• Skip to primary navigation
  • Skip to main content
  • Skip to primary sidebar

Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

  • Donate
  • Our Team
    • Our Editorial Policy
    • Who We Are
    • How To Contact Us
    • Sainte Marie Bulletin Articles
    • Jeff’s Mom Joins Fundraiser
    • “Let the Choir Have a Voice” (Essay)
  • Pew Resources
    • Brébeuf Catholic Hymnal
    • Jogues Illuminated Missal
    • Repository • “Spanish Music”
    • KYRIALE • Saint Antoine Daniel
    • Campion Missal, 3rd Edition
  • MUSICAL WEBSITES
    • René Goupil Gregorian Chant
    • Noël Chabanel Psalms
    • Nova Organi Harmonia (2,279 pages)
    • Roman Missal, 3rd Edition
    • Catechism of Gregorian Rhythm
    • Father Enemond Massé Manuscripts
    • Lalemant Polyphonic
    • Feasts Website
  • Miscellaneous
    • Site Map
    • Secrets of the Conscientious Choirmaster
    • “Wedding March” for lazy organists
    • Emporium Kevin Allen
    • Saint Jean de Lalande Library
    • Sacred Music Symposium 2023
    • The Eight Gregorian Modes
    • Gradual by Pothier’s Protégé
    • Seven (7) Considerations
Views from the Choir Loft

PDF Drafts • Ten (10) Gregorian Chant Litanies

Jeff Ostrowski · June 6, 2021

HE FOLLOWING DRAFT COPIES are somewehat “ugly,” and I feel embarrassed releasing them—but they’re all I have access to at the moment. As time goes on, I’d like to make very nice copies, similar to what my colleague, Veronica Brandt, did with the Litany of Saint Joseph. I believe the Latin title (“litaniæ”) is plural, but in English we usually say (singular) “litany.” 1 By the way, polyphonic composers—such as Giovanni Pierluigi da Palestrina—composed litanies, as I once stole an invertible Kyrie from one! We will use a litany for our Corpus Christi procession this coming Sunday (since the “external solemnity” requires a procession) but I suspect Palestrina’s litanies would have been sung inside an oratory. It was surprisingly difficult to find litanies notated with Gregorian Chant. Several texts are in the Rituale Romanum, and numerous organ accompaniments for the litanies have been uploaded here.

*  PDF Download • Litany of the Blessed Virgin Mary
—Print this out on a double-sided sheet of paper.

Litanies I Currently Possess:

Perhaps readers can help re-typeset these? The best would be if each invocation could be written out, or at least made more clear:

*  PDF Litany • “Litany of the Saints” (1957)
—“Litaniæ Sanctorum”

*  PDF Download • “Litany of the Saints” (1928)
—“Litaniæ Sanctorum”

*  PDF Download • Litany of Saint Joseph (1949)
—“Litaniæ Sancti Joseph, Sponsi Beatæ Mariæ Virginis”.

*  PDF Download • Litany of Saint Joseph (1957)
—“Litaniæ Sancti Joseph, Sponsi Beatæ Mariæ Virginis”.

*  PDF Download • Sacré Cœur (1924)
—“Litaniæ Sacratissimi Cordis Jesu”—see note below.

* That file from 1924 actually has two (2) versions of the Litany of the Sacred Heart — click here to have just the first one formatted for easy printing on front/back pages.

*  PDF Download • Sacré Cœur (1957)
—“Litaniæ Sacratissimi Cordis Jesu”.

*  PDF Download • Sacré Cœur, Version B (1902)
—“Litaniæ Sacratissimi Cordis Jesu”.

*  PDF Download • Sacré Cœur, Version C (1902)
—“Litaniæ Sacratissimi Cordis Jesu”.

*  PDF Download • MOST HOLY NAME (1928)
—“Litaniæ Sanctissimi Nominis Jesu”.

*  PDF Download • Blessed Virgin Mary (1891)
—Six different Gregorian Chant versions of the “Litany of Loreto.”

