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Jesus said to them: “I have come into this world so that a sentence may fall upon it, that those who are blind should see, and those who see should become blind. If you were blind, you would not be guilty. It is because you protest, ‘We can see clearly,’ that you cannot be rid of your guilt.”

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Views from the Choir Loft

PDF Download • “Can A Hymnal Be Too Catholic?”

Jeff Ostrowski · September 28, 2021

VEN THOUGH I’m not a theologian, I was still allowed to witness arguments over which texts were to be included in the Brébeuf hymnal. My expertise is music; but we had Catholic priests who did the heavy lifting regarding anything touching theology. The hymn below (Number 787) elicited a discussion I’ll attempt to describe—accurately, I hope. Essentially, Protestants reject certain teachings when it comes to the saints. Protestants are comfortable saying we should imitate holy men and women; but the problem is that many Protestants deny Church teaching when it comes to invoking the intercession of the saints.

Can A Hymnal Be Too Catholic? The following hymn isn’t by a Catholic—and if you look hard enough, you will notice the Brébeuf hymnal does include a tiny percentage of Protestant hymns. There was a discussion regarding whether to include it, since (as is typical with Protestant texts) it focuses on imitating the lives of the saints, rather than invoking their heavenly intercession. In the end, a few changes were made to the text and it was adopted. In a nutshell, it was decided that nothing is wrong with a hymn encouraging us to imitate the lives of the saints. While it does not explicate the entire Catholic teaching on Church Triumphant, no single hymn can. 1

A recording by our volunteer choir:

A Compelling Argument: The marvelous Sophia Institute Press has begun a series of papers dealing with authentic hymnody. The following document (available as free PDF file) deals with whether Protestant translations of the ancient Catholic hymns can be dangerous:

*  PDF Download • “Are Anglican Translations Dangerous?”

In particular, that paper cites books by Protestants which translate the ancient hymns of the Breviary—but the authors admit they bowdlerize the texts when they found them to be “too Catholic.”

Let’s Get Serious: Some people say: “As long as a hymn is free of heresy” it’s okay to use at Mass; but I disagree. After all, there is such a thing as a Catholic Sensibility. Moreover, certain phrases and certain texts are strongly associated with Protestantism—and that’s undeniable. Furthermore, emphasis is important, as is context. Protestants erroneously emphasize certain truths while downplaying others—and we must be aware of this. The Mass is serious business; the purity and holiness of our Redeemer is not something we should play around with. On the other hand, as time passes, certain things can lose their associations. I have argued that although “Hark! The Herald Angels Sing” is technically Protestant, it no longer has strong Protestant associations. (I realize that good people can sincerely disagree about some of these rather subjective evaluations.)


NOTES FROM THIS ARTICLE:

1   Furthermore, the Brébeuf hymnal contains a multitude of hymns which invoke the saints in heaven.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

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Filed Under: Articles, Featured, PDF Download Tagged With: Anglican Hymn Translations, Catholic Sensibility, Feast of All Saints, For All Thy Saints O Lord Last Updated: September 28, 2021

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Music List” • 5th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 5th Sunday of Easter (18 May 2025). If such a thing interests you, feel free to download it as a PDF file. The Communion Antiphon was ‘restored’ the 1970 Missale Romanum (a.k.a. MISSALE RECENS) from an obscure martyr’s feast. Our choir is on break this Sunday, so the selections are relatively simple in nature.
    —Jeff Ostrowski
    Communion Chant (5th Sunday of Easter)
    This coming Sunday—18 May 2025—is the 5th Sunday of Easter, Year C (MISSALE RECENS). The COMMUNION ANTIPHON “Ego Sum Vitis Vera” assigned by the Church is rather interesting, because it comes from a rare martyr’s feast: viz. Saint Vitalis of Milan. It was never part of the EDITIO VATICANA, which is the still the Church’s official edition. As a result, the musical notation had to be printed in the Ordo Cantus Missae, which appeared in 1970.
    —Jeff Ostrowski
    “Music List” • 4th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 4th Sunday of Easter (11 May 2025). If such a thing interests you, feel free to download it as a PDF file. I don’t know a more gorgeous ENTRANCE CHANT than the one given there: Misericórdia Dómini Plena Est Terra.
    —Jeff Ostrowski

Quick Thoughts

    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt
    The Funeral Rites of the Graduale Romanum
    Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.
    —Daniel Tucker

Random Quote

“Angularis fundamentum” is typically sung at the dedication or consecration of a church and on church anniversaries. For constructions too numerous to list in recent generations, it would be more appropriate to sing that Christ had been made a temporary foundation. A dispirited generation built temporary housing for its Lord, and in the next millnenium, the ease of its removal may be looked back upon as its chief virtue.

— Fr. George Rutler (2016)

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