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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

“Do You Know This Hymn Composer?” • Orlando Gibbons (d. 1623)

Jeff Ostrowski · July 9, 2022

ODAY WE RELEASE “installment 2” in the new series called How Has Nobody Done This Before? This series features hundreds of rehearsal videos—for each individual singer’s voice part—of the world’s greatest hymns. The entire project can be accessed completely free of charge at this website (scroll towards the middle section). It’s so useful to be able to send your choir members to a website containing individual voice parts, while knowing the hymn texts (lyrics) and the hymn notes (harmonies) have not been tampered with.

Glenn Gould’s Favorite: Today we feature Glenn Gould’s favorite composer: ORLANDO GIBBONS. Let’s start with Brébeuf #715, which is a Roman Catholic text (Adesto Pater Domine) translated into English by a Catholic poet named Alan Gordon McDougall (whose work Father Adrian Fortescue admired):

M Rehearsal videos for each individual voice await you at #715.

Common Tunes: What makes the Brébeuf hymnal so powerful is its use of “common tunes.” That means you can teach your choir #715 (above) and they already know a bunch more hymns. For example, they already know this hymn to Saint Joseph, whose text was written by an FSSP priest:

M Rehearsal videos for each individual voice await you at #790.

…and they’ll automatically know this hymn for Lent:

M Rehearsal videos for each individual voice await you at #240.

…and here’s another Lenten hymn they will know automatically:

M Rehearsal videos for each individual voice await you at #220.

HE new publication by Sophia Institute Press (Saint Jean de Brébeuf Hymnal) is quite different than other Catholic hymnals currently available. Unlike other “Catholic” hymnals, it refused to mimic or “build upon” Protestant models. The hymnal is Catholic to its core. To find something similar, you’d have to go back seventy years to the New Westminster Hymnal, which was (generally speaking) the work of Monsignor Ronald Knox and Dom Gregory Murray.

Here are some examples demonstrating how this melody by Orlando Gibbons was adopted by serious Catholic hymnals, even though Gibbons was not a Catholic:

*  PDF Download • “How It Used To Look”
—Notice how the editors chose a hymn to the Holy Ghost, just like the Brébeuf hymnal.

*  PDF Download • “New Saint Basil Hymnal”
—Notice how the editors chose a hymn to the Holy Ghost, just like the Brébeuf hymnal.

*  PDF Download • Theodore Marier
—Dr. Marier used this Gibbons tune at least three times in his hymnal.

*  PDF Download • “New Westminster Hymnal”
—Dom Gregory Murray and Msgr. Ronald Knox were its main creators.

*  PDF Download • “The Catholic Hymn Book”
—Produced by the London Oratory circa 1998.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, Featured Tagged With: Adesto Pater Domine, Angel's Song by Orlando Gibbons, Gibbons Song 34, How Has Nobody Done This, Orlando Gibbons Last Updated: July 18, 2022

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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President’s Corner

    Epiphany Hymn • “New 2-Voice Arrangement”
    The Von Trapp Family Singers loved a melody that was featured heavily (perhaps even “too heavily”) in the Brébeuf Hymnal. It goes by many names, including ALTONA, VOM HIMMEL HOCH, and ERFURT. If you only have one man and one woman singing, you will want to download this arrangement for two voices. It really is a marvelous tune—and it’s especially fitting during the season of Christmas and Epiphany.
    —Jeff Ostrowski
    Simplified Accompaniment (Epiphany Hymn)
    About a month ago, I created a simplified keyboard accompaniment for “Come, Thou Long-Expected Jesus”—the famous ADVENT hymn—using a melody called CROSS OF JESUS. It was soon downloaded more than 1,000 times. As of this morning, you can download a simplified keyboard accompaniment for the belovèd Epiphany hymn “Bethlehem! Of noblest cities” (O Sola Magnarum Urbium) by clicking on this link (PDF file). Many organists are forced to serve simultaneously as both CANTOR and ACCOMPANIST. In spite of what some claim, this can be difficult, which explains why choirmasters appreciate these simplified keyboard accompaniments.
    —Jeff Ostrowski
    Psalm Tone Challenge!
    Many readers know that Tone 1a3 is the most difficult PSALM TONE in the 1962 books (and isn’t called for very often). But what about very short verses—which is the absolute most concise you know? The shortest PSALM TONE segment I know would be the fourth verse (PDF) from Psalm 44, used during Matins at Christmas. It’s literally one word long. If you know a more minuscule one, please email me!
    —Jeff Ostrowski

Quick Thoughts

    PDF Download • “In Paradisum” in English
    We always sing the IN PARADISUM in Latin, as printed on this PDF score. I have an appallingly bad memory (meaning I’d be a horrible witness in court). In any event, it’s been brought to my attention that 15 years ago I created this organ accompaniment for the famous and beautiful ‘IN PARADISUM’ Gregorian chant sung in English according to ‘MR3’ (Roman Missal, Third Edition). If anyone desires such a thing, feel free to download and print. Looking back, I wish I’d brought the TENOR and BASS voices into a unison (on B-Natural) for the word “welcome” on the second line.
    —Jeff Ostrowski
    What does this mean? “Pre-Urbanite”
    Something informed critics have frequently praised vis-à-vis the Saint Jean de Brébeuf Hymnal is its careful treatment of the ancient hymns vs. the “Urbanite” hymns. This topic I had believed to be fairly well understood—but I was wrong. The reason I thought people knew about it is simple; in the EDITIO VATICANA 1908 Graduale Romanum (as well as the 1913 Liber Antiphonarius) both versions are provided, right next to each other. You can see what I mean by examining this PDF file from the Roman Gradual of 1908. Most people still don’t understand that the Urbanite versions were never adopted by any priests or monks who sang the Divine Office each day. Switching would have required a massive amount of effort and money, because all the books would need to be changed.
    —Jeff Ostrowski
    PDF Download • “Santo Santo Santo”
    Those searching for a dignified, brief, simple, bright setting of SANCTUS in Spanish (“Santo Santo Santo”) are invited to download this Setting in honor of Saint John Brébeuf (organist & vocalist). I wonder if there would be any interest in me recording a rehearsal video for this piece.
    —Jeff Ostrowski

Random Quote

“It is difficult to imagine a more unjust situation than abortion, and it is very difficult to speak of obsession in a matter such as this, where we are dealing with a fundamental imperative of every good conscience—the defense of the right to life of an innocent and defenseless human being.”

— Pope St. John Paul II

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  • Simplified Accompaniment (Epiphany Hymn)
  • “Adeste Fideles” • Too Many Translations!

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