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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Looking for a Good Lenten Devotion? Try the Seven Sorrows Rosary

Keven Smith · February 1, 2021

HE CHRISTMAS CYCLE OFFICIALLY ENDS with the Feast of the Purification on February 2. In the Extraordinary Form, we don’t just jump straight into Lent. We have the season of Septuagesima as our time of preparation. Septuagesima isn’t technically a penitential season. But the violet vestments, suppression of the Gloria, and replacement of the Alleluia with a Tract help us transition from Christmas joy to Lenten penances.

Regardless of which Mass you attend, you’re probably thinking about spiritual practices to adopt during Lent. If you’re in the market, allow me to recommend the Rosary of the Seven Sorrows of Our Lady.

For each of the seven sorrows, we are to pray an Our Father and seven Hail Marys (so they’re not decades, strictly speaking). It’s customary to pray introductory and concluding prayers, too, although these seem to vary from one source to the next.

If you’d like to gain a thorough understanding of the Seven Sorrows and can spare an hour, look to Fr. Chad Ripperger:

Why pray the Seven Sorrows Rosary? It’s a venerable practice. The Servite order developed a devotion to Our Lady’s sorrows shortly after their founding in the thirteenth century. The Feast of the Seven Sorrows of the Blessed Virgin Mary has been celebrated regionally since the fifteenth century. Benedict XIII added it to the general calendar in 1727.

The Seven Sorrows Rosary puts us in touch with Our Lord’s Passion, seen through the eyes of Our Lady. It can ease our burden in tough times. It can pierce the heart to make us more tender and compassionate. It has been a lifeline for me during these troubling times. I’ve never had a closer relationship with Our Lady than I do now, simply because I began praying this special rosary daily last summer.

We don’t want to pray out of pure self-interest. But it’s hard not to be impressed by the seven promises Our Lady made to St. Bridget of Sweden for those who pray this rosary daily:

  1. I will grant peace to their families.
  2. They will be enlightened about the divine Mysteries.
  3. I will help them in their work and console them in their pains.
  4. I will give them as much as they ask for, as long as it does not oppose the adorable will of my divine Son or the sanctification of their souls.
  5. I will defend them in their spiritual battles with the devil and protect them at every instant of their lives.
  6. I will visibly help them at the moment of their death—they will see the face of their mother.
  7. I have obtained this grace from my divine Son: those who propagate this devotion will be taken directly from this earthly life to eternal happiness, since all their sins will be forgiven and my Son will be their everlasting consolation and joy.

Our Lady of Sorrows answers prayers. I’ve found that she sometimes answers smaller requests with almost hilarious promptness. And for larger requests, she is generous about sending little signs of progress and hope.

There are special rosaries designed for this devotion. Some websites and apps provide helpful meditations for each sorrow. I like this app for iOS, though it contains several unfortunate typos.

Notice that last promise to St. Bridget: those who promote this devotion can skip Purgatory. So don’t just pray the Seven Sorrows Rosary. Pass it along.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

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Filed Under: Articles Tagged With: our lady of sorrows Last Updated: February 1, 2021

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About Keven Smith

Keven Smith, music director at St. Stephen the First Martyr, lives in Sacramento with his wife and five musical children.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Good Friday Flowers
    Good Friday has a series of prayers for various parties: the pope, catechumens, pagans, heretics, schismatics, and so forth. In the old liturgical books, there was no official ‘name’ for these prayers. (This wasn’t unusual as ‘headers’ and ‘titles’ for each section is a rather modern idea.) The Missal simply instructed the priest to go to the Epistle side and begin. In the SHERBORNE MISSAL, each prayer begins with a different—utterly spectacular—flower. This PDF file shows the first few prayers. Has anyone counted the ‘initial’ drop-cap flowers in the SHERBORNE MISSAL? Surely there are more than 1,000.
    —Jeff Ostrowski
    Music List • (3rd Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 3rd Sunday of Lent (8 March 2026). If such a thing interests you, feel free to download it as a PDF file. This feast has magnificent propers. Its stern INTROIT (“Óculi mei semper ad Dóminum”) is breathtaking, and the COMMUNION (“Qui bíberit aquam”) with its fauxbourdon verses is wonderful. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski

Quick Thoughts

    “Dies Irae” • A Monstrous Translation
    It isn’t easy to determine what Alice King MacGilton hoped to accomplish with her very popular book—A Study of Latin Hymns (1918)—which continued to be reprinted in new editions for at least 34 years. This PDF file shows her attempt to translate the DIES IRAE “in the fewest words possible.” There’s a place for dynamic equivalency, but this is repugnant. In particular, look what she does to “Quærens me sedísti lassus.”
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski
    Grotesque Pairing • “Passion Chorale”
    One of our rarest releases was undoubtably this PDF scan of the complete Pope Pius XII Hymnal (1959) by Father Joseph Roff, a student of Healey Willan. One of the scarcest titles in existence, this book was provided to us by Mr. Peter Meggison. Back in 2018, we scanned each page and uploaded it to our website, making it freely available to everyone. Readers are probably sick of hearing me say this, but just because we upload something that doesn’t necessarily mean it’s wonderful or worthy of imitation. We upload many publications precisely because they are ‘grotesque’, interesting, or revealing. Whereas the Brébeuf Catholic Hymnal had an editorial board that was careful and sensitive vis-à-vis pairing texts with tunes, the Pope Pius XII Hymnal (1959) seems to have been rather reckless in this regard. Please take a look at what they did with the PASSION CHORALE and see whether you agree.
    —Jeff Ostrowski

Random Quote

The representative Protestant collection, entitled “Hymns, Ancient and Modern”—in substance a compromise between the various sections of conflicting religious thought in the Establishment—is a typical instance. That collection is indebted to Catholic writers for a large fractional part of its contents. If the hymns be estimated which are taken from Catholic sources, directly or imitatively, the greater and more valuable part of its contents owes its origin to the Church.

— Orby Shipley (1884)

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  • “Dies Irae” • A Monstrous Translation

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