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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Looking for a Good Lenten Devotion? Try the Seven Sorrows Rosary

Keven Smith · February 1, 2021

HE CHRISTMAS CYCLE OFFICIALLY ENDS with the Feast of the Purification on February 2. In the Extraordinary Form, we don’t just jump straight into Lent. We have the season of Septuagesima as our time of preparation. Septuagesima isn’t technically a penitential season. But the violet vestments, suppression of the Gloria, and replacement of the Alleluia with a Tract help us transition from Christmas joy to Lenten penances.

Regardless of which Mass you attend, you’re probably thinking about spiritual practices to adopt during Lent. If you’re in the market, allow me to recommend the Rosary of the Seven Sorrows of Our Lady.

For each of the seven sorrows, we are to pray an Our Father and seven Hail Marys (so they’re not decades, strictly speaking). It’s customary to pray introductory and concluding prayers, too, although these seem to vary from one source to the next.

If you’d like to gain a thorough understanding of the Seven Sorrows and can spare an hour, look to Fr. Chad Ripperger:

Why pray the Seven Sorrows Rosary? It’s a venerable practice. The Servite order developed a devotion to Our Lady’s sorrows shortly after their founding in the thirteenth century. The Feast of the Seven Sorrows of the Blessed Virgin Mary has been celebrated regionally since the fifteenth century. Benedict XIII added it to the general calendar in 1727.

The Seven Sorrows Rosary puts us in touch with Our Lord’s Passion, seen through the eyes of Our Lady. It can ease our burden in tough times. It can pierce the heart to make us more tender and compassionate. It has been a lifeline for me during these troubling times. I’ve never had a closer relationship with Our Lady than I do now, simply because I began praying this special rosary daily last summer.

We don’t want to pray out of pure self-interest. But it’s hard not to be impressed by the seven promises Our Lady made to St. Bridget of Sweden for those who pray this rosary daily:

  1. I will grant peace to their families.
  2. They will be enlightened about the divine Mysteries.
  3. I will help them in their work and console them in their pains.
  4. I will give them as much as they ask for, as long as it does not oppose the adorable will of my divine Son or the sanctification of their souls.
  5. I will defend them in their spiritual battles with the devil and protect them at every instant of their lives.
  6. I will visibly help them at the moment of their death—they will see the face of their mother.
  7. I have obtained this grace from my divine Son: those who propagate this devotion will be taken directly from this earthly life to eternal happiness, since all their sins will be forgiven and my Son will be their everlasting consolation and joy.

Our Lady of Sorrows answers prayers. I’ve found that she sometimes answers smaller requests with almost hilarious promptness. And for larger requests, she is generous about sending little signs of progress and hope.

There are special rosaries designed for this devotion. Some websites and apps provide helpful meditations for each sorrow. I like this app for iOS, though it contains several unfortunate typos.

Notice that last promise to St. Bridget: those who promote this devotion can skip Purgatory. So don’t just pray the Seven Sorrows Rosary. Pass it along.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

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Filed Under: Articles Tagged With: our lady of sorrows Last Updated: February 1, 2021

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About Keven Smith

Keven Smith, music director at St. Stephen the First Martyr, lives in Sacramento with his wife and five musical children.—(Read full biography).

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President’s Corner

    PDF Download • “Offertory” for this Sunday
    This coming Sunday, 12 October 2025, is the 28th Sunday in Ordinary Time (Year C). Its OFFERTORY ANTIPHON (PDF) is gorgeous, and comes from the book of Esther, as did the ENTRANCE CHANT last Sunday. Depending on a variety of factors, various hand-missals (all with Imprimatur) translate this passage differently. For instance, “príncipis” can be rendered: King; Prince; Lion; or Fierce lord. None is “more correct” than another. It depends on what each translator wants to emphasize and which source text is chosen. All these pieces of plainsong are conveniently stored at the blue-ribbon feasts website.
    —Jeff Ostrowski
    Why A “Fugue” Here?
    I believe I know why this plainsong harmonizer created a tiny fugue as the INTRODUCTION to his accompaniment. Take a look (PDF example) and tell me your thoughts about what he did on the feast of the Flight of Our Lord Jesus Christ into Egypt (17 February). And now I must go because “tempus fugit” as they say!
    —Jeff Ostrowski
    “Reminder” — Month of October (2025)
    Those who don’t sign up for our free EMAIL NEWSLETTER miss important notifications. Last week, for example, I sent a message about this job opening for a music director paying $65,000 per year plus benefits (plus weddings & funerals). Notice the job description says: “our vision for sacred music is to move from singing at Mass to truly singing the Mass wherein … especially the propers, ordinaries, and dialogues are given their proper place.” Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski

Quick Thoughts

    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski
    “American Catholic Hymnal” (1991)
    The American Catholic Hymnal, with IMPRIMATUR granted (25 April 1991) by the Archdiocese of Chicago, is like a compendium of every horrible idea from the 1980s. Imagine being forced to stand all through Communion (even afterwards) when those self-same ‘enlightened’ liturgists moved the SEQUENCE before the Alleluia to make sure congregations wouldn’t have to stand during it. (Even worse, everything about the SEQUENCE—including its name—means it should follow the Alleluia.) And imagine endlessly repeating “Alleluia” during Holy Communion at every single Mass. It was all part of an effort to convince people that Holy Communion was historically a procession (which it wasn’t).
    —Jeff Ostrowski
    “Canonic” • Ralph Vaughan Williams
    Fifty years ago, Dr. Theodore Marier made available this clever arrangement (PDF) of “Come down, O love divine” by P. R. Dietterich. The melody was composed in 1906 by Ralph Vaughan Williams (d. 1958) and named in honor of of his birthplace: DOWN AMPNEY. The arrangement isn’t a strict canon, but it does remind one of a canon since the pipe organ employs “points of imitation.” The melody and text are #709 in the Brébeuf Catholic Hymnal.
    —Jeff Ostrowski

Random Quote

“We must strip from our Catholic prayers and from the Catholic liturgy everything which can be the shadow of a stumbling block for our separated brethren—that is, for the Protestants.”

— Monsignor Annibale Bugnini (March, 1965) in L’Osservatore Romano

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