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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Eucharistic Hymn • By a Jesuit Martyr Priest

Jeff Ostrowski · February 18, 2022

OME PEOPLE love to argue, and never concede anything. They go to sleep each night believing nobody can match their intellectual prowess. These arrogant men—who were never properly educated (from Latin, meaning “to lead out”)—frequently embrace a fatal error: viz. that each word in English has just one definition. As a matter of fact, many English words have multiple meanings. There are even words whose meanings directly contradict each other (such as “cleave” or “sanction”), but context will guide the reader. One of my favorite words is MEAN, which has at least eight different meanings.1

Wrong About Hymns: Sometimes we encounter cantankerous people who insist that hymn lyrics should be inordinately archaic and impossible for 99% of the congregation to understand. They justify their position by saying: “If people don’t understand archaic speech, they’re imbeciles.” We have discussed this in the past, and I won’t repeat everything I’ve already said. Do I have solution? I would suggest that—generally speaking—hymns should be intelligible to an “average” person. On the other hand, if an unfamiliar word is used, that’s okay. After all, learning new words is both good and healthy. These days, one need not go home to consult the dictionary since everyone carries a “smart phone” containing more data than 100,000 dictionaries.

For Every Rule… For every rule, there is an exception. The Brébeuf hymnal does contain some hymns which use archaic language. If you have a priest who absolutely hates archaic language, it would be better to choose other selections (and the Brébeuf hymnal has a billion). The following is a Eucharistic hymn by Father Robert Southwell, a Jesuit who suffered brutal martyrdom at the hands of the Anglicans:

His Words Matter: Only a very foolish person would change or “modernize” the words of Saint Robert Southwell, whose lengthy hymn is a brilliant treatise on Transubstantiation. We must remember that the Anglicans were vehemently opposed to Catholic doctrines, especially the invocation of the Blessed Virgin Mary and (in particular) the doctrine of Transubstantiation. After the time of King Henry VIII—in both England and its American Colonies—religious oaths were required to hold a rank in the military or government. For example, the oath George Washington signed read as follows:

“I [……] do declare that
there is no Transubstantiation
in the sacrament of the Lord’s supper
or in the Elements of bread and wine
at or after the consecration thereof
by any person whatsoever.”

By signing this oath, George Washington was assuring the Anglican government he was not Catholic. If you want to learn more, Google “Anglican Test Act.”


NOTES FROM THIS ARTICLE:

1   Perhaps some of our readers have experimented with “mean tone” organs.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, Featured Tagged With: archaic hymn lyrics, Eucharistic Hymn SATB, The Catholic Hymnal, The Holy Eucharist Last Updated: February 21, 2022

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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President’s Corner

    PDF Download • “Atténde Dómine”
    Although it isn’t nearly as ancient as other hymns in the plainsong repertoire, Atténde Dómine, et miserére, quía peccávimus tíbi (“Look down, O Lord, and have mercy, for we have sinned against Thee”) has become one of the most popular hymns for LENT—perhaps because it was included in the famous Liber Usualis of Solesmes. This musical score (PDF file) has an incredibly accurate version in English, as well as a nice version in Spanish, and also the original Latin. Although I don’t claim to have a great singing voice, this morning I recorded this rehearsal video.
    —Jeff Ostrowski
    Music List • (1st Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I’ve prepared for this coming Sunday—22 February 2026—the 1st Sunday of Lent (Year A). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the outstanding feasts website alongside the official texts in Latin. I spent an enormous amount of time preparing this ORDER OF MUSIC—because the children’s choir will join us—and some of its components came out great. For example, the COMMUNION ANTIPHON with Fauxbourdon is utterly resplendent, yet still ‘Lenten’.
    —Jeff Ostrowski
    2-Voice Arrangement for Lent
    Those seeking a two-voice arrangement for LENT and PASSIONTIDE should click here and scroll down. It’s based on number 775 in the Brébeuf Hymnal, with an enchanting melody written by Kevin Allen (the legendary American composer of sacred music). That text—“Pendens In Crucis Cornibus”—is often used for the Feast of our Lady of Sorrows. That link is important because, in addition to the musical score, it provides free rehearsal videos for each individual voice: something volunteer choirs appreciate!
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of Febr. (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

“Victoria not only made his professional debut as church organist: he also continued active on the organ bench until the very eve of his death. Indeed, during his last seven years at Madrid (1604-1611) he occupied no other musical post but that of convent organist.”

— Dr. Robert Stevenson (1961)

Recent Posts

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  • (Ash Wednesday) • Medieval Illumination Depicting the Distribution of Ashes
  • Music List • (1st Sunday of Lent)

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