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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

The Liturgical Request: “Iube, Domne, Benedicere”

Fr. David Friel · February 21, 2021

REPARATION for the solemn reading of the Gospel in the Roman Rite is a liturgical unit that includes a panoply of ceremonies: a blessing, a worthiness prayer, a chant, an approach of the altar, a procession, bows, lighted candles, a special liturgical book, and the offering of incense. Within this complex of ritual, there is one spoken portion—common to both the Ordinary and Extraordinary Forms—that runs the risk of being overlooked by the faithful, since it is part of a quiet exchange between the bishop (or priest) and deacon. I have in mind the deacon’s request for a blessing: Iube, domne, benedicere. What is the significance of this short sentence?

The literal meaning of these words will be addressed below. It will be worthwhile, first, to point out that these three words appear in the Ordo Romanus primus (ORP), though not as part of preparations for the Gospel and not on the lips of a deacon. Rather, in this late-seventh-century description of a papal Mass in Rome, the line is uttered by bishops following the concluding Ite, missa est and as the return procession to the sacristy begins. This is the way ORP describes it:

Discendente autem ad presbiterium, episcopi primum dicunt: ‘Iube, domne, benedicere.’ Respondit: ‘Benedicat nos dominus.’ Respondunt: ‘Amen.’

As he [the pope] goes down towards the presbyteral area, the bishops first say: ‘Master, give a blessing.’ He replies: ‘May the Lord bless us.’ They reply: ‘Amen.’ 1

Before the Gospel, in the ORP, the deacon is described as kissing the pontiff’s feet and receiving a blessing in response.

Nor is this sentence entirely peculiar to the Roman Rite. It is comparable, for example, to the first words spoken aloud in the Divine Liturgy of St. John Chrysostom: Благослови, владыко, “Master, give the blessing.” 2

Jungmann references Amalar (c. 775–c. 850) as having remarked that “the deacon who is about to scatter the seed of the Gospel stands in need of a major benedictio.” 3 Jungmann also offers a definition of the word iube:

Iube = dignare = “deign”; it is a courteous formula which implies that great lords do not themselves act but charge servants with the task. The domnus here used is also customary in other cases to distinguish earthly masters from the heavenly Dominus. 4

A brief, but illuminating study of these three words as they pertain to the Divine Office appeared in the Spring 1931 edition of The Monican, a former publication of the college-level Augustinian seminarians at Villanova University. The short article, attributed to R. M. Plunkett, OSA, is reprinted here in full:

The custom of asking a blessing before reading or chanting the lessons in the Divine Office was observed as early as the fourth century. This formal request, prescribed by the rubrics, consists of the words “Jube, domne, benedicere,” accompanied by a profound bow. In many English versions of this form, “Jube” is freely translated, as pray, please, or grant. Not only are these meanings for jubeo not found in Latin lexicons, but they fail to bring out the origin and significance of this formal request for a blessing.

St. Peter Damian gives a short and plausible explanation of these words, without, however, presuming that it is authoritative, and with the saving phrase “salva fide.” His interpretation is that the lector does not ask the officiating priest to bless him, but out of humility, asks the priest to commission whomsoever he will for the task. As a fitting recompense for such humility, the priest renders a like act of humility; for he neither delegates anyone beneath him, nor does he presume to give the blessing himself, but entreats that the blessing be given by the Lord of all.

In the mind of the Church, expressed in the rubrics of the Breviary and in the decrees of the Sacred Congregation of Rites, the blessing that precedes the gospel, lesson, or chapter, is a species of mission. The “lectiones” are read for the instruction of those present. And, as St. Paul says (Rom. x, 15), “How shall they preach unless they be sent?” The hebdomadarian, then, delegates the lector to read the instruction. This puts the words of the request in a new light and gives them a significance deeper and strictly literal. For “Jube, domne,” means “Order, sir”; and “benedicere” (bene-dicere) means “to speak well”; “Jube, domne, benedicere,” then, literally means “Order, sir, to speak well.” Words more apt than these could scarcely be found, considering the purpose and import of the request.

If a bishop is to read the ninth lesson and no superior is present, he says “Jube, Domine, benedicere,” addressing the Lord. Now the bishop, in virtue of his power, needs no further commission and, in acknowledgment of this, the blessing is omitted. His divine commission to teach, received at his consecration, is recognized by the Choir’s immediate answer, “Amen,” to his request.

When the ruler of the Choir asks for the blessing before the ninth lesson, he addresses the one immediately beneath him in rank, who reads the blessing. In private recitation, “Domine” is substituted for “domne,” and the blessing is then recited by the individual. There is nothing incongruous either in asking to be delegated by one inferior in rank, or in requesting a commission to instruct oneself privately. The Divine Office is the official prayer of the Church in which all her members participate, either directly, by reciting it, or indirectly, by partaking of the fruits thereof. The blessing is always asked in the name of the Church, and the commission being given in the name of the Church, is always official.

It is worthy of not that, however else they differ, St. Peter Damian and the liturgists agree that “juge” means “order.” English words whose meaning is foreign to this fail to convey the true significance of this time-honored ceremony.

