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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

PDF Download • No More OCP “Breaking Bread”

Jeff Ostrowski · February 22, 2022

HE FOLLOWING was recently posted on a parish website in Washington State (near Vancouver, Canada). I do not have the pleasure of knowing the Catholic priest who wrote it, but the existence of his PDF manifesto was brought to my attention by several generous correspondents. His statement is nothing short of brilliant, and must have required hours to prepare and proofread.1

This thoughtful pastor wrote as follows:

*  PDF Download • Choosing A New Hymnal

I will let document speak for itself … but here are some items it covers:

Relevant Church Documents
A Quick Note on Amplification
Solo vs. Ensemble vs. Congregational Singing
Syncopated and “Jumpy” OCP Hymns
Metrical vs. Syncopated Hymns
Interchangeable Melodies
Catholic Tradition
The Pandemic and Additional Urgency
How will we pay for these hymnals?

An excerpt from the document:

“For a Church with a 2000-year history, it is bizarre that the vast majority of the liturgical music in use in American Catholic parishes today should have been written only after 1970. […] The Brébeuf hymnal has tried to remedy that in a truly inspiring way. The front section of the Brebeuf Hymnal is made up of 40 ancient and medieval Catholic hymns. These hymns are first presented in their original Latin and then each is presented in different English translations done by translators from different eras; and then each translation is set to multiple hymn tunes. As the publishers of the hymnal state in their introduction: The ancient Latin hymns contain rich theology. For this reason, we have included numerous translations—since no single translation can fully capture the meaning. As I was reviewing this hymnal, I was surprised to realize that many hymns that Catholics know and love are actually based on much older Latin hymns that were translated after the Reformation, and I was amazed to see how the same Latin hymn could produce two different, incredibly rich translations. The back section of the Brebeuf Hymnal consists of 225 Supplemental Hymns, which simply means they are not as ancient or as liturgically important as the hymns in the first section. Looking through this second section, I saw an incredible wealth and variety of hymns that our community already knows and loves, which alleviated some of my fears about the first section being too restrictive or foreign.”

Someday I would very much like to meet the priest who created this document. He has an awesome first name!

The pew book Father Jeffrey Moore recommends (cf. above document) is named in honor of one of the bravest saints of North America: The Saint Jean de Brébeuf Hymnal.

 


NOTES FROM THIS ARTICLE:

1   The document is somewhat critical of the approach taken by Oregon Catholic Press (“OCP”). When I can find the time, I would like to discuss some of the recent steps taken by OCP. In particular, I wish to analyze a despicable OCP YouTube video (chock-full of blatant lies) which is essentially a shameful attack on Archbishop Sample.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, Featured Tagged With: Father Jeffrey Moore, OCP Breaking Bread, Oregon Catholic Press Last Updated: March 7, 2022

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Job Opening • $65,000 per year +
    A parish 15 minutes away from me is looking for a choir director and organist. The parish is filled with young families. When I began my career, I would have jumped at such an opportunity! Saint Patrick’s in Grand Haven has a job opening for a music director paying $65,000 per year including benefits (plus weddings & funerals). Notice the job description says: “our vision for sacred music is to move from singing at Mass to truly singing the Mass wherein … especially the propers, ordinaries, and dialogues are given their proper place.” I lived in Kansas for 15 years, Texas for 10 years, and Los Angeles for 10 years. Michigan is the closest place I know to heaven!
    —Jeff Ostrowski
    “Reminder” — Month of November (2025)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    “Offertory” at Catholic Funerals
    I have argued that the OFFERTORY—at least in its ancient form—is more of a responsory than an antiphon. The 1962 Missal specifically calls it “Antiphona ad Offertorium.” From now on, I plan to use this beautiful setting (PDF) at funerals, since it cleverly inserts themes from the absolution of the body. Tons more research needs to be done on the OFFERTORY, which often is a ‘patchwork’ stitching together various beginnings and endings of biblical verses. For instance, if you examine the ancient verses for Dómine, vivífica me (30th Sunday in Ordinary Time) you’ll discover this being done in a most perplexing way. Rebecca Maloy published a very expensive book on the OFFERTORY, but it was a disappointment. Indeed, I can’t think of a single valuable insight contained in her book. What a missed opportunity!
    —Jeff Ostrowski

Quick Thoughts

    Gospel Options for 2 November (“All Souls”)
    We’ve been told some bishops are suppressing the TLM because of “unity.” But is unity truly found in the MISSALE RECENS? For instance, on All Souls (2 November), any of these Gospel readings may be chosen, for any reason (or for no reason at all). The same is true of the Propria Missæ and other readings—there are countless options in the ORDINARY FORM. In other words, no matter which OF parish you attend on 2 November, you’ll almost certainly hear different propers and readings, to say nothing of different ‘styles’ of music. Where is the “unity” in all this? Indeed, the Second Vatican Council solemnly declared: “Even in the liturgy, the Church has no wish to impose a rigid uniformity in matters which do not implicate the faith or the good of the whole community.”
    —Corpus Christi Watershed
    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski
    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski

Random Quote

“Oh, the happy choir director who is hired to start work on a brand new choir, or who walks into his first rehearsal a total stranger to the existing group—what a fortunate man he is! The new choir director who is a former member of the choir, or a member of the congregation, or the nephew of the alto soloist, or a former altar boy, or otherwise well acquainted with the choir, is in for a few headaches.”

— Paul Hume (1956)

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