• Skip to primary navigation
  • Skip to main content
  • Skip to primary sidebar

Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

  • Donate
  • Our Team
    • Our Editorial Policy
    • Who We Are
    • How To Contact Us
    • Sainte Marie Bulletin Articles
    • Jeff’s Mom Joins Fundraiser
    • “Let the Choir Have a Voice” (Essay)
  • Pew Resources
    • Brébeuf Catholic Hymnal
    • Jogues Illuminated Missal
    • Repository • “Spanish Music”
    • KYRIALE • Saint Antoine Daniel
    • Campion Missal, 3rd Edition
  • MUSICAL WEBSITES
    • René Goupil Gregorian Chant
    • Noël Chabanel Psalms
    • Nova Organi Harmonia (2,279 pages)
    • Roman Missal, 3rd Edition
    • Catechism of Gregorian Rhythm
    • Father Enemond Massé Manuscripts
    • Lalemant Polyphonic
    • Feasts Website
  • Miscellaneous
    • Site Map
    • Secrets of the Conscientious Choirmaster
    • “Wedding March” for lazy organists
    • Emporium Kevin Allen
    • Saint Jean de Lalande Library
    • Sacred Music Symposium 2023
    • The Eight Gregorian Modes
    • Gradual by Pothier’s Protégé
    • Seven (7) Considerations
Views from the Choir Loft

“Are You God?” On the Impact We Have as Church Musicians

Keven Smith · May 4, 2021

NE WEEKDAY EVENING A FEW YEARS AGO, I was directing our parish choir in singing a High Mass. I couldn’t help but notice a little blond boy sitting near the back of the church with his family. He was pretty well-behaved overall—especially for a roughly three-year-old—but he kept turning around and looking up at the choir loft in wonderment. (In my book, that’s no vice.)

After Mass, I unlocked the choir room, and all our singers paraded through to put their music away. A few minutes later, I was alone—or so I thought. I erased our music lineup from the chalkboard. I closed the lid of the piano. I put away a couple of stray folders. I stacked up the propers, ordinaries, and motets and put them in the filing cabinet.

That’s when I noticed him: the little blond boy. He had found his way into the choir room and was standing in the corner, silently staring at me as I scurried about putting everything in order. At last, he spoke:

“Are you God?”

 

An Honest Answer to the Little Boy’s Question

This is more than just a cute story. Ever since that evening, I’ve thought back to that boy and pondered the lesson he unwittingly taught me.

In the eyes of a small child, the people making music up in the loft are larger than life. Part of it is the mere fact that we’re up high, upstairs, where small children generally aren’t allowed to go. Part of it is that we’re mostly adults and teenagers—people who naturally look huge to a child.

But more significantly, we’re involved in something children can’t yet understand through the intellect, and yet it speaks to their souls. It is written on our hearts that there is a God, that He is almighty, that He is everywhere, and that He deserves our worship. Even children sense this. I believe they grasp it better when the Mass is veiled in a dead language—and when it uses types of music they don’t hear in everyday life, accompanied by the King of Instruments.

Most of this also applies to adults, of course. They just don’t express it with the same simplicity. An adult’s intellect is well-formed enough to know that the guy directing the choir is a mortal who has weeds in his front yard and drives an old Honda Fit. An adult may use more sophisticated words when he tries to explain what beautiful liturgy does to his soul, but he’ll still struggle.

Even when he knows he wants to be a part of it, he may feel profoundly unworthy to do so. This is something I’ve been keeping in mind as I’ve handled the recent flurry of new interest in our parish choir. The extended lockdown here in California has caused many people to reboot their lives, trimming the activities that had become mere routines and freeing themselves up for more of the sacred.

And so part of my job is to explain to them that we’re all just ordinary people who work hard to make the Mass more beautiful. It can be challenging to convince people that they belong in the loft, and that it’s OK to be human. But I figure that’s better than having them join us looking for a hobby and then trying to sell them on the sacredness of our pursuit.

Precious Yet Fleeting

After watching me pack up for a few more minutes, the little boy spoke again:

“Are you Mexican?”

Well, I probably do eat enough Mexican food to “convert.” At that age, the moments of insight are precious yet fleeting. But this child had already given me a valuable keepsake. I share it here hoping it will help you keep striving to uplift your fellow parishioners as you glorify God at every liturgy.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Follow the Discussion on Facebook

Filed Under: Articles Last Updated: May 4, 2021

Subscribe

It greatly helps us if you subscribe to our mailing list!

