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Views from the Choir Loft

“Breathtaking Beauty” • Hymn for Christ the King

Jeff Ostrowski · October 26, 2021

HEN DID IT BECOME fashionable to tamper with the sacred liturgy? Contrary to what certain authors claim, Vatican II was not the first instance of this. Some point to the manufactured feast of Christ the King in 1925 as typical of liturgical tampering. Here are some reasons why: (1) It was manufactured, meaning the Propria Missae and hymns for the Divine Office are modern creations; (2) It disturbs the two traditional times honoring Christ the King, viz. the Epiphany and Palm Sunday; (3) It replaces a Sunday rather than being fixed to a date on the calendar; (4) It added a PREFACE, and after Vatican II hundreds more would be added, contrary to the traditional praxis. 1

Jeff Is Unqualified: I am not qualified to decide whether the feast of Christ the King should have been added in 1925. As a choirmaster, I simply deal with reality: It was added. Where can we find excellent hymns in honor of Christ the King? Without question, the best source is the Brébeuf hymnal. For example, page 758 has a beautiful text by Father Percival Jones set to the BRETON melody. At the bottom of the page, the Brébeuf hymnal includes a marvelous “text only version,” allowing melodic flexibility.

Mixing Things Up: Whenever the choirmaster selects a lesser-known hymn, it’s important to also include some “favorites.” Therefore, on the same Sunday we sang that hymn to Christ the King, we also sang the following (as a recessional):

Holy Communion Hymn: When it comes to Holy Communion, an excellent choice is “Pange Lingua” by Saint Thomas Aquinas. The following version is #366 in the Brébeuf hymnal, with an English translation by Robert Campbell, a Scottish attorney who published Hymns and Anthems for Use in the Holy Service of the Church (1850). He converted to the Catholic Church in 1852, but was never a priest—despite the erroneous claim made on page 251 of the American Catholic Hymnal according to the Motu Proprio of His Holiness Pope Pius X (1913).

Former Slave Holder? I have mentioned before that anyone who carefully examines the Brébeuf hymnal will find a few texts by people who were not Catholic. An example would be #860, which is by John Newton (d. 1807), who had an “interesting” life. He was captain of slave ships, and later became an investor in the slave trade. (England got rid of slavery about forty years before the United States did.) John Newton was captured, and became a slave himself (in Africa). He subsequently became an abolitionist and Anglican clergyman. One of the songs he wrote is “Amazing Grace.”

If you read everything I’ve written, you deserve a wonderful reward—and here it is:

*  PDF Download • Image of Christ the King
—Grandes Heures d’Anne de Bretagne circa 1500AD.

More hymns for Christ the King can be found at this link.


NOTES FROM THIS ARTICLE:

1   For about 1,000 years, the Roman Rite only had about ten prefaces. Following Vatican II, they wrote or “adapted” hundreds of new ones. Indeed, the USCCB even manufactured a Preface for the 4th of July!

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

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Filed Under: Articles, Featured Tagged With: Christ the King, Hymn for Christ the King, Jean de Brebeuf Hymnal Last Updated: November 1, 2021

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Urgent! • We Desperately Need Funds!
    A few days ago, the president of Corpus Christi Watershed posted this urgent appeal for funds. Please help us make sure we’re never forced to place our content behind a paywall. We feel it’s crucial that 100% of our content remains free to everyone. We’re a tiny 501(c)3 public charity, entirely dependent upon the generosity of small donors. We have no endowment and no major donors. We run no advertisements and have no savings. We beg you to consider donating $4.00 per month. Thank you!
    —Jeff Ostrowski
    “Booklet of Eucharistic Hymns” (16 pages)
    I was asked to create a booklet for my parish to use during our CORPUS CHRISTI PROCESSION on 22 June 2025. Would you be willing to look over the DRAFT BOOKLET (16 pages) I came up with? I tried to include a variety of hymns: some have a refrain; some are in major, others in minor; some are metered, others are plainsong; some are in Spanish, some are in Latin, but most are in English. Normally, we’d use the Brébeuf Hymnal—but we can’t risk having our congregation carry those heavy books all over the city to various churches.
    —Jeff Ostrowski
    “Yahweh” in church songs?
    My pastor asked me to write a weekly column for our parish bulletin. The one scheduled to run on 22 June 2025 is called “Three Words in a Psalm” and speaks of translating the TETRAGRAMMATON. You can read the article at this column repository. All of them are quite brief because I was asked to keep within a certain word limit.
    —Jeff Ostrowski

Quick Thoughts

    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt
    The Funeral Rites of the Graduale Romanum
    Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.
    —Daniel Tucker

Random Quote

“Of course, the Latin language presents some difficulties, and perhaps not inconsiderable ones, for the new recruits to your holy ranks. But such difficulties, as you know, should not be reckoned insuperable. This is especially true for you, who can more easily give yourselves to study, being more set apart from the business and bother of the world.”

— Pope Saint Paul VI (15 August 1966)

Recent Posts

  • Urgent! • We Desperately Need Funds!
  • PDF Download • “Polyphonic Extension” (Kevin Allen) for Gloria III
  • “Booklet of Eucharistic Hymns” (16 pages)
  • PDF Download • “Text by Saint Francis of Assisi” (choral setting w/ organ: Soprano & Alto)
  • “Yahweh” in church songs?

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