The request, Iube, domne, benedicere, does not draw attention to itself. Like so many of the inaudible prayers of the Mass, however, this short statement is quite rich in significance.


NOTES FROM THIS ARTICLE:

1   Latin original and English translation from Alan Griffiths, Ordo Romanus Primus: Latin Text and Translation with Introduction and Notes, Joint Liturgical Studies 73 (Chippenham, UK: Alcuin Club, 2012), 58-59.

2   The Divine Liturgy of Saint John Chrysostom (Ontario: Basilian Press, 1988), 12-13.

3   Joseph A. Jungmann, The Mass of the Roman Rite: Its Origins and Development (Missarum Sollemnia), trans. Francis Brunner, vol. 1 (New York: Benziger Brothers, 1951), 454.

4  Jungmann, The Mass of the Roman Rite, 1:455, footnote 94.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

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About Fr. David Friel

Ordained in 2011, Father Friel is a priest of the Archdiocese of Philadelphia and serves as Director of Liturgy at Saint Charles Borromeo Seminary. —(Read full biography).

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President’s Corner

    Music List • “Ascension of the Lord”
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for the The Ascension of the Lord—“Festum Ascensionis Domini”—which is transferred to 17 May 2026 in our diocese. Please feel free to download it as a PDF file if such a thing interests you. The OFFERTORY (“Ascéndit Deus in jubilatióne”) is particularly beautiful and the ENTRANCE CHANT is simply splendid. As always, readers may go directly to the flourishing feasts website, where the complete Propria Missae may be downloaded free of charge.
    —Jeff Ostrowski
    PDF Download • “For Pentecost Sunday”
    Yesterday morning, I recorded myself singing the ENTRANCE CHANT for Pentecost Sunday while simultaneously accompanying myself on the pipe organ. Click here to see how that came out. At the end of the antiphon, there’s a triple Allelúja and I just love the chord at the end of the 2nd iteration. The organ accompaniment—along with the musical score for singers—can be downloaded free of charge at the flourishing feasts website. For the record, the antiphon on Pentecost Sunday doesn’t come from a psalm; it comes from the book of Wisdom.
    —Jeff Ostrowski
    PDF Download • “Organ Accompaniment”
    Over the past few years, I’ve been harmonizing all the vernacular plainsong Introit settings by the CHAUMONOT COMPOSERS GROUP. This coming Sunday—10 May 2026—is the 6th Sunday of Easter (Year A). The following declaration will probably smack of “blowing my own horn.” However, I’d rank this accompaniment as my best yet. In this rehearsal video, I attempt to sing it while simultaneously accompanying myself on the pipe organ. The musical score [for singers] as well as my organ accompaniment can be downloaded free of charge from the flourishing feasts website.
    —Jeff Ostrowski

Quick Thoughts

    “Thee” + “Thou” + “Thine”
    Few musicians realize that various English translations of Sacred Scripture were granted formal approval by the USCCB and the Vatican for liturgical use in the United States of America. But don’t take my word for it! Here are four documents proving this, which you can examine with your own eyes. Some believe the words “Thine” and “Thou” and “Thee” were forbidden after Vatican II—but that’s incorrect. For example, they’re found in the English translation of the ‘Our Father’ at Mass. Moreover, the Revised Standard Version (Catholic Edition) mentioned in those four documents employs “Thine” and “Thou” and “Thee.” It was published with a FOREWORD by Westminster’s Roman Catholic Archbishop (John Cardinal Heenan).
    —Jeff Ostrowski
    “Reminder” — Month of May (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    Simplified Version • “Canon in D” (Pachelbel)
    I published an article on 11 November 2023 called Wedding March For The Lazy Organist, which rather offhandedly made reference to a simplified version I created in 2007 for Pachelbel’s Canon. I often use it as a PROCESSIONAL for weddings and quinceañeras. Many organists say they “hate” Pachelbel’s Canon. But I love it. I think it’s bright and beautiful. I created that ‘simplified version’ for musicians coming to grips with playing the pipe organ. It can be downloaded as a free PDF if you visit Andrea Leal’s article dated 15 August 2022: Manuals Only: Organ Interludes Based on Plainsong. Specifically, it is page 84 in that collection—generously offered as a free PDF download. Johann Pachelbel (d. 1706) was a renowned German organist, violinist, teacher, and composer of over 500 works. A friend of Bach’s family, he taught Johann Christoph Bach (Sebastian Bach’s eldest brother) and lived in his house. Those who read Pachelbel’s biography will notice his connection to two German cities adopted as famous hymn tune names: EISENACH and ERFURT.
    —Jeff Ostrowski

Random Quote

“Latin has been the language of the Latin liturgy for 1,600 years. It is a sign and source of unity as well as a defense of doctrine, not because of the language so much, but because it is a language no longer subject to changes. There are so many beautiful texts which can never have the same effectiveness in translation. Lastly, Latin is bound to an extremely precious heritage of melody, Gregorian chant and polyphony.”

— Cardinal Antonelli (Secretary of the Conciliar Commission on the Liturgy)

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