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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

{ Next Year! } • Somber Kyrie Settings For Lent

Jeff Ostrowski · April 18, 2022

HE FOLLOWING QUOTE has been attributed to St. Augustine: “The only thing you can take with you to Heaven is music.” Whether St. Augustine spoke these precise words or not, it is undeniable that Sacred music has an amazing ability to lift our hearts and minds to God. Sacred music reminds us in a powerful way of the purity of God and the unspeakable beauty of our Creator. Therefore, before I go further, let us listen to a short excerpt of the Kyrie from Messe de Nostre Dame by Guillaume de Machaut (†1377):

Those who enjoyed the excerpt above will be interested in the free PDF score, and are encouraged to listen to the complete recording by Matthew J. Curtis.

EXT YEAR—when the holy season of Lent once more approaches—many Catholic choirmasters will be searching for polyphonic versions of the Kyrie Eleison. As everyone knows, the Gloria is not said during Lent. That means musicians can “get away” with using a slightly longer Kyrie without risking a “heated discussion” with the Pastor after Mass. [I wish it were not this way … but in many parishes, this is the case.] An added bonus would be a Kyrie that also involves the congregation. Even better than that would be a relatively easy polyphonic setting, so that amateur church choirs could sing with confidence (since it’s better to sing a simpler piece very well than to sing a more difficult piece poorly). One good choice might be Kyrie cunctipotens genitor Deus (Trent Codex 90), which has polyphony for three voices as well as Gregorian sections for the congregation. I strongly recommend that anyone considering Trent Codex 90 read this fantastic article by Dr. William Mahrt of Stanford, which appeared in the Sacred Music Journal (Summer 2011, Volume 138, No. 2):

*  PDF Download • Dr. Mahrt’s Article

Regarding this Kyrie Eleyson from Trent Codex 90, Matthew J. Curtis has provided rehearsal videos to help your choir members master this piece:

*  Free PDF Score

*  Mp3 Download • Equal Voices

*  Mp3 Download • Soprano Louder

*  Mp3 Download • Alto Louder

*  Mp3 Download • Tenor Louder

Another beautiful choice (for SATB choirs) might be a Kyrie Eleison based on Joan Brudieu (†1591). Just as in the previous Kyrie, a possible format for all three invocations would be:

Cantor / Congregation / Choir (polyphony).

Here’s a vocal simulation:

Corpus Christi Watershed has provided rehearsal videos for this Brudieu Kyrie Eleison to assist choir members who do not read music well. Just visit this page, which also contains the free PDF score.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, PDF Download Tagged With: Guillaume de Machaut Polyphony, Messe de Nostre Dame Last Updated: April 18, 2022

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    New Bulletin Article • “14 September 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 14 September 2025) discusses OFFERTORY ANTIPHONS and contains a wonderful quote by Archbishop Fulton J. Sheen.
    —Jeff Ostrowski
    PDF Download • Draft Copy (Pamphlet)
    A few days ago, I posted a draft copy of this 12-page pamphlet with citations about the laity’s “full, conscious, and active participation.” Its basic point or message is that choir directors should never feel embarrassed to teach real choral music because Vatican II explicitly ordered them to do that! We’ve received tons of mail regarding that pamphlet, with many excellent suggestions for improvement. Please feel free to chime in!
    —Jeff Ostrowski
    “Entrance Chant” • 23rd (Ordinary Time)
    This coming Sunday, 7 September 2025, is the 23rd Sunday in Ordinary Time (Year C). You can download the “Entrance Chant,” conveniently located at the feasts website. I also recorded a rehearsal video for it (freely available at the same website). The Communion Chant includes gorgeous verses in FAUXBOURDON. I attempted to create a rehearsal video for it, and it’s been posted at the feasts website, called by some: “church music’s best kept secret.”
    —Jeff Ostrowski

Quick Thoughts

    Vatican II Changed Wedding Propers?
    It’s often claimed that the wedding propers were changed after Vatican II. As a matter of fact, that claim is false. The EDITIO VATICANA propers (Introit: Deus Israel) remained the same after Vatican II. However, a new set of propers (Introit: Ecce Deus) was provided for optional use. The same holds true for the feast of Pope Saint Gregory the Great on 3 September: the 1943 propers (Introit: Si díligis me) were provided for optional use, but the traditional PROPRIA MISSAE (Introit: Sacerdótes Dei) were retained; they weren’t gotten rid of. The Ordo Cantus Missae (1970) makes this crystal clear, as does the Missal itself. There was an effort made in the post-conciliar years to eliminate so-called “Neo-Gregorian” chants, but (contrary to popular belief) most were retained: cf. the feast of Christ the King, the feast of the Immaculate Conception, and so forth.
    —Corpus Christi Watershed
    Karl Keating • “Canonization Questions”
    We were sent an internet statement (screenshot) that’s garnered significant attention, in which KARL KEATING (founder of Catholic Answers) speaks about whether canonizations are infallible. Mr. Keating seems unaware that canonizations are—in the final analysis—a theological opinion. They are not infallible, as explained in this 2014 article by a priest (with a doctorate in theology) who worked for multiple popes. Mr. Keating says: “I’m unaware of such claims arising from any quarter until several recent popes disliked by these Traditionalists were canonized, including John XXIII, Paul VI, and John Paul II. Usually Paul VI receives the most opprobrium.” Mr. Keating is incorrect; e.g. Saint John Vianney, several centuries ago, taught clearly that canonizations are not infallible.
    —Corpus Christi Watershed
    Solemn “Salve Regina” (Chant)
    How many “S” words can you think of using alliteration? How about Schwann Solemn Salve Score? You can download the SOLEMN SALVE REGINA in Gregorian Chant. The notation follows the official rhythm (EDITIO VATICANA). Canon Jules Van Nuffel, choirmaster of the Cathedral of Saint Rumbold, composed this accompaniment for it (although some feel it isn’t his best work).
    —Corpus Christi Watershed

Random Quote

If it is the explicit will of the Council that the faithful are to be able to sing the “Gloria” or the “Credo” together in Latin [which it is] then indirectly there is being expressed here the obligation of regularly celebrating Mass with Latin Gregorian chant. And not merely occasionally, but with such frequency and constancy as to make the singing of these Latin texts a genuine possession of the faithful.

— Heinrich Flatten, Apostolic Protonotary & Canon Law Professor (Bonn)

Recent Posts

  • “The Injustice of Traditionis Custodes” • (Private Meetings at the Vatican)
  • Vatican II Changed Wedding Propers?
  • New Bulletin Article • “14 September 2025”
  • PDF Download • Croft’s “Canonic Kyrie” (SATB)
  • Karl Keating • “Canonization Questions”

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