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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Looking for a Good Lenten Devotion? Try the Seven Sorrows Rosary

Keven Smith · February 1, 2021

HE CHRISTMAS CYCLE OFFICIALLY ENDS with the Feast of the Purification on February 2. In the Extraordinary Form, we don’t just jump straight into Lent. We have the season of Septuagesima as our time of preparation. Septuagesima isn’t technically a penitential season. But the violet vestments, suppression of the Gloria, and replacement of the Alleluia with a Tract help us transition from Christmas joy to Lenten penances.

Regardless of which Mass you attend, you’re probably thinking about spiritual practices to adopt during Lent. If you’re in the market, allow me to recommend the Rosary of the Seven Sorrows of Our Lady.

For each of the seven sorrows, we are to pray an Our Father and seven Hail Marys (so they’re not decades, strictly speaking). It’s customary to pray introductory and concluding prayers, too, although these seem to vary from one source to the next.

If you’d like to gain a thorough understanding of the Seven Sorrows and can spare an hour, look to Fr. Chad Ripperger:

Why pray the Seven Sorrows Rosary? It’s a venerable practice. The Servite order developed a devotion to Our Lady’s sorrows shortly after their founding in the thirteenth century. The Feast of the Seven Sorrows of the Blessed Virgin Mary has been celebrated regionally since the fifteenth century. Benedict XIII added it to the general calendar in 1727.

The Seven Sorrows Rosary puts us in touch with Our Lord’s Passion, seen through the eyes of Our Lady. It can ease our burden in tough times. It can pierce the heart to make us more tender and compassionate. It has been a lifeline for me during these troubling times. I’ve never had a closer relationship with Our Lady than I do now, simply because I began praying this special rosary daily last summer.

We don’t want to pray out of pure self-interest. But it’s hard not to be impressed by the seven promises Our Lady made to St. Bridget of Sweden for those who pray this rosary daily:

  1. I will grant peace to their families.
  2. They will be enlightened about the divine Mysteries.
  3. I will help them in their work and console them in their pains.
  4. I will give them as much as they ask for, as long as it does not oppose the adorable will of my divine Son or the sanctification of their souls.
  5. I will defend them in their spiritual battles with the devil and protect them at every instant of their lives.
  6. I will visibly help them at the moment of their death—they will see the face of their mother.
  7. I have obtained this grace from my divine Son: those who propagate this devotion will be taken directly from this earthly life to eternal happiness, since all their sins will be forgiven and my Son will be their everlasting consolation and joy.

Our Lady of Sorrows answers prayers. I’ve found that she sometimes answers smaller requests with almost hilarious promptness. And for larger requests, she is generous about sending little signs of progress and hope.

There are special rosaries designed for this devotion. Some websites and apps provide helpful meditations for each sorrow. I like this app for iOS, though it contains several unfortunate typos.

Notice that last promise to St. Bridget: those who promote this devotion can skip Purgatory. So don’t just pray the Seven Sorrows Rosary. Pass it along.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

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Filed Under: Articles Tagged With: our lady of sorrows Last Updated: February 1, 2021

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About Keven Smith

Keven Smith, music director at St. Stephen the First Martyr, lives in Sacramento with his wife and five musical children.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Offertory” at Catholic Funerals
    I have argued that the OFFERTORY—at least in its ancient form—is more of a responsory than an antiphon. The 1962 Missal specifically calls it “Antiphona ad Offertorium.” From now on, I plan to use this beautiful setting (PDF) at funerals, since it cleverly inserts themes from the absolution of the body. Tons more research needs to be done on the OFFERTORY, which often is a ‘patchwork’ stitching together various beginnings and endings of biblical verses. For instance, if you examine the ancient verses for Dómine, vivífica me (30th Sunday in Ordinary Time) you’ll discover this being done in a most perplexing way. Rebecca Maloy published a very expensive book on the OFFERTORY, but it was a disappointment. Indeed, I can’t think of a single valuable insight contained in her book. What a missed opportunity!
    —Jeff Ostrowski
    “In Paradisum” • Gregorian Chant
    As a RECESSIONAL on All Souls’ Day (November 2nd), we will sing In Paradísum Dedúcant Te Ángeli (PDF). When it comes to Gregorian Chant, this is one of the most popular “songs.” Frankly, all the prayers and chants from the traditional REQUIEM MASS (Missa exsequialis or Missa pro defunctis) are incredibly powerful and never should’ve been scuttled. Click here to hear “In Paradisum” in a recording I made this afternoon. Professor Louis Bouyer spoke of the way Bugnini “scuttled the office of the dead” in this fascinating excerpt from his memoirs. In his book, La riforma litugica (1983), Bugnini bragged—in quite a shameful way—about eliminating the ancient funeral texts, and even admitted those venerable texts were “beloved” (his word) by Catholics.
    —Jeff Ostrowski
    “Music List” • All Souls (2 November)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 2 November 2025, which is the Commemoration of All the Faithful Departed (“All Souls”). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the top-notch feasts website alongside the official texts in Latin. In my humble opinion, it’s weird to have the feast of All Saints on a Sunday. No wonder the close associate of Pope Saint Paul VI said the revised KALENDAR was “the handiwork of a trio of maniacs.” However, I can’t deny that sometimes the sacred liturgy consists of elements that are seemingly contradictory: e.g. the Mode 7 “De Profúndis” ALLELUIA, or the Mode 8 “Dulce lignum” ALLELUIA on the various ancient feasts of the Holy Cross (3 May, 14 September, and so on).
    —Jeff Ostrowski

Quick Thoughts

    Gospel Options for 2 November (“All Souls”)
    We’ve been told some bishops are suppressing the TLM because of “unity.” But is unity truly found in the MISSALE RECENS? For instance, on All Souls (2 November), any of these Gospel readings may be chosen, for any reason (or for no reason at all). The same is true of the Propria Missæ and other readings—there are countless options in the ORDINARY FORM. In other words, no matter which OF parish you attend on 2 November, you’ll almost certainly hear different propers and readings, to say nothing of different ‘styles’ of music. Where is the “unity” in all this? Indeed, the Second Vatican Council solemnly declared: “Even in the liturgy, the Church has no wish to impose a rigid uniformity in matters which do not implicate the faith or the good of the whole community.”
    —Corpus Christi Watershed
    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski
    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski

Random Quote

“The argument moves from the existence of the thing to the correctness of the thing: what is, ought to be. Or, a popular variant: if a thing is, it doesn’t make any difference whether it ought to be—the correct response is to adjust, to learn to live with the thing.”

— ‘L. Brent Bozell, Jr.’

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