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Views from the Choir Loft

Breaking! • Bishop Lobsinger Forbids Spanish and French (for Confession & Last Rites)

Jeff Ostrowski · February 11, 2022

HE ARCHDIOCESE OF LOS ANGELES makes it clear—on its official website—that Mass is celebrated in forty-two (42) different languages. But the Diocese of Hamilton seems quite different. Starting on 6 March 2022, Most Rev’d Wayne Lobsinger is attempting to “crack down” on priests who use languages such as Spanish and French for the Last Rites (“extreme unction”) and even for the Sacrament of Penance (“confession”). How can those not fluent in English go to confession in Bishop Lobsinger’s diocese? I have no idea.

From a liturgical standpoint, Bishop Lobsinger’s decree (2/09/2022) strikes me as truly bizarre:

*  PDF Download • BISHOP LOBSINGER’S DECREE
—Bishop Wayne Lobsinger (Diocese of Hamilton).

Too Many Errors: In that letter, Bishop Lobsinger attempts to limit and/or regulate Mass ad orientem. How is such a thing possible, bearing in mind what Cardinal Sarah proclaimed so explicitly? Until recently, Cardinal Sarah was the top liturgist (selected by Pope Francis). Furthermore, Bishop Lobsinger also attempts to enforce “rules” which are not mentioned by Traditionis Custodes. Indeed, Bishop Lobsinger even tries to deny Catholics their dying wish—in spite of everything Pope Saint John Paul II (and others) wrote about “legitimate aspirations”—and such a decree for Catholics who are already dead comes across as sadistic. All these items will have to be sorted out at some point.

Moving Forward: To my knowledge, Bishop Lobsinger has not taken a single step to implement the unambiguous mandates of Vatican II. Why is that? I wish I knew the answer. Will Bishop Lobsinger write another letter reminding priests to follow the Vatican II mandates? Here are some unequivocal Vatican II mandates:

Liturgy Of The Hours:
Vatican II said “the Latin language is to be retained by clerics in the divine office” (SC §101). Even a small child can understand this unambiguous directive.

Gregorian Chant:
Vatican II said Gregorian Chant was to be given “first place in liturgical services” (SC §116). There is no confusion whatsoever as to the meaning of Cantus Gregorianus. Does Bishop Lobsinger care about such mandates? Or does Bishop Lobsinger say we can ignore such mandates? If so, why?

Choirs Diligently Promoted:
Vatican II said “choirs must be diligently promoted” (SC §114). Needless to say, choirs must sing music for choirs. Choral music has nothing to do with goofy Broadway songs or Missa Back-To-The-Future, promoted by companies like OCP.

More (!) about the Liturgy of the Hours:
Vatican II said: “By the venerable tradition of the universal Church, Lauds as morning prayer and Vespers as evening prayer are the two hinges on which the daily office turns; hence they are to be considered as the chief hours and are to be celebrated as such” (SC §89a). Vatican II said: “It is, moreover, fitting that the office, both in choir and in common, be sung when possible. Pastors of souls should see to it that the chief hours, especially Vespers, are celebrated in common in church on Sundays and the more solemn feasts. And the laity, too, are encouraged to recite the divine office, either with the priests, or among themselves, or even individually” (SC §100). As far as I know, only Extraordinary Form parishes are doing this!

Greater Than Any Other Art:
Sculptors and painters get angry about this one, but Vatican II said: “The musical tradition of the universal Church is a treasure of inestimable value, greater even than that of any other art” (SC §112). Only a brain-dead person would claim that Vatican II made such a declaration in order to encourage Catholics to destroy, denigrate, and make “illegal” this great treasure.

Sacred Polyphony:
Vatican II specifically recommended polyphony (SC §116) for liturgical celebrations. No sane person disputes the meaning of polyphony. No sane person would claim that tunes by Marty Haugen, David Haas, or Rory Cooney constitute polyphony.

