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Corpus Christi Watershed

Jesus said to them: “I have come into this world so that a sentence may fall upon it, that those who are blind should see, and those who see should become blind. If you were blind, you would not be guilty. It is because you protest, ‘We can see clearly,’ that you cannot be rid of your guilt.”

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Views from the Choir Loft

“Breathtaking Beauty” • Hymn for Christ the King

Jeff Ostrowski · October 26, 2021

HEN DID IT BECOME fashionable to tamper with the sacred liturgy? Contrary to what certain authors claim, Vatican II was not the first instance of this. Some point to the manufactured feast of Christ the King in 1925 as typical of liturgical tampering. Here are some reasons why: (1) It was manufactured, meaning the Propria Missae and hymns for the Divine Office are modern creations; (2) It disturbs the two traditional times honoring Christ the King, viz. the Epiphany and Palm Sunday; (3) It replaces a Sunday rather than being fixed to a date on the calendar; (4) It added a PREFACE, and after Vatican II hundreds more would be added, contrary to the traditional praxis. 1

Jeff Is Unqualified: I am not qualified to decide whether the feast of Christ the King should have been added in 1925. As a choirmaster, I simply deal with reality: It was added. Where can we find excellent hymns in honor of Christ the King? Without question, the best source is the Brébeuf hymnal. For example, page 758 has a beautiful text by Father Percival Jones set to the BRETON melody. At the bottom of the page, the Brébeuf hymnal includes a marvelous “text only version,” allowing melodic flexibility.

Mixing Things Up: Whenever the choirmaster selects a lesser-known hymn, it’s important to also include some “favorites.” Therefore, on the same Sunday we sang that hymn to Christ the King, we also sang the following (as a recessional):

Holy Communion Hymn: When it comes to Holy Communion, an excellent choice is “Pange Lingua” by Saint Thomas Aquinas. The following version is #366 in the Brébeuf hymnal, with an English translation by Robert Campbell, a Scottish attorney who published Hymns and Anthems for Use in the Holy Service of the Church (1850). He converted to the Catholic Church in 1852, but was never a priest—despite the erroneous claim made on page 251 of the American Catholic Hymnal according to the Motu Proprio of His Holiness Pope Pius X (1913).

Former Slave Holder? I have mentioned before that anyone who carefully examines the Brébeuf hymnal will find a few texts by people who were not Catholic. An example would be #860, which is by John Newton (d. 1807), who had an “interesting” life. He was captain of slave ships, and later became an investor in the slave trade. (England got rid of slavery about forty years before the United States did.) John Newton was captured, and became a slave himself (in Africa). He subsequently became an abolitionist and Anglican clergyman. One of the songs he wrote is “Amazing Grace.”

If you read everything I’ve written, you deserve a wonderful reward—and here it is:

*  PDF Download • Image of Christ the King
—Grandes Heures d’Anne de Bretagne circa 1500AD.

More hymns for Christ the King can be found at this link.


NOTES FROM THIS ARTICLE:

1   For about 1,000 years, the Roman Rite only had about ten prefaces. Following Vatican II, they wrote or “adapted” hundreds of new ones. Indeed, the USCCB even manufactured a Preface for the 4th of July!

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

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Filed Under: Articles, Featured Tagged With: Christ the King, Hymn for Christ the King, Jean de Brebeuf Hymnal Last Updated: November 1, 2021

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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President’s Corner

    “Music List” • 5th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 5th Sunday of Easter (18 May 2025). If such a thing interests you, feel free to download it as a PDF file. The Communion Antiphon was ‘restored’ the 1970 Missale Romanum (a.k.a. MISSALE RECENS) from an obscure martyr’s feast. Our choir is on break this Sunday, so the selections are relatively simple in nature.
    —Jeff Ostrowski
    Communion Chant (5th Sunday of Easter)
    This coming Sunday—18 May 2025—is the 5th Sunday of Easter, Year C (MISSALE RECENS). The COMMUNION ANTIPHON “Ego Sum Vitis Vera” assigned by the Church is rather interesting, because it comes from a rare martyr’s feast: viz. Saint Vitalis of Milan. It was never part of the EDITIO VATICANA, which is the still the Church’s official edition. As a result, the musical notation had to be printed in the Ordo Cantus Missae, which appeared in 1970.
    —Jeff Ostrowski
    “Music List” • 4th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 4th Sunday of Easter (11 May 2025). If such a thing interests you, feel free to download it as a PDF file. I don’t know a more gorgeous ENTRANCE CHANT than the one given there: Misericórdia Dómini Plena Est Terra.
    —Jeff Ostrowski

Quick Thoughts

    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt
    The Funeral Rites of the Graduale Romanum
    Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.
    —Daniel Tucker

Random Quote

[on Latin] “No change in Mass: people have missals and can read. More vernacular can be useful in the Sacraments: Baptism, Confirmation, Extreme Unction, Matrimony.”

— Cardinal Spellman (one of the Vatican II fathers)

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