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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Never Released Before! • Unique Version of “O Sacred Head Surrounded” (SATB)

Jeff Ostrowski · March 25, 2021

OW DO YOU get your point across? I’m talking about when you really really really want to get your point across? Teachers are always looking for different ways to get the point across to students. (By the way, if you’re a choirmaster, you’re ipso facto a teacher.) I wish I knew a method that would allow me to get a message to every reader regarding the rehearsal videos available for free. If people only knew about these resources, I think they’d be thrilled. I can’t believe nobody else has done this before now!

We are at it again (with my friends Andrea and Elizabeth) recording Hymn #441 from the Brébeuf hymnal:

Rehearsal videos for each individual voice await you at #441.

O Caput Cruentatum

Please download this special SATB version of “O Caput Cruentatum,” which includes—for the very first time—an English translation:

*  PDF Download • “O Caput Cruentatum” (SATB)
—SATB harmonies, with English Translation courtesy of the Saint Jean de Brébeuf Hymnal.

That particular text—not identical to “Salve Caput Cruentatum” as found in the Brébeuf hymnal—is quite mysterious, and even Mr. John Julian doesn’t know its provenance. Andrew Hinkley, a very generous person, has provided a Plainchant Version if you don’t have resources to sing SATB. On 17 February 2021, which seems like just yesterday to be honest, we discussed that Cantus Gregorianus version along with another Lenten hymn called “Jam Christe Sol Justitiæ.”

A Truly Useful Book

One of the cool things about the Brébeuf hymnal happens at the bottom of each page. Reference numbers are given for “last verses.” That means special harmonizations written by organists such as Noel Rawsthorne. These are wonderful to help choirmasters discover interesting ways to harmonize hymn tunes.

Just how ancient are the hymns in the Brébeuf hymnal? Well, the short answer is: about 1,5000 years! Many of these Roman Catholic hymns are also contained in a special “Anglo-Saxon Hymnal” created around 1050AD. This book provides the Latin version, but also translates the hymns into Anglo-Saxon. Here is an example of #526 from the Brébeuf Hymnal:

Eleanor Parker was the one who brought that 11th-century Anglo-Saxon Hymnal to my attention.

I’ve said it before, and I’ll say it again: The Saint Jean de Brébeuf Hymnal is a truly Catholic hymnal which contains fabulous tunes, marvelous texts, and beautiful Roman Catholic Theology. Just the other day, we spoke of “Ex More Docti Mystico,” which is featured in the Brébeuf hymnal. Here’s how that hymn appeared in the book from 1050AD:

Page 921 in the Saint Jean de Brébeuf Hymnal talks about when the feast of the Annunciation (25 March) coincides with Good Friday, and I strongly recommend everyone read about that today. Today is the feast of the Annunciation.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

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Filed Under: Articles, PDF Download Tagged With: Jam Christe Sol Justitiae, Jean de Brebeuf Hymnal, O Caput Cruentatum, O Sacred Head, O Sol Salutis Intimis, Sacred Head Surrounded, Salve caput cruentatum Last Updated: June 6, 2021

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    New Bulletin Article • “21 September 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 21 September 2025) discusses some theological items—supported by certain verses in ancient Catholic hymns—and ends by explaining why certain folks become delirious with jealousy when they observe feats by Monsignor Ronald Knox.
    —Jeff Ostrowski
    Cheap! Cheap! Cheap!
    It’s always amusing to see old diocesan newspapers—in huge capital letters—advertising the Cheapest Catholic Paper in the United States. The correspondent who sent this to me added: “I can think of certain composers, published by large companies in our own day, who could truthfully brag about the most tawdry compositions in the world!” I wonder what she could have meant by such a cryptic comment…
    —Jeff Ostrowski
    PDF Download • Dom Murray Harmonies
    Along with so many others, I have deep respect for Dom Gregory Gregory Murray, who produced this clever harmonization (PDF) of “O SANCTISSIMA.” It’s always amazed me that Dom Gregory—a truly inspired composer—was so confused when it came to GREGORIAN CHANT. Throughout his life, he published contradictory statements, veering back-and-forth like a weather vane. Toward the end of his life, he declared: “I see clearly that the need for reform in liturgical music arose, not in the 18th and 19th centuries, but a thousand years earlier—in the 8th and 9th centuries, or even before that. The abuses began, not with Mozart and Haydn, but with those over-enthusiastic medieval musicians who developed the elaborate and flamboyant Gregorian Chant.”
    —Jeff Ostrowski

Quick Thoughts

    Karl Keating • “Canonization Questions”
    We were sent an internet statement (screenshot) that’s garnered significant attention, in which KARL KEATING (founder of Catholic Answers) speaks about whether canonizations are infallible. Mr. Keating seems unaware that canonizations are—in the final analysis—a theological opinion. They are not infallible, as explained in this 2014 article by a priest (with a doctorate in theology) who worked for multiple popes. Mr. Keating says: “I’m unaware of such claims arising from any quarter until several recent popes disliked by these Traditionalists were canonized, including John XXIII, Paul VI, and John Paul II. Usually Paul VI receives the most opprobrium.” Mr. Keating is incorrect; e.g. Father John Vianney, several centuries ago, taught clearly that canonizations are not infallible. Archbishop Fulton J. Sheen would be another example, although clearly much more recent than Saint John Vianney.
    —Corpus Christi Watershed
    Vatican II Changed Wedding Propers?
    It’s often claimed that the wedding propers were changed after Vatican II. As a matter of fact, that is a false claim. The EDITIO VATICANA propers (Introit: Deus Israel) remained the same after Vatican II. However, a new set of propers (Introit: Ecce Deus) was provided for optional use. The same holds true for the feast of Pope Saint Gregory the Great on 3 September: the 1943 propers (Introit: Si díligis me) were provided for optional use, but the traditional PROPRIA MISSAE (Introit: Sacerdótes Dei) were retained; they weren’t gotten rid of. The Ordo Cantus Missae (1970) makes this crystal clear, as does the Missal itself. There was an effort made in the post-conciliar years to eliminate so-called “Neo-Gregorian” chants, but (contrary to popular belief) most were retained: cf. the feast of Christ the King, the feast of the Immaculate Conception, and so forth.
    —Corpus Christi Watershed
    Solemn “Salve Regina” (Chant)
    How many “S” words can you think of using alliteration? How about Schwann Solemn Salve Score? You can download the SOLEMN SALVE REGINA in Gregorian Chant. The notation follows the official rhythm (EDITIO VATICANA). Canon Jules Van Nuffel, choirmaster of the Cathedral of Saint Rumbold, composed this accompaniment for it (although some feel it isn’t his best work).
    —Corpus Christi Watershed

Random Quote

“We wish to express the hope that students of Gregorian Chant come back to the pure Vatican Edition, in the ancient block-note form, without the addition of any signs whatever, in order to achieve Gregorian unity.”

— Josef Gogniat (12 March 1938)

Recent Posts

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