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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

“The Great Reset” • For Your Choir?

Keven Smith · April 12, 2021

ANY people are concerned about the prospect of something called The Great Reset. I studiously ignore the news and eschew mainstream society, so I’m only vaguely aware of what The Great Reset is. According to several websites of varying veracity, it seems to be a reordering of social and economic priorities in the wake of COVID. It may or may not be a global conspiracy, and it may or may not be evil.

I’m not going to dig any deeper. But I do think the concept of a Great Reset holds considerable potential for choirs.

Think about it: COVID didn’t just disrupt the global economy—it also disrupted our church music programs. If governments and corporations are using COVID as an opportunity to reset whatever they don’t like, then so can choir directors.

We’ve all suffered through many months of not singing, or of singing with limited forces. When our full choirs return, if they haven’t already, our singers will be happy just to be together again. They will also have forgotten some of their old habits. Now is the perfect time to implement all those changes that you knew you needed to make but didn’t want to rock the boat.

Here are some aspects of your choir’s operations that you could “reset” as things return to normal:

  • Repertoire. Are you tired of always singing the same motets for Pentecost or that same polyphonic Mass for Christmas? When you return, start learning new music. Some choir members may lament the shelving of their old favorites, but I’ll bet most would welcome the chance to sing anything right now.
  • Attendance and punctuality policies. Most choir directors have official policies in this area but get worn down by those few people who are consistently late for rehearsal or flaky about showing up. Now is a good time to reestablish or even strengthen these policies. Announce them to the group and be consistent about enforcing them.
  • Warmups. It’s tempting to use the same warmups ad nauseam or skip them entirely because you have so much music to learn. When you return to rehearsals, consider implementing thorough, structured warmups for every rehearsal. You’ll be surprised at the difference in your choir’s sound—and at how much fun everyone has while trying new exercises.
  • Roster. There are probably quite a few members of your congregation who have long thought about joining your choir but couldn’t make the time commitment—or hesitated to make that phone call. The pandemic has freed up schedules and shifted priorities for many people. In my parish, I’m seeing much better attendance at daily Masses, longer lines for confession, and a general openness to being more involved in parish life. Consider putting an announcement in your bulletin to invite people to audition for your choir, or to sign up for training as needed.
  • Choir handbook. If your choir has long run on word-of-mouth policies and informal customs, you may get better buy-in by issuing a choir handbook. This document doesn’t have to be exhaustive, but it should set forth basic rules and regulations, contact information, and spiritual inspiration. I’ll offer thoughts on how to write a choir handbook in a future article.

Don’t miss this unique opportunity to launch a Great Reset for your choir. Make some coffee, grab a notebook, find a quiet place, and spend some time brainstorming about all the things you could enhance when your ensemble returns to session. Happy planning!

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

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Filed Under: Articles Last Updated: April 13, 2021

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About Keven Smith

Keven Smith, music director at St. Stephen the First Martyr, lives in Sacramento with his wife and five musical children.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Entrance Chant” • 23rd (Ordinary Time)
    This coming Sunday, 7 September 2025, is the 23rd Sunday in Ordinary Time (Year C). You can download the “Entrance Chant,” conveniently located at the feasts website. I also recorded a rehearsal video for it (freely available at the same website). The Communion Chant includes gorgeous verses in FAUXBOURDON. I attempted to create a rehearsal video for it, and it’s been posted at the feasts website, called by some: “church music’s best kept secret.”
    —Jeff Ostrowski
    PDF Download • 3 September
    According to the MISSALE RECENS, the Feast of Saint Gregory the Great occurs on 3 September (the date Gregory became pope). Formerly, his feast was celebrated during Lent, on 12 March (the day Gregory died). In Latin, the feast is: Die 3 Septembris: S. Gregorii Magni, papæ et Ecclesiæ doctoris. you can download the Latin Introit, the Latin Offertory, as well as the Communion with gorgeous fauxbordon in English. Abbat Joseph Pothier—along with Dom André Mocquereau, Bishop Laurent Janssens, Father De Santi, and other Gregorian superstars—sang with a choir of 1,210 voices (from 36 different Roman colleges) under the direction of Monsignor Antonio Rella. That Mass included the “Alma cohors,” a special SEQUENCE for Saint Gregory…much to the dismay of those who believe in strict adherence to rubrics. The Mass on 11 April 1904 was celebrated by Pope Saint Pius X, at the great GREGORIAN CONGRESS held in Rome “to mark the 13th Centenary of the death of Saint Gregory the Great.” Someday, there’s much I’d love to say about this congress. We even have recordings (!) from it (made in 1904 by the Gramophone Company) with choirs conducted by Dom Pothier, Dom Mocquereau, Dom Janssens, Monsignor Rella, Baron Kanzler, and others.
    —Jeff Ostrowski
    New Bulletin Article • “7 September 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article is called: “Professor Bouyer’s Regret.”
    —Jeff Ostrowski

Quick Thoughts

    Solemn “Salve Regina” (Chant)
    How many “S” words can you think of using alliteration? How about Schwann Solemn Salve Score? You can download the SOLEMN SALVE REGINA in Gregorian Chant. The notation follows the official rhythm (EDITIO VATICANA). Canon Jules Van Nuffel, choirmaster of the Cathedral of Saint Rumbold, composed this accompaniment for it (although some feel it isn’t his best work).
    —Corpus Christi Watershed
    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed

Random Quote

“Is it not true that prohibiting or suspecting the extraordinary form can only be inspired by the demon who desires our suffocation and spiritual death?”

— The Vatican’s chief liturgist from 2014-2021, Interview with Edw. Pentin (23-Sep-2019)

Recent Posts

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  • Weird Liturgical Kalendar …
  • Is ‘Chant’ a Generic Word for ‘Sing’ ? • No!
  • Catholic College (2025) Sings Vespers in SATB
  • PDF Download • 3 September

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