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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

PDF Drafts • Ten (10) Gregorian Chant Litanies

Jeff Ostrowski · June 6, 2021

HE FOLLOWING DRAFT COPIES are somewehat “ugly,” and I feel embarrassed releasing them—but they’re all I have access to at the moment. As time goes on, I’d like to make very nice copies, similar to what my colleague, Veronica Brandt, did with the Litany of Saint Joseph. I believe the Latin title (“litaniæ”) is plural, but in English we usually say (singular) “litany.” 1 By the way, polyphonic composers—such as Giovanni Pierluigi da Palestrina—composed litanies, as I once stole an invertible Kyrie from one! We will use a litany for our Corpus Christi procession this coming Sunday (since the “external solemnity” requires a procession) but I suspect Palestrina’s litanies would have been sung inside an oratory. It was surprisingly difficult to find litanies notated with Gregorian Chant. Several texts are in the Rituale Romanum, and numerous organ accompaniments for the litanies have been uploaded here.

*  PDF Download • Litany of the Blessed Virgin Mary
—Print this out on a double-sided sheet of paper.

Litanies I Currently Possess:

Perhaps readers can help re-typeset these? The best would be if each invocation could be written out, or at least made more clear:

*  PDF Litany • “Litany of the Saints” (1957)
—“Litaniæ Sanctorum”

*  PDF Download • “Litany of the Saints” (1928)
—“Litaniæ Sanctorum”

*  PDF Download • Litany of Saint Joseph (1949)
—“Litaniæ Sancti Joseph, Sponsi Beatæ Mariæ Virginis”.

*  PDF Download • Litany of Saint Joseph (1957)
—“Litaniæ Sancti Joseph, Sponsi Beatæ Mariæ Virginis”.

*  PDF Download • Sacré Cœur (1924)
—“Litaniæ Sacratissimi Cordis Jesu”—see note below.

* That file from 1924 actually has two (2) versions of the Litany of the Sacred Heart — click here to have just the first one formatted for easy printing on front/back pages.

*  PDF Download • Sacré Cœur (1957)
—“Litaniæ Sacratissimi Cordis Jesu”.

*  PDF Download • Sacré Cœur, Version B (1902)
—“Litaniæ Sacratissimi Cordis Jesu”.

*  PDF Download • Sacré Cœur, Version C (1902)
—“Litaniæ Sacratissimi Cordis Jesu”.

*  PDF Download • MOST HOLY NAME (1928)
—“Litaniæ Sanctissimi Nominis Jesu”.

*  PDF Download • Blessed Virgin Mary (1891)
—Six different Gregorian Chant versions of the “Litany of Loreto.”

Someone in a foreign country seems to have composed a Litany of the Most Precious Blood and here is the source of that file.

KEYWORD SEARCHES:

“Litaniae In Expositione”
“Litania Preces Et Orationes”
“Cantu Litaniarum Ad Omnes Sanctos”
“Dicuntur Cum Cantu Litaniae Sanctorum”
“Cum Litaniis Sanctorum”
“In Litaniis Majoribus”
“Litaniæ Sanctissimi Nominis Jesu”
“Litaniæ De Sacro Corde Jesu”
“Litaniæ Lauretanæ B. Mariæ Virg.”
“Litaniæ De S. Joseph”
“Index Litaniarum”
“Litanias Ordinarias”


NOTES FROM THIS ARTICLE:

1   It’s kind of like the Latin word “vexilla” which in English means “flag” or “standard”—but Father Fortescue translated it plural as “banners” in his translation of the VEXILLA REGIS.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

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Filed Under: Articles, PDF Download Tagged With: Gregorian Chant Litanies, Litany of Saint Joseph, Litany of the BVM, Litany of the Sacred Heart Last Updated: August 17, 2021

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    ‘German’ Introductions for Hymns
    German organ books have an enchanting habit of including introductions for each and every hymn. For example, consider this snazzy example found in a German hymnal published in 1902. In the Saint Jean de Brébeuf Hymnal, that melody is called “Laudes Mariae” and was married to Omni Die Dic Mariae, with a popular English translation (“Daily, daily, sing to Mary”) by Father Henry Bittleston, an Oratorian priest. Notice they also added a ‘tailpiece’ or ‘playout’ or postlude at the end—a very German thing to do!
    —Jeff Ostrowski
    Buckfast Abbey Weighs In
    Dom John Stéphan was a Benedictine monk of Buckfast Abbey in South Devon, England. On 4 February 1933, he published this interesting letter in THE TABLET. Have you seen the exterior of Buckfast Abbey? It’s beyond gorgeous. I doubt there’s a more arresting Abbey in the entire world. Dom Stéphan’s letter is concerning this momentous collection, which our organization obtained, scanned, and uploaded.
    —Jeff Ostrowski
    Responsorial Psalm Fauxbourdon?
    When it comes to singing Responsorial Psalms in Fauxbourdon, what does this sound like in practice? Can such a thing be done successfully with volunteer choirs in real Catholic parishes? Listen to this audio excerpt from Good Friday and see what you think. Our parish volunteer choir did so well this year—and the ceremonies were ‘standing room only’. For the record, that musical score can be downloaded (completely free of charge) from the flourishing feasts website.
    —Jeff Ostrowski

Quick Thoughts

    PDF • “Liturgical Law” (467 Pages)
    On Good Friday during the middle ages, the pope privately recited THE ENTIRE PSALTER. If you don’t believe me, see for yourself by reading this passage by Dom Charles Augustine Bachofen (d. 1943). His famous book—called “Liturgical Law: A Handbook Of The Roman Liturgy”—was published by the Benjamin Herder Book Company, which was the American arm (operating out of St. Louis, Missouri) of one of the world’s most significant Catholic publishers. Dom Charles Augustine Bachofen was born in Switzerland but spent his career between the Benedictine monasteries at Conception (Missouri) and Mount Angel (Oregon). His 1931 masterpiece, Liturgical Law can be downloaded as a PDF file … 467 pages!
    —Jeff Ostrowski
    “Gregorian Chant Quiz” • 24 March 2026
    How well do you know your Gregorian hymns? Do you recognize the tune inserted into the bass line on this score? For many years, we sang the entire Mass in Gregorian chant—and I mean everything. As a result, it would be difficult to find a Gregorian hymn I don’t recognize instantly. Only decades later did I realize (with sadness) that this skill cannot be ‘monetized’… This particular melody is used for a very famous Gregorian hymn, printed in the LIBER USUALIS. Do you recognize it? Send me an email with the correct words, and I promise to tell everybody I meet about your prowess!
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski

Random Quote

“I vividly remember going to church with him in Bournemouth. He was a devout Roman Catholic and it was soon after the Church had changed the liturgy (from Latin to English). My grandfather obviously didn’t agree with this and made all the responses very loudly in Latin while the rest of the congregation answered in English. I found the whole experience quite excruciating, but my grandfather was oblivious. He simply had to do what he believed to be right.”

— Simon Tolkien (2003)

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