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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

PDF Download • “Can A Hymnal Be Too Catholic?”

Jeff Ostrowski · September 28, 2021

VEN THOUGH I’m not a theologian, I was still allowed to witness arguments over which texts were to be included in the Brébeuf hymnal. My expertise is music; but we had Catholic priests who did the heavy lifting regarding anything touching theology. The hymn below (Number 787) elicited a discussion I’ll attempt to describe—accurately, I hope. Essentially, Protestants reject certain teachings when it comes to the saints. Protestants are comfortable saying we should imitate holy men and women; but the problem is that many Protestants deny Church teaching when it comes to invoking the intercession of the saints.

Can A Hymnal Be Too Catholic? The following hymn isn’t by a Catholic—and if you look hard enough, you will notice the Brébeuf hymnal does include a tiny percentage of Protestant hymns. There was a discussion regarding whether to include it, since (as is typical with Protestant texts) it focuses on imitating the lives of the saints, rather than invoking their heavenly intercession. In the end, a few changes were made to the text and it was adopted. In a nutshell, it was decided that nothing is wrong with a hymn encouraging us to imitate the lives of the saints. While it does not explicate the entire Catholic teaching on Church Triumphant, no single hymn can. 1

A recording by our volunteer choir:

A Compelling Argument: The marvelous Sophia Institute Press has begun a series of papers dealing with authentic hymnody. The following document (available as free PDF file) deals with whether Protestant translations of the ancient Catholic hymns can be dangerous:

*  PDF Download • “Are Anglican Translations Dangerous?”

In particular, that paper cites books by Protestants which translate the ancient hymns of the Breviary—but the authors admit they bowdlerize the texts when they found them to be “too Catholic.”

Let’s Get Serious: Some people say: “As long as a hymn is free of heresy” it’s okay to use at Mass; but I disagree. After all, there is such a thing as a Catholic Sensibility. Moreover, certain phrases and certain texts are strongly associated with Protestantism—and that’s undeniable. Furthermore, emphasis is important, as is context. Protestants erroneously emphasize certain truths while downplaying others—and we must be aware of this. The Mass is serious business; the purity and holiness of our Redeemer is not something we should play around with. On the other hand, as time passes, certain things can lose their associations. I have argued that although “Hark! The Herald Angels Sing” is technically Protestant, it no longer has strong Protestant associations. (I realize that good people can sincerely disagree about some of these rather subjective evaluations.)


NOTES FROM THIS ARTICLE:

1   Furthermore, the Brébeuf hymnal contains a multitude of hymns which invoke the saints in heaven.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

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Filed Under: Articles, Featured, PDF Download Tagged With: Anglican Hymn Translations, Catholic Sensibility, Feast of All Saints, For All Thy Saints O Lord Last Updated: September 28, 2021

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Why A “Fugue” Here?
    I believe I know why this plainsong harmonizer created a tiny fugue as the INTRODUCTION to his accompaniment. Take a look (PDF) and tell me your thoughts about what he did on the feast of the Flight of Our Lord Jesus Christ into Egypt (17 February). And now I must go because “tempus fugit” as they say!
    —Jeff Ostrowski
    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski
    “Reminder” — Month of October (2025)
    Those who don’t sign up for our free EMAIL NEWSLETTER miss important notifications. Last week, for example, I sent a message about this job opening for a music director paying $65,000 per year plus benefits (plus weddings & funerals). Notice the job description says: “our vision for sacred music is to move from singing at Mass to truly singing the Mass wherein … especially the propers, ordinaries, and dialogues are given their proper place.” Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski

Quick Thoughts

    “American Catholic Hymnal” (1991)
    The American Catholic Hymnal, with IMPRIMATUR granted (25 April 1991) by the Archdiocese of Chicago, is like a compendium of every horrible idea from the 1980s. Imagine being forced to stand all through Communion (even afterwards) when those self-same ‘enlightened’ liturgists moved the SEQUENCE before the Alleluia to make sure congregations wouldn’t have to stand during it. (Even worse, everything about the SEQUENCE—including its name—means it should follow the Alleluia.) And imagine endlessly repeating “Alleluia” during Holy Communion at every single Mass. It was all part of an effort to convince people that Holy Communion was historically a procession (which it wasn’t).
    —Jeff Ostrowski
    “Canonic” • Ralph Vaughan Williams
    Fifty years ago, Dr. Theodore Marier made available this clever arrangement (PDF) of “Come down, O love divine” by P. R. Dietterich. The melody was composed in 1906 by Ralph Vaughan Williams (d. 1958) and named in honor of of his birthplace: DOWN AMPNEY. The arrangement isn’t a strict canon, but it does remind one of a canon since the pipe organ employs “points of imitation.” The melody and text are #709 in the Brébeuf Catholic Hymnal.
    —Jeff Ostrowski
    Did they simplify these hymn harmonies?
    Choirs love to sing the famous & splendid tune called “INNSBRUCK.” Looking through a (Roman Catholic) German hymnal printed in 1952, I discovered what appears to be a simplified version of that hymn. In other words, their harmonization is much less complex than the version found in the Saint Jean de Brébeuf Hymnal (which is suitable for singing by SATB choir). Please download their 1952 harmonization (PDF) and let me know your thoughts. I really like the groovy Germanic INTRODUCTION they added.
    —Jeff Ostrowski

Random Quote

“Custom preserves many things in liturgy after their first reason has ceased.”

— Father Adrian Fortescue (writing in 1916)

Recent Posts

  • The Real Miracle of Gregorian Chant
  • Why A “Fugue” Here?
  • “Three Reasons To Shun Bad Hymns” • Daniel B. Marshall
  • “Puzzling Comment” • By A Respected FSSP Priest
  • New Bulletin Article • “12 October 2025”

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