Someone in a foreign country seems to have composed a Litany of the Most Precious Blood and here is the source of that file.

KEYWORD SEARCHES:

“Litaniae In Expositione”
“Litania Preces Et Orationes”
“Cantu Litaniarum Ad Omnes Sanctos”
“Dicuntur Cum Cantu Litaniae Sanctorum”
“Cum Litaniis Sanctorum”
“In Litaniis Majoribus”
“Litaniæ Sanctissimi Nominis Jesu”
“Litaniæ De Sacro Corde Jesu”
“Litaniæ Lauretanæ B. Mariæ Virg.”
“Litaniæ De S. Joseph”
“Index Litaniarum”
“Litanias Ordinarias”


NOTES FROM THIS ARTICLE:

1   It’s kind of like the Latin word “vexilla” which in English means “flag” or “standard”—but Father Fortescue translated it plural as “banners” in his translation of the VEXILLA REGIS.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Follow the Discussion on Facebook

Filed Under: Articles, PDF Download Tagged With: Gregorian Chant Litanies, Litany of Saint Joseph, Litany of the BVM, Litany of the Sacred Heart Last Updated: August 17, 2021

Subscribe

It greatly helps us if you subscribe to our mailing list!

* indicates required

About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

Primary Sidebar

Corpus Christi Watershed

President’s Corner

    “Sanctus VIII” • Organ Accompaniment
    A few days ago, I composed this organ harmonization for SANCTUS VIII. This Mass is traditionally called Missa de ángelis or “Mass of the angels.” In French, it is Messe de Anges. You can evaluate my attempt to simultaneously accompany myself on the pipe organ (click here) while singing the melody. My parish is currently singing this setting.
    —Jeff Ostrowski
    Music List • (5th Sund. Ordinary Time)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for this coming Sunday, 8 February 2026, which is the 5th Sunday in Ordinary Time (Year A). If such a thing interests you, feel free to download it as a PDF file. You will probably notice it isn’t as ‘complete’ or ‘spiffy’ as usual, owing to some difficulties which took place this week.
    —Jeff Ostrowski
    PDF • “Communion” (5th Sunday in Ordin.)
    The COMMUNION ANTIPHON for this coming Sunday, 8 February 2026—which is the 5th Sunday in Ordinary Time (Year A)—is truly delightful. You can download the musical score completely free of charge. This text will be familiar to altar boys, because it’s PSALM 42. The Feder Missal makes the following claim about that psalm: “A hymn of a temple musician from Jerusalem: he is an exile in a heathen land, and he longs for the holy city and his ministry in the Temple there. The Church makes his words her own.”
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of Febr. (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

Luys de Villafranca, master of the altar boys—who are to be distinguished from the choirboys (“seises”) because they study only plainchant whereas the choirboys live with the chapelmaster and study polyphony and counterpoint as well—is rewarded on October 17 with a salary increase of 6,000 maravedís and an extra 12 bushels of wheat.

— Sevilla Cathedral: Chapter Resolution (7 September 1565)

Recent Posts

  • Pope Paul VI • “Sacrificium Laudis” (15 Aug 1966)
  • “Sanctus VIII” • Organ Accompaniment
  • PDF Download • Sanctus VIII Organ Accompaniment (“Mass of the Angels”)
  • Gorgeous Image of Monks Singing!
  • “Let the Choir Have a Voice” • Jeff Ostrowski’s Essay on Choral Music in the Catholic Mass

Subscribe

Subscribe

* indicates required

Copyright © 2026 Corpus Christi Watershed · Isaac Jogues on Genesis Framework · WordPress · Log in

Corpus Christi Watershed is a 501(c)3 public charity dedicated to exploring and embodying as our calling the relationship of religion, culture, and the arts. This non-profit organization employs the creative media in service of theology, the Church, and Christian culture for the enrichment and enjoyment of the public.