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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Two Hymns Loved By Everyone … Except Purists!

Jeff Ostrowski · October 5, 2021

Introduction: The Pharisees brought to Jesus (Jn 8:4) a woman caught in the very act of adultery. Archbishop Fulton J. Sheen wrote: “Caught in the act! What sneaking, spying, and rottenness are hidden in their words! Some faces are never so happy as when regaling a scandal, which the generous heart would cover and the devout heart pray over.” In today’s world, we have many bloggers who claim to be the world’s greatest Catholics. These folks become giddy with delight when they discover scandalous behavior. But here at Watershed, we try to provide positive ways to serve, honor, and glorify our Redeemer—rather than spending hours creating memes and parodies about Church scandals; and the following article is in that spirit.

ODAY, I WILL SPEAK of two hymns which are loved by everyone—except for purists! The first is very famous hymn called “When I Survey The Wondrous Cross,” which first appeared in 1707AD. It was written by Isaac Watts, who—although he was not a Catholic—wrote many hymns adopted by Catholics, such as “Joy to the World” and “Our God, Our Help in Ages Past.” This hymn appears in reputable Catholic hymnals; for instance, it is hymn #72 in the London Oratory Hymn Book and hymn #687 in the Jean de Brébeuf Hymnal.

Notice how vocal parts are added with each successive verse:

A Congregational Tune: If the tune sounds familiar, that’s because it is a Brébeuf “common melody,” which we recently spoke of. Most of the hymns in the Brébeuf hymnal are ancient Latin hymns translated into English by Catholic priests and bishops. This hymn is an anomaly, since it is written by a Protestant and became so popular that it was actually translated from English into Latin in 1876. It seems odd to translate a hymn from English into Latin, since the collection by Clemens Blume (d. 1932) contains more than 10,000 authentic medieval Latin hymns.

Contradicting Meter: Purists don’t like “When I Survey The Wondrous Cross” because two sections contradict the meter: (1) all the vain things; and (2) sorrow and love flow. However, this is not unheard of in hymnody. A very popular hymn “Abide with Me, Fast Falls the Eventide” contradicts the meter in the very first line. So does “God Father, Praise And Glory” on the word mankind. And the popular confirmation hymn “Come Holy Ghost, Creator Blest” contradicts the meter on the word comforter.

Controversial Text: The second hymn which is “loved by everyone except purists” was written by Father Frederick William Faber (d. 1863), a disciple of Cardinal Newman. The committee that assembled the Brébeuf hymnal had discussions about this text, because some believe it to be somewhat horse-and-buggy or sappy. However, in the end it was included because everyone loves singing it:

Tradition Speaks: That hymn by Father Faber is included in many Catholic hymnals. It is #40 in the Roman Catholic “Crown Hymnal” (1912) by Father Kavanagh. It is #58 in the American Catholic Hymnal (1913) by the Marist Brothers. It is #120 in the Saint Jean-Baptiste de La Salle Hymnal (1913). It is #240 in the Catholic Hymnal (1920) by Father John Hacker. It is #183 in The Catholic Hymn Book (London Oratory, 1998).

Mercy Is God’s Greatest Work: If we get to Heaven, perhaps we will find out what our Redeemer was writing on the ground which caused everyone—except the adulteress—to leave “starting with the eldest” (John 8:9). Here at Corpus Christi Watershed, we try to support music directors, instead of constantly dwelling on Church scandals, creating memes, composing “parodies” which are supposed to demonstrate how much smarter we are than everyone else, and so forth. Please consider supporting us—we need your support! It can become discouraging to see “Catholic” bloggers write 150 articles per day about evil in the Church…yet never lift a finger in real life to make things better. Father Valentine pointed out that the Old Testament says: “Mercy is God’s greatest work.” My personal belief is that we will not be asked—when we die—how many memes we created which dwell on the sins of others, nor how many Facebook arguments we “won.”

