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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

“Breathtaking Beauty” • Hymn for Christ the King

Jeff Ostrowski · October 26, 2021

HEN DID IT BECOME fashionable to tamper with the sacred liturgy? Contrary to what certain authors claim, Vatican II was not the first instance of this. Some point to the manufactured feast of Christ the King in 1925 as typical of liturgical tampering. Here are some reasons why: (1) It was manufactured, meaning the Propria Missae and hymns for the Divine Office are modern creations; (2) It disturbs the two traditional times honoring Christ the King, viz. the Epiphany and Palm Sunday; (3) It replaces a Sunday rather than being fixed to a date on the calendar; (4) It added a PREFACE, and after Vatican II hundreds more would be added, contrary to the traditional praxis. 1

Jeff Is Unqualified: I am not qualified to decide whether the feast of Christ the King should have been added in 1925. As a choirmaster, I simply deal with reality: It was added. Where can we find excellent hymns in honor of Christ the King? Without question, the best source is the Brébeuf hymnal. For example, page 758 has a beautiful text by Father Percival Jones set to the BRETON melody. At the bottom of the page, the Brébeuf hymnal includes a marvelous “text only version,” allowing melodic flexibility.

Mixing Things Up: Whenever the choirmaster selects a lesser-known hymn, it’s important to also include some “favorites.” Therefore, on the same Sunday we sang that hymn to Christ the King, we also sang the following (as a recessional):

Holy Communion Hymn: When it comes to Holy Communion, an excellent choice is “Pange Lingua” by Saint Thomas Aquinas. The following version is #366 in the Brébeuf hymnal, with an English translation by Robert Campbell, a Scottish attorney who published Hymns and Anthems for Use in the Holy Service of the Church (1850). He converted to the Catholic Church in 1852, but was never a priest—despite the erroneous claim made on page 251 of the American Catholic Hymnal according to the Motu Proprio of His Holiness Pope Pius X (1913).

Former Slave Holder? I have mentioned before that anyone who carefully examines the Brébeuf hymnal will find a few texts by people who were not Catholic. An example would be #860, which is by John Newton (d. 1807), who had an “interesting” life. He was captain of slave ships, and later became an investor in the slave trade. (England got rid of slavery about forty years before the United States did.) John Newton was captured, and became a slave himself (in Africa). He subsequently became an abolitionist and Anglican clergyman. One of the songs he wrote is “Amazing Grace.”

If you read everything I’ve written, you deserve a wonderful reward—and here it is:

*  PDF Download • Image of Christ the King
—Grandes Heures d’Anne de Bretagne circa 1500AD.

More hymns for Christ the King can be found at this link.


NOTES FROM THIS ARTICLE:

1   For about 1,000 years, the Roman Rite only had about ten prefaces. Following Vatican II, they wrote or “adapted” hundreds of new ones. Indeed, the USCCB even manufactured a Preface for the 4th of July!

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

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Filed Under: Articles, Featured Tagged With: Christ the King, Hymn for Christ the King, Jean de Brebeuf Hymnal Last Updated: November 1, 2021

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Samaritánæ” (3rd Sunday of Lent)
    With regard to the COMMUNION for the 3rd Sunday of Lent (Year A), the Ordo Cantus Missae—which was published in 1969 by the Vatican, bearing Hannibal Bugnini’s signature and approbation in its PREFACE—inexplicably introduced a variant melody and slightly different words, as you can see by this comparison chart. When it comes to such items, they’re always done in secrecy by unnamed people. (Although it is known that Dom Eugène Cardine collaborated in the creation of the GRADUALE SIMPLEX, a book considered by some to be a travesty.)
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski
    PDF • “Cantus Mariales” (192 pages)
    Andrea Leal has posted an absolutely pristine scan of CANTUS MARIALES (192 pages) which can be downloaded as a PDF file. To access this treasure, navigate to the frabjous article Andrea posted Monday. The file is being offered completely free of charge. The beginning pages of the book have something not to be missed: viz. a letter from Pope Saint Pius X to Dom Pothier, in which the pope calls Abbat Pothier “a man versed above all others in the science of liturgy, and to whom the cause of Gregorian chant is greatly indebted.”
    —Jeff Ostrowski

Quick Thoughts

    Grotesque Pairing • “Passion Chorale”
    One of our rarest releases was undoubtably this PDF scan of the complete Pope Pius XII Hymnal (1959) by Father Joseph Roff, a student of Healey Willan. One of the scarcest titles in existence, this book was provided to us by Mr. Peter Meggison. Back in 2018, we scanned each page and uploaded it to our website, making it freely available to everyone. Readers are probably sick of hearing me say this, but just because we upload something that doesn’t necessarily mean it’s wonderful or worthy of imitation. We upload many publications precisely because they are ‘grotesque’, interesting, or revealing. Whereas the Brébeuf Catholic Hymnal had an editorial board that was careful and sensitive vis-à-vis pairing texts with tunes, the Pope Pius XII Hymnal (1959) seems to have been rather reckless in this regard. Please take a look at what they did with the PASSION CHORALE and see whether you agree.
    —Jeff Ostrowski
    Extreme Unction
    Those who search Google for “CCCC MS 079” will discover high resolution images of a medieval Pontificale (“Cambridge, Corpus Christi College, MS 079”). One of the pages contains this absolutely gorgeous depiction of the Sacrament of Extreme Unction.
    —Corpus Christi Watershed
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski

Random Quote

Benedict XVI in particular felt it was wrong to prohibit the celebration of Mass in the ancient rite in parish churches, as it is always dangerous to corner a group of faithful so as to make them feel persecuted and to inspire in them a sense of having to safeguard their identity at all costs in the face of the “enemy.”

— Archbishop Georg Gänswein

Recent Posts

  • “Samaritánæ” (3rd Sunday of Lent)
  • Grotesque Pairing • “Passion Chorale”
  • PDF Download • “Ubi Caritas” (SATB)
  • PDF • “Cantus Mariales” (192 pages)
  • PDF Download • Fourteen (14) Versions of the Splendid Hymn: “Salve Mater Misericordiae”

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