by the CHAUMONOT COMPOSERS GROUP. This coming Sunday—10 May 2026—is the 6th Sunday of Easter (Year A). The following declaration will probably smack of “blowing my own horn.” However, I’d rank this accompaniment as my best yet. In this rehearsal video, I attempt to sing it while simultaneously accompanying myself on the pipe organ. The musical score [for singers] as well as my organ accompaniment can be downloaded free of charge from the flourishing feasts website.
    —Jeff Ostrowski
    “Gregorian Chant Quiz” • 4 May 2026
    A few days ago, the CORPUS CHRISTI WATERSHED Facebook page posted this Gregorian Chant quiz regarding a rubric for the SEQUENCE for the feast of Corpus Christi: “Lauda Sion Salvatórem.” There is no audience more intelligent than ours—yet surprisingly nobody has been able to guess the rubric. Drop me an email with the right answer, and I’ll affirm your brilliance to everyone I encounter!
    —Jeff Ostrowski

Quick Thoughts

    “Thee” + “Thou” + “Thine”
    Few musicians realize that various English translations of Sacred Scripture were granted formal approval by the USCCB and the Vatican for liturgical use in the United States of America. But don’t take my word for it! Here are four documents proving this, which you can examine with your own eyes. Some believe the words “Thine” and “Thou” and “Thee” were forbidden after Vatican II—but that’s incorrect. For example, they’re found in the English translation of the ‘Our Father’ at Mass. Moreover, the Revised Standard Version (Catholic Edition) mentioned in those four documents employs “Thine” and “Thou” and “Thee.” It was published with a FOREWORD by Westminster’s Roman Catholic Archbishop (John Cardinal Heenan).
    —Jeff Ostrowski
    “Reminder” — Month of May (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    Simplified Version • “Canon in D” (Pachelbel)
    I published an article on 11 November 2023 called Wedding March For The Lazy Organist, which rather offhandedly made reference to a simplified version I created in 2007 for Pachelbel’s Canon. I often use it as a PROCESSIONAL for weddings and quinceañeras. Many organists say they “hate” Pachelbel’s Canon. But I love it. I think it’s bright and beautiful. I created that ‘simplified version’ for musicians coming to grips with playing the pipe organ. It can be downloaded as a free PDF if you visit Andrea Leal’s article dated 15 August 2022: Manuals Only: Organ Interludes Based on Plainsong. Specifically, it is page 84 in that collection—generously offered as a free PDF download. Johann Pachelbel (d. 1706) was a renowned German organist, violinist, teacher, and composer of over 500 works. A friend of Bach’s family, he taught Johann Christoph Bach (Sebastian Bach’s eldest brother) and lived in his house. Those who read Pachelbel’s biography will notice his connection to two German cities adopted as famous hymn tune names: EISENACH and ERFURT.
    —Jeff Ostrowski

Random Quote

After ordering the bishops to appoint in each diocese “special commission of persons who are really competent in the matter, to whom they will entrust the duty of watching over the music performed in the churches in whatever way may seem most advisable,” Pope Pius X continues—“this commission will insist on the music being not only good in itself, but also proportionate to the capacity of the singers, so that it may be always well executed.”

— Dom Alphege Shebbeare (Downside Review)

Recent Posts

  • “Unfair Characterization” • (But Good Question)
  • “Thee” + “Thou” + “Thine”
  • PDF Download • “For Pentecost Sunday”
  • “Reminder” — Month of May (2026)
  • “Englished” Gregorian Chant • 5 Considerations

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