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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

“Do You Know This Hymn Composer?” • Orlando Gibbons (d. 1623)

Jeff Ostrowski · July 9, 2022

ODAY WE RELEASE “installment 2” in the new series called How Has Nobody Done This Before? This series features hundreds of rehearsal videos—for each individual singer’s voice part—of the world’s greatest hymns. The entire project can be accessed completely free of charge at this website (scroll towards the middle section). It’s so useful to be able to send your choir members to a website containing individual voice parts, while knowing the hymn texts (lyrics) and the hymn notes (harmonies) have not been tampered with.

Glenn Gould’s Favorite: Today we feature Glenn Gould’s favorite composer: ORLANDO GIBBONS. Let’s start with Brébeuf #715, which is a Roman Catholic text (Adesto Pater Domine) translated into English by a Catholic poet named Alan Gordon McDougall (whose work Father Adrian Fortescue admired):

M Rehearsal videos for each individual voice await you at #715.

Common Tunes: What makes the Brébeuf hymnal so powerful is its use of “common tunes.” That means you can teach your choir #715 (above) and they already know a bunch more hymns. For example, they already know this hymn to Saint Joseph, whose text was written by an FSSP priest:

M Rehearsal videos for each individual voice await you at #790.

…and they’ll automatically know this hymn for Lent:

M Rehearsal videos for each individual voice await you at #240.

…and here’s another Lenten hymn they will know automatically:

M Rehearsal videos for each individual voice await you at #220.

HE new publication by Sophia Institute Press (Saint Jean de Brébeuf Hymnal) is quite different than other Catholic hymnals currently available. Unlike other “Catholic” hymnals, it refused to mimic or “build upon” Protestant models. The hymnal is Catholic to its core. To find something similar, you’d have to go back seventy years to the New Westminster Hymnal, which was (generally speaking) the work of Monsignor Ronald Knox and Dom Gregory Murray.

Here are some examples demonstrating how this melody by Orlando Gibbons was adopted by serious Catholic hymnals, even though Gibbons was not a Catholic:

*  PDF Download • “How It Used To Look”
—Notice how the editors chose a hymn to the Holy Ghost, just like the Brébeuf hymnal.

*  PDF Download • “New Saint Basil Hymnal”
—Notice how the editors chose a hymn to the Holy Ghost, just like the Brébeuf hymnal.

*  PDF Download • Theodore Marier
—Dr. Marier used this Gibbons tune at least three times in his hymnal.

*  PDF Download • “New Westminster Hymnal”
—Dom Gregory Murray and Msgr. Ronald Knox were its main creators.

*  PDF Download • “The Catholic Hymn Book”
—Produced by the London Oratory circa 1998.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, Featured Tagged With: Adesto Pater Domine, Angel's Song by Orlando Gibbons, Gibbons Song 34, How Has Nobody Done This, Orlando Gibbons Last Updated: July 18, 2022

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Music List” • 22nd in Ordinary Time (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 31 August 2025, which is the 22nd Sunday in Ordinary Time (Year C). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the spectacular feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    “The Worm That Dieth Not”
    My pastor asked me to write a column for our parish bulletin with reflections on the sacred liturgy and church music. In my most recent article, I discuss “The Worm That Dieth Not.” At this website, you can access it conveniently; simply scroll down to the one dated 31 August 2025.
    —Jeff Ostrowski
    A Nice Hymn In Spanish
    In my humble opinion, this is a really beautiful hymn in Spanish. If I practice diligently, I’ll be able to pronounce all the words properly. If you’re someone who’s interested in obtaining a melody only version (suitable for your congregational ORDER OF WORSHIP) you can steal that from this.
    —Jeff Ostrowski

Quick Thoughts

    Solemn “Salve Regina” (Chant)
    How many “S” words can you think of using alliteration? How about Schwann Solemn Salve Score? You can download the SOLEMN SALVE REGINA in Gregorian Chant. The notation follows the official rhythm (EDITIO VATICANA). Canon Jules Van Nuffel, choirmaster of the Cathedral of Saint Rumbold, composed this accompaniment for it (although some feel it isn’t his best work).
    —Corpus Christi Watershed
    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed

Random Quote

“It is also customary in many lands that a brief but meaningful hymn be sung between the Gospel and the sermon. (I note in passing that this custom also preserves the original and primary function of the medieval congregational hymn, which was to frame the sermon.)”

— Professor László Dobszay (2003)

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