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

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Filed Under: Articles, Featured Tagged With: Common Hymn Melodies, Father Clemens Blume, Father Guido Maria Dreves, Rockingham Hymn Last Updated: October 6, 2021

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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President’s Corner

    Simplified Accompaniment (Easter Hymn)
    Number 36 in the Brébeuf Hymnal is “At the Lamb’s high feast we sing,” an English translation for Ad Cenam Agni Próvidi (which was called “Ad Régias Agni Dapes” starting 1631). As of this morning, you can download a simplified keyboard accompaniment for it. Simple click here and scroll to the bottom. Many organists are forced to serve simultaneously as both CANTOR and ACCOMPANIST. In spite of what some claim, this can be difficult—which explains why choirmasters appreciate these simplified keyboard accompaniments. Sadly, many readers will click that link but forget to scroll to the bottom where the simplified PDF file is located.
    —Jeff Ostrowski
    PDF Download • “Quasi Modo Sunday”
    The Introit for “Quasi Modo Sunday” (12 April 2026) is particularly beautiful. The musical score can be downloaded as a PDF file, and so can the organ accompaniment. The official language of the Catholic Church is Latin (whereas Greek is our mother tongue). Vatican II said Gregorian Chant must be given “first place” under normal circumstances. As a result, some parishes will rightly sing the authentic version. On the other hand, because so many USA dioceses disobey the mandate of Vatican II, some musicians sing plainsong in the vernacular. I have attempted to simultaneously accompany myself on the pipe organ while singing the English version. Although very few take advantage of it, the complete Proprium Missae is posted at the flourishing feasts website.
    —Jeff Ostrowski
    ‘German’ Introductions for Hymns
    German organ books have an enchanting habit of including introductions for each and every hymn. For example, consider this snazzy example found in a German hymnal published in 1902. In the Saint Jean de Brébeuf Hymnal, that melody is called “Laudes Mariae” and was married to Omni Die Dic Mariae, with a popular English translation (“Daily, daily, sing to Mary”) by Father Henry Bittleston, an Oratorian priest. Notice they also added a ‘tailpiece’ or ‘playout’ or postlude at the end—a very German thing to do!
    —Jeff Ostrowski

Quick Thoughts

    PDF Download • “Anima Christi”
    I received a request for an organ accompaniment I created way back in 2007 for the “Anima Christi” Gregorian Chant. You can download this PDF file which has the score in plainsong followed by a keyboard accompaniment. Many melodies have been paired with “Anima Christi” over the centuries, but this is—perhaps—the most common one.
    —Jeff Ostrowski
    PDF • “Liturgical Law” (467 Pages)
    On Good Friday during the middle ages, the pope privately recited THE ENTIRE PSALTER. If you don’t believe me, see for yourself by reading this passage by Dom Charles Augustine Bachofen (d. 1943). His famous book—called “Liturgical Law: A Handbook Of The Roman Liturgy”—was published by the Benjamin Herder Book Company, which was the American arm (operating out of St. Louis, Missouri) of one of the world’s most significant Catholic publishers. Dom Charles Augustine Bachofen was born in Switzerland but spent his career between the Benedictine monasteries at Conception (Missouri) and Mount Angel (Oregon). His 1931 masterpiece, Liturgical Law can be downloaded as a PDF file … 467 pages!
    —Jeff Ostrowski
    “Gregorian Chant Quiz” • 24 March 2026
    How well do you know your Gregorian hymns? Do you recognize the tune inserted into the bass line on this score? For many years, we sang the entire Mass in Gregorian chant—and I mean everything. As a result, it would be difficult to find a Gregorian hymn I don’t recognize instantly. Only decades later did I realize (with sadness) that this skill cannot be ‘monetized’… This particular melody is used for a very famous Gregorian hymn, printed in the LIBER USUALIS. Do you recognize it? Send me an email with the correct words, and I promise to tell everybody I meet about your prowess!
    —Jeff Ostrowski

Random Quote

“The sun’s disc did not remain immobile. This was not the sparkling of a heavenly body, for it spun round on itself in a mad whirl, when suddenly a clamor was heard from all the people. The sun, whirling, seemed to loosen itself from the firmament and advance threateningly upon the earth as if to crush us with its huge fiery weight. The sensation during those moments was terrible.”

— ‘Dr. Almeida Garrett, professor of natural sciences at the University of Coimbra (1917)’

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