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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Breaking! • Bishop Lobsinger Forbids Spanish and French (for Confession & Last Rites)

Jeff Ostrowski · February 11, 2022

HE ARCHDIOCESE OF LOS ANGELES makes it clear—on its official website—that Mass is celebrated in forty-two (42) different languages. But the Diocese of Hamilton seems quite different. Starting on 6 March 2022, Most Rev’d Wayne Lobsinger is attempting to “crack down” on priests who use languages such as Spanish and French for the Last Rites (“extreme unction”) and even for the Sacrament of Penance (“confession”). How can those not fluent in English go to confession in Bishop Lobsinger’s diocese? I have no idea.

From a liturgical standpoint, Bishop Lobsinger’s decree (2/09/2022) strikes me as truly bizarre:

*  PDF Download • BISHOP LOBSINGER’S DECREE
—Bishop Wayne Lobsinger (Diocese of Hamilton).

Too Many Errors: In that letter, Bishop Lobsinger attempts to limit and/or regulate Mass ad orientem. How is such a thing possible, bearing in mind what Cardinal Sarah proclaimed so explicitly? Until recently, Cardinal Sarah was the top liturgist (selected by Pope Francis). Furthermore, Bishop Lobsinger also attempts to enforce “rules” which are not mentioned by Traditionis Custodes. Indeed, Bishop Lobsinger even tries to deny Catholics their dying wish—in spite of everything Pope Saint John Paul II (and others) wrote about “legitimate aspirations”—and such a decree for Catholics who are already dead comes across as sadistic. All these items will have to be sorted out at some point.

Moving Forward: To my knowledge, Bishop Lobsinger has not taken a single step to implement the unambiguous mandates of Vatican II. Why is that? I wish I knew the answer. Will Bishop Lobsinger write another letter reminding priests to follow the Vatican II mandates? Here are some unequivocal Vatican II mandates:

Liturgy Of The Hours:
Vatican II said “the Latin language is to be retained by clerics in the divine office” (SC §101). Even a small child can understand this unambiguous directive.

Gregorian Chant:
Vatican II said Gregorian Chant was to be given “first place in liturgical services” (SC §116). There is no confusion whatsoever as to the meaning of Cantus Gregorianus. Does Bishop Lobsinger care about such mandates? Or does Bishop Lobsinger say we can ignore such mandates? If so, why?

Choirs Diligently Promoted:
Vatican II said “choirs must be diligently promoted” (SC §114). Needless to say, choirs must sing music for choirs. Choral music has nothing to do with goofy Broadway songs or Missa Back-To-The-Future, promoted by companies like OCP.

More (!) about the Liturgy of the Hours:
Vatican II said: “By the venerable tradition of the universal Church, Lauds as morning prayer and Vespers as evening prayer are the two hinges on which the daily office turns; hence they are to be considered as the chief hours and are to be celebrated as such” (SC §89a). Vatican II said: “It is, moreover, fitting that the office, both in choir and in common, be sung when possible. Pastors of souls should see to it that the chief hours, especially Vespers, are celebrated in common in church on Sundays and the more solemn feasts. And the laity, too, are encouraged to recite the divine office, either with the priests, or among themselves, or even individually” (SC §100). As far as I know, only Extraordinary Form parishes are doing this!

Greater Than Any Other Art:
Sculptors and painters get angry about this one, but Vatican II said: “The musical tradition of the universal Church is a treasure of inestimable value, greater even than that of any other art” (SC §112). Only a brain-dead person would claim that Vatican II made such a declaration in order to encourage Catholics to destroy, denigrate, and make “illegal” this great treasure.

Sacred Polyphony:
Vatican II specifically recommended polyphony (SC §116) for liturgical celebrations. No sane person disputes the meaning of polyphony. No sane person would claim that tunes by Marty Haugen, David Haas, or Rory Cooney constitute polyphony.

Congregations Must Learn Some Latin:
Vatican II said: “steps should be taken so that the faithful may also be able to say or to sing together in Latin those parts of the Ordinary of the Mass which pertain to them” (SC §54). Father Louis Bouyer—one of the most important reformers and a close friend of Pope Paul VI—said these are the parts “which everybody can learn by heart and sing: Kyrie, Gloria, Credo, Sanctus, Agnus Dei.”

Latin Not Optional:
Some people really hate this, but Vatican II said “the use of the Latin language is to be preserved in the Latin rites” (SC §36). The wording of the document makes it clear this was a command, not a suggestion.

