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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

“The Great Reset” • For Your Choir?

Keven Smith · April 12, 2021

ANY people are concerned about the prospect of something called The Great Reset. I studiously ignore the news and eschew mainstream society, so I’m only vaguely aware of what The Great Reset is. According to several websites of varying veracity, it seems to be a reordering of social and economic priorities in the wake of COVID. It may or may not be a global conspiracy, and it may or may not be evil.

I’m not going to dig any deeper. But I do think the concept of a Great Reset holds considerable potential for choirs.

Think about it: COVID didn’t just disrupt the global economy—it also disrupted our church music programs. If governments and corporations are using COVID as an opportunity to reset whatever they don’t like, then so can choir directors.

We’ve all suffered through many months of not singing, or of singing with limited forces. When our full choirs return, if they haven’t already, our singers will be happy just to be together again. They will also have forgotten some of their old habits. Now is the perfect time to implement all those changes that you knew you needed to make but didn’t want to rock the boat.

Here are some aspects of your choir’s operations that you could “reset” as things return to normal:

  • Repertoire. Are you tired of always singing the same motets for Pentecost or that same polyphonic Mass for Christmas? When you return, start learning new music. Some choir members may lament the shelving of their old favorites, but I’ll bet most would welcome the chance to sing anything right now.
  • Attendance and punctuality policies. Most choir directors have official policies in this area but get worn down by those few people who are consistently late for rehearsal or flaky about showing up. Now is a good time to reestablish or even strengthen these policies. Announce them to the group and be consistent about enforcing them.
  • Warmups. It’s tempting to use the same warmups ad nauseam or skip them entirely because you have so much music to learn. When you return to rehearsals, consider implementing thorough, structured warmups for every rehearsal. You’ll be surprised at the difference in your choir’s sound—and at how much fun everyone has while trying new exercises.
  • Roster. There are probably quite a few members of your congregation who have long thought about joining your choir but couldn’t make the time commitment—or hesitated to make that phone call. The pandemic has freed up schedules and shifted priorities for many people. In my parish, I’m seeing much better attendance at daily Masses, longer lines for confession, and a general openness to being more involved in parish life. Consider putting an announcement in your bulletin to invite people to audition for your choir, or to sign up for training as needed.
  • Choir handbook. If your choir has long run on word-of-mouth policies and informal customs, you may get better buy-in by issuing a choir handbook. This document doesn’t have to be exhaustive, but it should set forth basic rules and regulations, contact information, and spiritual inspiration. I’ll offer thoughts on how to write a choir handbook in a future article.

Don’t miss this unique opportunity to launch a Great Reset for your choir. Make some coffee, grab a notebook, find a quiet place, and spend some time brainstorming about all the things you could enhance when your ensemble returns to session. Happy planning!

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

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Filed Under: Articles Last Updated: April 13, 2021

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About Keven Smith

Keven Smith, music director at St. Stephen the First Martyr, lives in Sacramento with his wife and five musical children.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Reminder” — Month of November (2025)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    “Offertory” at Catholic Funerals
    I have argued that the OFFERTORY—at least in its ancient form—is more of a responsory than an antiphon. The 1962 Missal specifically calls it “Antiphona ad Offertorium.” From now on, I plan to use this beautiful setting (PDF) at funerals, since it cleverly inserts themes from the absolution of the body. Tons more research needs to be done on the OFFERTORY, which often is a ‘patchwork’ stitching together various beginnings and endings of biblical verses. For instance, if you examine the ancient verses for Dómine, vivífica me (30th Sunday in Ordinary Time) you’ll discover this being done in a most perplexing way. Rebecca Maloy published a very expensive book on the OFFERTORY, but it was a disappointment. Indeed, I can’t think of a single valuable insight contained in her book. What a missed opportunity!
    —Jeff Ostrowski
    “In Paradisum” • Gregorian Chant
    As a RECESSIONAL on All Souls’ Day (November 2nd), we will sing In Paradísum Dedúcant Te Ángeli (PDF). When it comes to Gregorian Chant, this is one of the most popular “songs.” Frankly, all the prayers and chants from the traditional REQUIEM MASS (Missa exsequialis or Missa pro defunctis) are incredibly powerful and never should’ve been scuttled. Click here to hear “In Paradisum” in a recording I made this afternoon. Professor Louis Bouyer spoke of the way Bugnini “scuttled the office of the dead” in this fascinating excerpt from his memoirs. In his book, La riforma litugica (1983), Bugnini bragged—in quite a shameful way—about eliminating the ancient funeral texts, and even admitted those venerable texts were “beloved” (his word) by Catholics.
    —Jeff Ostrowski

Quick Thoughts

    Gospel Options for 2 November (“All Souls”)
    We’ve been told some bishops are suppressing the TLM because of “unity.” But is unity truly found in the MISSALE RECENS? For instance, on All Souls (2 November), any of these Gospel readings may be chosen, for any reason (or for no reason at all). The same is true of the Propria Missæ and other readings—there are countless options in the ORDINARY FORM. In other words, no matter which OF parish you attend on 2 November, you’ll almost certainly hear different propers and readings, to say nothing of different ‘styles’ of music. Where is the “unity” in all this? Indeed, the Second Vatican Council solemnly declared: “Even in the liturgy, the Church has no wish to impose a rigid uniformity in matters which do not implicate the faith or the good of the whole community.”
    —Corpus Christi Watershed
    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski
    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski

Random Quote

If the homily goes on too long, it will affect two characteristic elements of the liturgical celebration: its balance and its rhythm. The words of the preacher must be measured, so that the Lord, more than his minister, will be the center of attention.

— Pope Francis (11/24/2013)

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