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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Never Released Before! • Unique Version of “O Sacred Head Surrounded” (SATB)

Jeff Ostrowski · March 25, 2021

OW DO YOU get your point across? I’m talking about when you really really really want to get your point across? Teachers are always looking for different ways to get the point across to students. (By the way, if you’re a choirmaster, you’re ipso facto a teacher.) I wish I knew a method that would allow me to get a message to every reader regarding the rehearsal videos available for free. If people only knew about these resources, I think they’d be thrilled. I can’t believe nobody else has done this before now!

We are at it again (with my friends Andrea and Elizabeth) recording Hymn #441 from the Brébeuf hymnal:

Rehearsal videos for each individual voice await you at #441.

O Caput Cruentatum

Please download this special SATB version of “O Caput Cruentatum,” which includes—for the very first time—an English translation:

*  PDF Download • “O Caput Cruentatum” (SATB)
—SATB harmonies, with English Translation courtesy of the Saint Jean de Brébeuf Hymnal.

That particular text—not identical to “Salve Caput Cruentatum” as found in the Brébeuf hymnal—is quite mysterious, and even Mr. John Julian doesn’t know its provenance. Andrew Hinkley, a very generous person, has provided a Plainchant Version if you don’t have resources to sing SATB. On 17 February 2021, which seems like just yesterday to be honest, we discussed that Cantus Gregorianus version along with another Lenten hymn called “Jam Christe Sol Justitiæ.”

A Truly Useful Book

One of the cool things about the Brébeuf hymnal happens at the bottom of each page. Reference numbers are given for “last verses.” That means special harmonizations written by organists such as Noel Rawsthorne. These are wonderful to help choirmasters discover interesting ways to harmonize hymn tunes.

Just how ancient are the hymns in the Brébeuf hymnal? Well, the short answer is: about 1,5000 years! Many of these Roman Catholic hymns are also contained in a special “Anglo-Saxon Hymnal” created around 1050AD. This book provides the Latin version, but also translates the hymns into Anglo-Saxon. Here is an example of #526 from the Brébeuf Hymnal:

Eleanor Parker was the one who brought that 11th-century Anglo-Saxon Hymnal to my attention.

I’ve said it before, and I’ll say it again: The Saint Jean de Brébeuf Hymnal is a truly Catholic hymnal which contains fabulous tunes, marvelous texts, and beautiful Roman Catholic Theology. Just the other day, we spoke of “Ex More Docti Mystico,” which is featured in the Brébeuf hymnal. Here’s how that hymn appeared in the book from 1050AD:

Page 921 in the Saint Jean de Brébeuf Hymnal talks about when the feast of the Annunciation (25 March) coincides with Good Friday, and I strongly recommend everyone read about that today. Today is the feast of the Annunciation.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

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Filed Under: Articles, PDF Download Tagged With: Jam Christe Sol Justitiae, Jean de Brebeuf Hymnal, O Caput Cruentatum, O Sacred Head, O Sol Salutis Intimis, Sacred Head Surrounded, Salve caput cruentatum Last Updated: June 6, 2021

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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President’s Corner

    Music List • (Palm Sunday, 2026)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for Palm Sunday—a.k.a. “Dominica in palmis de Passione Domini”—which is 29 March 2026. Please feel free to download it as a PDF file if such a thing interests you. The OFFERTORY (Impropérium exspectávit cor meum) is quite moving. Even though the COMMUNION ANTIPHON is relatively simple, the Fauxbourdon makes it sound outstanding.
    —Jeff Ostrowski
    Easter • Would You Sing This Hymn?
    He who examines Laudes Dei: a hymnal for Catholic congregations (St. Louis, 1894) will discover this pairing of a hymn for Easter. For the record, this isn’t the only Catholic hymn book to marry that text and melody; e.g. Saint Mark’s Hymnal for Use in the Roman Catholic Church in the United States (Peoria, 1910) does the same thing. Sometimes an unexpected pairing—chosen with sensitivity—can be superb, forcing singers to experience the text in a ‘fresh’ and wonderful way. On the other hand, we sometimes encounter something I’ve called “PERNICIOUS HYMN PAIRINGS.” If you find the subject in intriguing, feel free to peruse an article I published in May of 2023. As always, my email inbox is open if you have a bone to pick with my take.
    —Jeff Ostrowski
    Pipe Organ “Answers” in Plainsong?
    In 2003, I copied a book by Félix Bélédin (d. 1895), who was titular organist—from 1841 to 1874—at the Cathedral of Saint John the Baptist in Lyon (France). In 2008, we scanned and uploaded the book to the Lalande Online Library. Nobody knows for sure when the book was published; some believe it first appeared in the 1840s. In any event, one who examines this excerpt, showing GLORIA IX might wonder why it says the organ answers in plainsong. However, the front of the book explains, telling the organist explicitly when to “respond in plainchant.” This is something called organ alternatim. Believe it or not, the pipe organ would take turns with the choir, playing certain texts instrumentally instead of having them sung. I’m not very well-versed in this—pardon the pun—but if memory serves, ORGAN ALTERNATIM was frowned upon by the time of Pope Saint Pius X. Nevertheless, French organists kept doing it, even after it was explicitly condemned as an abuse.
    —Jeff Ostrowski

Quick Thoughts

    “Gregorian Chant Quiz” • 24 March 2026
    How well do you know your Gregorian hymns? Do you recognize the tune inserted into the bass line on this score? For many years, we sang the entire Mass in Gregorian chant—and I mean everything. As a result, it would be difficult to find a Gregorian hymn I don’t recognize instantly. Only decades later did I realize (with sadness) that this skill cannot be ‘monetized’… This particular melody is used for a very famous Gregorian hymn, printed in the LIBER USUALIS. Do you recognize it? Send me an email with the correct words, and I promise to tell everybody I meet about your prowess!
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski

Random Quote

The literal translation: “Lord, have mercy—Christ, have mercy,” does not offer much material for an acceptable song text. The words, not having any feminine syllables, are abrupt; the sounds are almost all muted and colorless; the rhythmic flow is too brief. So many people may prefer responses that further extend the song of the assembly, e.g., “Have pity on us, Lord” or “Pardon us and change our hearts.

— J. Gelineau attacking the KYRIE ELEYSON (page 64 in “Learning to Celebrate,” 1985)

Recent Posts

  • Music List • (Palm Sunday, 2026)
  • Easter • Would You Sing This Hymn?
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  • Pipe Organ “Answers” in Plainsong?

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