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Views from the Choir Loft

Re: “Christ the King Hymnal” (Imprimatur, 1954)

Jeff Ostrowski · May 10, 2021

NE OF THE RAREST hymnals we ever released was produced by Father Gabriel Aloysius Knauff (Saskatchewan, Canada) and Sister Pauline of Saint Clare Convent (Cincinnati, Ohio). I am speaking about the Christ the King Hymnal (232 pages), which Corpus Christi Watershed scanned and uploaded in October of 2015. The vast majority of these hymns will be unfamiliar to most USA Catholics since they come from the German tradition. Although the hymnal was unsuccessful, the effort they put forward was truly extraordinary: second to none! Many Catholics still don’t realize that in the pre-conciliar United States—that is to say, before the Second Vatican Council—it was extremely common to sing hymns in English during Low Mass. We have provided massive evidence of this:

*  Vernacular Hymns during Traditional Latin Mass
—A series of articles by Corpus Christi Watershed.

If you scroll to the bottom of this article, you will see even more evidence, directly from the Christ the King Hymnal (1954).

Vernacular Hymns During Latin Mass?

It is true that—in a 1958 document—Pope Pius XII explicitly allowed vernacular hymns during High Mass:

However, as we have already discussed, the legislation before the Second Vatican Council never had in mind vernacular hymns during the distribution of Holy Communion at High Mass, because distributing Holy Communion at High Mass (except on Holy Thursday) was very rare. When Holy Communion was given to the Faithful, such a distribution usually took place outside of Mass. Writing in 1917, Father Adrian Fortescue reminded us that distributing Holy Communion to the congregation was extremely rare, although theoretically possible:

Some people believe the current situation—where 99% of Catholics receive Communion at every Mass with scant preparation—has caused Catholics to regard the SANCTISSIMUM in a “casual” way. In the 1980s, Father Valentine Young pointed out a glaring omission in the Ordinary Form’s Lectionary. As far as I know, Father Valentine is the first one to notice this—and I think his discovery needs to be dealt with in a serious way. Catholics should not treat the SANCTISSIMUM in a casual way. And the irreverence which is frequently shown to the Blessed Sacrament is heartbreaking.

See It For Yourself:

The 1954 Christ the King Hymnal—a fully Roman Catholic book—provides examples of hymns sung during Low Mass:

In Los Angeles, we often sing #814 from the Brébeuf hymnal during the distribution of Holy Communion:

Rehearsal videos for each individual voice await you at #814.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

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Filed Under: Articles, Featured Tagged With: High Mass with Vernacular, Low Mass Vernacular Hymns Last Updated: May 11, 2021

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    14th Sunday in Ordinary Time (Year C)
    Our choir is on break during the month of July. However, on the feasts website, the chants have been posted for the 14th Sunday in Ordinary Time (Year C), which is this coming Sunday: 6 July 2025.
    —Jeff Ostrowski
    Bugnini’s Statement (6 November 1966)
    With each passing day, more is revealed about how the enemies of the liturgy accomplished their goals. For instance, Hannibal Bugnini deeply resented the way Vatican II said Gregorian Chant “must be given first place in liturgical services.” On 6 November 1966, his cadre wrote a letter attempting to justify the elimination of Gregorian Chant with this brazen statement: “What really gives a Mass its tone is not so much the songs as it is the prayers and readings.” Bugnini’s cadre then attacked the very heart of Gregorian Chant (viz. the Proprium Missae), bemoaning how the Proprium Missae “is completely new each Sunday and feast day.” There is much more to be said about this topic. Stay tuned.
    —Jeff Ostrowski
    Luis Martínez Must Go!
    Sevilla Cathedral (entry dated 13 December 1564): The chapter orders Luis Martínez, a cathedral chaplain, to stay away from the choirbook-stand when the rest of the singers gather around it to sing polyphony—the reason being that “he throws the others out of tune.” [Excerpt from “The Life of Father Francisco Guerrero.”]
    —Jeff Ostrowski

Quick Thoughts

    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed
    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed

Random Quote

[Speaking of those who wish to eliminate Latin from the liturgy.] “One may well wonder what the origin is of this new way of thinking and this sudden dislike for the past; one may well wonder why these things have been fostered.”

— Pope Saint Paul VI (15 August 1966)

Recent Posts

  • 14th Sunday in Ordinary Time (Year C)
  • “My First Year with the Latin Mass” • A Music Director’s Perspective
  • Boston Auxiliary Bishop: “In offering the Traditional Mass for the first time, after removing the vestments, I knelt in the back pew and wept.”
  • Now Available! • “Hymns of Cardinal Newman: Kevin Allen’s Legendary Choral Settings”
  • Bugnini’s Statement (6 November 1966)

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