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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

{ Next Year! } • Somber Kyrie Settings For Lent

Jeff Ostrowski · April 18, 2022

HE FOLLOWING QUOTE has been attributed to St. Augustine: “The only thing you can take with you to Heaven is music.” Whether St. Augustine spoke these precise words or not, it is undeniable that Sacred music has an amazing ability to lift our hearts and minds to God. Sacred music reminds us in a powerful way of the purity of God and the unspeakable beauty of our Creator. Therefore, before I go further, let us listen to a short excerpt of the Kyrie from Messe de Nostre Dame by Guillaume de Machaut (†1377):

Those who enjoyed the excerpt above will be interested in the free PDF score, and are encouraged to listen to the complete recording by Matthew J. Curtis.

EXT YEAR—when the holy season of Lent once more approaches—many Catholic choirmasters will be searching for polyphonic versions of the Kyrie Eleison. As everyone knows, the Gloria is not said during Lent. That means musicians can “get away” with using a slightly longer Kyrie without risking a “heated discussion” with the Pastor after Mass. [I wish it were not this way … but in many parishes, this is the case.] An added bonus would be a Kyrie that also involves the congregation. Even better than that would be a relatively easy polyphonic setting, so that amateur church choirs could sing with confidence (since it’s better to sing a simpler piece very well than to sing a more difficult piece poorly). One good choice might be Kyrie cunctipotens genitor Deus (Trent Codex 90), which has polyphony for three voices as well as Gregorian sections for the congregation. I strongly recommend that anyone considering Trent Codex 90 read this fantastic article by Dr. William Mahrt of Stanford, which appeared in the Sacred Music Journal (Summer 2011, Volume 138, No. 2):

*  PDF Download • Dr. Mahrt’s Article

Regarding this Kyrie Eleyson from Trent Codex 90, Matthew J. Curtis has provided rehearsal videos to help your choir members master this piece:

*  Free PDF Score

*  Mp3 Download • Equal Voices

*  Mp3 Download • Soprano Louder

*  Mp3 Download • Alto Louder

*  Mp3 Download • Tenor Louder

Another beautiful choice (for SATB choirs) might be a Kyrie Eleison based on Joan Brudieu (†1591). Just as in the previous Kyrie, a possible format for all three invocations would be:

Cantor / Congregation / Choir (polyphony).

Here’s a vocal simulation:

Corpus Christi Watershed has provided rehearsal videos for this Brudieu Kyrie Eleison to assist choir members who do not read music well. Just visit this page, which also contains the free PDF score.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, PDF Download Tagged With: Guillaume de Machaut Polyphony, Messe de Nostre Dame Last Updated: April 18, 2022

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Why A “Fugue” Here?
    I believe I know why this plainsong harmonizer created a tiny fugue as the INTRODUCTION to his accompaniment. Take a look (PDF) and tell me your thoughts about what he did on the feast of the Flight of Our Lord Jesus Christ into Egypt (17 February). And now I must go because “tempus fugit” as they say!
    —Jeff Ostrowski
    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski
    “Reminder” — Month of October (2025)
    Those who don’t sign up for our free EMAIL NEWSLETTER miss important notifications. Last week, for example, I sent a message about this job opening for a music director paying $65,000 per year plus benefits (plus weddings & funerals). Notice the job description says: “our vision for sacred music is to move from singing at Mass to truly singing the Mass wherein … especially the propers, ordinaries, and dialogues are given their proper place.” Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski

Quick Thoughts

    “American Catholic Hymnal” (1991)
    The American Catholic Hymnal, with IMPRIMATUR granted (25 April 1991) by the Archdiocese of Chicago, is like a compendium of every horrible idea from the 1980s. Imagine being forced to stand all through Communion (even afterwards) when those self-same ‘enlightened’ liturgists moved the SEQUENCE before the Alleluia to make sure congregations wouldn’t have to stand during it. (Even worse, everything about the SEQUENCE—including its name—means it should follow the Alleluia.) And imagine endlessly repeating “Alleluia” during Holy Communion at every single Mass. It was all part of an effort to convince people that Holy Communion was historically a procession (which it wasn’t).
    —Jeff Ostrowski
    “Canonic” • Ralph Vaughan Williams
    Fifty years ago, Dr. Theodore Marier made available this clever arrangement (PDF) of “Come down, O love divine” by P. R. Dietterich. The melody was composed in 1906 by Ralph Vaughan Williams (d. 1958) and named in honor of of his birthplace: DOWN AMPNEY. The arrangement isn’t a strict canon, but it does remind one of a canon since the pipe organ employs “points of imitation.” The melody and text are #709 in the Brébeuf Catholic Hymnal.
    —Jeff Ostrowski
    Did they simplify these hymn harmonies?
    Choirs love to sing the famous & splendid tune called “INNSBRUCK.” Looking through a (Roman Catholic) German hymnal printed in 1952, I discovered what appears to be a simplified version of that hymn. In other words, their harmonization is much less complex than the version found in the Saint Jean de Brébeuf Hymnal (which is suitable for singing by SATB choir). Please download their 1952 harmonization (PDF) and let me know your thoughts. I really like the groovy Germanic INTRODUCTION they added.
    —Jeff Ostrowski

Random Quote

The People’s Hymnal suffers from a too literal and awkward translation. And even in the lovely Slovak “Memorare” in The Saint Gregory Hymnal we are still asked to sing “that anyone who sought thee, or made to thee his moan.” Why not “groan” or “bone” or even “phone?” The only thing necessary, it seems, is that it rhyme with “known.”

— Mons. Francis P. Schmitt (1958)

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  • New Bulletin Article • “12 October 2025”

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