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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Never Released Before! • Unique Version of “O Sacred Head Surrounded” (SATB)

Jeff Ostrowski · March 25, 2021

OW DO YOU get your point across? I’m talking about when you really really really want to get your point across? Teachers are always looking for different ways to get the point across to students. (By the way, if you’re a choirmaster, you’re ipso facto a teacher.) I wish I knew a method that would allow me to get a message to every reader regarding the rehearsal videos available for free. If people only knew about these resources, I think they’d be thrilled. I can’t believe nobody else has done this before now!

We are at it again (with my friends Andrea and Elizabeth) recording Hymn #441 from the Brébeuf hymnal:

Rehearsal videos for each individual voice await you at #441.

O Caput Cruentatum

Please download this special SATB version of “O Caput Cruentatum,” which includes—for the very first time—an English translation:

*  PDF Download • “O Caput Cruentatum” (SATB)
—SATB harmonies, with English Translation courtesy of the Saint Jean de Brébeuf Hymnal.

That particular text—not identical to “Salve Caput Cruentatum” as found in the Brébeuf hymnal—is quite mysterious, and even Mr. John Julian doesn’t know its provenance. Andrew Hinkley, a very generous person, has provided a Plainchant Version if you don’t have resources to sing SATB. On 17 February 2021, which seems like just yesterday to be honest, we discussed that Cantus Gregorianus version along with another Lenten hymn called “Jam Christe Sol Justitiæ.”

A Truly Useful Book

One of the cool things about the Brébeuf hymnal happens at the bottom of each page. Reference numbers are given for “last verses.” That means special harmonizations written by organists such as Noel Rawsthorne. These are wonderful to help choirmasters discover interesting ways to harmonize hymn tunes.

Just how ancient are the hymns in the Brébeuf hymnal? Well, the short answer is: about 1,5000 years! Many of these Roman Catholic hymns are also contained in a special “Anglo-Saxon Hymnal” created around 1050AD. This book provides the Latin version, but also translates the hymns into Anglo-Saxon. Here is an example of #526 from the Brébeuf Hymnal:

Eleanor Parker was the one who brought that 11th-century Anglo-Saxon Hymnal to my attention.

I’ve said it before, and I’ll say it again: The Saint Jean de Brébeuf Hymnal is a truly Catholic hymnal which contains fabulous tunes, marvelous texts, and beautiful Roman Catholic Theology. Just the other day, we spoke of “Ex More Docti Mystico,” which is featured in the Brébeuf hymnal. Here’s how that hymn appeared in the book from 1050AD:

Page 921 in the Saint Jean de Brébeuf Hymnal talks about when the feast of the Annunciation (25 March) coincides with Good Friday, and I strongly recommend everyone read about that today. Today is the feast of the Annunciation.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

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Filed Under: Articles, PDF Download Tagged With: Jam Christe Sol Justitiae, Jean de Brebeuf Hymnal, O Caput Cruentatum, O Sacred Head, O Sol Salutis Intimis, Sacred Head Surrounded, Salve caput cruentatum Last Updated: June 6, 2021

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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President’s Corner

    “Offertory” at Catholic Funerals
    I have argued that the OFFERTORY—at least in its ancient form—is more of a responsory than an antiphon. The 1962 Missal specifically calls it “Antiphona ad Offertorium.” From now on, I plan to use this beautiful setting (PDF) at funerals, since it cleverly inserts themes from the absolution of the body. Tons more research needs to be done on the OFFERTORY, which often is a ‘patchwork’ stitching together various beginnings and endings of biblical verses. For instance, if you examine the ancient verses for Dómine, vivífica me (30th Sunday in Ordinary Time) you’ll discover this being done in a most perplexing way. Rebecca Maloy published a very expensive book on the OFFERTORY, but it was a disappointment. Indeed, I can’t think of a single valuable insight contained in her book. What a missed opportunity!
    —Jeff Ostrowski
    “In Paradisum” • Gregorian Chant
    As a RECESSIONAL on All Souls’ Day (November 2nd), we will sing In Paradísum Dedúcant Te Ángeli (PDF). When it comes to Gregorian Chant, this is one of the most popular “songs.” Frankly, all the prayers and chants from the traditional REQUIEM MASS (Missa exsequialis or Missa pro defunctis) are incredibly powerful and never should’ve been scuttled. Click here to hear “In Paradisum” in a recording I made this afternoon. Professor Louis Bouyer spoke of the way Bugnini “scuttled the office of the dead” in this fascinating excerpt from his memoirs. In his book, La riforma litugica (1983), Bugnini bragged—in quite a shameful way—about eliminating the ancient funeral texts, and even admitted those venerable texts were “beloved” (his word) by Catholics.
    —Jeff Ostrowski
    “Music List” • All Souls (2 November)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 2 November 2025, which is the Commemoration of All the Faithful Departed (“All Souls”). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the top-notch feasts website alongside the official texts in Latin. In my humble opinion, it’s weird to have the feast of All Saints on a Sunday. No wonder the close associate of Pope Saint Paul VI said the revised KALENDAR was “the handiwork of a trio of maniacs.” However, I can’t deny that sometimes the sacred liturgy consists of elements that are seemingly contradictory: e.g. the Mode 7 “De Profúndis” ALLELUIA, or the Mode 8 “Dulce lignum” ALLELUIA on the various ancient feasts of the Holy Cross (3 May, 14 September, and so on).
    —Jeff Ostrowski

Quick Thoughts

    Gospel Options for 2 November (“All Souls”)
    We’ve been told some bishops are suppressing the TLM because of “unity.” But is unity truly found in the MISSALE RECENS? For instance, on All Souls (2 November), any of these Gospel readings may be chosen, for any reason (or for no reason at all). The same is true of the Propria Missæ and other readings—there are countless options in the ORDINARY FORM. In other words, no matter which OF parish you attend on 2 November, you’ll almost certainly hear different propers and readings, to say nothing of different ‘styles’ of music. Where is the “unity” in all this? Indeed, the Second Vatican Council solemnly declared: “Even in the liturgy, the Church has no wish to impose a rigid uniformity in matters which do not implicate the faith or the good of the whole community.”
    —Corpus Christi Watershed
    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski
    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski

Random Quote

When Christ gave the bread, he did not say, “This is the symbol of my body,” but, “This is my body.” In the same way, when he gave the cup of his blood he did not say, “This is the symbol of my blood,” but, “This is my blood.”

— Theodore, Bishop of Mopsuestia, writing in the 5th Century

Recent Posts

  • Never Work For A Priest Or Bishop Who Believes Sacred Music Should Be “Entertainment”
  • When Pilgrims Sing, the World Disappears
  • “Offertory” at Catholic Funerals
  • “In Paradisum” • Gregorian Chant
  • The Beauty of the Propers for All Souls’ Day (and the Requiem Mass)

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