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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

{ Next Year! } • Somber Kyrie Settings For Lent

Jeff Ostrowski · April 18, 2022

HE FOLLOWING QUOTE has been attributed to St. Augustine: “The only thing you can take with you to Heaven is music.” Whether St. Augustine spoke these precise words or not, it is undeniable that Sacred music has an amazing ability to lift our hearts and minds to God. Sacred music reminds us in a powerful way of the purity of God and the unspeakable beauty of our Creator. Therefore, before I go further, let us listen to a short excerpt of the Kyrie from Messe de Nostre Dame by Guillaume de Machaut (†1377):

Those who enjoyed the excerpt above will be interested in the free PDF score, and are encouraged to listen to the complete recording by Matthew J. Curtis.

EXT YEAR—when the holy season of Lent once more approaches—many Catholic choirmasters will be searching for polyphonic versions of the Kyrie Eleison. As everyone knows, the Gloria is not said during Lent. That means musicians can “get away” with using a slightly longer Kyrie without risking a “heated discussion” with the Pastor after Mass. [I wish it were not this way … but in many parishes, this is the case.] An added bonus would be a Kyrie that also involves the congregation. Even better than that would be a relatively easy polyphonic setting, so that amateur church choirs could sing with confidence (since it’s better to sing a simpler piece very well than to sing a more difficult piece poorly). One good choice might be Kyrie cunctipotens genitor Deus (Trent Codex 90), which has polyphony for three voices as well as Gregorian sections for the congregation. I strongly recommend that anyone considering Trent Codex 90 read this fantastic article by Dr. William Mahrt of Stanford, which appeared in the Sacred Music Journal (Summer 2011, Volume 138, No. 2):

*  PDF Download • Dr. Mahrt’s Article

Regarding this Kyrie Eleyson from Trent Codex 90, Matthew J. Curtis has provided rehearsal videos to help your choir members master this piece:

*  Free PDF Score

*  Mp3 Download • Equal Voices

*  Mp3 Download • Soprano Louder

*  Mp3 Download • Alto Louder

*  Mp3 Download • Tenor Louder

Another beautiful choice (for SATB choirs) might be a Kyrie Eleison based on Joan Brudieu (†1591). Just as in the previous Kyrie, a possible format for all three invocations would be:

Cantor / Congregation / Choir (polyphony).

Here’s a vocal simulation:

Corpus Christi Watershed has provided rehearsal videos for this Brudieu Kyrie Eleison to assist choir members who do not read music well. Just visit this page, which also contains the free PDF score.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, PDF Download Tagged With: Guillaume de Machaut Polyphony, Messe de Nostre Dame Last Updated: April 18, 2022

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski
    PDF • “Cantus Mariales” (192 pages)
    Andrea Leal has posted an absolutely pristine scan of CANTUS MARIALES (192 pages) which can be downloaded as a PDF file. To access this treasure, navigate to the frabjous article Andrea posted Monday. The file is being offered completely free of charge. The beginning pages of the book have something not to be missed: viz. a letter from Pope Saint Pius X to Dom Pothier, in which the pope calls Abbat Pothier “a man versed above all others in the science of liturgy, and to whom the cause of Gregorian chant is greatly indebted.”
    —Jeff Ostrowski
    Music List • (2nd Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 2nd Sunday of Lent (1 March 2026). If such a thing interests you, feel free to download it as a PDF file. This feast has magnificent propers. Its somber INTROIT is particularly striking—using a haunting tonality—but the COMMUNION with its fauxbourdon verses is also quite remarkable. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski

Quick Thoughts

    Extreme Unction
    Those who search Google for “CCCC MS 079” will discover high resolution images of a medieval Pontificale (“Cambridge, Corpus Christi College, MS 079”). One of the pages contains this absolutely gorgeous depiction of the Sacrament of Extreme Unction.
    —Corpus Christi Watershed
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

“We know that originally the offertories of the repertoire included a series of verses, just like the introit and the communion, but generally more ornate. Many of these are musical compositions of great beauty. They quickly fell into disuse, and we find them only in the most ancient manuscripts. The only remaining trace of this older arrangement in our present-day liturgy is that of the offertory of the Requiem Mass.”

— Dom Joseph Gajard (1956)

Recent Posts

  • PDF Download • “Ubi Caritas” (SATB)
  • PDF • “Cantus Mariales” (192 pages)
  • PDF Download • Fourteen (14) Versions of the Splendid Hymn: “Salve Mater Misericordiae”
  • Fulton J. Sheen • “24-Hour Catechism”
  • Music List • (2nd Sunday of Lent)

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