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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

“Easy Polyphonic Agnus Dei” • Part 1 of 3

Jeff Ostrowski · June 11, 2021

INGERS LOVE CANONS. And this canon by the great Nanino (d. 1607) is a masterpiece. I love how one voice is entirely “boring” notes—all half notes, a lot of stepwise motion, and so forth. But Nanino makes up for that in the other voices, which leap all over the place, use tons of different rhythmic values, and have a “thumpy” or “hammer” sound which contrasts with the top voice. It would seem Nanino was not a priest, but was very likely in minor orders (similar to Abbé Franz Liszt). In 1670, Pope Clement X ordered that all papal singers had to be tonsured within two years of their entrance into the choir or lose their pay.

Please don’t forget to check out the rehearsal videos for each individual voice:

*  PDF Download • AGNUS DEI (3 Voices)
—The bottom two voices are a perfect canon!

Rehearsal videos for each individual voice await you at #64932.

Live Recording: On Sunday, we made our first attempt at singing this. I’m sure it will improve each time we sing it, but I’m happy with our first attempt. I tried everything I knew to get the singers to avoid saying “Pay”-ccata for the word Peccata (which is supposed to be “Peh”-ccata) but we’ll keep working on it. We’ve only had a few rehearsals so far, thanks to California’s Covid-19 restrictions:

*  Mp3 Download • LIVE RECORDING
—First attempt at singing this “Agnus Dei” recorded on 13 June 2021.

We actually connected it to this Agnus Dei for Two Voices by Father Guerrero, which is in the same “key.” It worked well.

Here’s a Live Recording from 27 June 2021 with the score.

Speaking Of Canons: I suppose everyone has a “pet peeve.” I personally hate when composers pretend something is a canon when it’s not. A perfect canon—a genuine one—is the most difficult thing to compose. When I see composers fibbing about canons, it reminds me of when I was in kindergarten. I would see Olympic skaters on television, and then I’d hop around saying: “Look mom, I’m doing the Olympics, too.” But saying something doesn’t make it so. If I can find the time, I’d like to write an article about people who write fake canons. I have an entire collection of fake canons by GIA Publications, and it’s disgusting. More on that fiasco when I have time…

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

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Filed Under: Articles, PDF Download Tagged With: Easy Canons for Singers, Giovanni Maria Nanino, Piecemeal Agnus Dei, Piecemeal Polyphony, Polyphony For Three Voices Last Updated: February 26, 2022

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “The Worm That Dieth Not”
    My pastor asked me to write a column for our parish bulletin with reflections on the sacred liturgy and church music. In my most recent article, I discuss “The Worm That Dieth Not.” At this website, you can access it conveniently; simply scroll down to the one dated 31 August 2025.
    —Jeff Ostrowski
    A Nice Hymn In Spanish
    In my humble opinion, this is a really beautiful hymn in Spanish. If I practice diligently, I’ll be able to pronounce all the words properly. If you’re someone who’s interested in obtaining a melody only version (suitable for your congregational ORDER OF WORSHIP) you can steal that from this.
    —Jeff Ostrowski
    “Music List” • 21st in Ordinary Time (Year C)
    Our choir returns on Sunday, 24 August 2025. Some have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for it, which is the 21st Sunday in Ordinary Time (Year C). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the spectacular feasts website. When it comes to the feast of the Assumption (15 August 2025), I have uploaded the music list for that Mass—but not the “bi-lingual” Mass in the evening (Spanish, Latin, and English) which has completely different music.
    —Jeff Ostrowski

Quick Thoughts

    Solemn “Salve Regina” (Chant)
    How many “S” words can you think of using alliteration? How about Schwann Solemn Salve Score? You can download the SOLEMN SALVE REGINA in Gregorian Chant. The notation follows the official rhythm (EDITIO VATICANA). Canon Jules Van Nuffel, choirmaster of the Cathedral of Saint Rumbold, composed this accompaniment for it (although some feel it isn’t his best work).
    —Corpus Christi Watershed
    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed

Random Quote

“The introduction of the vernacular will certainly be a great sacrifice for those who know the beauty, the power and the expressive sacrality of Latin. We are parting with the speech of the Christian centuries; we are becoming like profane intruders in the literary preserve of sacred utterance. We will lose a great part of that stupendous and incomparable artistic and spiritual thing, the Gregorian chant. We have reason indeed for regret […] We are giving up something of priceless worth.”

— Pope Paul VI

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