More About Latin!
Vatican II said the local bishop can “decide whether, and to what extent, the vernacular language is to be used” (SC §36). Notice the document specifically says the local bishop can decide whether the vernacular can be used. Yet dishonest people pretend that Vatican II somehow eliminated the use of Latin!

Private Masses:
After Vatican II, the question arose whether priests were allowed to say private Masses in the vernacular. That’s because when it comes to the vernacular, Vatican II said “the limits of its employment may be extended” for Masses with the people (SC §36). That is one reason why an important document called Inter Oecumenici—which was promulgated on the feast of Saint Jean de Brébeuf in 1964—specifically said: “Missals to be used in the liturgy, however, shall contain besides the vernacular version the Latin text as well.” To my knowledge, the question of whether priests are allowed to say private Mass in the vernacular was never officially resolved.

Pipe Organ:
Vatican II said: “In the Latin Church the pipe organ is to be held in high esteem, for it is the traditional musical instrument which adds a wonderful splendor to the Church’s ceremonies and powerfully lifts up man’s mind to God and to higher things” (SC §120).

Preserved AND Fostered:
Vatican II said “the treasure of sacred music is to be preserved and fostered with great care” (SC §101). Dishonest liturgists often act as though preserved and fostered with great care actually means “forbidden and made illegal.”

Important Update:

I have been told by people all over the country that this letter was probably ghost-written, although it appears under Bishop Lobsinger’s name and authority. If that’s true, I invite Bishop Lobsinger to reach out to me; there is much I would like to ask him. I can be reached through the “CONTACT” button at the top of the page.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Bishop Wayne Lobsinger, Traditionis Custodes Motu Proprio, Traditionis Custodes Vernacular Last Updated: February 18, 2022

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski
    PDF • “Music List” (Sunday, 28 December)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for Feast of the Holy Family of Jesus, Mary, & Joseph (28 Dec. 2025). If such a thing interests you, feel free to download it as a PDF file. The FAUXBOURDON verses for the Communion Antiphon are particularly gorgeous. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    PDF • “Music List” (Xmas Midnight Mass)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for Christmas Midnight Mass (“Ad Missam In Nocte”). If such a thing interests you, feel free to download it as a PDF file. The ENTRANCE CHANT is simple, but quite beautiful. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski

Quick Thoughts

    PDF Download • “In Paradisum” in English
    We always sing the IN PARADISUM in Latin, as printed on this PDF score. I have an appallingly bad memory (meaning I’d be a horrible witness in court). In any event, it’s been brought to my attention that 15 years ago I created this organ accompaniment for the famous and beautiful ‘IN PARADISUM’ Gregorian chant sung in English according to ‘MR3’ (Roman Missal, Third Edition). If anyone desires such a thing, feel free to download and print. Looking back, I wish I’d brought the TENOR and BASS voices into a unison (on B-Natural) for the word “welcome” on the second line.
    —Jeff Ostrowski
    What does this mean? “Pre-Urbanite”
    Something informed critics have frequently praised vis-à-vis the Saint Jean de Brébeuf Hymnal is its careful treatment of the ancient hymns vs. the “Urbanite” hymns. This topic I had believed to be fairly well understood—but I was wrong. The reason I thought people knew about it is simple; in the EDITIO VATICANA 1908 Graduale Romanum (as well as the 1913 Liber Antiphonarius) both versions are provided, right next to each other. You can see what I mean by examining this PDF file from the Roman Gradual of 1908. Most people still don’t understand that the Urbanite versions were never adopted by any priests or monks who sang the Divine Office each day. Switching would have required a massive amount of effort and money, because all the books would need to be changed.
    —Jeff Ostrowski
    PDF Download • “Santo Santo Santo”
    Those searching for a dignified, brief, simple, bright setting of SANCTUS in Spanish (“Santo Santo Santo”) are invited to download this Setting in honor of Saint John Brébeuf (organist & vocalist). I wonder if there would be any interest in me recording a rehearsal video for this piece.
    —Jeff Ostrowski

Random Quote

“To me it is a most inspiring reflection that, while empires and kingdoms have tumbled down, while language and custom of every kind have changed beyond recognition, still day by day the humblest Catholic priest in the remotest mission stands at his altar dressed in the garb of old Rome.”

— Father Adrian Fortescue (8 February 1912)

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