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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

“The Great Reset” • For Your Choir?

Keven Smith · April 12, 2021

ANY people are concerned about the prospect of something called The Great Reset. I studiously ignore the news and eschew mainstream society, so I’m only vaguely aware of what The Great Reset is. According to several websites of varying veracity, it seems to be a reordering of social and economic priorities in the wake of COVID. It may or may not be a global conspiracy, and it may or may not be evil.

I’m not going to dig any deeper. But I do think the concept of a Great Reset holds considerable potential for choirs.

Think about it: COVID didn’t just disrupt the global economy—it also disrupted our church music programs. If governments and corporations are using COVID as an opportunity to reset whatever they don’t like, then so can choir directors.

We’ve all suffered through many months of not singing, or of singing with limited forces. When our full choirs return, if they haven’t already, our singers will be happy just to be together again. They will also have forgotten some of their old habits. Now is the perfect time to implement all those changes that you knew you needed to make but didn’t want to rock the boat.

Here are some aspects of your choir’s operations that you could “reset” as things return to normal:

  • Repertoire. Are you tired of always singing the same motets for Pentecost or that same polyphonic Mass for Christmas? When you return, start learning new music. Some choir members may lament the shelving of their old favorites, but I’ll bet most would welcome the chance to sing anything right now.
  • Attendance and punctuality policies. Most choir directors have official policies in this area but get worn down by those few people who are consistently late for rehearsal or flaky about showing up. Now is a good time to reestablish or even strengthen these policies. Announce them to the group and be consistent about enforcing them.
  • Warmups. It’s tempting to use the same warmups ad nauseam or skip them entirely because you have so much music to learn. When you return to rehearsals, consider implementing thorough, structured warmups for every rehearsal. You’ll be surprised at the difference in your choir’s sound—and at how much fun everyone has while trying new exercises.
  • Roster. There are probably quite a few members of your congregation who have long thought about joining your choir but couldn’t make the time commitment—or hesitated to make that phone call. The pandemic has freed up schedules and shifted priorities for many people. In my parish, I’m seeing much better attendance at daily Masses, longer lines for confession, and a general openness to being more involved in parish life. Consider putting an announcement in your bulletin to invite people to audition for your choir, or to sign up for training as needed.
  • Choir handbook. If your choir has long run on word-of-mouth policies and informal customs, you may get better buy-in by issuing a choir handbook. This document doesn’t have to be exhaustive, but it should set forth basic rules and regulations, contact information, and spiritual inspiration. I’ll offer thoughts on how to write a choir handbook in a future article.

Don’t miss this unique opportunity to launch a Great Reset for your choir. Make some coffee, grab a notebook, find a quiet place, and spend some time brainstorming about all the things you could enhance when your ensemble returns to session. Happy planning!

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

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Filed Under: Articles Last Updated: April 13, 2021

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About Keven Smith

Keven Smith, music director at St. Stephen the First Martyr, lives in Sacramento with his wife and five musical children.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    A Nice Hymn In Spanish
    In my humble opinion, this is a really beautiful hymn in Spanish. If I practice diligently, I’ll be able to pronounce all the words properly. If you’re someone who’s interested in obtaining a melody only version (suitable for your congregational ORDER OF WORSHIP) you can steal that from this.
    —Jeff Ostrowski
    “Music List” • 21st in Ordinary Time (Year C)
    Our choir returns on Sunday, 24 August 2025. Some have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for it, which is the 21st Sunday in Ordinary Time (Year C). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the spectacular feasts website. When it comes to the feast of the Assumption (15 August 2025), I have uploaded the music list for that Mass—but not the “bi-lingual” Mass in the evening (Spanish, Latin, and English) which has completely different music.
    —Jeff Ostrowski
    “Entrance Chant” • 21st Sunday Ordin. Time
    You can download the ENTRANCE ANTIPHON in English for the 21st Sunday in Ordinary Time (Year C) which is coming up on 24 August 2025. Corresponding to the vocalist score is this free organ accompaniment. It’s set in a melancholy mode, but if you heard my choir’s female voices singing it your soul would be uplifted beyond belief. If you’re someone who enjoys rehearsal videos, this morning I tried to sing it while simultaneously accompanying my voice on the pipe organ.
    —Jeff Ostrowski

Quick Thoughts

    Solemn “Salve Regina” (Chant)
    How many “S” words can you think of using alliteration? How about Schwann Solemn Salve Score? You can download the SOLEMN SALVE REGINA in Gregorian Chant. The notation follows the official rhythm (EDITIO VATICANA). Canon Jules Van Nuffel, choirmaster of the Cathedral of Saint Rumbold, composed this accompaniment for it (although some feel it isn’t his best work).
    —Corpus Christi Watershed
    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed

Random Quote

“When we force a boy to be a mediocrity in a dozen subjects we destroy his standards, perhaps for life.”

— C. S. Lewis

Recent Posts

  • Solemn “Salve Regina” (Chant)
  • A Nice Hymn In Spanish
  • Fulton J. Sheen • “Why Four Bishops Voted Against the Liturgical Constitution”
  • New Marian Organ Work • a Triptych on “Lumen Ad Revelatiónem”
  • “Music List” • 21st in Ordinary Time (Year C)

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