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Views from the Choir Loft

“Easy Polyphonic Agnus Dei” • Part 1 of 3

Jeff Ostrowski · June 11, 2021

INGERS LOVE CANONS. And this canon by the great Nanino (d. 1607) is a masterpiece. I love how one voice is entirely “boring” notes—all half notes, a lot of stepwise motion, and so forth. But Nanino makes up for that in the other voices, which leap all over the place, use tons of different rhythmic values, and have a “thumpy” or “hammer” sound which contrasts with the top voice. It would seem Nanino was not a priest, but was very likely in minor orders (similar to Abbé Franz Liszt). In 1670, Pope Clement X ordered that all papal singers had to be tonsured within two years of their entrance into the choir or lose their pay.

Please don’t forget to check out the rehearsal videos for each individual voice:

*  PDF Download • AGNUS DEI (3 Voices)
—The bottom two voices are a perfect canon!

Rehearsal videos for each individual voice await you at #64932.

Live Recording: On Sunday, we made our first attempt at singing this. I’m sure it will improve each time we sing it, but I’m happy with our first attempt. I tried everything I knew to get the singers to avoid saying “Pay”-ccata for the word Peccata (which is supposed to be “Peh”-ccata) but we’ll keep working on it. We’ve only had a few rehearsals so far, thanks to California’s Covid-19 restrictions:

*  Mp3 Download • LIVE RECORDING
—First attempt at singing this “Agnus Dei” recorded on 13 June 2021.

We actually connected it to this Agnus Dei for Two Voices by Father Guerrero, which is in the same “key.” It worked well.

Here’s a Live Recording from 27 June 2021 with the score.

Speaking Of Canons: I suppose everyone has a “pet peeve.” I personally hate when composers pretend something is a canon when it’s not. A perfect canon—a genuine one—is the most difficult thing to compose. When I see composers fibbing about canons, it reminds me of when I was in kindergarten. I would see Olympic skaters on television, and then I’d hop around saying: “Look mom, I’m doing the Olympics, too.” But saying something doesn’t make it so. If I can find the time, I’d like to write an article about people who write fake canons. I have an entire collection of fake canons by GIA Publications, and it’s disgusting. More on that fiasco when I have time…

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

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Filed Under: Articles, PDF Download Tagged With: Easy Canons for Singers, Giovanni Maria Nanino, Piecemeal Agnus Dei, Piecemeal Polyphony, Polyphony For Three Voices Last Updated: February 26, 2022

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Urgent! • We Desperately Need Funds!
    A few days ago, the president of Corpus Christi Watershed posted this urgent appeal for funds. Please help us make sure we’re never forced to place our content behind a paywall. We feel it’s crucial that 100% of our content remains free to everyone. We’re a tiny 501(c)3 public charity, entirely dependent upon the generosity of small donors. We have no endowment and no major donors. We run no advertisements and have no savings. We beg you to consider donating $4.00 per month. Thank you!
    —Jeff Ostrowski
    “Booklet of Eucharistic Hymns” (16 pages)
    I was asked to create a booklet for my parish to use during our CORPUS CHRISTI PROCESSION on 22 June 2025. Would you be willing to look over the DRAFT BOOKLET (16 pages) I came up with? I tried to include a variety of hymns: some have a refrain; some are in major, others in minor; some are metered, others are plainsong; some are in Spanish, some are in Latin, but most are in English. Normally, we’d use the Brébeuf Hymnal—but we can’t risk having our congregation carry those heavy books all over the city to various churches.
    —Jeff Ostrowski
    “Yahweh” in church songs?
    My pastor asked me to write a weekly column for our parish bulletin. The one scheduled to run on 22 June 2025 is called “Three Words in a Psalm” and speaks of translating the TETRAGRAMMATON. You can read the article at this column repository. All of them are quite brief because I was asked to keep within a certain word limit.
    —Jeff Ostrowski

Quick Thoughts

    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt
    The Funeral Rites of the Graduale Romanum
    Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.
    —Daniel Tucker

Random Quote

“Only against this background, of the effective denial of the authority of Trent, can one understand the bitterness of the struggle against allowing the celebration of Mass according to the 1962 Missal after the liturgical reform. The possibility of so celebrating constitutes the strongest, and thus (for them) the most intolerable contradiction of the opinion of those who believe that the faith in the Eucharist, as formulated by Trent, has lost its validity.”

— Cardinal Ratzinger, 2001

Recent Posts

  • Urgent! • We Desperately Need Funds!
  • PDF Download • “Polyphonic Extension” (Kevin Allen) for Gloria III
  • “Booklet of Eucharistic Hymns” (16 pages)
  • PDF Download • “Text by Saint Francis of Assisi” (choral setting w/ organ: Soprano & Alto)
  • “Yahweh” in church songs?

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