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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

QfoR (“Questions From Our Readers”) • A New Series

Corpus Christi Watershed · August 2, 2022

Question Submitted on 1 August 2022
I am the music director at ————. I also sang in the EWTN choir for about eight years. As much as I love polyphony and chant (and believe they are truly beautiful and holy), your offerings of Mass parts such as these leave me feeling frustrated and confused. If we are to promote the full, active, and conscious participation of the assembly in the Mass, how do we justify singing Mass parts that the assembly can’t possibly sing? It’s always been my understanding that these Mass parts belong to the people. Do you have any suggestions on practical ways this kind of music can be used in a typical parish? Any suggestions would be greatly appreciated.

Response by D. F. F.

Vatican II • You ask: “How do we justify singing Mass parts that the assembly can’t possibly sing?” It is true Vatican II said Gregorian Chant should have “first place” (principem locum) in liturgical services, demonstrating clearly that the council fathers believed pieces sung in Latin were not a hindrance to “fully conscious and active participation in liturgical celebrations.” The council also specifically and explicitly praised polyphony (Sacrosanctum Concilium §116). Moreover, Vatican II said: “The musical tradition of the universal Church is a treasure of inestimable value, greater even than that of any other art” (Sacrosanctum Concilium §112). Then the council fathers said: “The treasury of sacred music is to be preserved and fostered with great care” (Sacrosanctum Concilium §114). In several other places, the council fathers addressed choral singing; e.g. “Choirs must be diligently promoted” (Sacrosanctum Concilium §114).

Clear Verdict • Normal human beings—provided they can read—will understand what Vatican II meant by the declarations cited above. For example, “preserved and fostered with great care” does not mean “denigrated and eliminated.” When the council fathers said choirs “must be diligently promoted,” the meaning is clear. Vatican II spoke of the Roman Catholic “[musical] treasure of inestimable value”—and the most important components of that treasury (most would agree) are the Mass settings by great composers. Palestrina composed something like 120 Mass settings. And we can’t forget about Josquin, Guerrero, Lassus, Victoria, Mozart, and so many others. In other words, Vatican II did not say: “Some parts of the treasury are fine, but other parts are deficient and must be eliminated.” Therefore, it seems impossible to accept the view that choral settings of the Mass Ordinary—such as the one you cite—would be prohibited.

“Participatio Actuosa” • How much should the congregation sing? How much should the choir sing? Choirmasters who have been ‘in the trenches’ generally agree it is not advisable to have congregations sing too much. They should not sing everything. (To force them to sing everything might even damage their voices.) Rather, they should sing certain things—and sing them well. The definitive statement on participatio actuosa (“active participation”) was written by Monsignor Robert A. Skeris:

*  PDF Download • “Participatio Actuosa” (17 pages)
—Published by Dr. Robert A. Skeris in 1973.

People’s Parts • We highly recommend that article by Monsignor Skeris, especially since it deals with the famous question of partes quae ad populum spectant (“parts that concern the people”). Essentially, the Holy Mass consists of certain texts and prayers that must be proclaimed in a new time and space. Whether these texts are proclaimed by the Deacon, the Celebrant, the Cantor, the Choir, or the Congregation does not invalidate them in any way.

Addendum • We believe that Corpus Christi Watershed has done a great deal to provide dignified settings that can be sung by the congregation. Consider Richard J. Clark’s “Mass in Honor of Pope Saint John Paul II,” which was included in the fifth edition of the famous SAINT MICHAEL HYMNAL. Jeff Ostrowski recently featured four Mass settings that work well with congregations. Other contributors to Corpus Christi Watershed have also written vernacular Mass settings which can be sung by congregtions.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: partes quae ad populum spectant, Questions From Our Readers Last Updated: August 2, 2022

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Corpus Christi Watershed

President’s Corner

    “Music List” • 22nd in Ordinary Time (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 31 August 2025, which is the 22nd Sunday in Ordinary Time (Year C). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the spectacular feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    “The Worm That Dieth Not”
    My pastor asked me to write a column for our parish bulletin with reflections on the sacred liturgy and church music. In my most recent article, I discuss “The Worm That Dieth Not.” At this website, you can access it conveniently; simply scroll down to the one dated 31 August 2025.
    —Jeff Ostrowski
    A Nice Hymn In Spanish
    In my humble opinion, this is a really beautiful hymn in Spanish. If I practice diligently, I’ll be able to pronounce all the words properly. If you’re someone who’s interested in obtaining a melody only version (suitable for your congregational ORDER OF WORSHIP) you can steal that from this.
    —Jeff Ostrowski

Quick Thoughts

    Solemn “Salve Regina” (Chant)
    How many “S” words can you think of using alliteration? How about Schwann Solemn Salve Score? You can download the SOLEMN SALVE REGINA in Gregorian Chant. The notation follows the official rhythm (EDITIO VATICANA). Canon Jules Van Nuffel, choirmaster of the Cathedral of Saint Rumbold, composed this accompaniment for it (although some feel it isn’t his best work).
    —Corpus Christi Watershed
    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed

Random Quote

The Princess of the Palatinate once described German Protestantism to Louis XIV with this formula: “In our country, everyone makes up his own little religion.” Every priest, or almost every priest, is at this point today. All the faithful have to say is “Amen.” They are still blessed when the pastor’s religion does not change every Sunday, at the whim of his reading, the foolery he has seen others at, or at his own pure fancy.

— Professor Louis Bouyer (1968)

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