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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

PDF Download • No More OCP “Breaking Bread”

Jeff Ostrowski · February 22, 2022

HE FOLLOWING was recently posted on a parish website in Washington State (near Vancouver, Canada). I do not have the pleasure of knowing the Catholic priest who wrote it, but the existence of his PDF manifesto was brought to my attention by several generous correspondents. His statement is nothing short of brilliant, and must have required hours to prepare and proofread.1

This thoughtful pastor wrote as follows:

*  PDF Download • Choosing A New Hymnal

I will let document speak for itself … but here are some items it covers:

Relevant Church Documents
A Quick Note on Amplification
Solo vs. Ensemble vs. Congregational Singing
Syncopated and “Jumpy” OCP Hymns
Metrical vs. Syncopated Hymns
Interchangeable Melodies
Catholic Tradition
The Pandemic and Additional Urgency
How will we pay for these hymnals?

An excerpt from the document:

“For a Church with a 2000-year history, it is bizarre that the vast majority of the liturgical music in use in American Catholic parishes today should have been written only after 1970. […] The Brébeuf hymnal has tried to remedy that in a truly inspiring way. The front section of the Brebeuf Hymnal is made up of 40 ancient and medieval Catholic hymns. These hymns are first presented in their original Latin and then each is presented in different English translations done by translators from different eras; and then each translation is set to multiple hymn tunes. As the publishers of the hymnal state in their introduction: The ancient Latin hymns contain rich theology. For this reason, we have included numerous translations—since no single translation can fully capture the meaning. As I was reviewing this hymnal, I was surprised to realize that many hymns that Catholics know and love are actually based on much older Latin hymns that were translated after the Reformation, and I was amazed to see how the same Latin hymn could produce two different, incredibly rich translations. The back section of the Brebeuf Hymnal consists of 225 Supplemental Hymns, which simply means they are not as ancient or as liturgically important as the hymns in the first section. Looking through this second section, I saw an incredible wealth and variety of hymns that our community already knows and loves, which alleviated some of my fears about the first section being too restrictive or foreign.”

Someday I would very much like to meet the priest who created this document. He has an awesome first name!

The pew book Father Jeffrey Moore recommends (cf. above document) is named in honor of one of the bravest saints of North America: The Saint Jean de Brébeuf Hymnal.

 


NOTES FROM THIS ARTICLE:

1   The document is somewhat critical of the approach taken by Oregon Catholic Press (“OCP”). When I can find the time, I would like to discuss some of the recent steps taken by OCP. In particular, I wish to analyze a despicable OCP YouTube video (chock-full of blatant lies) which is essentially a shameful attack on Archbishop Sample.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, Featured Tagged With: Father Jeffrey Moore, OCP Breaking Bread, Oregon Catholic Press Last Updated: March 7, 2022

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Why A “Fugue” Here?
    I believe I know why this plainsong harmonizer created a tiny fugue as the INTRODUCTION to his accompaniment. Take a look (PDF) and tell me your thoughts about what he did on the feast of the Flight of Our Lord Jesus Christ into Egypt (17 February). And now I must go because “tempus fugit” as they say!
    —Jeff Ostrowski
    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski
    “Reminder” — Month of October (2025)
    Those who don’t sign up for our free EMAIL NEWSLETTER miss important notifications. Last week, for example, I sent a message about this job opening for a music director paying $65,000 per year plus benefits (plus weddings & funerals). Notice the job description says: “our vision for sacred music is to move from singing at Mass to truly singing the Mass wherein … especially the propers, ordinaries, and dialogues are given their proper place.” Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski

Quick Thoughts

    “American Catholic Hymnal” (1991)
    The American Catholic Hymnal, with IMPRIMATUR granted (25 April 1991) by the Archdiocese of Chicago, is like a compendium of every horrible idea from the 1980s. Imagine being forced to stand all through Communion (even afterwards) when those self-same ‘enlightened’ liturgists moved the SEQUENCE before the Alleluia to make sure congregations wouldn’t have to stand during it. (Even worse, everything about the SEQUENCE—including its name—means it should follow the Alleluia.) And imagine endlessly repeating “Alleluia” during Holy Communion at every single Mass. It was all part of an effort to convince people that Holy Communion was historically a procession (which it wasn’t).
    —Jeff Ostrowski
    “Canonic” • Ralph Vaughan Williams
    Fifty years ago, Dr. Theodore Marier made available this clever arrangement (PDF) of “Come down, O love divine” by P. R. Dietterich. The melody was composed in 1906 by Ralph Vaughan Williams (d. 1958) and named in honor of of his birthplace: DOWN AMPNEY. The arrangement isn’t a strict canon, but it does remind one of a canon since the pipe organ employs “points of imitation.” The melody and text are #709 in the Brébeuf Catholic Hymnal.
    —Jeff Ostrowski
    Did they simplify these hymn harmonies?
    Choirs love to sing the famous & splendid tune called “INNSBRUCK.” Looking through a (Roman Catholic) German hymnal printed in 1952, I discovered what appears to be a simplified version of that hymn. In other words, their harmonization is much less complex than the version found in the Saint Jean de Brébeuf Hymnal (which is suitable for singing by SATB choir). Please download their 1952 harmonization (PDF) and let me know your thoughts. I really like the groovy Germanic INTRODUCTION they added.
    —Jeff Ostrowski

Random Quote

“Ordained a diocesan priest on 7 October 1827, Guéranger was quickly named a canon (a member of the cathedral chapter of Tours). Around 1830, he demonstrated his interest in the liturgy when he began to use the Roman Missal and texts for the Divine Office, unlike many of his colleagues, who still made use of the diocesan editions commonly in use in pre-Revolutionary France.”

— Source unknown

Recent Posts

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  • Why A “Fugue” Here?
  • “Three Reasons To Shun Bad Hymns” • Daniel B. Marshall
  • “Puzzling Comment” • By A Respected FSSP Priest
  • New Bulletin Article • “12 October 2025”

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