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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

“Do You Know This Hymn Composer?” • Orlando Gibbons (d. 1623)

Jeff Ostrowski · July 9, 2022

ODAY WE RELEASE “installment 2” in the new series called How Has Nobody Done This Before? This series features hundreds of rehearsal videos—for each individual singer’s voice part—of the world’s greatest hymns. The entire project can be accessed completely free of charge at this website (scroll towards the middle section). It’s so useful to be able to send your choir members to a website containing individual voice parts, while knowing the hymn texts (lyrics) and the hymn notes (harmonies) have not been tampered with.

Glenn Gould’s Favorite: Today we feature Glenn Gould’s favorite composer: ORLANDO GIBBONS. Let’s start with Brébeuf #715, which is a Roman Catholic text (Adesto Pater Domine) translated into English by a Catholic poet named Alan Gordon McDougall (whose work Father Adrian Fortescue admired):

M Rehearsal videos for each individual voice await you at #715.

Common Tunes: What makes the Brébeuf hymnal so powerful is its use of “common tunes.” That means you can teach your choir #715 (above) and they already know a bunch more hymns. For example, they already know this hymn to Saint Joseph, whose text was written by an FSSP priest:

M Rehearsal videos for each individual voice await you at #790.

…and they’ll automatically know this hymn for Lent:

M Rehearsal videos for each individual voice await you at #240.

…and here’s another Lenten hymn they will know automatically:

M Rehearsal videos for each individual voice await you at #220.

HE new publication by Sophia Institute Press (Saint Jean de Brébeuf Hymnal) is quite different than other Catholic hymnals currently available. Unlike other “Catholic” hymnals, it refused to mimic or “build upon” Protestant models. The hymnal is Catholic to its core. To find something similar, you’d have to go back seventy years to the New Westminster Hymnal, which was (generally speaking) the work of Monsignor Ronald Knox and Dom Gregory Murray.

Here are some examples demonstrating how this melody by Orlando Gibbons was adopted by serious Catholic hymnals, even though Gibbons was not a Catholic:

*  PDF Download • “How It Used To Look”
—Notice how the editors chose a hymn to the Holy Ghost, just like the Brébeuf hymnal.

*  PDF Download • “New Saint Basil Hymnal”
—Notice how the editors chose a hymn to the Holy Ghost, just like the Brébeuf hymnal.

*  PDF Download • Theodore Marier
—Dr. Marier used this Gibbons tune at least three times in his hymnal.

*  PDF Download • “New Westminster Hymnal”
—Dom Gregory Murray and Msgr. Ronald Knox were its main creators.

*  PDF Download • “The Catholic Hymn Book”
—Produced by the London Oratory circa 1998.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, Featured Tagged With: Adesto Pater Domine, Angel's Song by Orlando Gibbons, Gibbons Song 34, How Has Nobody Done This, Orlando Gibbons Last Updated: July 18, 2022

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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President’s Corner

    Music List • (3rd Sund. Ordinary Time)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for this coming Sunday: the 3rd Sunday in Ordinary Time (Year A). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the monumental feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    “Holy Name Hymn” (2-Voice Arrangement)
    When we post a direct URL link, we frequently get thousands of downloads. But when scrolling is required, very few take the time. I mention this because those who click on this URL link and scroll to the bottom can download—completely free of charge—a clever 2-voice arrangement for a famous hymn to the Most Holy Name of Jesus. In a pinch, it can be nicely sung by one male and one female! It will be of interest to those who seek arrangements for two voices.
    —Jeff Ostrowski
    PDF Download • Introit (3rd Sn. Ord.)
    This coming Sunday, 25 January 2026, is the 3rd Sunday in Ordinary Time (Year A). The ENTRANCE CHANT (“Dóminus secus mare”) is somewhat rare because it comes from the New Testament. The authentic version in Latin—of astounding antiquity—was jettisoned in 1955 but restored in 1970. This rehearsal video has me attempting to sing the melody while simultaneously accompanying myself on the organ. I encourage you to print off the organ accompaniment (PDF) and play through it because it has extremely ‘happy’ harmonies.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of January (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski
    PDF Download • “In Paradisum” in English
    We always sing the IN PARADISUM in Latin, as printed on this PDF score. I have an appallingly bad memory (meaning I’d be a horrible witness in court). In any event, it’s been brought to my attention that 15 years ago I created this organ accompaniment for the famous and beautiful ‘IN PARADISUM’ Gregorian chant sung in English according to ‘MR3’ (Roman Missal, Third Edition). If anyone desires such a thing, feel free to download and print. Looking back, I wish I’d brought the TENOR and BASS voices into a unison (on B-Natural) for the word “welcome” on the second line.
    —Jeff Ostrowski

Random Quote

“Many of those who have influenced the reform […] have no love, and no veneration of that which has been handed down to us. They begin by despising everything that is actually there.”

— Cardinal Antonelli (Peritus during the Second Vatican Council)

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