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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

PDF Download • No More OCP “Breaking Bread”

Jeff Ostrowski · February 22, 2022

HE FOLLOWING was recently posted on a parish website in Washington State (near Vancouver, Canada). I do not have the pleasure of knowing the Catholic priest who wrote it, but the existence of his PDF manifesto was brought to my attention by several generous correspondents. His statement is nothing short of brilliant, and must have required hours to prepare and proofread.1

This thoughtful pastor wrote as follows:

*  PDF Download • Choosing A New Hymnal

I will let document speak for itself … but here are some items it covers:

Relevant Church Documents
A Quick Note on Amplification
Solo vs. Ensemble vs. Congregational Singing
Syncopated and “Jumpy” OCP Hymns
Metrical vs. Syncopated Hymns
Interchangeable Melodies
Catholic Tradition
The Pandemic and Additional Urgency
How will we pay for these hymnals?

An excerpt from the document:

“For a Church with a 2000-year history, it is bizarre that the vast majority of the liturgical music in use in American Catholic parishes today should have been written only after 1970. […] The Brébeuf hymnal has tried to remedy that in a truly inspiring way. The front section of the Brebeuf Hymnal is made up of 40 ancient and medieval Catholic hymns. These hymns are first presented in their original Latin and then each is presented in different English translations done by translators from different eras; and then each translation is set to multiple hymn tunes. As the publishers of the hymnal state in their introduction: The ancient Latin hymns contain rich theology. For this reason, we have included numerous translations—since no single translation can fully capture the meaning. As I was reviewing this hymnal, I was surprised to realize that many hymns that Catholics know and love are actually based on much older Latin hymns that were translated after the Reformation, and I was amazed to see how the same Latin hymn could produce two different, incredibly rich translations. The back section of the Brebeuf Hymnal consists of 225 Supplemental Hymns, which simply means they are not as ancient or as liturgically important as the hymns in the first section. Looking through this second section, I saw an incredible wealth and variety of hymns that our community already knows and loves, which alleviated some of my fears about the first section being too restrictive or foreign.”

Someday I would very much like to meet the priest who created this document. He has an awesome first name!

The pew book Father Jeffrey Moore recommends (cf. above document) is named in honor of one of the bravest saints of North America: The Saint Jean de Brébeuf Hymnal.

 


NOTES FROM THIS ARTICLE:

1   The document is somewhat critical of the approach taken by Oregon Catholic Press (“OCP”). When I can find the time, I would like to discuss some of the recent steps taken by OCP. In particular, I wish to analyze a despicable OCP YouTube video (chock-full of blatant lies) which is essentially a shameful attack on Archbishop Sample.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, Featured Tagged With: Father Jeffrey Moore, OCP Breaking Bread, Oregon Catholic Press Last Updated: March 7, 2022

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Simplified Accomp. • Schubert’s “Ave Maria.”
    Sometimes the organist must simultaneously serve as the CANTOR. (Those who work in the field of church music know exactly what I’m talking about.) One of our contributors composed this simplified keyboard accompaniment for Franz Schubert’s “Ave Maria,” a piece which is frequently requested for Catholic funerals and weddings. In terms of the discussion about whether that piece is too theatrical (‘operatic’) for use in Church, I will leave that discussion to others. All I know is, many church musicians out there will appreciate this simplified version.
    —Jeff Ostrowski
    “Reminder” — Month of April (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    Simplified Accompaniment (Easter Hymn)
    Number 36 in the Brébeuf Hymnal is “At the Lamb’s high feast we sing,” an English translation for Ad Cenam Agni Próvidi (which was called “Ad Régias Agni Dapes” starting in 1631). As of this morning, you can download a simplified keyboard accompaniment for it. Simply click here and scroll to the bottom. Many organists are forced to serve simultaneously as both CANTOR and ACCOMPANIST. In spite of what some claim, this can be difficult—which explains why choirmasters appreciate these simplified keyboard accompaniments. Sadly, many readers will click that link but forget to scroll to the bottom where the simplified PDF file is located.
    —Jeff Ostrowski

Quick Thoughts

    PDF Download • “Anima Christi”
    I received a request for an organ accompaniment I created way back in 2007 for the “Anima Christi” Gregorian Chant. You can download this PDF file which has the score in plainsong followed by a keyboard accompaniment. Many melodies have been paired with “Anima Christi” over the centuries, but this is—perhaps—the most common one.
    —Jeff Ostrowski
    PDF • “Liturgical Law” (467 Pages)
    On Good Friday during the middle ages, the pope privately recited THE ENTIRE PSALTER. If you don’t believe me, see for yourself by reading this passage by Dom Charles Augustine Bachofen (d. 1943). His famous book—called “Liturgical Law: A Handbook Of The Roman Liturgy”—was published by the Benjamin Herder Book Company, which was the American arm (operating out of St. Louis, Missouri) of one of the world’s most significant Catholic publishers. Dom Charles Augustine Bachofen was born in Switzerland but spent his career between the Benedictine monasteries at Conception (Missouri) and Mount Angel (Oregon). His 1931 masterpiece, Liturgical Law can be downloaded as a PDF file … 467 pages!
    —Jeff Ostrowski
    “Gregorian Chant Quiz” • 24 March 2026
    How well do you know your Gregorian hymns? Do you recognize the tune inserted into the bass line on this score? For many years, we sang the entire Mass in Gregorian chant—and I mean everything. As a result, it would be difficult to find a Gregorian hymn I don’t recognize instantly. Only decades later did I realize (with sadness) that this skill cannot be ‘monetized’… This particular melody is used for a very famous Gregorian hymn, printed in the LIBER USUALIS. Do you recognize it? Send me an email with the correct words, and I promise to tell everybody I meet about your prowess!
    —Jeff Ostrowski

Random Quote

“The Catholic Church has a dignity far surpassing that of every merely human society, for it was founded by Christ the Lord. It is altogether fitting, therefore, that the language it uses should be noble, majestic, and non-vernacular.”

— Blessed John XXIII (22 February 1962)

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