* indicates required

About Keven Smith

Keven Smith, music director at St. Stephen the First Martyr, lives in Sacramento with his wife and five musical children.—(Read full biography).

Primary Sidebar

Corpus Christi Watershed

President’s Corner

    Music List • (5th Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 5th Sunday of Lent (22 March 2026). If such a thing interests you, feel free to download it as a PDF file. Traditionally, this Sunday was called ‘Passion’ Sunday. Starting in 1956, certain church leaders attempted rename both ‘Passion’ Sunday and ‘Palm’ Sunday—but it didn’t work. For example, Monsignor Frederick McManus tried to get people to call PALM SUNDAY “Second Passion Sunday”—but the faithful rejected that. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski
    Music List • (Holy Thursday, 2026)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for Holy Thursday, which is 2 April 2026. If such a thing interests you, feel free to download it as a PDF file. I’m not sure I’ve ever heard a more piercingly beautiful INTROIT, and I have come to absolutely love the SATB version of ‘Ubi cáritas’ we are singing (joined by our burgeoning children’s choir). I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski
    “O Escam Viatorum” • (Holy Thursday)
    When I was very young, I erroneously believed the four psalms provided by the 1957 Liber Usualis—for Communion on Holy Thursday—were the “correct” music to sing on that first day of the TRIDUUM SACRUM. Those four psalms are: Psalm 22 (Dóminus regit me et nihil mihi déerit); Psalm 71 (Deus judícium tuum regi da); Psalm 103 (Bénedic ánima méa); and Psalm 150 (Laudáte Dóminum in sanctis ejus). It turns out I was way out in left field! While nothing forbids singing those psalms, many other options are equally valid. Our volunteer parish choir will sing this COMMUNION PIECE (joined by our burgeoning children’s choir) on Holy Thursday during Holy Communion. Needless to say, this will happen after the proper antiphon from the GRADUALE ROMANUM has been sung.
    —Jeff Ostrowski

Quick Thoughts

    Stumped by “Episcopalian Hymnal” (1910)
    Some consider Songs of Syon (1910) the greatest Episcopalian hymnal ever printed. As a Roman Catholic, I have no right to weigh in one way or the other. However, this particular page has me stumped. I just know I’ve heard that tune somewhere! If you can help, please email me. I’m talking about the text which begins: “This is the day the Lord hath made; In unbeclouded light array’d.” The book is by George Ratcliffe Woodward, and its complete title is: Songs of Syon: A Collection of Psalms, Hymns, and Spiritual Songs. Back in 2016, Corpus Christi Watershed scanned and uploaded this insanely rare book. For years our website was the sole place one could download it as a PDF file.
    —Jeff Ostrowski
    “Dies Irae” • A Monstrous Translation
    It isn’t easy to determine what Alice King MacGilton hoped to accomplish with her very popular book—A Study of Latin Hymns (1918)—which continued to be reprinted in new editions for at least 34 years. This PDF file shows her attempt to translate the DIES IRAE “in the fewest words possible.” There’s a place for dynamic equivalency, but this is repugnant. In particular, look what she does to “Quærens me sedísti lassus.”
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski

Random Quote

After sixty years as teacher, composer, and organist, I may state that the Gregorian Chant should be part of the basic material of any musical education, be it religious or secular. The study of it enormously enlarges the spiritual background of any musician. Whereas students in literature will always be required to study Dante, Petrarch and Chaucer, why neglect Gregorian in music education?

— Flor Peeters

Recent Posts

  • Music List • (5th Sunday of Lent)
  • Music List • (Holy Thursday, 2026)
  • “O Escam Viatorum” • (Holy Thursday)
  • PDF Download • Simplified Keyboard Accompaniments for Lenten Hymns
  • Ending Good Friday on “Mi” … ?

Subscribe

Subscribe

* indicates required

Copyright © 2026 Corpus Christi Watershed · Isaac Jogues on Genesis Framework · WordPress · Log in

Corpus Christi Watershed is a 501(c)3 public charity dedicated to exploring and embodying as our calling the relationship of religion, culture, and the arts. This non-profit organization employs the creative media in service of theology, the Church, and Christian culture for the enrichment and enjoyment of the public.