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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

“Easy Polyphonic Agnus Dei” • Part 1 of 3

Jeff Ostrowski · June 11, 2021

INGERS LOVE CANONS. And this canon by the great Nanino (d. 1607) is a masterpiece. I love how one voice is entirely “boring” notes—all half notes, a lot of stepwise motion, and so forth. But Nanino makes up for that in the other voices, which leap all over the place, use tons of different rhythmic values, and have a “thumpy” or “hammer” sound which contrasts with the top voice. It would seem Nanino was not a priest, but was very likely in minor orders (similar to Abbé Franz Liszt). In 1670, Pope Clement X ordered that all papal singers had to be tonsured within two years of their entrance into the choir or lose their pay.

Please don’t forget to check out the rehearsal videos for each individual voice:

*  PDF Download • AGNUS DEI (3 Voices)
—The bottom two voices are a perfect canon!

Rehearsal videos for each individual voice await you at #64932.

Live Recording: On Sunday, we made our first attempt at singing this. I’m sure it will improve each time we sing it, but I’m happy with our first attempt. I tried everything I knew to get the singers to avoid saying “Pay”-ccata for the word Peccata (which is supposed to be “Peh”-ccata) but we’ll keep working on it. We’ve only had a few rehearsals so far, thanks to California’s Covid-19 restrictions:

*  Mp3 Download • LIVE RECORDING
—First attempt at singing this “Agnus Dei” recorded on 13 June 2021.

We actually connected it to this Agnus Dei for Two Voices by Father Guerrero, which is in the same “key.” It worked well.

Here’s a Live Recording from 27 June 2021 with the score.

Speaking Of Canons: I suppose everyone has a “pet peeve.” I personally hate when composers pretend something is a canon when it’s not. A perfect canon—a genuine one—is the most difficult thing to compose. When I see composers fibbing about canons, it reminds me of when I was in kindergarten. I would see Olympic skaters on television, and then I’d hop around saying: “Look mom, I’m doing the Olympics, too.” But saying something doesn’t make it so. If I can find the time, I’d like to write an article about people who write fake canons. I have an entire collection of fake canons by GIA Publications, and it’s disgusting. More on that fiasco when I have time…

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

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Filed Under: Articles, PDF Download Tagged With: Easy Canons for Singers, Giovanni Maria Nanino, Piecemeal Agnus Dei, Piecemeal Polyphony, Polyphony For Three Voices Last Updated: February 26, 2022

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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President’s Corner

    “Music List” • 9 Nov. (Dedic. Lateran)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 9 November 2025, which is the Dedication of the Lateran Basilica. If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the sensational feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    PDF Download • Offertory (9 Nov.)
    This year, the feast of 9 November replaces the Sunday. The OFFERTORY ANTIPHON (PDF file) for 9 November is exceedingly beautiful. The ‘Laterani’ mansion at Rome was the popes’ residence for a thousand years. The church there still is the cathedral church of Rome—“Mother and Head of all churches of the City and of the World,” says the inscription over the entrance. It is dedicated to Our Holy Savior, but has long been commonly known as “St. John Lateran” owing to its famous baptistery of St. John the Baptist. In this church, the pope’s own ‘cathedra’ (episcopal chair) stands in the apse.
    —Jeff Ostrowski
    Job Opening • $65,000 per year +
    A parish 15 minutes away from me is looking for a choir director and organist. The parish is filled with young families. When I began my career, I would have jumped at such an opportunity! Saint Patrick’s in Grand Haven has a job opening for a music director paying $65,000 per year including benefits (plus weddings & funerals). Notice the job description says: “our vision for sacred music is to move from singing at Mass to truly singing the Mass wherein … especially the propers, ordinaries, and dialogues are given their proper place.” I lived in Kansas for 15 years, Texas for 10 years, and Los Angeles for 10 years. Michigan is the closest place I know to heaven!
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of November (2025)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    Gospel Options for 2 November (“All Souls”)
    We’ve been told some bishops are suppressing the TLM because of “unity.” But is unity truly found in the MISSALE RECENS? For instance, on All Souls (2 November), any of these Gospel readings may be chosen, for any reason (or for no reason at all). The same is true of the Propria Missæ and other readings—there are countless options in the ORDINARY FORM. In other words, no matter which OF parish you attend on 2 November, you’ll almost certainly hear different propers and readings, to say nothing of different ‘styles’ of music. Where is the “unity” in all this? Indeed, the Second Vatican Council solemnly declared: “Even in the liturgy, the Church has no wish to impose a rigid uniformity in matters which do not implicate the faith or the good of the whole community.”
    —Corpus Christi Watershed
    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski

Random Quote

It is necessary to address Bishop Trautman’s statement that “recent directives of the Congregation aimed at ICEL’s work appear to require a word-for-word, syntax-for-syntax correspondence between the Latin and the English texts.” I am happy to clarify that this certainly is not the intention of the Congregation, since the successful translation of the liturgical texts cannot be achieved by such a wooden mechanism.

— Jorge Cardinal Medina Estévez (13 May 2000)

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