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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

“The Great Reset” • For Your Choir?

Keven Smith · April 12, 2021

ANY people are concerned about the prospect of something called The Great Reset. I studiously ignore the news and eschew mainstream society, so I’m only vaguely aware of what The Great Reset is. According to several websites of varying veracity, it seems to be a reordering of social and economic priorities in the wake of COVID. It may or may not be a global conspiracy, and it may or may not be evil.

I’m not going to dig any deeper. But I do think the concept of a Great Reset holds considerable potential for choirs.

Think about it: COVID didn’t just disrupt the global economy—it also disrupted our church music programs. If governments and corporations are using COVID as an opportunity to reset whatever they don’t like, then so can choir directors.

We’ve all suffered through many months of not singing, or of singing with limited forces. When our full choirs return, if they haven’t already, our singers will be happy just to be together again. They will also have forgotten some of their old habits. Now is the perfect time to implement all those changes that you knew you needed to make but didn’t want to rock the boat.

Here are some aspects of your choir’s operations that you could “reset” as things return to normal:

  • Repertoire. Are you tired of always singing the same motets for Pentecost or that same polyphonic Mass for Christmas? When you return, start learning new music. Some choir members may lament the shelving of their old favorites, but I’ll bet most would welcome the chance to sing anything right now.
  • Attendance and punctuality policies. Most choir directors have official policies in this area but get worn down by those few people who are consistently late for rehearsal or flaky about showing up. Now is a good time to reestablish or even strengthen these policies. Announce them to the group and be consistent about enforcing them.
  • Warmups. It’s tempting to use the same warmups ad nauseam or skip them entirely because you have so much music to learn. When you return to rehearsals, consider implementing thorough, structured warmups for every rehearsal. You’ll be surprised at the difference in your choir’s sound—and at how much fun everyone has while trying new exercises.
  • Roster. There are probably quite a few members of your congregation who have long thought about joining your choir but couldn’t make the time commitment—or hesitated to make that phone call. The pandemic has freed up schedules and shifted priorities for many people. In my parish, I’m seeing much better attendance at daily Masses, longer lines for confession, and a general openness to being more involved in parish life. Consider putting an announcement in your bulletin to invite people to audition for your choir, or to sign up for training as needed.
  • Choir handbook. If your choir has long run on word-of-mouth policies and informal customs, you may get better buy-in by issuing a choir handbook. This document doesn’t have to be exhaustive, but it should set forth basic rules and regulations, contact information, and spiritual inspiration. I’ll offer thoughts on how to write a choir handbook in a future article.

Don’t miss this unique opportunity to launch a Great Reset for your choir. Make some coffee, grab a notebook, find a quiet place, and spend some time brainstorming about all the things you could enhance when your ensemble returns to session. Happy planning!

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

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Filed Under: Articles Last Updated: April 13, 2021

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About Keven Smith

Keven Smith, music director at St. Stephen the First Martyr, lives in Sacramento with his wife and five musical children.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Heretical Hymns
    As a public service, perhaps a theologian ought to begin assembling a heretical hymns collection. A liturgical book—for funerals!—published by the Collegeville Press contains this monstrosity by someone named “Delores Dufner.” I can’t tell what the lyrics are trying to convey—can you? I detest ‘hymns’ with lines such the one she came up with: “Let the thirsty come and drink, Share My wine and bread.” Somehow, the publication was granted an IMPRIMATUR by Most Rev’d Jerome Hanus (bishop of Saint Cloud) on 16 August 1989. It’s a nice tune, but paired with a nasty text!
    —Jeff Ostrowski
    💲 5.00 💵
    Our tiny 501(c)3 nonprofit organization exists solely by generous readers who donate $5.00 per month. We have no endowment; we have no major donors; we run no advertisements; we have no savings. A donor wrote to us: “I so appreciate all you do and have done, and your generosity is unprecedented. I am honored to be able to make a monthly contribution.” Another monthly donor says: “Thank you for everything CC Watershed does. We are able to add so much solemnity to Holy Mass due to the resources made available here.” Can you spare a few dollars each month to help us survive?
    —Corpus Christi Watershed
    Dom Pothier • Photo from 1904
    Dom Paul Cagin, in a 1904 publication (L’oeuvre de Solesmes dans la restauration du chant grégorien) made sure to include a beautiful image of Dom Pothier, the legendary abbot of St-Wandrille. Also shown is a very young Dom André Mocquereau. Auguste Pécoul—considered the spiritual “son” of Abbat Prosper Guéranger of Solesmes—wrote as follows on 24 June 1901: “To forestall any confusion, let us remember that there is just one Gregorian notation—that restored, according to the ancient manuscripts, by the eminent Abbot of Saint-Wandrille, Dom Pothier.” ✠
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of Febr. (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

“One can still have silence even during the Canon, since one is not obliged to recite the Canon audibly at all times. A quieter, less powerful tone of voice will always permit an opportunity for personal, silent prayer.”

— Joseph Cardinal Frings (25-jan-1968), patron of “Consociatio Internationalis Musicae Sacrae” (papal church music association)

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  • “Reminder” — Month of Febr. (2026)
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