Congregations Must Learn Some Latin:
Vatican II said: “steps should be taken so that the faithful may also be able to say or to sing together in Latin those parts of the Ordinary of the Mass which pertain to them” (SC §54). Father Louis Bouyer—one of the most important reformers and a close friend of Pope Paul VI—said these are the parts “which everybody can learn by heart and sing: Kyrie, Gloria, Credo, Sanctus, Agnus Dei.”

Latin Not Optional:
Some people really hate this, but Vatican II said “the use of the Latin language is to be preserved in the Latin rites” (SC §36). The wording of the document makes it clear this was a command, not a suggestion.

More About Latin!
Vatican II said the local bishop can “decide whether, and to what extent, the vernacular language is to be used” (SC §36). Notice the document specifically says the local bishop can decide whether the vernacular can be used. Yet dishonest people pretend that Vatican II somehow eliminated the use of Latin!

Private Masses:
After Vatican II, the question arose whether priests were allowed to say private Masses in the vernacular. That’s because when it comes to the vernacular, Vatican II said “the limits of its employment may be extended” for Masses with the people (SC §36). That is one reason why an important document called Inter Oecumenici—which was promulgated on the feast of Saint Jean de Brébeuf in 1964—specifically said: “Missals to be used in the liturgy, however, shall contain besides the vernacular version the Latin text as well.” To my knowledge, the question of whether priests are allowed to say private Mass in the vernacular was never officially resolved.

Pipe Organ:
Vatican II said: “In the Latin Church the pipe organ is to be held in high esteem, for it is the traditional musical instrument which adds a wonderful splendor to the Church’s ceremonies and powerfully lifts up man’s mind to God and to higher things” (SC §120).

Preserved AND Fostered:
Vatican II said “the treasure of sacred music is to be preserved and fostered with great care” (SC §101). Dishonest liturgists often act as though preserved and fostered with great care actually means “forbidden and made illegal.”

Important Update:

I have been told by people all over the country that this letter was probably ghost-written, although it appears under Bishop Lobsinger’s name and authority. If that’s true, I invite Bishop Lobsinger to reach out to me; there is much I would like to ask him. I can be reached through the “CONTACT” button at the top of the page.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Bishop Wayne Lobsinger, Traditionis Custodes Motu Proprio, Traditionis Custodes Vernacular Last Updated: February 18, 2022

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Music List” • 5th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 5th Sunday of Easter (18 May 2025). If such a thing interests you, feel free to download it as a PDF file. The Communion Antiphon was ‘restored’ the 1970 Missale Romanum (a.k.a. MISSALE RECENS) from an obscure martyr’s feast. Our choir is on break this Sunday, so the selections are relatively simple in nature.
    —Jeff Ostrowski
    Communion Chant (5th Sunday of Easter)
    This coming Sunday—18 May 2025—is the 5th Sunday of Easter, Year C (MISSALE RECENS). The COMMUNION ANTIPHON “Ego Sum Vitis Vera” assigned by the Church is rather interesting, because it comes from a rare martyr’s feast: viz. Saint Vitalis of Milan. It was never part of the EDITIO VATICANA, which is the still the Church’s official edition. As a result, the musical notation had to be printed in the Ordo Cantus Missae, which appeared in 1970.
    —Jeff Ostrowski
    “Music List” • 4th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 4th Sunday of Easter (11 May 2025). If such a thing interests you, feel free to download it as a PDF file. I don’t know a more gorgeous ENTRANCE CHANT than the one given there: Misericórdia Dómini Plena Est Terra.
    —Jeff Ostrowski

Quick Thoughts

    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt
    The Funeral Rites of the Graduale Romanum
    Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.
    —Daniel Tucker

Random Quote

“Is it not true that prohibiting or suspecting the extraordinary form can only be inspired by the demon who desires our suffocation and spiritual death?”

— The Vatican’s chief liturgist from 2014-2021, Interview with Edw. Pentin (23-Sep-2019)

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