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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Never Released Before! • Unique Version of “O Sacred Head Surrounded” (SATB)

Jeff Ostrowski · March 25, 2021

OW DO YOU get your point across? I’m talking about when you really really really want to get your point across? Teachers are always looking for different ways to get the point across to students. (By the way, if you’re a choirmaster, you’re ipso facto a teacher.) I wish I knew a method that would allow me to get a message to every reader regarding the rehearsal videos available for free. If people only knew about these resources, I think they’d be thrilled. I can’t believe nobody else has done this before now!

We are at it again (with my friends Andrea and Elizabeth) recording Hymn #441 from the Brébeuf hymnal:

Rehearsal videos for each individual voice await you at #441.

O Caput Cruentatum

Please download this special SATB version of “O Caput Cruentatum,” which includes—for the very first time—an English translation:

*  PDF Download • “O Caput Cruentatum” (SATB)
—SATB harmonies, with English Translation courtesy of the Saint Jean de Brébeuf Hymnal.

That particular text—not identical to “Salve Caput Cruentatum” as found in the Brébeuf hymnal—is quite mysterious, and even Mr. John Julian doesn’t know its provenance. Andrew Hinkley, a very generous person, has provided a Plainchant Version if you don’t have resources to sing SATB. On 17 February 2021, which seems like just yesterday to be honest, we discussed that Cantus Gregorianus version along with another Lenten hymn called “Jam Christe Sol Justitiæ.”

A Truly Useful Book

One of the cool things about the Brébeuf hymnal happens at the bottom of each page. Reference numbers are given for “last verses.” That means special harmonizations written by organists such as Noel Rawsthorne. These are wonderful to help choirmasters discover interesting ways to harmonize hymn tunes.

Just how ancient are the hymns in the Brébeuf hymnal? Well, the short answer is: about 1,5000 years! Many of these Roman Catholic hymns are also contained in a special “Anglo-Saxon Hymnal” created around 1050AD. This book provides the Latin version, but also translates the hymns into Anglo-Saxon. Here is an example of #526 from the Brébeuf Hymnal:

Eleanor Parker was the one who brought that 11th-century Anglo-Saxon Hymnal to my attention.

I’ve said it before, and I’ll say it again: The Saint Jean de Brébeuf Hymnal is a truly Catholic hymnal which contains fabulous tunes, marvelous texts, and beautiful Roman Catholic Theology. Just the other day, we spoke of “Ex More Docti Mystico,” which is featured in the Brébeuf hymnal. Here’s how that hymn appeared in the book from 1050AD:

Page 921 in the Saint Jean de Brébeuf Hymnal talks about when the feast of the Annunciation (25 March) coincides with Good Friday, and I strongly recommend everyone read about that today. Today is the feast of the Annunciation.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

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Filed Under: Articles, PDF Download Tagged With: Jam Christe Sol Justitiae, Jean de Brebeuf Hymnal, O Caput Cruentatum, O Sacred Head, O Sol Salutis Intimis, Sacred Head Surrounded, Salve caput cruentatum Last Updated: June 6, 2021

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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President’s Corner

    Why A “Fugue” Here?
    I believe I know why this plainsong harmonizer created a tiny fugue as the INTRODUCTION to his accompaniment. Take a look (PDF) and tell me your thoughts about what he did on the feast of the Flight of Our Lord Jesus Christ into Egypt (17 February). And now I must go because “tempus fugit” as they say!
    —Jeff Ostrowski
    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski
    “Reminder” — Month of October (2025)
    Those who don’t sign up for our free EMAIL NEWSLETTER miss important notifications. Last week, for example, I sent a message about this job opening for a music director paying $65,000 per year plus benefits (plus weddings & funerals). Notice the job description says: “our vision for sacred music is to move from singing at Mass to truly singing the Mass wherein … especially the propers, ordinaries, and dialogues are given their proper place.” Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski

Quick Thoughts

    “American Catholic Hymnal” (1991)
    The American Catholic Hymnal, with IMPRIMATUR granted (25 April 1991) by the Archdiocese of Chicago, is like a compendium of every horrible idea from the 1980s. Imagine being forced to stand all through Communion (even afterwards) when those self-same ‘enlightened’ liturgists moved the SEQUENCE before the Alleluia to make sure congregations wouldn’t have to stand during it. (Even worse, everything about the SEQUENCE—including its name—means it should follow the Alleluia.) And imagine endlessly repeating “Alleluia” during Holy Communion at every single Mass. It was all part of an effort to convince people that Holy Communion was historically a procession (which it wasn’t).
    —Jeff Ostrowski
    “Canonic” • Ralph Vaughan Williams
    Fifty years ago, Dr. Theodore Marier made available this clever arrangement (PDF) of “Come down, O love divine” by P. R. Dietterich. The melody was composed in 1906 by Ralph Vaughan Williams (d. 1958) and named in honor of of his birthplace: DOWN AMPNEY. The arrangement isn’t a strict canon, but it does remind one of a canon since the pipe organ employs “points of imitation.” The melody and text are #709 in the Brébeuf Catholic Hymnal.
    —Jeff Ostrowski
    Did they simplify these hymn harmonies?
    Choirs love to sing the famous & splendid tune called “INNSBRUCK.” Looking through a (Roman Catholic) German hymnal printed in 1952, I discovered what appears to be a simplified version of that hymn. In other words, their harmonization is much less complex than the version found in the Saint Jean de Brébeuf Hymnal (which is suitable for singing by SATB choir). Please download their 1952 harmonization (PDF) and let me know your thoughts. I really like the groovy Germanic INTRODUCTION they added.
    —Jeff Ostrowski

Random Quote

“…I started down the road of the liturgy, and this became a continuous process of growth into a grand reality transcending all particular individuals and generations, a reality that became an occasion for me of ever-new amazement and discovery. The incredible reality of the Catholic liturgy has accompanied me through all phases of life, and so I shall have to speak of it time and again.”

— Joseph Cardinal Ratzinger

Recent Posts

  • Why A “Fugue” Here?
  • “Three Reasons To Shun Bad Hymns” • Daniel B. Marshall
  • “Puzzling Comment” • By A Respected FSSP Priest
  • New Bulletin Article • “12 October 2025”
  • “Reminder” — Month of October (2025)

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