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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

“Are You God?” On the Impact We Have as Church Musicians

Keven Smith · May 4, 2021

NE WEEKDAY EVENING A FEW YEARS AGO, I was directing our parish choir in singing a High Mass. I couldn’t help but notice a little blond boy sitting near the back of the church with his family. He was pretty well-behaved overall—especially for a roughly three-year-old—but he kept turning around and looking up at the choir loft in wonderment. (In my book, that’s no vice.)

After Mass, I unlocked the choir room, and all our singers paraded through to put their music away. A few minutes later, I was alone—or so I thought. I erased our music lineup from the chalkboard. I closed the lid of the piano. I put away a couple of stray folders. I stacked up the propers, ordinaries, and motets and put them in the filing cabinet.

That’s when I noticed him: the little blond boy. He had found his way into the choir room and was standing in the corner, silently staring at me as I scurried about putting everything in order. At last, he spoke:

“Are you God?”

 

An Honest Answer to the Little Boy’s Question

This is more than just a cute story. Ever since that evening, I’ve thought back to that boy and pondered the lesson he unwittingly taught me.

In the eyes of a small child, the people making music up in the loft are larger than life. Part of it is the mere fact that we’re up high, upstairs, where small children generally aren’t allowed to go. Part of it is that we’re mostly adults and teenagers—people who naturally look huge to a child.

But more significantly, we’re involved in something children can’t yet understand through the intellect, and yet it speaks to their souls. It is written on our hearts that there is a God, that He is almighty, that He is everywhere, and that He deserves our worship. Even children sense this. I believe they grasp it better when the Mass is veiled in a dead language—and when it uses types of music they don’t hear in everyday life, accompanied by the King of Instruments.

Most of this also applies to adults, of course. They just don’t express it with the same simplicity. An adult’s intellect is well-formed enough to know that the guy directing the choir is a mortal who has weeds in his front yard and drives an old Honda Fit. An adult may use more sophisticated words when he tries to explain what beautiful liturgy does to his soul, but he’ll still struggle.

Even when he knows he wants to be a part of it, he may feel profoundly unworthy to do so. This is something I’ve been keeping in mind as I’ve handled the recent flurry of new interest in our parish choir. The extended lockdown here in California has caused many people to reboot their lives, trimming the activities that had become mere routines and freeing themselves up for more of the sacred.

And so part of my job is to explain to them that we’re all just ordinary people who work hard to make the Mass more beautiful. It can be challenging to convince people that they belong in the loft, and that it’s OK to be human. But I figure that’s better than having them join us looking for a hobby and then trying to sell them on the sacredness of our pursuit.

Precious Yet Fleeting

After watching me pack up for a few more minutes, the little boy spoke again:

“Are you Mexican?”

Well, I probably do eat enough Mexican food to “convert.” At that age, the moments of insight are precious yet fleeting. But this child had already given me a valuable keepsake. I share it here hoping it will help you keep striving to uplift your fellow parishioners as you glorify God at every liturgy.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

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Filed Under: Articles Last Updated: May 4, 2021

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About Keven Smith

Keven Smith, music director at St. Stephen the First Martyr, lives in Sacramento with his wife and five musical children.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Simplified” Keyboard Accompaniment (PDF)
    I’d much rather hear an organist play a simplified version correctly than listen to wrong notes. I invite you to download this simplified organ accompaniment for hymn #729 in the Father Brébeuf Hymnal. The hymn is “O Jesus Christ, Remember.” I’m toying with the idea of creating a whole bunch of these, to help amateur organists. The last one I uploaded was downloaded more than 1,900 times in a matter of hours—so there seems to be interest in such a project. For the record, this famous text by Oratorian priest, Father Edward Caswall (d. 1878) is often married to AURELIA, as it is in the Brébeuf Hymnal.
    —Jeff Ostrowski
    ‘Bogey’ of the Half-Educated: Paraphrase
    Father Adrian Porter, using the cracher dans la soupe example, did a praiseworthy job explaining the difference between ‘dynamic’ and ‘formal’ translation. This is something Monsignor Ronald Knox explained time and again—yet even now certain parties feign ignorance. I suppose there will always be people who pretend the only ‘valid’ translation of Mitigásti omnem iram tuam; avertísti ab ira indignatiónis tuæ… would be “You mitigated all ire of you; you have averted from your indignation’s ire.” Those who would defend such a translation suffer from an unfortunate malady. One of my professors called it “cognate on the brain.”
    —Jeff Ostrowski
    Father Cuthbert Lattey • “The Hebrew MSS”
    Father Cuthbert Lattey (d. 1954) wrote: “In a large number of cases the ancient Christian versions and some other ancient sources seem to have been based upon a better Hebrew text than that adopted by the rabbis for official use and alone suffered to survive. Sometimes, too, the cognate languages suggest a suitable meaning for which there is little or no support in the comparatively small amount of ancient Hebrew that has survived. The evidence of the metre is also at times so clear as of itself to furnish a strong argument; often it is confirmed by some other considerations. […] The Jewish copyists and their directors, however, seem to have lost the tradition of the metre at an early date, and the meticulous care of the rabbis in preserving their own official and traditional text (the ‘massoretic’ text) came too late, when the mischief had already been done.” • Msgr. Knox adds: “It seems the safest principle to follow the Latin—after all, St. Jerome will sometimes have had a better text than the Massoretes—except on the rare occasions when there is no sense to be extracted from the Vulgate at all.”
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of November (2025)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    Gospel Options for 2 November (“All Souls”)
    We’ve been told some bishops are suppressing the TLM because of “unity.” But is unity truly found in the MISSALE RECENS? For instance, on All Souls (2 November), any of these Gospel readings may be chosen, for any reason (or for no reason at all). The same is true of the Propria Missæ and other readings—there are countless options in the ORDINARY FORM. In other words, no matter which OF parish you attend on 2 November, you’ll almost certainly hear different propers and readings, to say nothing of different ‘styles’ of music. Where is the “unity” in all this? Indeed, the Second Vatican Council solemnly declared: “Even in the liturgy, the Church has no wish to impose a rigid uniformity in matters which do not implicate the faith or the good of the whole community.”
    —Corpus Christi Watershed
    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski

Random Quote

Ronald Knox explained why the Modernists do not compose hymns: “Birds of prey have no song.”

— Fr. George William Rutler (2016)

Recent Posts

  • “Simplified” Keyboard Accompaniment (PDF)
  • ‘Bogey’ of the Half-Educated: Paraphrase
  • Father Cuthbert Lattey • “The Hebrew MSS”
  • Re: The People’s Mass Book (1974)
  • They did a terrible thing

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