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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

“Easy Polyphonic Agnus Dei” • Part 1 of 3

Jeff Ostrowski · June 11, 2021

INGERS LOVE CANONS. And this canon by the great Nanino (d. 1607) is a masterpiece. I love how one voice is entirely “boring” notes—all half notes, a lot of stepwise motion, and so forth. But Nanino makes up for that in the other voices, which leap all over the place, use tons of different rhythmic values, and have a “thumpy” or “hammer” sound which contrasts with the top voice. It would seem Nanino was not a priest, but was very likely in minor orders (similar to Abbé Franz Liszt). In 1670, Pope Clement X ordered that all papal singers had to be tonsured within two years of their entrance into the choir or lose their pay.

Please don’t forget to check out the rehearsal videos for each individual voice:

*  PDF Download • AGNUS DEI (3 Voices)
—The bottom two voices are a perfect canon!

Rehearsal videos for each individual voice await you at #64932.

Live Recording: On Sunday, we made our first attempt at singing this. I’m sure it will improve each time we sing it, but I’m happy with our first attempt. I tried everything I knew to get the singers to avoid saying “Pay”-ccata for the word Peccata (which is supposed to be “Peh”-ccata) but we’ll keep working on it. We’ve only had a few rehearsals so far, thanks to California’s Covid-19 restrictions:

*  Mp3 Download • LIVE RECORDING
—First attempt at singing this “Agnus Dei” recorded on 13 June 2021.

We actually connected it to this Agnus Dei for Two Voices by Father Guerrero, which is in the same “key.” It worked well.

Here’s a Live Recording from 27 June 2021 with the score.

Speaking Of Canons: I suppose everyone has a “pet peeve.” I personally hate when composers pretend something is a canon when it’s not. A perfect canon—a genuine one—is the most difficult thing to compose. When I see composers fibbing about canons, it reminds me of when I was in kindergarten. I would see Olympic skaters on television, and then I’d hop around saying: “Look mom, I’m doing the Olympics, too.” But saying something doesn’t make it so. If I can find the time, I’d like to write an article about people who write fake canons. I have an entire collection of fake canons by GIA Publications, and it’s disgusting. More on that fiasco when I have time…

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

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Filed Under: Articles, PDF Download Tagged With: Easy Canons for Singers, Giovanni Maria Nanino, Piecemeal Agnus Dei, Piecemeal Polyphony, Polyphony For Three Voices Last Updated: February 26, 2022

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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President’s Corner

    Music List • (5th Sund. Ordinary Time)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for this coming Sunday, 8 February 2026, which is the 5th Sunday in Ordinary Time (Year A). If such a thing interests you, feel free to download it as a PDF file. You will probably notice it isn’t as ‘complete’ or ‘spiffy’ as usual, owing to some difficulties which took place this week.
    —Jeff Ostrowski
    PDF • “Communion” (5th Sunday in Ordin.)
    The COMMUNION ANTIPHON for this coming Sunday, 8 February 2026—which is the 5th Sunday in Ordinary Time (Year A)—is truly delightful. You can download the musical score completely free of charge. This text will be familiar to altar boys, because it’s PSALM 42. The Feder Missal makes the following claim about that psalm: “A hymn of a temple musician from Jerusalem: he is an exile in a heathen land, and he longs for the holy city and his ministry in the Temple there. The Church makes his words her own.”
    —Jeff Ostrowski
    Funeral Music “Template” • For Families
    Many have requested the MUSICAL TEMPLATE for funerals we give to families at our parish. The family of the deceased is usually involved in selecting Number 12 on that sheet. This template was difficult to assemble, because the “Ordo Exsequiarum” has never been translated into English, and the assigned chants and hymns are given in different liturgical books (Lectionary, Gradual, Order of Christian Funerals, and so on). Please notify me if you spot errors or broken links. Readers will be particularly interested in some of the plainsong musical settings, which are truly haunting in their beauty.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of Febr. (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

“Now with the elimination of Latin, the choirs that performed the treasures of sacred music are dying. Someone remarked that the study of sacred music is the history of its disappearance. In place of the authentic music demanded by the Vatican Council, all kinds of secular forms and inferior dance and combo music are heard.”

— Monsignor Richard J. Schuler (1971)

Recent Posts

  • PDF Download • “2-Voice Hymn” (Holy Name)
  • Music List • (5th Sund. Ordinary Time)
  • PDF • “Communion” (5th Sunday in Ordin.)
  • “Pipe Organ Interlude During Funerals?” • (Reader Feedback)
  • Funeral Music “Template” • For Families

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