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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

“Breathtaking Beauty” • Hymn for Christ the King

Jeff Ostrowski · October 26, 2021

HEN DID IT BECOME fashionable to tamper with the sacred liturgy? Contrary to what certain authors claim, Vatican II was not the first instance of this. Some point to the manufactured feast of Christ the King in 1925 as typical of liturgical tampering. Here are some reasons why: (1) It was manufactured, meaning the Propria Missae and hymns for the Divine Office are modern creations; (2) It disturbs the two traditional times honoring Christ the King, viz. the Epiphany and Palm Sunday; (3) It replaces a Sunday rather than being fixed to a date on the calendar; (4) It added a PREFACE, and after Vatican II hundreds more would be added, contrary to the traditional praxis. 1

Jeff Is Unqualified: I am not qualified to decide whether the feast of Christ the King should have been added in 1925. As a choirmaster, I simply deal with reality: It was added. Where can we find excellent hymns in honor of Christ the King? Without question, the best source is the Brébeuf hymnal. For example, page 758 has a beautiful text by Father Percival Jones set to the BRETON melody. At the bottom of the page, the Brébeuf hymnal includes a marvelous “text only version,” allowing melodic flexibility.

Mixing Things Up: Whenever the choirmaster selects a lesser-known hymn, it’s important to also include some “favorites.” Therefore, on the same Sunday we sang that hymn to Christ the King, we also sang the following (as a recessional):

Holy Communion Hymn: When it comes to Holy Communion, an excellent choice is “Pange Lingua” by Saint Thomas Aquinas. The following version is #366 in the Brébeuf hymnal, with an English translation by Robert Campbell, a Scottish attorney who published Hymns and Anthems for Use in the Holy Service of the Church (1850). He converted to the Catholic Church in 1852, but was never a priest—despite the erroneous claim made on page 251 of the American Catholic Hymnal according to the Motu Proprio of His Holiness Pope Pius X (1913).

Former Slave Holder? I have mentioned before that anyone who carefully examines the Brébeuf hymnal will find a few texts by people who were not Catholic. An example would be #860, which is by John Newton (d. 1807), who had an “interesting” life. He was captain of slave ships, and later became an investor in the slave trade. (England got rid of slavery about forty years before the United States did.) John Newton was captured, and became a slave himself (in Africa). He subsequently became an abolitionist and Anglican clergyman. One of the songs he wrote is “Amazing Grace.”

If you read everything I’ve written, you deserve a wonderful reward—and here it is:

*  PDF Download • Image of Christ the King
—Grandes Heures d’Anne de Bretagne circa 1500AD.

More hymns for Christ the King can be found at this link.


NOTES FROM THIS ARTICLE:

1   For about 1,000 years, the Roman Rite only had about ten prefaces. Following Vatican II, they wrote or “adapted” hundreds of new ones. Indeed, the USCCB even manufactured a Preface for the 4th of July!

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

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Filed Under: Articles, Featured Tagged With: Christ the King, Hymn for Christ the King, Jean de Brebeuf Hymnal Last Updated: November 1, 2021

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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President’s Corner

    Psalm Tone Challenge!
    Many readers know that Tone 1a3 is the most difficult PSALM TONE in the 1962 books (and isn’t called for very often). But what about very short verses—which is the absolute most concise you know? The shortest PSALM TONE segment I know would be the fourth verse (PDF) from Psalm 44, used during Matins at Christmas. It’s literally one word long. If you know a more minuscule one, please email me!
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski
    PDF • “Music List” (Sunday, 28 December)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for Feast of the Holy Family of Jesus, Mary, & Joseph (28 Dec. 2025). If such a thing interests you, feel free to download it as a PDF file. The FAUXBOURDON verses for the Communion Antiphon are particularly gorgeous. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski

Quick Thoughts

    PDF Download • “In Paradisum” in English
    We always sing the IN PARADISUM in Latin, as printed on this PDF score. I have an appallingly bad memory (meaning I’d be a horrible witness in court). In any event, it’s been brought to my attention that 15 years ago I created this organ accompaniment for the famous and beautiful ‘IN PARADISUM’ Gregorian chant sung in English according to ‘MR3’ (Roman Missal, Third Edition). If anyone desires such a thing, feel free to download and print. Looking back, I wish I’d brought the TENOR and BASS voices into a unison (on B-Natural) for the word “welcome” on the second line.
    —Jeff Ostrowski
    What does this mean? “Pre-Urbanite”
    Something informed critics have frequently praised vis-à-vis the Saint Jean de Brébeuf Hymnal is its careful treatment of the ancient hymns vs. the “Urbanite” hymns. This topic I had believed to be fairly well understood—but I was wrong. The reason I thought people knew about it is simple; in the EDITIO VATICANA 1908 Graduale Romanum (as well as the 1913 Liber Antiphonarius) both versions are provided, right next to each other. You can see what I mean by examining this PDF file from the Roman Gradual of 1908. Most people still don’t understand that the Urbanite versions were never adopted by any priests or monks who sang the Divine Office each day. Switching would have required a massive amount of effort and money, because all the books would need to be changed.
    —Jeff Ostrowski
    PDF Download • “Santo Santo Santo”
    Those searching for a dignified, brief, simple, bright setting of SANCTUS in Spanish (“Santo Santo Santo”) are invited to download this Setting in honor of Saint John Brébeuf (organist & vocalist). I wonder if there would be any interest in me recording a rehearsal video for this piece.
    —Jeff Ostrowski

Random Quote

“The Pope is not an absolute monarch whose thoughts and desires are law. On the contrary: the Pope’s ministry is a guarantee of obedience to Christ and to his Word. He must not proclaim his own ideas, but rather constantly bind himself and the Church to obedience to God’s Word, in the face of every attempt to adapt it or water it down, and every form of opportunism.”

— ‘His Holiness, Pope Benedict XVI (11 May 2005)’

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